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Andy K (10821 KP) rated 12 Monkeys (1995) in Movies
Aug 1, 2018
A modern classic!
I recently watched the Comedy Central Roast of Bruce Willis which wasn't very good, but did show clips of many Willis films. You forget how many very good films he was in back in the day (not so much now) including 12 Monkeys.
Any time travel film is always going to mess with your brain a little and become more confusing the more you think about it; however, this one still holds up.
Willis plays his again everyman sent back in time to try and discover details about a mysterious disease which ravages the entire world in the future he comes from. Enough twists and turns to keep you guessing and a hilarious supporting role for Brad Pitt.
Any time travel film is always going to mess with your brain a little and become more confusing the more you think about it; however, this one still holds up.
Willis plays his again everyman sent back in time to try and discover details about a mysterious disease which ravages the entire world in the future he comes from. Enough twists and turns to keep you guessing and a hilarious supporting role for Brad Pitt.
Andy K (10821 KP) created a post in Dear Smashbomb....
Sep 8, 2018
David McK (3219 KP) rated Deep Impact (1998) in Movies
Aug 12, 2020
\summer, 1998.
There's two movies out about an asteroid hurtling towards earth, and the mission to stop them.
In one, (parts of) the Asteroid hits.
In the other, a vest-less Bruce Willis saves the day.
This is the first.
Perhaps lacking the star power of the second (Bruce Willis, Liv Tyler, Ben Affleck, Billy Bob Thornton), this one has Morgan Freeman as the President of the US in tenure as the asteroid hurtles towards earth, and Tea Leoni as the journalist who breaks the story. A pre-LOTR Elijah Woods also pops up to provide the 'everyman' view of the situation, as the high school kid who first discovers the comet hurtling our way.
A bit slow getting started, and definitely a more thoughtful approach to the impending end-of-the-world scenario than Armageddon
There's two movies out about an asteroid hurtling towards earth, and the mission to stop them.
In one, (parts of) the Asteroid hits.
In the other, a vest-less Bruce Willis saves the day.
This is the first.
Perhaps lacking the star power of the second (Bruce Willis, Liv Tyler, Ben Affleck, Billy Bob Thornton), this one has Morgan Freeman as the President of the US in tenure as the asteroid hurtles towards earth, and Tea Leoni as the journalist who breaks the story. A pre-LOTR Elijah Woods also pops up to provide the 'everyman' view of the situation, as the high school kid who first discovers the comet hurtling our way.
A bit slow getting started, and definitely a more thoughtful approach to the impending end-of-the-world scenario than Armageddon
Dean (6921 KP) rated The Jackal (1997) in Movies
Apr 30, 2018
Finally got round to seeing this, been meaning to for years! This is a very enjoyable action/thriller centered around a hunt for an elusive hitman. The emphasis is definitely on the action, seeing Willis go through about 10 different looks as a master of disguise was fun. The tension builds as the day of the hit gets closer, will the FBI and Russian agents be able to stop him? This has a great cast including Richard Gere, Sidney Poitier and even Jack Black makes an early film appearance. The whole Manhunt, assassin films have been done bigger and better since this was made. However this is still a classy enjoyable film.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Corridor (The Corridor Duology, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It seems, that <b>books relating to parallel universes are like mermaid books and contemporary books</b>: I either get along with them, or I don't get along with them.
It's no brainer that <b>a book involving parallel universes as <i><a title="A Thousand Pieces of You by Claudia Gray" href="https://bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray/"; target="_blank" rel="noopener">A Thousand Pieces of You</a></i> and <i>The Corridor</i> have would be extremely scientific in its explanation</b>. An information dump is (or maybe just a dumbing down of information) bound to happen if the authors want me to make sense of their parallel universes.
But somehow, <b>I enjoyed a story concocted by A.N. Willis far more than a story concocted by Claudia Gray</b> (parallel universes related I DO like Claudia Gray's other works), even if my first thoughts reading the first chapter was, "Oh, no. Parallel universes. Please don't disappoint me, A.N. Willis."
I find that I'm actually not disappointed I really enjoyed the first book in the <i>Corridor</i> series, and <b>I was pretty engrossed with Willis' writing. I wanted to know more than what the author actually wrote</b> Estele's power, Dr. Taber's betrayal years ago. <b>I even found myself interested in the science of the universes that the scientists were seeing and the different "Earths" Estele visits using her power.</b> And I am not generally a science person, regardless of the fact I think Chemistry is easy and passed it with a fabulous A-.
(Maybe I'm a chemistry kid rather than a physical science or biology kid. I guess I can't run away from math after all. What if I'm an accountant one day?!?!?! I won't complain, of course, since it's baby math...)
<b>There were moments that I found myself confused on which Earth the characters were talking about each world has different names for each of the other Earth</b>. The original Earth simply went with First Earth, Second Earth, and possibly so and so forth if they found any more. Estele went with calling First Earth and Second Earth whatever the scientists called them, and came up with names that were significant to that Earth when she first visits. Another version of Earth was further advanced and found more twelve Earths in total, and went with the zodiac in naming each of them. I found that <b>while the more advanced Earth was far more complicated, Estele's version seemed to make things a lot more clearer in matching up the Earths.</b>
Possibly <b>the biggest difference between <i>A Thousand Pieces of You</i> and <i>The Corridor</i> was how Marguerite actually uses a device while Estele somehow has a power to travel across worlds.</b> I personally found that really cool and interesting, and as mentioned earlier, I wanted to know more about that power as much as Estele did.
By the time I actually got to the end of the book, I was pretty disappointed... in a good way. I suppose Willis did disappoint me after all. <b>I honestly have no clue where the author is going with the series</b>, but I'm hoping the sequel will be just as good as the first one is.
<a href="https://bookwyrmingthoughts.com/arc-review-the-corridor-by-an-willis/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Patrick Wilson recommended Die Hard (1988) in Movies (curated)
Kirk Bage (1775 KP) rated Moonlighting in TV
Aug 6, 2020
Contains spoilers, click to show
Another dip into the retro TV archive as part of that odd period in lockdown when all I could do for my watching fix was find old shows with full episodes on You Tube. My favourite show when I was a teenager happened to be one of those, with most of seasons 1 and 5 out there, and a small selection from the middle years.
If you were to make a time capsule to show aliens what the mid to late 80s looked like, look no further than this madcap rom-com drama that ran for 66 episodes between 1985 and 1989. The shoulder pads, the hairdos, the slip on shoes, the large chunks of cheesiness, it’s all there. Some of the coloured silks Maddie Hayes (Cybill Shepherd) wears have to be seen to be believed.
It was the first show to get free reign creatively from a network, with ABC trusting Glenn Gordon Carol, fresh from success with Remington Steele, to create something cool and hip. At the peak of its success it was costing $1.6m per episode, with Bruce Willis’ pay check becoming a big chunk of that, as his ego inflated and his star rose.
They auditioned close to 600 actors for the role of glib, fast talking sleuth David Addison, before taking a risk on an out of work nobody the producers had heard singing karaoke in an LA bar. The phenomenal buzz around Bruce Willis in 1985 is hard to imagine now, but he was literally the biggest star on TV, and once Die Hard came along in 1988, he gave the movie star thing a good go too.
Famous for its post-modern take on episode content, with overlapping dialogue, direct address to camera, in jokes and endless references to current events and the show itself, it was a knowingly self-conscious misfit. Nothing had ever been like this. Nothing, even close. It was funny, cool, had mass appeal and could seemingly do no wrong, breaking ratings records all over the place.
But all was not paradise on set. Shepherd and Willis were never pals, and at the worst actively despised one another, often refusing to film scenes if they thought the other one was too much the focus – which in Shepherd’s case was often a weird anachronistic soft focus, that attempted to make her look like a vintage movie star. They argued, fell out, made up and threw tantrums just like the characters they played. And scripts for the unusual hour long format were often so late, they filmed filler scenes whilst they were being finished on set!
This allowed for an unparalleled voice in American TV land. They got away with some very terse comments and innuendo bordering on smut, that slipped under the network radar, simply because the show was being edited minutes before it was shown. By season four it was really falling apart, as episodes got more surreal and used the breaking of the fourth wall more often, in a desperate attempt just to keep going.
Ostensibly, it was a detective show. But it was never about the cases. The sleuthing was only a background to the will they won’t they romance of Maddie and David, facilitated by the ever present Allyce Beasley as Agnes DiPesto, the rhyming receptionist, that was the only other cast member to appear in all 66 shows apart from the two stars. Early on the mystery plots and crimes to be solved were taken semi seriously; with a peak in season three where it actually approached proper drama. But by the end it was all about Willis goofing around, at the expense of any recognisable story.
Let’s face it, looking back on it now it has aged a whole bunch in a lot of bad ways. You aren’t really going to indulge in it for anything other than nostalgia reasons. But I was a huge, huge fan, and so for me it was a real trip to see it again. I never missed it as a kid, and would sulk if anything threatened to stop me watching it as it aired. I had every episode taped on VHS and could quote entire episodes, I had watched them so much.
It all ended too soon for me, but not soon enough for them. Shepherd got pregnant, Willis took the break to go and make some mid budget action film, and the rest is history. To this day, footage of them reminiscing about it is a fascinating but awkward watch, as they clearing still can’t agree on anything and thinly veil their contempt for each other. Willis’ ego does not come out of it well, but David Addison will always remain the one character that formed my personality via TV in those days, for better or worse.
If you were to make a time capsule to show aliens what the mid to late 80s looked like, look no further than this madcap rom-com drama that ran for 66 episodes between 1985 and 1989. The shoulder pads, the hairdos, the slip on shoes, the large chunks of cheesiness, it’s all there. Some of the coloured silks Maddie Hayes (Cybill Shepherd) wears have to be seen to be believed.
It was the first show to get free reign creatively from a network, with ABC trusting Glenn Gordon Carol, fresh from success with Remington Steele, to create something cool and hip. At the peak of its success it was costing $1.6m per episode, with Bruce Willis’ pay check becoming a big chunk of that, as his ego inflated and his star rose.
They auditioned close to 600 actors for the role of glib, fast talking sleuth David Addison, before taking a risk on an out of work nobody the producers had heard singing karaoke in an LA bar. The phenomenal buzz around Bruce Willis in 1985 is hard to imagine now, but he was literally the biggest star on TV, and once Die Hard came along in 1988, he gave the movie star thing a good go too.
Famous for its post-modern take on episode content, with overlapping dialogue, direct address to camera, in jokes and endless references to current events and the show itself, it was a knowingly self-conscious misfit. Nothing had ever been like this. Nothing, even close. It was funny, cool, had mass appeal and could seemingly do no wrong, breaking ratings records all over the place.
But all was not paradise on set. Shepherd and Willis were never pals, and at the worst actively despised one another, often refusing to film scenes if they thought the other one was too much the focus – which in Shepherd’s case was often a weird anachronistic soft focus, that attempted to make her look like a vintage movie star. They argued, fell out, made up and threw tantrums just like the characters they played. And scripts for the unusual hour long format were often so late, they filmed filler scenes whilst they were being finished on set!
This allowed for an unparalleled voice in American TV land. They got away with some very terse comments and innuendo bordering on smut, that slipped under the network radar, simply because the show was being edited minutes before it was shown. By season four it was really falling apart, as episodes got more surreal and used the breaking of the fourth wall more often, in a desperate attempt just to keep going.
Ostensibly, it was a detective show. But it was never about the cases. The sleuthing was only a background to the will they won’t they romance of Maddie and David, facilitated by the ever present Allyce Beasley as Agnes DiPesto, the rhyming receptionist, that was the only other cast member to appear in all 66 shows apart from the two stars. Early on the mystery plots and crimes to be solved were taken semi seriously; with a peak in season three where it actually approached proper drama. But by the end it was all about Willis goofing around, at the expense of any recognisable story.
Let’s face it, looking back on it now it has aged a whole bunch in a lot of bad ways. You aren’t really going to indulge in it for anything other than nostalgia reasons. But I was a huge, huge fan, and so for me it was a real trip to see it again. I never missed it as a kid, and would sulk if anything threatened to stop me watching it as it aired. I had every episode taped on VHS and could quote entire episodes, I had watched them so much.
It all ended too soon for me, but not soon enough for them. Shepherd got pregnant, Willis took the break to go and make some mid budget action film, and the rest is history. To this day, footage of them reminiscing about it is a fascinating but awkward watch, as they clearing still can’t agree on anything and thinly veil their contempt for each other. Willis’ ego does not come out of it well, but David Addison will always remain the one character that formed my personality via TV in those days, for better or worse.
Lee KM Pallatina (951 KP) rated Friends in TV
Aug 30, 2019
The one with all the FRIENDS
Friends is a show about 6 people-
siblings Ross and monica Gellar (still suffering with sibling rivalry) monicas neighbours from across the hall Joey tribbiani (a struggling actor, with the IQ of a child but a heart of gold) and Chandler Bing (the groups comedian and Ross's college roommate) monica's High school bestie Rachel Green ( queen Rachel. Who does whatever she wants in her little Rachel land) & phoebe buffay (wacky, unpredictable and very odd).
The characters and their daily lives are what makes this show great as it mirrors the reality of every day people, although there have been shows since it ended that have had a similar impact on viewers, none have truly come close to being as genuine.
Heart warming storylines, legendary one liners and quotes we all still use today, there's Love, Laughter, Lust, Loss and great cameos from brad Pitt, Jeff Goldblum, Robin Williams, Paul Rudd, Bruce Willis and so many more, it's easy to see why after nearly 20yrs since it ended, it's still here.
Its 2019 & I have personally watched this show from beginning to end (with a little help from Netflix) 7 times an will continue to do so.
siblings Ross and monica Gellar (still suffering with sibling rivalry) monicas neighbours from across the hall Joey tribbiani (a struggling actor, with the IQ of a child but a heart of gold) and Chandler Bing (the groups comedian and Ross's college roommate) monica's High school bestie Rachel Green ( queen Rachel. Who does whatever she wants in her little Rachel land) & phoebe buffay (wacky, unpredictable and very odd).
The characters and their daily lives are what makes this show great as it mirrors the reality of every day people, although there have been shows since it ended that have had a similar impact on viewers, none have truly come close to being as genuine.
Heart warming storylines, legendary one liners and quotes we all still use today, there's Love, Laughter, Lust, Loss and great cameos from brad Pitt, Jeff Goldblum, Robin Williams, Paul Rudd, Bruce Willis and so many more, it's easy to see why after nearly 20yrs since it ended, it's still here.
Its 2019 & I have personally watched this show from beginning to end (with a little help from Netflix) 7 times an will continue to do so.
Gareth von Kallenbach (971 KP) rated Live Free or Die Hard (2007) in Movies
Aug 14, 2019
Computers have become such a mainstay of modern life that few of us even stop to imagine just how much of our lives are affected by them. In the course of a standard day, everything from the lights at the corner, offices, banks, and even the cars we drive are all governed in some ways by computers.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
In the latest chapter in the Die Hard series, “Live Free or Die Hard”, audiences are given a glimpse of what could happen should a massive attack on our nation’s computer network occur, and shown how life as we know it could be severely altered without our digital creations monitoring the numerous tasks to which they have been assigned.
For Detective John McClane, (Bruce Willis), being in the wrong place at the right time has become par for the course, when his routine transportation of a suspected hacker named Matt Farrell (Justin Long), soon has him in a heated shootout, he realizes this is not going to be just another day at the office.
The nations computer network has come under attack by a cyber terrorist named Thomas Gabriel (Timothy Olyphant), and in short order everything has shut down, and the cities of the country are in total chaos.
Since the bad guys have been so intent on silencing Matt, John becomes his guardian as the two try to unravel the master plan behind the attacks, and stay one step ahead of the legion of hired goons.
This is no easy task as seemingly every step of the way the duo are under attack from all fronts from an unseen enemy that can strike anywhere, and often without warning which results in some truly inspired and impressive action sequences.
In a race against time, old school cop McClane must rely on the tech fluent Matt as he once again finds himself the only man who can save the day before the world as we know it is lost.
This “Die Hard” is a real treat as it is the rare summer offering that not only lives up to the hype and promise, but surpasses it. Willis reportedly waited to find the write script and director (Len Wiseman of the “Underworld” films); to bring the next chapter to the series and it is a dynamic and effective pairing.
Wiseman is a fan of the series and as a teen was influenced by the earlier films in the series. His love and understanding of the characters and subject matter is clear as he stages very clever and entertaining action sequences that while thrilling, never take the place of the human elements of the film.
The film is clearly about McClane and his reluctant heroics as he laments that being a hero is not all that it is cracked up to be, and the aftermath of such actions often make for a life filled with baggage.
Willis is in top form, as he comfortably steps back into the familiar role and throws himself physically into a very demanding role, where he insisted upon doing the majority of his stunt work. His gritty approach to the character pays off, as McClane is not some super-powered character; he is a normal man, with faults who is driven to do his part when needed.
The film does take a brief pause about 80 minutes into the nearly two hour run time to expand on some of the characters and the plot, but ramps up for an amazing finale that has some of the best action and stunt work in recent memory.
It was reported that Wiseman kept CGI effects to a minimum for many sequences in order to give them a more realistic look, and in doing so, has crafted a true gem.
Some people have complained about the film being “toned down” to PG-13 but I can tell you that there is just as much action, violence, and body count as any film in the series; they were just not overly gratuitous with the use of blood. That being said, at no point did I get the impression I was watching a sanitized film, I was too busy enjoying a solid action film that takes the audience on one hell of a thrilling ride.
Gareth von Kallenbach (971 KP) rated 16 Blocks (2006) in Movies
Aug 14, 2019
A burnt out cop with a bad limp and a taste for the bottle has just finished his shift and is looking forward to heading home for some rest. Sadly for Detective Jack Mosley (Bruce Willis), his day is about to get much longer than he expected.
On his way out of the precinct, his Lieutenant tasks him to escort a prisoner named Eddie Bunker (Mos Def), 16 blocks in 90 minutes so he can testify before a jury. Since the jury will disband in 90 minutes, it is vital that Eddie appear before them or else months of work in a prime case will be lost.
Jack is less than thrilled to be stuck with Eddie as his high voice and rapid fire style of speech really annoy Jack, who decides to take a detour from the non stop rants of Eddie to purchase a bottle of alcohol so he can drown his sorrows.
No sooner does Jack complete his purchase at a favorite store than an attempt is made on Eddie by armed men forcing Jack and Eddie to flee on foot and take refuge in a local bar where they are soon met by detective Frank Nugent (David Morse), who said he was in the area and responded to Jack’s call for assistance.
Frank informs his former partner Jack that he is escorting a snitch who is about to give evidence that will implicate many cops who were simply doing business. Frank suggests that Jack head home and rest while he cleans up the problem by taking charge of Eddie.
When Jack learns that Frank and his associates intend to kill Eddie to keep him from testifying, Jack decides to defend Eddie and the two of them begin a deadly race against the clock as they attempt to not only get Eddie to the courthouse in time, but to simply stay alive against a cadre of corrupt cops.
Since he went up against fellow cops, Jack is reported as a rogue who turned on fellow officers, which leaves him with nowhere to turn and without backup as he attempt to stay one step ahead of the relentless Frank and his associates as they venture from one city block to another in order to stay alive. Along the way, the two men bond, and Jack begins to learn that what Eddie knows will get them all killed and that in a city the size of New York, there are precious few places to hide, when people are determined to find you.
The solid pacing of the film and the quality work by Morse, Willis, and Mos Def keeps 16 Blocks an entertaining and engaging film. The chemistry amongst the leads draws you in more than most typical action dramas do, as you find yourself caring about the two individuals and want them to succeed.
Director Richard Donner has dialed down his usual explosions but has not sacrificed the action as it is always appropriate to the story and never seems tacked on. The film does loose some steam towards the end but does ultimately arrive at a conclusion that makes the trip worthwhile.
The film does borrow in parts from the classic Clint Eastwood film “The Gauntlet”. Even down to the heroes taking refuge in a city bus and attempted to evade the police in the bus amidst an armada of armed officers who are looking to shoot first and ask questions later.
If you are a fan of Willis or Mos Def and like action dramas, then 16 Blocks is a trip well worth taking.
On his way out of the precinct, his Lieutenant tasks him to escort a prisoner named Eddie Bunker (Mos Def), 16 blocks in 90 minutes so he can testify before a jury. Since the jury will disband in 90 minutes, it is vital that Eddie appear before them or else months of work in a prime case will be lost.
Jack is less than thrilled to be stuck with Eddie as his high voice and rapid fire style of speech really annoy Jack, who decides to take a detour from the non stop rants of Eddie to purchase a bottle of alcohol so he can drown his sorrows.
No sooner does Jack complete his purchase at a favorite store than an attempt is made on Eddie by armed men forcing Jack and Eddie to flee on foot and take refuge in a local bar where they are soon met by detective Frank Nugent (David Morse), who said he was in the area and responded to Jack’s call for assistance.
Frank informs his former partner Jack that he is escorting a snitch who is about to give evidence that will implicate many cops who were simply doing business. Frank suggests that Jack head home and rest while he cleans up the problem by taking charge of Eddie.
When Jack learns that Frank and his associates intend to kill Eddie to keep him from testifying, Jack decides to defend Eddie and the two of them begin a deadly race against the clock as they attempt to not only get Eddie to the courthouse in time, but to simply stay alive against a cadre of corrupt cops.
Since he went up against fellow cops, Jack is reported as a rogue who turned on fellow officers, which leaves him with nowhere to turn and without backup as he attempt to stay one step ahead of the relentless Frank and his associates as they venture from one city block to another in order to stay alive. Along the way, the two men bond, and Jack begins to learn that what Eddie knows will get them all killed and that in a city the size of New York, there are precious few places to hide, when people are determined to find you.
The solid pacing of the film and the quality work by Morse, Willis, and Mos Def keeps 16 Blocks an entertaining and engaging film. The chemistry amongst the leads draws you in more than most typical action dramas do, as you find yourself caring about the two individuals and want them to succeed.
Director Richard Donner has dialed down his usual explosions but has not sacrificed the action as it is always appropriate to the story and never seems tacked on. The film does loose some steam towards the end but does ultimately arrive at a conclusion that makes the trip worthwhile.
The film does borrow in parts from the classic Clint Eastwood film “The Gauntlet”. Even down to the heroes taking refuge in a city bus and attempted to evade the police in the bus amidst an armada of armed officers who are looking to shoot first and ask questions later.
If you are a fan of Willis or Mos Def and like action dramas, then 16 Blocks is a trip well worth taking.
BankofMarquis (1832 KP) Aug 2, 2018
Andy K (10821 KP) Aug 2, 2018