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LeftSideCut (3776 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
Ross (3284 KP) rated Squeeze Me in Books
Oct 13, 2020
It's hard to satirise the most absurd president in history
I received a free advance copy of this book in exchange for an honest review.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
I am quite a big fan of Carl Hiaasen, having discovered his quirky corrupt Floridian crime novels as a recommendation for fans of Chris Brookmyre. His books are filled with pollution, government corruption, and bizarre things happening to extreme characters.
Squeeze Me follows the strange disappearance of a rich old fan of the president (who isn't explicitly named but is a bulky chap who likes a tanning bed and has a younger, more attractive wife) at one of her many charity balls near her winter Florida home. Coincidentally, pest control expert Angie Armstrong is asked to dispose of a large, engorged python from the property. There then follows a rollicking tale of cover-ups, dodgy gangsters, racial intolerance, extra-marital affairs and murder, and a small appearance from everyone's favourite governor-turned-hobo-eco-terrorist.
This book is fairly typical of Hiaasen, with all the different characters crossing paths through unlikely events and plots. However, his books are famed for their extreme, unbelievable bad guys: the hoods hired to do a corrupt supposedly honest businessman/government official's dirty work. We have had someone in the past whose hand was bitten off and replaced with a weed-whacker, someone who was hooked on steroids and raped by a dolphin etc. This book is sadly lacking of such characters, as all the bad guys are fairly textbook thugs or criminals.
Also, Hiaasen readers are used to the unbelievable corruption at the hands of government officials, but when the real life president is so corrupt and unethical, any such corruption will struggle in comparison to the real thing. The president is more of a bumbling oaf who hires one man purely to service his sunbeds, another as a body double to test them out before he uses them. His racial hatred of non-North Americans is present, but becomes a small part of his character here.
This is a book about the bizarre adulation towards the president in those who are in his outer inner circle and clamouring for his attention, and the industry that builds up around them.
It is a little bit of a letdown from Hiaasen's best work, but still a great crime and corruption caper.
Matthew Krueger (10051 KP) rated Star Wars: Episode V – The Empire Strikes Back (1980) in Movies
May 6, 2020 (Updated May 6, 2020)
May The Force Be With You: The Middle
Empire Strikes Back- i heard that this movie is peoples, all time greatest/best sequel and the best movie out of the oringal trilogy. To me, no. Episode 4 and 6 are better. Their are excellent sences like.. the battle at Hoth, when Han gets Frozen and the battle between Dark Vader and Luke. The rest of the movie is slow and boring.
The plot: The adventure continues in this "Star Wars" sequel. Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Princess Leia (Carrie Fisher) and Chewbacca (Peter Mayhew) face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader (David Prowse).
To me their are better movie sequels than this one like.. "Back To The Future Part II", "Lord of The Rings: The Two Towers", "The Dark Knight", "Captain America: The Winter Soilder", "Toy Story 2", "Terminator 2: Judgement Day" and "Aliens". All of these sequels are 10x better than Empire Strikes Back.
AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years...100 Thrills – Nominated
AFI's 100 Years...100 Heroes and Villains:
Darth Vader – No. 3 Villain
AFI's 100 Years...100 Movie Quotes:
"I am your father." – Nominated
"Do, or do not. There is no try." – Nominated
AFI's 100 Years...100 Movies (10th
Anniversary Edition) – Nominated.
Darth Vader was ranked as the third-greatest film villain of all time in the American Film Institute's 2003 list of the 100 greatest heroes and villains, and Wizard magazine selected the ending of The Empire Strikes Back as the greatest cliffhanger of all time.
The line "No, I am your father" is often misquoted as "Luke, I am your father." The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American film quotes.
I think Empire Strikes Back, even though its good. Its overrated and hyped up, to the point were its not just not as good as people say it is.
Like i said its good, but not excellent.
The plot: The adventure continues in this "Star Wars" sequel. Luke Skywalker (Mark Hamill), Han Solo (Harrison Ford), Princess Leia (Carrie Fisher) and Chewbacca (Peter Mayhew) face attack by the Imperial forces and its AT-AT walkers on the ice planet Hoth. While Han and Leia escape in the Millennium Falcon, Luke travels to Dagobah in search of Yoda. Only with the Jedi master's help will Luke survive when the dark side of the Force beckons him into the ultimate duel with Darth Vader (David Prowse).
To me their are better movie sequels than this one like.. "Back To The Future Part II", "Lord of The Rings: The Two Towers", "The Dark Knight", "Captain America: The Winter Soilder", "Toy Story 2", "Terminator 2: Judgement Day" and "Aliens". All of these sequels are 10x better than Empire Strikes Back.
AFI's 100 Years...100 Movies – Nominated
AFI's 100 Years...100 Thrills – Nominated
AFI's 100 Years...100 Heroes and Villains:
Darth Vader – No. 3 Villain
AFI's 100 Years...100 Movie Quotes:
"I am your father." – Nominated
"Do, or do not. There is no try." – Nominated
AFI's 100 Years...100 Movies (10th
Anniversary Edition) – Nominated.
Darth Vader was ranked as the third-greatest film villain of all time in the American Film Institute's 2003 list of the 100 greatest heroes and villains, and Wizard magazine selected the ending of The Empire Strikes Back as the greatest cliffhanger of all time.
The line "No, I am your father" is often misquoted as "Luke, I am your father." The line was selected as one of the 400 nominees for the American Film Institute's 100 Years... 100 Movie Quotes, a list of the greatest American film quotes.
I think Empire Strikes Back, even though its good. Its overrated and hyped up, to the point were its not just not as good as people say it is.
Like i said its good, but not excellent.
Debbiereadsbook (1449 KP) rated Fox Tale (Sacred Emblems #0) in Books
Apr 27, 2024
great reading about Japan.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Ava is in Japan, writing a travel article. Meeting Chase, with his wonderful tales of Japanese myths and legends, helps her write a different take. But she never expected to meet up with her ex, Rafe, who left her two years ago without a word. Both men are hiking things. Can Ava choose?
I don't read reviews before I read a book, not anymore, but I will read them AFTER I've read said book, but before I write my review for one reason only: did they feel the same about this book as I did.
In this case: nope. They all loved this book and I . . . didn't.
I'm not saying I didn't like this book, I just found it hard work.
It's almost all written from Ava's point of view, in the first person. Rafe gets two very small bits, not even a chapter, in the third. I needed more from Rafe, and Chase, to be fair, to offset Ava.
There is a huge amount of repeated wording. Mostly around how Ava feels and thinks about Chase. "Apart from his silver hair, he looks young" or words to that effect are the most common. It began to get a bit much. "Seven hundred and seventy *something*, next winter" is another. The same things about the fox stories from Japanese lore pop up time and again too.
Apart from that, I liked this book. I couldn't see where it was going, nor how it was getting there, so when it did all go down, I was surprised and I liked the way it all happened.
Although there is the repetition of the lore, I did enjoy reading about the Japanese traditions and myths and legends.
There are some difficult topics here: death of a spouse, suicide, mental health issues and readers do need to be aware. Things are not how they seem, however, but the warning still needs to be made.
This is the first I've read of this author, and I always ask myself, will I read more? Not at this time. I won't say no to reading something else at a later date though.
3 good stars
*same worded review will appear elsewhere
Gareth von Kallenbach (980 KP) rated Django Unchained (2012) in Movies
Aug 7, 2019
Writer-director Quentin Tarantino has returned in a big way with “Django Unchained” his homage to spaghetti Westerns. The film stars Jamie Foxx as a slave named Django who is part of a convoy of slaves being transported through Texas two years before the start of the Civil War. Django is unaware that his life is about to take a monumental turn when his caravan encounters Dr. King Schultz (Christoph Waltz) one dark evening. Schultz wishes to purchase Django, and when his current owners make the mistake of threatening the good doctor, he quickly turns the table on them and sets Django and his fellow slaves free. Schultz reveals to Django that he is in fact a bounty hunter and needs him to help identify three potential targets. Since Django last lived at the plantation where the three targets worked as overseers, he is essential to Schultz’s hunt. Schultz offers to free Django and pay him $75.00 for his assistance and the duo set off on their mission.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
Some truly action-packed and hysterical scenes later, Schultz realizes that Django is an absolute natural for the business and decides to take him on for the winter as an assistant, even going so far as to offer to share one third of his bounties with them. In return, Schultz also offers to help Django reclaim his wife who was sold to a plantation somewhere in Tennessee. Schultz rationalizes that to show up now would be extremely dangerous, therefore the duo must wait out the winter earning money before embarking on their rescue mission.
The hard work of the team pays off and they learn that Django’s wife has been sold to one of the largest plantations under the ownership of Calvin Candie (Leonardo di Caprio), a despotic plantation owner who is as greedy as he is cruel. Despite having more money than he could ever use, Calvin likes to force certain members of his slaves to fight to the death. Schultz and Django decide to use this angle as their chance to get close to Calvin so they can verify that Django’s wife is indeed at the plantation and determine what it will take to buy or obtain her freedom. This proves to be no easy task as not only is Calvin surrounded by an army hired guns, but he also has a very surly and suspicious head of a household named Stephen (Samuel L. Jackson), eyeing every move that the strangers make and questioning their actions.
What follows is a hyperkinetic storm of violence, fury, music, and color in the true Tarantino style. The director is never one to shy away from blood and violence and there are tons of it in the film. The amazing thing about it is despite being graphic and, in some cases, borderline gratuitous, it does not distract from the enjoyment of the film and its characters. The performances were absolutely amazing, especially the work of Waltz, Foxx, and diCaprio. Jackson also does very solid supporting work as does Don Johnson in his appearance as an uber-racist plantation owner. Waltz worked previously with Tarantino on “Inglorious Bastards”, and this is where the Austrian actor really gained notice by Hollywood. This time out he gives a captivating performance as the complex killer with a heart of gold.
While I understand Tarantino’s style is not for everybody, it’s hard not to be impressed with the way he is able to paint a picture, fill it with interesting and quirky characters, and quickly tear it all apart as things descend into utter chaos and destruction. You alternate between laughing, cheering, and being shocked all the way through the film’s nearly three-hour runtime. Yet rarely did the film ever seem to drag on unnecessarily. There was some loss of pacing as the characters converged on Calvin’s plantation, and some may question some of the character changes or gaps in logic in the film’s finale.
I believe this film is one of the best films of the year. It captured so much of what an action film and drama should have: interesting, complex and well-acted characters, a good story, and plenty of action. Those who are easily offended will want to take note that the language in the film is extremely rough and there is frequent uses of racials lurs, as well is derogatory comments made about the black characters in the film. While this is intended to show the mindset and lifestyle of the 1860s in which the film is set, some may find it unsettling if they go in unprepared.
That being said I can honestly say that this was the most enjoyable Tarantino film I have ever seen and could be his best work to date.
BankofMarquis (1832 KP) rated Avengers: Infinity War (2018) in Movies
May 5, 2018
Very good "culmination" of the last 10 years of Marvel Films
AVENGERS: INFINITY WAR is the best film in the Marvel Cinematic Universe.
Said to be the culmination of 10 years worth of Marvel films - and Marvel heroes - INFINITY WAR lives up to it's bill, bringing all the Marvel Universe heroes together to fight a "big bad" that is worthy of this sort of thing - THANOS.
Voiced by Josh Brolin, the CGI Thanos is powerful, destructive, razor-focused on his one purpose with moments of "humanity" that makes him an interesting villain. The filmmakers kept his motivation and machinations simple so you are never confused by this bad guy or what he is trying to do. What surprised me is that the filmmakers added another layer to this character that was a nice layer that really added to the character, his motivations and his personality.
As for the band of heroes brought together for this film, it works well. The criticisms I have heard is that no ONE hero stands out, so EVERY hero is in the background. I couldn't disagree more. I thought the evenness of the "screen time" was one of the strengths of this film, not focusing too much on one hero (or heroes), giving all time to shine - and focus on what they do best. There were moments of humor, drama, action and heroism sprinkled across all. But what really thrilled me was the different combinations that were put together, for these heroes all had different missions and assignments and some odd and interesting cross-film dynamics took shape. I won't give any of these away, but I thought they ALL dynamics blended together nicely.
This is definitely a "fan-boy" film, giving service to fans of all these films, characters - and comics and credit for that should go to filmmakers Anthony and Joe Russo (Directors of the previously best film in this series - CAPTAIN AMERICA: THE WINTER SOLDIER) who kept the action moving, the motivations of the participants simple and the effects dazzling.
One final note - this is the first part of a two part film, so it does end in a cliffhanger, one that works effectively well. As always with the Marvel films - but especially in this one - stay through to the end of the credits, the scene at the end of the credits sets up Part 2.
I thoroughly enjoyed my time at this film and can't wait to see the next one.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Said to be the culmination of 10 years worth of Marvel films - and Marvel heroes - INFINITY WAR lives up to it's bill, bringing all the Marvel Universe heroes together to fight a "big bad" that is worthy of this sort of thing - THANOS.
Voiced by Josh Brolin, the CGI Thanos is powerful, destructive, razor-focused on his one purpose with moments of "humanity" that makes him an interesting villain. The filmmakers kept his motivation and machinations simple so you are never confused by this bad guy or what he is trying to do. What surprised me is that the filmmakers added another layer to this character that was a nice layer that really added to the character, his motivations and his personality.
As for the band of heroes brought together for this film, it works well. The criticisms I have heard is that no ONE hero stands out, so EVERY hero is in the background. I couldn't disagree more. I thought the evenness of the "screen time" was one of the strengths of this film, not focusing too much on one hero (or heroes), giving all time to shine - and focus on what they do best. There were moments of humor, drama, action and heroism sprinkled across all. But what really thrilled me was the different combinations that were put together, for these heroes all had different missions and assignments and some odd and interesting cross-film dynamics took shape. I won't give any of these away, but I thought they ALL dynamics blended together nicely.
This is definitely a "fan-boy" film, giving service to fans of all these films, characters - and comics and credit for that should go to filmmakers Anthony and Joe Russo (Directors of the previously best film in this series - CAPTAIN AMERICA: THE WINTER SOLDIER) who kept the action moving, the motivations of the participants simple and the effects dazzling.
One final note - this is the first part of a two part film, so it does end in a cliffhanger, one that works effectively well. As always with the Marvel films - but especially in this one - stay through to the end of the credits, the scene at the end of the credits sets up Part 2.
I thoroughly enjoyed my time at this film and can't wait to see the next one.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Goddess in the Stacks (553 KP) rated The Girl in The Tower: The Winternight Trilogy in Books
Mar 22, 2018
The Girl in the Tower is the second in the Winternight Trilogy, after the acclaimed debut novel, The Bear and the Nightingale. It's always hard to talk about sequels without giving too much away about the preceding books, so forgive me if I'm vague. One advantage to waiting so long to read The Bear and the Nightingale was that I got to jump straight into the sequel! Now I have to several months for the third.
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
The Girl in the Tower revisits our heroine, Vasya, from the first book. Now she has left home to begin her adventures - though her travels are curtailed pretty quickly, and she's roped into going to Moscow with her brother and the Grand Prince, while disguised as a boy. While in Moscow she learns a little bit more about her family history, and I'm hoping the rest will be revealed in the third book this summer. (The Winter of the Witch is scheduled to release in August 2018.)
In this second book, Vasya has done some growing, and has learned to make use of the spirits she sees - she knows the hearth spirits can always find their families, and uses that trait to track a kidnapped girl when no one else can. So long as no one realizes what she's doing, she's fine. But Rus is in the crossover period between the old ways and the new, and if she's found talking to spirits, she'll be branded a witch all over again. She keeps her masquerade going through the first two-thirds of the book, but it's obvious it's going to fail eventually. The way in which it does is sudden and unexpected, and the repercussions are harsh.
And then there's Morozko, the Frost Demon, the god of death. I love Morozko. He's by necessity enigmatic - and in a rough position. I want he and Vasya to fall in love and have a happy ending - the attraction between them is impossible to miss - but immortal beings, in this world, can't love. If they love they lose their immortality. And, possibly, their lives entirely. I hope the author has a solution in mind for these two, because I currently don't see one.
I actually liked this one more than the first book, which is unusual. I liked the first one, but I wasn't blown away. This one pulled me in and didn't let me go. Amazing sequel, and I hope the third one lives up to this standard!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated Future Home of the Living God in Books
Mar 25, 2018
Minority Representation (1 more)
Interesting premise
NO ANSWERS (1 more)
No resolution
Well that was a waste of time. This book spends its entire length asking one real question. Will the main character's baby survive? There are a number of smaller questions - Will the baby be born normal? Why is evolution turning backwards, or sideways? What happened to the main character's father? What happened to her friend from the hospital? What happened to her husband? Does she ever find freedom?
THE BOOK ANSWERS NONE OF THESE QUESTIONS.
I am really frustrated with this book. Why did I bother reading it if it refuses to resolve any of its plotlines?
We're going to get a little bit into writing theory here. It has been a classic recommendation to have the climax of your book 2/3 of the way through the book, and have the last third be denouement. Wrap-up. Show us how the climax affected the characters and the world. John Green does this well - all his books follow a standard plot line. Character A is introduced. A meets B. B changes A's life. B leaves A's life. (Those last two are usually incorporated in the climax of the book.) A has to learn how to live without B in a world changed by B's existence in it. It's a little formulaic, but it works for Green, and his books are great. Some books do not do this so well. Wheel of Time had 5-6 pages of denouement after the series climax, and nothing was really revealed about how the events changed the world for the better. Future Home of the Living God had TWO. TWO PAGES AFTER THE CLIMAX. AND THEY ANSWER NOTHING. The main character talks about missing winter.
I finished the book and almost threw it across the room. I probably would have, except for two things: I was at a friend's house, and it was a library book. That's all that saved it from that fate. I have stacks of books I want to read, and I feel like I just wasted a few hours on this piece of crap.
The writing was actually pretty good, and the main character is an Ojibwe Indian, so there's minority representation, but the book as a whole was just CRAP. Wrap up your plotlines. Answer the questions you ask. (At least the ones having to do with your plot - you can leave unanswered philosophical questions, that's fine.)
Hard pass on this book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
THE BOOK ANSWERS NONE OF THESE QUESTIONS.
I am really frustrated with this book. Why did I bother reading it if it refuses to resolve any of its plotlines?
We're going to get a little bit into writing theory here. It has been a classic recommendation to have the climax of your book 2/3 of the way through the book, and have the last third be denouement. Wrap-up. Show us how the climax affected the characters and the world. John Green does this well - all his books follow a standard plot line. Character A is introduced. A meets B. B changes A's life. B leaves A's life. (Those last two are usually incorporated in the climax of the book.) A has to learn how to live without B in a world changed by B's existence in it. It's a little formulaic, but it works for Green, and his books are great. Some books do not do this so well. Wheel of Time had 5-6 pages of denouement after the series climax, and nothing was really revealed about how the events changed the world for the better. Future Home of the Living God had TWO. TWO PAGES AFTER THE CLIMAX. AND THEY ANSWER NOTHING. The main character talks about missing winter.
I finished the book and almost threw it across the room. I probably would have, except for two things: I was at a friend's house, and it was a library book. That's all that saved it from that fate. I have stacks of books I want to read, and I feel like I just wasted a few hours on this piece of crap.
The writing was actually pretty good, and the main character is an Ojibwe Indian, so there's minority representation, but the book as a whole was just CRAP. Wrap up your plotlines. Answer the questions you ask. (At least the ones having to do with your plot - you can leave unanswered philosophical questions, that's fine.)
Hard pass on this book.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Goddess in the Stacks (553 KP) rated Spinning Silver in Books
Dec 25, 2018
I had previously read Uprooted, and adored it, so I was eager to get my hands on this book as soon as it came out. I was very excited to see it as a Book of the Month choice for July, and quickly made it my pick!
I received the book last weekend while I was at Anthrocon, so I didn't get a chance to sit down with it until yesterday. (It officially came out Tuesday.) I proceeded to read straight through the entire book because it was SO. GOOD. Novik writes absolutely ENTHRALLING fairy tales. And in Spinning Silver, she has written fae as beautiful, alien, capricious, and as absolutely bound by rules as they should be. Doing a thing three times, even by normal means, gives one the power to ACTUALLY do the thing; in Miryem's case, turning the Staryk's silver into gold (by creative buying and selling) means she gains the power to LITERALLY turn silver into gold. Which then gets her into the trouble the rest of the book is built on.
One of my favorite lines was very near the end of the book, about the Staryk palace:
"The Staryk didn't know anything of keeping records: I suppose it was only to be expected from people who didn't take on debts and were used to entire chambers wandering off and having to be called back like cats."
My only real quibble with the book is that it shifts viewpoints between at least five characters, and doesn't start their sections with names or anything, so it takes a few sentences to figure out who's talking. It never takes too long, but it did occasionally make me go "Wait, who is this....ah, okay."
The plotlines weave in and out of each other's way for most of the book before all colliding into each other at the end and showing how everything connects. I was definitely confused on occasion, but it was that enchanting Alice-in-Wonderland kind of confusion more than actual puzzlement. The book is, by turns, a mix of Rumpelstiltskin, Tam-Lin, Winter King vs Summer King, Snow Queen, and a little Hansel and Gretel. I love seeing elements of so many fairy tales woven together and yet still remaining recognizable.
And the ending! Oh, the ending was absolutely, marvelously perfect.
I loved this book, just as much as I loved Uprooted. I can't wait to see what fairy tales Novik spins next!
You can find all my reviews at http://goddessinthestacks.com
I received the book last weekend while I was at Anthrocon, so I didn't get a chance to sit down with it until yesterday. (It officially came out Tuesday.) I proceeded to read straight through the entire book because it was SO. GOOD. Novik writes absolutely ENTHRALLING fairy tales. And in Spinning Silver, she has written fae as beautiful, alien, capricious, and as absolutely bound by rules as they should be. Doing a thing three times, even by normal means, gives one the power to ACTUALLY do the thing; in Miryem's case, turning the Staryk's silver into gold (by creative buying and selling) means she gains the power to LITERALLY turn silver into gold. Which then gets her into the trouble the rest of the book is built on.
One of my favorite lines was very near the end of the book, about the Staryk palace:
"The Staryk didn't know anything of keeping records: I suppose it was only to be expected from people who didn't take on debts and were used to entire chambers wandering off and having to be called back like cats."
My only real quibble with the book is that it shifts viewpoints between at least five characters, and doesn't start their sections with names or anything, so it takes a few sentences to figure out who's talking. It never takes too long, but it did occasionally make me go "Wait, who is this....ah, okay."
The plotlines weave in and out of each other's way for most of the book before all colliding into each other at the end and showing how everything connects. I was definitely confused on occasion, but it was that enchanting Alice-in-Wonderland kind of confusion more than actual puzzlement. The book is, by turns, a mix of Rumpelstiltskin, Tam-Lin, Winter King vs Summer King, Snow Queen, and a little Hansel and Gretel. I love seeing elements of so many fairy tales woven together and yet still remaining recognizable.
And the ending! Oh, the ending was absolutely, marvelously perfect.
I loved this book, just as much as I loved Uprooted. I can't wait to see what fairy tales Novik spins next!
You can find all my reviews at http://goddessinthestacks.com
LeftSideCut (3776 KP) rated Iron Man 2 (2010) in Movies
Jul 10, 2020
Ever since Captain America: The Winter Soldier, Marvel Studios have pretty much been on a hot streak. It's easy to forget that this titan of a movie house still had to finds its feet once upon a time, and unfortunately they do have a handful of underwhelming titles in their arsenal.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.