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BankofMarquis (1832 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 9, 2022
And it does not disappoint for while DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is not quite as “mad” as one would expect by the build up to this film, it delivers solid action by actors playing characters that are easy to root for (or root against) all done with a wink in the eye and a focus on Marvel’s secret weapon…relationships and heart.
You will find no brooding “dark knights” in this one.
Sprightly Directed by Sam Raimi (THE EVIL DEAD), Multiverse (as I will call it from here on out) finds our titular hero (Benedict Cumberbatch) connecting with - and working to save - a multiverse hopping heroine in the form of America Chavez (Xochitl Gomez) from an evil that wishes to drain her of her multiverse hopping powers.
What happens next is a multiverse hopping action/adventure/horror/chase film that really shows off the cinematic sensibilities of Director Raimi who’s mark is all over this film…for the better. Multiverse swerves really close to being a horror film, but, fortunately for it’s box office fortunes, remains firmly in the action/adventure/superhero genre. Only a director like Raimi can ride this fine line as well as he has and it works for this film.
Cumberbatch, of course, is terrific as Doctor Stephen Strange and he slides, comfortably, back into the cloak and sling-ring. Benedict Wong (Wong - The Sorcerer Supreme), Rachel McAdams (Dr. Christine Palmer) and Chiwetel Ejiofor (Baron Mordo) all reprise their characters from the first film and they all seem re-energized in their roles for this one while Xochitl Gomez makes a winning debut as America Chavez.
But, make no mistake, the personae that steals this film is Elizabeth Olson as the grieving Wanda Maximoff/Scarlett Witch who Dr. Strange reaches out to when America Chavez falls into his lap. She is outstanding and is really the driving force here. It would not be a misnomer to say that this film easily could have been titled THE SCARLET WITCH IN THE MULTIVERSE OF MADNESS.
My one quibble with this film is that it doesn’t go to enough Multiverses to suit my tastes and is not quite as “mad” as one would hope - our hero does spend a rather large amount of time in one multiverse - but that is a minor issue and this one multiverse does bring many fun cameos…cameos that will not be spoiled here.
Which brings up one last point. See this film, if you can, in a theater full of the aforementioned fanboys. The full house IMAX theater that I caught this film in went absolutely nuts when one specific person showed his/her face for their extended cameo and that was a very fun time.
As is DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS - it works well as a stand alone film, but if you want to do “some homework”, check out the Disney+ TV Series WANDAVISION (essential), the first DOCTOR STRANGE movie (good background) and the animated Disney+ series MARVEL’S WHAT IF (some nice callbacks).
And, of course, stay for the end credits…it sets up DOCTOR STRANGE 3, a film that can’t get here soon enough.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Connor Sheffield (293 KP) rated Black Sails - Season 1 in TV
May 30, 2017
This show is a great representation of the life and time of Piracy however, and I can review it from a point of view of someone who knows quite a bit about the golden age of piracy in actual historical facts. Unlike the previous pirate content I reviewed, Blackbeard, this show portrays pirates as scarred, dirty, bloody, and frightening in their own way. However, similar to the Blackbeard short series, the pirates and other characters all have near perfect teeth. It seems to be that only (in what I have seen anyways) the Pirate's of the Caribbean franchise has managed to nail the full historical accuracy of the look of a pirate from clothing, to makeup, to the teeth.
On the other hand, this does not cause much of a disturbance to the viewing of this show, because the drama is brilliant, if you can bare the somewhat slow plot lines unfold as there are many characters in this show, and each have a ship full of issues that all need resolving with very few of them actually being resolved. From love interests, to thievery, betrayal and all round general opposition between old allies and acquaintances. There is a lot of 'business' to deal with on the side of Eleanor Guthrie and her dealings with our main protagonists, among other important characters, some of which are based upon historical figures such as Captain Benjamin Hornigold, Charles Vane, Anne Bonny and Jack Rackham (known throughout history as Calico Jack). All portrayed as tough, cunning and sometimes (most times for Rackham) as humerous.
The production of this show is great, with beautiful sets, great looking props and special effects that make this a believable series to get lost in. It's one of the better pirate themed mediums that I have seen, and I personally really enjoy the drama and suspense of the episodes, as well as the twists and turns of certain scenario's which leave you wanting more.
The cast deliver great performances and make you believe that they are truly men or women to be feared, and not to be double crossed. From Charles Vane's tough exterior, to Eleanor Guthrie's power over trade in Nassau, and even Captain Flint's fear inducing presence, as we watch his secrets spill out into the hands of the wrong people.
This is a show I would recommend to anyone who enjoys the theme of pirates, with some fantasy and a lot of drama, but I should warn you, that it doesn't hold back with neither the nudity or the actions performed, during the state in which someone would be naked. Whether it's the whores in the brothel, or the few short term relationships between characters.
Minor Spoilers - nothing too important.
The first example you see of this extent of mature content, as well as some of the humour of this show, is when John Silver is taken into a whore house, and is told that 'Blackbeard' wishes to see him. When he enters, he finds a woman standing there, and as John Silver points out "You are not Blackbeard" only to discover that the beard, is revealed to be between her legs.
As I said, watch at your own risk but I would recommend it to anyone interested in the theme of Pirates during the Golden Age.
Debbiereadsbook (1620 KP) rated Saved (Breaking Free #1) in Books
Mar 7, 2019
I will be honest here, cos that's what reviewing is all about. I only picked this book to read as a "palette cleanser" an easy read, just for fun, between two heavier books. It sounded just what I needed so I jumped in, expecting a light fluffy read, that wasn't very long.
How wrong I was, because I started this book at 10.15pm and did not stop til I ran out of at 130 am and I had to be up for work at 6am!
I freaking LOVED this book! It totally came out of left field and blew me away! I mean, so much so, I made sure I had book two, which was also shared with me, and I purchased books three and four, so I was ready to go! I haven't come across this author before, but by God they are on my hit list now!
This book is set in the Omegaverse, there are no females and only certain pairings can produce children: alphas and omegas. But omegas are treated badly, as second class citizens, and Braun and his brother Kell suffer. First at the hands of their father, and later, Kell at the hands of his husband.
So it's understandable that Braun be scared of Tarek and what he represents: a lot of suffering for Braun. But Tarek is of a growing breed of Alpha, those who believe omegas should be treasured, not trod down. After all, their race would die out in two generations without any omegas. And Tarek LISTENS to Braun, wants to know if he can help when his heat hits. And Braun tells him: come ONLY when called for, NO knotting and condoms every time. And when Tarek abides by Braun's wishes, Braun knows he can be a trusted ally. The omegas rescued from the group home need one. Braun's brother needs one, and the newborn, but missing nephew of Braun needs one too.
Like I said WAAAAAAAAAAAAAAAAAAY outta left field and totally blew me away!
It's dark: carries a strong abuse line, both from a parent and a spouse. The abuse Kell suffers goes far beyond the beatings Braun knows about (the full story doesn't come clear til Kell's book, I've already read that one on writing this review, and it is horrific) But so well told, sensitively. Tarek knows this happens, what happens to omegas at the hands of their spouses but he hates that it does. He knows he needs to help, starting with Braun.
It's emotional: the abuse line not withstanding, what Braun starts to feel very early for Tarek, as the bonds develop between them, hits him hard and he fights! He fights it so bloody hard! To be fair, they both do, and it's quite hard reading, what they go through before they get there.
It's sexy: I mean two guys? Always gonna float my boat! But refer to above: just because it's hot and heavy, doesn't mean it doesn't have the emotions along with it. Once Braun and Tarek give in to the bonds, they are IN, totally, emotionally and physically.
Both Braun and Tarek have a say, and their voices are strong and clear and so very well written.
I'm starting to gush and I don't want to, but just know this:
I FREAKING LOVED THIS BOOK! I am not ashamed to admit I was wrong, what I expected from this book was so very NOT what I got out of it, and I mean that in a very positive way!
But it's not an easy read, at all, and you need to be prepared for what is here. Some readers might have triggers, I don't, but some points made for difficult reading. Not the writing, just the level of abuse that is systematic for the omegas in this world. But with Tarek and his friends, maybe, just maybe, they can start to change things.
I gotta stop, I'll be writing all day!
5 very unexpected, but bloody amazing stars!
**same worded review will appear elsewhere**
Mothergamer (1610 KP) rated The Green Hornet (2011) in Movies
Apr 3, 2019
I do feel much of the blame lies with the fact that Seth Rogen co-wrote this screenplay and he claimed that he was so glad he didn't screw up one of his favorite childhood heroes. Seth, Seth, Seth....tsk tsk, someone's a dirty rotten liar Seth. Why must you constantly lie to us Seth? The truth is you messed up completely! In the original radio show, comics, and T.V. Show Britt Reid wasn't a moron. He was a smart successful newspaper publisher, he was confident, and he could fight well alongside his equally confident sidekick Kato. I loved the T.V. show and I loved the comic. I loved watching The Green Hornet on Kung Fu Saturday when I was a kid. That was the highlight of my Saturday. I would watch a couple of episodes of The Green Hornet and then watch the featured kung fu film. That's a sacred childhood memory and you, Seth Rogen along with your director have pissed all over it.
Not only did you make Britt Reid a total jerk, you made him stupid too! He loosely based Britt Reid on Paris Hilton? Are you kidding me with this nonsense?
Seth Rogen's Britt Reid is a spoiled rich brat who shows no interest in running the newspaper, but he instead becomes buddies with Kato his mechanic and coffee maker. I felt bad for Jay Chou because he's no Bruce Lee, but he did alright in spite of Seth Rogen constantly hyperventilating and shouting in every scene. He tried, he really did. Cameron Diaz's role as Reid's secretary Lenore Case is completely useless. She's basically camera filler with a great smile.
Of course, The Green Hornet has to have a villain and that is Christoph Waltz (Oscar winner from Inglorious Basterds) as Chudnofsky, but there is no depth to the character which proves bad writing is bad writing. Now I like action scenes as much as the next person, but it's as if Seth Rogen got bored and just added as much action as possible as filler rather than having an actual plot that tells the story. There's also so much pointless dialogue, watching this train wreck of a film is like being stuck in a dentist's chair having a root canal with no anesthesia. Yes, it's that damn bad. Not even the overpriced 3-D could save this film. That is just a gimmick to get more money out of people and this film proved that point real quick.
There is so much that could have been done to make this film version of the T.V. show great, but none of it was done. Instead, we get a film that is so terrible with no plot at all, a fake Britt Reid (I don't care what you say Rogen, that character you played was NOT Britt Reid! You are a liar sir!), a subdued Kato that got overshadowed by the crazy rich brat, a useless vapid secretary, and a villain that's about as threatening as a labradoodle. Seth Rogen and Michale Gondry you should be ashamed and embarrassed that your names are on this piece of trash.
Don't waste your money on this folks and certainly don't waste it on 3-D. The original is better and I'm sure that Mr. Rogen's going to have several bricks thrown at his crotch for even writing this awful screenplay. Just please, do us a favor and go sit in the corner with M. Night Shyamalan and quit making movies, because you really screwed the pooch on this one pal.
BankofMarquis (1832 KP) rated Aladdin (2019) in Movies
May 25, 2019
All complaints that were written regarding the live action remake of the beloved 1992 Animated classic, ALADDIN.
And...they would be wrong...as this ALADDIN is fun, fanciful, fast(ish) paced and fantastical. It also has something that I was surprised by...heart.
For those of you living in the "Cave of Wonder" for the past 20+ years, Aladdin follows the adventures of a street urchin who falls in love with a Princess and battles the evil Vizier, Jafar, for power via an enchanted lamp that houses a Genie that will grant 3 wishes.
Disney has shown it can do these remakes well when sticking to the source material (as was evidenced by the 2016 live action remake of the 1967 animated classic THE JUNGLE BOOK), but also has failed when it takes the characters, but not the story (the recent DUMBO), so Writer/Director Guy Ritchie (of all people) was smart to "just take the animated movie" and remake it as live action.
And...it works! Ritchie (SNATCH, the Robert Downey SHERLOCK HOLMES) seems to be an odd choice to helm this film, but he acquits himself quite well, relying on the pageantry and spectacle of it all to carry the day. The chase scenes are serviceable, but Ritchie's direction does get a bit clunky when the film slows down and focuses on the central love story.
Using performers - for the most part - of Middle Eastern descent, Ritchie coaxes "good enough" performances from Mena Massoud as Aladdin and Naomi Scott as Jasmine. They are pleasant enough on screen but was stronger apart than together. I wouldn't call it "lack of chemstry", but rather, "medium chemistry". But when they are paired with others - or get the chance to shine on their own - they do quite well.
Scott plays well against Navid Negahban who brings a deepness of heart to his character of Jasmine's father, the Sultan and, especially, Nasim Pedrad (so that's what she's been doing since leaving SNL) as her handmaiden, Dalia (a character not in the animated film).
Massoud, of course, spends a great deal of this film playing off the Genie character. So let's talk about Will Smith's performance in the iconic Robin Williams role. EVERYONE (including myself) was asking why Smith would take on this role. It's a "lose/lose" proposition, trying to fill the shoes of one of the wildest, wackiest and most frenetic performances in screen history. So Smith does a very smart thing - he doesn't even try. He makes this Genie "his own" not trying to mimic Williams' performance, but rather creating a charming, friendly and funny Genie with heart (there's that word again) behind his eyes. It is a strong performance by Smith - one that only a performer with his charm and charisma could pull off. His presence in this film elevates the proceedings and I wanted more of this character.
The music you know and love is all there - and they are welcome presences in this film - though they felt abbreviated (maybe it's just because I'm more familiar with the Soundtrack performances of these songs and not how they were used in the original film) and there is an Original number, a "girl power" song for Jasmine that felt a little too "Disney Channel" to me - but I don't think I'm the target audience for that song, so I'll cut it some slack.
A slight downgrade in the final rating of this film needs to be made because of the "meh" characterization and performance of the main villain, Jafar. As played by Marwan Kenzari, this Jafar was seething and menacing but never really bigger than life and threatening - qualities that make Jafar one of the better villains in the Disney animated canon.
But, ultimately, this film will succeed or fail, I think, by your reaction to Smith's interpretation of the Genie. It's NOT Robin Williams, and that's a good thing. For me, Smith...and this film...succeeds.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)




