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Gareth von Kallenbach (980 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 23, 2020
Gal Gadot returns as Diana Prince in “Wonder Woman 1984” which has seen its release date shift a few times due to the Covid-19 pandemic. The film has started to open overseas and will arrive in the U.S. on Christmas day with a limited debut on HBO Max as well.
The story sees Diana now living in Washington D.C. in 1984. Diana is popular but has refused male companionship as she still longs for her late love Steve Trevor (Chris Pine).
Diana works in the Smithsonian Institute in antiquities and keeps her secret identity under wraps even when a daring mall heist forces her to leap into action.
A shy and passive employee named Barbara (Kirsten Wiig); who is afraid of her own shadow and largely ignored by her peers is befriended by Diana and they discover one item from the heist is inscribed with the ability to grant a wish. Unknowingly Diana wishes for Steve to return and Barbara wishes to be more like Diana which sets a chain of events into motion.
A shady business man named Maxwell Lord (Perdro Pascal) has his site on obtaining the relic as he believes having the ability to grant wishes will allow him to save his failing business and give him the power he craves.
With such a promising setup; the film ultimately does not deliver on its premise and becomes bogged down in drawn out sequences with surprisingly little action and gaps in logic that defy even standards for a comic book film.
The first 90 minutes of the film has roughly 10-15 minutes of action tops and we are instead given lengthy scenes of Steve trying to find an 80s fashion look; flying over fireworks, and Maxwell trashing from one locale to another without much needed continuity.
An action scene involving a convoy chase through the desert seems very inspired by “Raiders of the Lost Ark” and ultimately does not deliver especially with such a long gape between the action sequences.
The final act does attempt to redeem the film as seeing Barbara transform into her new persona is interesting and Wiig does a very solid job with the role. This sadly is undermined with a single line of dialogue which takes away a big part of the transformation that audiences deserved to see.
There was also a sequence where Diana races down the streets and takes to flight with her Lasso and then discovers she can fly like Superman. Not only is this not in keeping with the character; but we see this extended fast moving sequence where she is clearly heading away from D.C. at great speed only to arrive at a destination with an item which had been established to be back at her home in D.C. It is this sort of sloppiness that really detracts from the film. There is also the fact that Steve has to fly her around on a jet that even as a pilot he should not know how to fly as he has never flown a jet aircraft in his life.
When the big confrontation comes it is a letdown as it is not overly epic and the CGI really does not seem to mesh. What is an even bigger disappointment is that a certain character stands emoting for several minutes while Diana gives such a bland and extended speech that even my wife had to ask “who wrote these lines”.
The film was not a total disaster as the characters were interesting and worked well with one another making the film entertaining in parts despite being really disappointed with it.
The film strikes me as a product of the talented Patty Jenkins being able to do whatever she wanted after the success of the first film. Jenkins not only Directed but did the screenplay for it. Considering the amazing job she did writing “Monster” I had high expectations for the film but to me it seemed like it could have used a bit more attention to several aspects.
My summary would be the following… good cast, entertaining in parts, not much action over two hours, takes huge liberties with Diana and her abilities, massive gaps in logic even for a comic movie. It aims to be epic and comes up lacking. At least the mid. credit scene was worth it.
3 stars out of 5
The story sees Diana now living in Washington D.C. in 1984. Diana is popular but has refused male companionship as she still longs for her late love Steve Trevor (Chris Pine).
Diana works in the Smithsonian Institute in antiquities and keeps her secret identity under wraps even when a daring mall heist forces her to leap into action.
A shy and passive employee named Barbara (Kirsten Wiig); who is afraid of her own shadow and largely ignored by her peers is befriended by Diana and they discover one item from the heist is inscribed with the ability to grant a wish. Unknowingly Diana wishes for Steve to return and Barbara wishes to be more like Diana which sets a chain of events into motion.
A shady business man named Maxwell Lord (Perdro Pascal) has his site on obtaining the relic as he believes having the ability to grant wishes will allow him to save his failing business and give him the power he craves.
With such a promising setup; the film ultimately does not deliver on its premise and becomes bogged down in drawn out sequences with surprisingly little action and gaps in logic that defy even standards for a comic book film.
The first 90 minutes of the film has roughly 10-15 minutes of action tops and we are instead given lengthy scenes of Steve trying to find an 80s fashion look; flying over fireworks, and Maxwell trashing from one locale to another without much needed continuity.
An action scene involving a convoy chase through the desert seems very inspired by “Raiders of the Lost Ark” and ultimately does not deliver especially with such a long gape between the action sequences.
The final act does attempt to redeem the film as seeing Barbara transform into her new persona is interesting and Wiig does a very solid job with the role. This sadly is undermined with a single line of dialogue which takes away a big part of the transformation that audiences deserved to see.
There was also a sequence where Diana races down the streets and takes to flight with her Lasso and then discovers she can fly like Superman. Not only is this not in keeping with the character; but we see this extended fast moving sequence where she is clearly heading away from D.C. at great speed only to arrive at a destination with an item which had been established to be back at her home in D.C. It is this sort of sloppiness that really detracts from the film. There is also the fact that Steve has to fly her around on a jet that even as a pilot he should not know how to fly as he has never flown a jet aircraft in his life.
When the big confrontation comes it is a letdown as it is not overly epic and the CGI really does not seem to mesh. What is an even bigger disappointment is that a certain character stands emoting for several minutes while Diana gives such a bland and extended speech that even my wife had to ask “who wrote these lines”.
The film was not a total disaster as the characters were interesting and worked well with one another making the film entertaining in parts despite being really disappointed with it.
The film strikes me as a product of the talented Patty Jenkins being able to do whatever she wanted after the success of the first film. Jenkins not only Directed but did the screenplay for it. Considering the amazing job she did writing “Monster” I had high expectations for the film but to me it seemed like it could have used a bit more attention to several aspects.
My summary would be the following… good cast, entertaining in parts, not much action over two hours, takes huge liberties with Diana and her abilities, massive gaps in logic even for a comic movie. It aims to be epic and comes up lacking. At least the mid. credit scene was worth it.
3 stars out of 5
Goddess in the Stacks (553 KP) rated Cruel Beauty in Books
Apr 26, 2018
After reading Bright Smoke, Cold Fire I knew I HAD to find more Rosamund Hodge. She has a fantastic flair for taking fairy tales (or Shakespeare!) and twisting them into something darker but more realistic. Cruel Beauty is a twist on Beauty and the Beast, but this is no Stockholm Syndrome-suffering Beauty. She is resentful, and bitter, and angry at her father for subjecting her to this. She has trained her entire life to go to the Beast and destroy him, even if it means destroying herself too. What she find at the castle is nothing like what she expected, though, and neither is she what Hodge's Beast expects. Watching these two bitter, mocking characters dance around each other to get to the bottom of the curse and what actually happened to their world is engrossing and beautiful.
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I couldn't put this book down once I started it, and I've already started Crimson Bound (Little Red Riding Hood), the next book in the same world. There's also a novella, Gilded Ashes (Cinderella), that I should snag a copy of.
The world is lovely and evocative, with gods and Forest Lords and Demons who actively participate in the world and grant wishes and make deals. It's a little bit Rumpelstiltskin, a little Fairy Godmother, a little Greek mythology, and all Rosamund Hodge. She's got talent, and writes my favorite micro-genre SO WELL.
If you like dark fairy tales, read this and then everything else Rosamund Hodge has written. It's excellent!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Kristy H (1252 KP) rated Little Black Lies in Books
Feb 13, 2018
Catrin Quinn is still reeling from the loss of her two sons nearly three years ago. Her grief and anger is exacerbated by the fact that Catrin blames her (now former) best friend, Rachel, for their deaths. Catrin lives on the isolated community of the Falkland Islands, where people generally know one another - and everyone's business. When several children go missing over a short period of time, even the tight-knit community must admit that something is going on. Catrin finds herself drawn into the search for the latest missing boy, despite the fact that she just wishes to wallow in her grief as the third anniversary of her sons' death approaches.
This was a great book - I love all of Bolton's Lacey Flint novels, but this standalone is excellent, too. It's told from the varying viewpoints of three people - Catrin, her ex-best friend Rachel, and Catrin's acquaintance, Callum, a former solider who was once stationed on the island. Bolton goes back and forth over a short time period, slowly unraveling events, first from Catrin, then Callum, and finally Rachel. It's a mesmerizing approach, as we try to decipher how much to trust each of our narrators. During each character's turn, I found myself completely enthralled and wrapped up in their life. I eventually stayed up far too late the final night, frantically finishing the book to find out what happened. Bolton has created yet another fascinating mystery that will have you guessing the entire time.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
This was a great book - I love all of Bolton's Lacey Flint novels, but this standalone is excellent, too. It's told from the varying viewpoints of three people - Catrin, her ex-best friend Rachel, and Catrin's acquaintance, Callum, a former solider who was once stationed on the island. Bolton goes back and forth over a short time period, slowly unraveling events, first from Catrin, then Callum, and finally Rachel. It's a mesmerizing approach, as we try to decipher how much to trust each of our narrators. During each character's turn, I found myself completely enthralled and wrapped up in their life. I eventually stayed up far too late the final night, frantically finishing the book to find out what happened. Bolton has created yet another fascinating mystery that will have you guessing the entire time.
(Note: I received an ARC from Netgalley in return for an unbiased review.)
Anne (15130 KP) rated Into the Hourglass (The Evermore Chronicles, #2) in Books
Nov 4, 2019
This book had a lot of meat to it, a lot to digest and think about as the story continues. It flowed well with the transition from the first book, picking up right where it left off at the beginning.
Theres a lot more development of the story, characters, whats going on - you learn and understand quite a bit more as Everley continues her harrowing journey to reach her goals. Her goals and wishes seem to shift some in this part of the story as well and it brings others goals and stories more to light some.
Things get way more intense here in this book and it left me feeling a lot - so many emotions that Im not sure what to do with them.
There are so many nods and spins and retellings on fairytale/ folklore stories/ stories I remember from my childhood etc, its fun and wild.
Even though this part of the series ended on a happy note, I have conflicting emotions about leaving this part of the story behind and Im sad about parts of it too. Im having a slight book hangover here and Im nervous about what happens next when the end of this series comes out.
If you havent read the first in this series, Before the Broken Star then you need to get on that before you read this and get ready for some awesomeness mixed with all the emotions. You dont want to miss this continuing adventure.
Theres a lot more development of the story, characters, whats going on - you learn and understand quite a bit more as Everley continues her harrowing journey to reach her goals. Her goals and wishes seem to shift some in this part of the story as well and it brings others goals and stories more to light some.
Things get way more intense here in this book and it left me feeling a lot - so many emotions that Im not sure what to do with them.
There are so many nods and spins and retellings on fairytale/ folklore stories/ stories I remember from my childhood etc, its fun and wild.
Even though this part of the series ended on a happy note, I have conflicting emotions about leaving this part of the story behind and Im sad about parts of it too. Im having a slight book hangover here and Im nervous about what happens next when the end of this series comes out.
If you havent read the first in this series, Before the Broken Star then you need to get on that before you read this and get ready for some awesomeness mixed with all the emotions. You dont want to miss this continuing adventure.
Matthew Krueger (10051 KP) rated Pinocchio (1940) in Movies
Dec 5, 2019
An Actor's Life For Me
Pinocchio- was the second animated feature film produced by Disney, made after the first animated success Snow White and the Seven Dwarfs (1937).
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
The Plot- When the woodworker Geppetto (Christian Rub) sees a falling star, he wishes that the puppet he just finished, Pinocchio (Dickie Jones), could become a real boy. In the night, the Blue Fairy (Evelyn Venable) grants Geppetto's wish and asks Jiminy Cricket (Cliff Edwards) to serve as the wooden boy's conscience. But the naive and trusting Pinocchio falls into the clutches of the wicked Honest John (Walter Catlett), who leads him astray to the sinful Pleasure Island.
Critical analysis of Pinocchio identifies it as a simple morality tale that teaches children of the benefits of hard work and conventional values. Although it became the first animated feature to win a competitive Academy Award – winning two for Best Music, Original Score and for Best Music, Original Song for "When You Wish Upon a Star" – it was initially a box office disaster, due to World War II. It eventually made a profit in its 1945 reissue, and is considered one of the greatest animated films ever made, with a 100% rating on the website Rotten Tomatoes.
All the songs are great and fanstastic, classics and you remember till this day. When You Wish Upon a Star, Little Wooden Head, Give A Little Whistle, Hi-Diddle-Dee-Dee and I've Got No Strings. All classics and all excellent.
A must watch film.
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