Hexed (Paranormal Tales from Firefly Island)
8.0
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A witch without her powers must choose between a dangerous love and a dark destiny. When...
Paranormal Romance
Spelled (The Storymakers, #1)
8.3
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Somewhere over the rainbow, all spell is about to break loose… Fairy Tale Survival Rule No. 32:...
young adult fantasy magic fiction fairytales fairy tales
Stir of Shadows
5.0
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Marigold has never felt like she truly belonged with her family. And neither has Frederick. When a...
The Ghost Camper's Tall Tales (Destiny Falls Mystery & Magic #3)
9.5
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A magic mirror. An enchanted world. A mysterious story-telling ghost. A hilarious, perpetually...
Paranormal Mystery
Amethyst Flame (Flame #2)
8.0
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Vaughn, a powerful vampire serving as a Border Patrol officer for his corrupt world, falls for a...
Paranormal Romance
We all know what happened to Anne Boleyn, and this book doesn’t change that OR the reasons. In fact she was called a witch in her own time. The HMRC series takes that one step further though, and Anne Boleyn really IS a witch. Her coven supports her, and after Henry VIII does his worst, they carry on her work.
This is a truly fabulous read - a reworking of history that gives women more muscle and autonomy.
And magic!
If I have any complaint, it’s that it was over far too quickly!
And now I must wait for the next book…
I love the way in this is written - it's lyrical with a nod to the style of Shakespeare, Nydia Hetherington gives a reason for Sycorax's differences: her physical difference is due to illness and injury, her witch qualities are due to the fact that she simply knows too much for a woman in a time where women shouldn't have known anything beyond childbirth, motherhood and housework.
And then there's the element of magic that runs throughout the novel - which is always a winner as far as I'm concerned. A really enjoyable novel.
Sean Freese (4 KP) rated The Witch (2015) in Movies
Jun 25, 2020
The full title is, The Witch: A New England Folktale. Like Grimm’s fairytales, American folklore has taken revisions over the centuries to become a palatable collection of juvenile life lessons. Anyone who has read the original versions of these stories knows how brutal, horrifying, and far removed they are from our current values. As much as I would not condone reading original classic witch tales to a small child, they do contain much deeper implications and ideas than the simple “Don’t tell lies” that are gleaned from modern revisions. What’s fascinating about The Witch is how familiar the setting and story is, without a single cliché or moment of prediction to speak of. The evil that was feared in 17th Century Puritan America has been so eclipsed by the human horrors of The Salem Witch Trials, that we have forgotten what it was to fear a witch.
We know these characters only by their Christian names. William removes his family from their Colonial settlement due to an incompatibility of faith. The colony of Puritans isn’t Christian enough. With his wife, Katherine, William takes his 4 children into the wilds of the Northeast. Airs of The Crucible envelope the setting. Common pronouns are replaced with “thines” and “thous”. Dialogue is delivered as if quoted from Shakespeare or the Bible itself. In the past, this oral dynamic has always sounded ardently rehearsed. Somehow, it’s natural here. Considering William’s rigorous faith, you might expect him to be an overbearingly shrewd father. He is in fact a loving and good man of his time; often a pushover. Katherine is the more fearsome parent, with a shrill voice and gaunt pointed face. While they do live in hardship, this is a good family. Once Fall deadens the colors and greys the skies, things begin to take a disturbing turn.
Ralph Ineson and Kate Dickie play the parents without an exaggeration of the material. Remarkable still are the actors portraying their children. Harvey Scrimshaw plays William’s 10-year-old son, Caleb, as natural as can be imagined. The dramatic beats of a horror movie come with taxing climactic moments and Scrimshaw acts beyond his years. Anya Taylor-Joy plays the eldest daughter Thomasin; a doe-eyed blonde beauty who plays the most relatable character of the flock. The dynamic between Caleb and Thompsin has notes of innocent sexual tension. Their secluded life leaves a great deal of new feelings that can’t be addressed due to their customs. These feelings lead to foreign temptations that are preyed upon by the timeless evil beyond the trees.
The greatest achievement of this film is how faithful it is to its setting and story, while keeping enough behind the veil to become engrossing. The tale feels as old as any, drawing from universal fears and motivations. How it draws you in, keeping you tied to the victims and their perspective while keeping the evil at arm’s length, shows a discipline of craft that greatly compliments the material. Much like vampires, witches have been trivialized and diluted by film into something superficially attractive and entertainingly evil. As with Noseferatu, seeing a witch living a damnable existence of ugliness is much more appropriate. If they’re ever beautiful, they won’t be for long.
AT (1676 KP) rated Chilling Adventures of Sabrina, Vol 1: The Crucible in Books
Feb 14, 2019 (Updated Feb 14, 2019)
