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Circe
Circe
Madeline Miller | 2018 | Science Fiction/Fantasy
8
8.9 (17 Ratings)
Book Rating
I admit that I purchased this book solely on the cover which is amazing and the first edition print run has the most amazing embossing on the hard cover itself – like Helios himself the sun is luminescent when it shines upon it!

This was my first foray into ancient mythology and I had not read the Song of Achilles first, which I don’t think really matters but it’s likely there will be parity between the tales at some point. I did however, find that this book was really accessible for those who had a little knowledge. Most people know Zeus and Athena and many will know the stories of Icarus and Deadalus, and Theseus and the Minotaur, and by having just that little bit of understanding made the book all the more joyful to read.

Circe is a tale told in retrospect, a tale of a goddess in exile. Throughout her hundreds of years she is tested and put through trials, often lonely, but not always – and taking the time to learn all that she can about what she truly is, not just a goddess but a witch with a great power. I found it it was a story which ebbed and flowed, much like her life on her island of Aiaia. There was often a great deal to love, I enjoyed her interactions and reactions to what she learns and also the calmness about her time alone and the knowledge that she has committed wrongs that will endure as a result of her vanity. I hate to use the Journey word but that it what this story comes down to – as an immortal however, she is a lot more stubborn and has many hundreds of years longer to learn from what has come before, but there is learning and catharsis.

However there was just a little bit too much time spent getting to the place she gets to. I devoured the first 250 pages, I loved that it was a new genre to me and I was enjoying what I was reading, however, I found the last section lagged and it felt that it was a little repetitive. She’s stuck on an island so I get that there wasn’t much else to do but sit and wait for people to come to her but I felt that the final section, which was the most poignant could have been wrapped up a little better and without the slight ick factor that I felt about a certain turn of events.

I give this 4* the first 250 pages were 5* all the way but I felt it just stumbled at the last section which was a shame.
  
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Lee (2222 KP) rated A Discovery of Witches - Season 1 in TV

Nov 8, 2018 (Updated Nov 8, 2018)  
A Discovery of Witches - Season 1
A Discovery of Witches - Season 1
2018 | Fantasy
Bit of a slow burn, some good potential though.
A Discovery of Witches is based on the first book of the 'All Souls Trilogy', by Deborah Harkness. We're in a world where witches, vampires and demons all live among us, carrying out normal human jobs and duties. Obviously these creatures are all aware of each other, and it becomes clear that there is a long, complex and very tense history between them all. While us humans remain blissfully unaware.

The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.

My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.

It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
  
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Sarah (7798 KP) Nov 11, 2018

I’m only 4 episodes in to this and am not particularly impressed. It reminds me so much of Twilight, I’m glad you’ve said this too!

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Karica Truebenbach (156 KP) Nov 12, 2018

I didn't know they made the books into a show. I loved the All Souls Trilogy, so I think I might give this a pass. Thanks for the review.

The Wonderful Wizard of Oz
The Wonderful Wizard of Oz
L. Frank Baum, Lorena Alvarez | 2014 | Children
9
7.8 (20 Ratings)
Book Rating
The Book was Published by George M. Hill Company with an advanced publication date of September 1900. The public heard of it at a book fair in Chicago around July 5th to 20th with its copyright registered by August 1st. The books sold out quickly and the second editions went just as quickly as the first. When Hills company became bankrupt in 1901, Bobbs-Merrill Company resumed publishing the book. By 1933 there were more than a million copies printed and by 1956 the sales had grown to three million printed. Because The Wizard of Oz was so popular it became the first in a thirteen book series.

I had known about the wizard of oz ever since I was a child but this was due to the 1939 Movie by MGM of the same name starring Judy Garland. As such I didn't read the book until I was nearly an adult. The book is highly different to the movie with Dorothy having to do more to get home and for both the Wizard and Oz as a whole. The major differences between book and movie is the fact that the Ruby slippers from the movie are silver in the book and the flying monkeys are controlled by a magical cap and Dorothy having protection from Glinda the good witch of the north. I have to admit I am a stickler for details and I prefer the book rather than the movie, despite the movie being good. I recommend this book to everyone and give the book a 9/10

Lyman Frank Baum was born May 15th 1856 in Chittenango, New York to a devout Methodist family the seventh of nine children of Cynthia and Benjamin Baum. Only Baum and five of his siblings survived to adulthood. Lyman hated his first name despite being named for an uncle and liked his middle name better, he was known as Frank for most of his life. Baum married his wife Maud Gage on November 9th 1882 and by 1888 had moved to Aberdeen, Dakota Territory where he operated his own store for a while before turning to writing full time which he loved to do since he was a child. By the time of his death on May 6th 1919 Baum had written the thirteen book Oz series, a plethora of other books and several musicals and radio plays. Baum had died of a stroke and passed away in his sleep, he's buried in Glendale's Forest Lawn Memorial Park Cemetery. L. Frank Baum certainly has my respect for both his writing of the Oz series and the craziness that his life had been.
  
The Witch (2015)
The Witch (2015)
2015 | History, Horror
9
6.3 (28 Ratings)
Movie Rating
Based on New England folklore, Robert Eggers brings us his debut film The With.

William (Ralph Ineson) and Katherine (Kate Dickie) are the parents of five children living in 1630 New England. This God-fearing family has become dissatisfied with how their town chose to live by the word of God. William hopes to promote change in the town, instead he causes his family to be banished left only to find a patch of land bordered by dark dense woods to call home. Luckily they have Thomasin (Anya Taylor-Joy) the eldest daughter who is in charge of looking after her younger siblings. A pre teen Caleb, unruly twins Mercy and Jonas and baby Samuel along with all of the household chores. Newborn Samuel has fate working against him when he suddenly disappears during an afternoon round of peekaboo.

The family is left heartbroken. With no sign of Samuel’s return William declares that this must have been the act of a wolf. Thomasin’s siblings soon become suspicious that this was not the work of a wolf, that she has to have succumbed to the malevolent forces of witchcraft. Mercy has also claimed that she and her twin brother have been conversing with their goat Black Phillip one would assume only jokingly from children. There might just be something darker going on. As the days progress and their crops continue to fail, tensions between the family grow. Things start to go bump in the night making the situation more oppressive each day.

This film is described as a horror genre film, after screening it though I felt it lean more towards a psychological thriller. When asked what films inspired The Witch Robert Eggers mentioned Stephen King’s The Shinning which to me really shines through the film. Most importantly the film is based on actual historical accounts of witchcraft in a time where men feared a woman’s power and sexuality. In my opinion the horror in it is the unknown, because even though you don’t see it doesn’t mean it doesn’t exist. I suppose it can be viewed as both horror and psychological.

Paying close attention to detail Eggers’ immerses the audience into 1630 New England. It’s hard to believe that it was filmed in Canada and not New England because of how accurate every little detail is from the hand stitched costumes to the intricacies of the dialogue. Perhaps this can be credited to his former career as a production designer and costume designer. The music alone adds the perfect amount of horror to make those hairs on the back of your neck stand up. This film is an excellent portrait of amazing filmmaking and horrific historical folklore.
  
Mandy (2018)
Mandy (2018)
2018 | Action, Thriller
Contains spoilers, click to show
Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.