The Leviathan
Book
SHE IS AWAKE... Norfolk, 1643. With civil war tearing England apart, reluctant soldier Thomas...
Historical fiction Gothic Witches Mythology
Mekkin B. (122 KP) rated Howl's Moving Castle (2004) in Movies
Sep 17, 2017
fundamental changes it has made to the source material that serves to remove so much agency and power from the protagonist, Sophie, for reasons that continue to baffle me.
That said, if you like Miyazaki films, you will like this one.
The following is a rant replete with spoilers for both the movie and the book.
OKAY SO
1. In the book, Sophie is not cursed because of the witch's jealousy over seeing her with Howl, but because unbeknownst to Sophie, SHE IS AN INCREDIBLY POWERFUL WITCH IN HER OWN RIGHT, and the Witch of the Waste is incredibly aware of this.
2. In fact, she is successful as a hat-maker because she's subconsciously ENCHANTING THE HATS THAT SHE MAKES.
3. The reason that Howl cannot uncurse her and make her young again is because Sophie is secretly quite comfortable in her guise as an old woman and is keeping the curse in place because she is ACTUALLY MORE POWERFUL THAN HOWL.
4. She is able to save Howl at the end only because she is finally willing to come to terms with her own incredible power. It's not the power of love. It's HER OWN INCREDIBLY POWERFUL WITCHCRAFT.
In the book, Sophie is a magical equal to Howl in every way. Her journey is about unlearning the idea that she is a plain nobody and cannot be destined for greatness in the way that Howl is, and seizing control of the magic she has always had.
The entire war plot was shoved in, and I could have gotten behind it if it didn't involve stripping Sophie of her witchcraft. Made me so angry I couldn't really enjoy the movie, although I do recognize its objective merits.
ClareR (5726 KP) rated The Familiars in Books
Jul 14, 2019 (Updated Jul 14, 2019)
Fleetwood is seventeen years old and pregnant for the fourth time. Her three previous pregnancies have all resulted in stillbirth or miscarriage, and she has found letters from a doctor to her husband, saying that she will not survive another. She meets Alice Grey, who is a midwife, by chance. Alice promises to help her give birth to a living child, and assures her that she will survive the birth.
The fact that Alice is a midwife leaves her vulnerable to accusations of witchcraft, and accused she is. Fleetwood is adamant that she will save her as she is her friend and the only person who will be able to save hers and her baby’s lives. No one takes Fleetwood seriously though; when they do take her seriously, they expect her to go home and knuckle down to the more womanly pursuits of child bearing and being a wife.
Fleetwoods frustration is described so well - no one will listen, and no one will help. It’s such a tense atmosphere - Fleetwood just wants to help,her friend, and there are so many obstacles in the way. Even her social standing is no deterrent if someone were to accuse her of witchcraft if she becomes too troublesome (there’s the example of Margaret Pearson in the story, whose maid accused her of having a toad as a familiar, and spent time in the stocks before being imprisoned)
I really enjoyed this book, and I’ll be waiting for whatever the author writes next (I’m on the mailing list!).
Many thanks to Readers First for my copy of this book.
Hannah (22 KP) rated The Witches: Salem, 1692 in Books
Sep 12, 2017
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