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Gareth von Kallenbach (980 KP) rated Identity Thief (2013) in Movies
Aug 7, 2019
Life for Sandy Patterson (Jason Bateman), is a comfortable middle class existence. He is a father of two daughters and is expecting a third child soon with his loving wife Trish (Amanda Peet). While they have financial concerns with the pending arrival of their new baby, Sandy is hoping for a bonus and promotion at his job working for a financial service company. Things take a turn for the worse for Sandy when not only does he get neither a bonus nor promotion, but he learns that his supervisors are authorizing themselves large bonus checks which he is in charge of issuing.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
Sandy and his friend Daniel (John Cho), decide that enough is enough and decide to start their own company with Sandy as V.P. Although a risky move, this could be the answer to his financial needs and Sandy jumps aboard without a second thought. Enter Diana (Melissa McCarthy), a professional identity thief who packs her Florida home with all manner of items obtained via her knack for creating credit cards belonging to other people.
Sandy thanks to his unisex name, has become the latest target for Diana and in no time, finds that his credit cards are maxed out, and worst yet, he is wanted by the police. This does not sit well for his new position as a V.P. with credit issues and warrants will scare off investors. Sandy learns that the timeline for clearing his name can be extensive, so he hatches a plan after receiving a spa confirmation call from Florida. Sandy with the knowledge of the police plans to travel to Florida and bring the person who has stolen his identity to Denver to clear his name. He hopes that a promise of no prosecution will trick her into the trip and clearing his good name.
Since the film is a comedy, things naturally do not go as planned as Denise is crafty and will resort to anything from throat punches to vehicular assault to stay one step ahead of the law. Denise has run afoul of a criminal element for issuing them credit cards that she has already maxed out and they dispatch two killers to take her and anyone she is with out. As if this is not bad enough, a psycho skip tracer (Robert Patrick) is also in hot pursuit and set on capturing the large reward on Denise. What follows is a mixture of the buddy comedy formula and road trip film which more than once reminded me of the recent “Due Date”. “Identity Thief” has a great premise and cast to it, but it is saddled by long stretches that drag on. The film takes a while to get started and never seems to find a pace that works for it.
McCarthy has some great lines and moments and Bateman does a solid job as the straight main foil. The problem is, the laughs are to few and far between to justify the nearly two hour run time. This is a shame as with about 30 minutes trimmed this could have been a very tight and witty comedy but instead under director Seth Gordon best efforts, the film never reaches its potential.
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Sarah (7800 KP) rated Airplane! (1980) in Movies
Dec 8, 2020
Surely you can't be serious?
Film #6 on the 100 Movies Bucket List: Airplane!
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Airplane! is a well known comedy classic, but for me I’m ashamed to admit that aside from the infamous “Don’t call me Shirley” line, I could barely remember a thing about this film. Airplane! is undoubtedly the mother, and master, of all comedy spoof films. Written and directed by Jim Abrahams and David and Jerry Zucker, this focuses Ted Striker (Robert Hays) who despite his fear of flying boards a plane to win back his girlfriend Elaine (Julie Hagerty), only to wind up having to ensure the plane lands safely when the pilots get sick.
The plot is definitely basic, but what it lacks in proper story it more than makes up for in laughs. I’ve never seen a film so chock full of jokes and gags, and in such a wide variety too. This features everything from subtle(ish) background jokes to witty and smart dialogue and obvious physical humour, and aside for a few misses, the majority of these jokes land perfectly. There’s the crude and hilarious auto pilot scene, to the incredibly funny and smart lines like when stewardess Elaine asks Doctor Rumack (Leslie Nielsen) about the onboard illness, “A hospital? What is it?”, to which he replies “It’s a big building with patients”. There’s something incredibly simple about the humour in this film that works so well, and yet aside from those few misses, it never resorts to crudeness that becomes disgusting and overbearing like most modern comedies do. These gags paired with the spoofing and sending up of disaster movies (plus many other genres) is a winning formula that has been emulated many times over by the likes of The Naked Gun and Hot Shots films since this was released in 1980. Admittedly there are some jokes that nowadays would be considered unacceptable and would never see the light of day, but fortunately these are a small minority and don’t spoil the overall enjoyment of the film, even now 40 years later.
The cast excel too in pulling off the over the top cheesiness you’d expect from a parody, and this is no mean feat. Whilst Julie Hagerty and Robert Hays do well as the main characters, it’s the smaller supporting roles that really stand out especially as they appear to have been given the best lines. You have Leslie Nielsen as the deadpan Doctor Rumack who delivers some hilarious dialogue with such a straight face, Lloyd Bridges as Steve McCroskey with his immortal lines beginning with “Looks like I picked the wrong week to stop…” and my absolute favourite background character Johnny (Stephen Stucker) who has some of the funniest moments you’ll ever see from such a minor character. And a notable mention has to go to Otto the automatic pilot, who even gets a feature in the credits.
Airplane! is a rightful comedy classic that could beat modern comedy films hands down, and it truly is a shame they don’t make spoofs like this anymore. It’s hilariously funny, right until the very end of the credits and an entirely unforgettable comedy experience.
Ross (3284 KP) rated Domino Strays in Books
Sep 3, 2020 (Updated Sep 3, 2020)
Great comic novel
I received an advance copy of this book from the publishers in exchange for an honest review.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
Debbiereadsbook (1590 KP) rated Tamarillo Tart (Southern Lights #2) in Books
May 14, 2020
LOVED this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
This is book 2 in the Southern Lights series, but you don't NEED to have read book 1, Powder & Pavlova, before this one. Ethan and Tanner DO pop up, but their story is not necessary for this one to make sense. However, personally, I recommend you DO read it, if only because that was a great read, and you knwo, I said so!
Stefan is a city boy, through and through, but his friend booked this trip, so he was gonna enjoy a trip up the mountian to see some Lord of The Rings scenery. Then his friend pulled out, and Stefan is faced withthe trip on his own, he is here already, so why not? How hard can it be? Cass is the tour guide, and Stefan pushes all kinds of buttons he didn't know needed pushing. How can they keep their hands off each other, when the attraction is scorching hot?
Oh my days, I loved this book!
Loved the snark, the jokes, the witty comments that Stefan throws at Cass, knowing that he is using every single double entrendre he can think of. Stefan KNOWS he wants Cass, but it's at a level he never had before. Cass is, though, a country boy and Stefan a city boy. However being in the country? It does something to Stefan, and it makes him think. Getting Cass off the mountian, when he was injured, was just what Stefan needed to show he wasn't just a pretty boy, he was someone who can get it done. Stefan just needs Cass to see that they would be great together.
Cass is mostly in the closet, and he does, bless him, TRY to fight his attraction to Stefan but it isn't long before he cannot any longer. I mean the whole book takes place over couple days, so it really isn't long but once they give in? OOOOEEEEEE these boys burn HOT!
While that hotness is great, what I particularly loved about this book was the soul-searching that both Stefan and Cass do. Both men are stuck in their lives, and they are *mostly* happy, but they know something is missing. Stefan is more profound in his musings, I must admit, and he does break your heart a couple of times, he really does. I was very impressed with his outward portrayal of being in control when Cass was sick, and how he managed to keep it together till Cass was safe. THEN he lost it.
Loved that Ethan and Tanner (book 1) pop up, even if it was near the end just to kick Stefan out his stupor, but they are referenced a lot by Stefan throughout the book, as it is THEIR relationship, while not jealous, he wants what they have.
Loved Stefan's t-shirt slogans and why he got them in the first place.
I love this series, I especially love the covers that reflect where the book takes place.
5 full and shiny stars
**same worded review will appear elsewhere**
Daniel Boyd (1066 KP) rated Russian Doll in TV
Feb 5, 2019 (Updated Feb 5, 2019)
Natasha Lyonne carries this entire series phenomenally (2 more)
Good, tight script full of quick, witty dialogue
Short and sweet
Death Becomes Her
I watched Netflix's latest series Russian Doll over the past weekend and I loved it. Natasha Lyonne stars as a woman who on the night of her 36th birthday party, is suddenly hit by a car and dies. She then comes to and finds herself again standing in the bathroom in front of the sink back at her birthday party without a scratch. Then after dying a few more times and returning to the same spot in the bathroom, she realises that she is unable to stay dead and is going to be stuck in this loop indefinitely.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
I had no clue what to expect going into this one. I was a fan of Natasha Lyonne from her role in Orange Is The New Black and had heard that she had co-wrote this project and even had a hand in directing it. This peaked my curiosity enough to give it a shot, and I'm glad that I did because, (although it is only February,) this is my favourite show of this year so far.
There is of course the presence of the obvious 'Groundhog Day,' trope, but thankfully the show uses this mechanic to it's benefit and manages to tell a fairly unique story based on a pretty unoriginal story-telling device. The show was co-written by Lyonne, Amy Poehler and Leslye Headland and the writing is brilliant. The show is comedic in all of the right places while managing to achieve and maintain a more serious tone when it wants to for certain moments, especially towards the end of the series.
Consisting of eight episodes all around 30 minutes in duration, the series moves at an extremely brisk pace and it is a pace that matches the quick dialogue and editing style that the series adopts during many of the death montage sequences. This all gels together to ensure that the show never feels stagnant or dragging in any sense. The score and cinematography are also great and compliment the other aspects of the show very nicely. All of this together is what gives this show it's unique, quirky feel.
Though, none of this would work without having a reliable lead protagonist to tie the whole thing together and Natasha Lyonne pulls off this difficult task flawlessly. I have always enjoyed seeing Lyonne pop up in several projects as a solid supporting actress, but this is the first time that I have seen her in the lead role and she is phenomenal through the entire eight episodes that Russian Doll consists of. Match that with the writing and directing credits that she claims on this series and you realise that we are watching an artist with incredible talent getting to realise her vision through this project and it is a joy to witness the whole thing unfold.
Overall, Russian Doll is a fantastic series that is enjoyable from start to finish. It features brilliant writing, fantastic performances and plenty of laughs. Due to the oddball nature and tone of this wonderful series, I am not sure if I want to see a second season. However, I am very much looking forward to seeing wherever Lyonne goes from here and what she plans to do next, both as an actress and as an auteur.
Kristy H (1252 KP) rated Playing with Matches in Books
Mar 10, 2019
Good read, especially for those young & dating
Sasha Goldberg's plans as a writer are quickly derailed when her boss tells her he doesn't have the funds to hire her on after her graduation. She's stuck--in New York City--without a Plan B. When she sees a job listing for a matchmaker, she's intrigued. Sasha's secret is that her parents met through a kind of matchmaker: her father chose her mom through a catalog and paid for her to come to the United States from Russia. Of course, it didn't exactly work out (they're divorced), but Sasha uses the story to get hired on at Bliss, an exclusive NYC matchmaking service. She's hopeful the job will tide her over while she waits for a writing gig. And, she thinks, she has to know something about love, since she's successfully with her boyfriend, Jonathan, who works around-the-clock in his Wall Street gig. But matchmaking isn't as easy as it looks--it's a lot of stressful Tinder swiping and tracking down potential mates in random ways--and it becomes even more complicated when Sasha develops a crush on one of her client's matches. One of the firm's rules is that matches are off-limits. Sasha's struggling: can she keep it all together?
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Good Luck with That in Books
Mar 11, 2019
Powerful, emotional read, but completely worth it
Emerson, Georgia, and Marley have been best friends since they were teens. They met at Camp Copperbrook, a weight-loss camp. They've stayed close ever since, so when Emerson passes away, Georgia and Marley are distraught. Emerson asks her friends to complete a list they made at camp, forcing both Georgia and Marley to confront some long-held fears. Marley still feels guilty since her twin sister, Frankie, died when they were four. And Georgia, has been scarred by the exacting conditions--especially about weight--passed on by her mother and brother. And she's hurt after the ending of her marriage. But Georgia and Marley are determined to complete the items on the list, for Emerson, even if it means getting past their comfort zone and learning to love themselves just as they are.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
Kristy H (1252 KP) rated All I Ever Wanted in Books
Mar 20, 2019
Fun, enjoyable book with great characters
Callie Grey is turning thirty, and her life simply isn't going as planned. She's not married--or even dating--and now her boss, Mark, whom she's loved for years, is marrying Muriel, a perfect specimen from California. Even worse, Muriel is honing in on Callie's territory at the advertising agency where she works. Her mother runs the family business: a funeral home, where Callie's thirtieth birthday was held (sharing space with a wake). Her father, meanwhile, is trying to win her mother back, despite the fact that she hates him for cheating on her--when Callie was eight. Hester, her sister, despises all men due to said cheating incident. And no matter how hard she tries, Callie can't get over Mark and the five weeks they "dated." Still, it seems like maybe that could change when she meets Ian, the town's new sulky but handsome veterinarian. But can Callie put the past behind her to find her own happiness? And is Ian ready to move on himself?
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
Movie Metropolis (309 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
We have a problem
To say 2014’s Guardians of the Galaxy was a surprise hit is a slight understatement. Many had predicted Marvel’s gamble to sink the studio with its unknown characters and very unique sense of style, but it ended up being one of the year’s best films grossing nearly $800million.
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/