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Kristy H (1252 KP) rated Playing with Matches in Books
Mar 10, 2019
Good read, especially for those young & dating
Sasha Goldberg's plans as a writer are quickly derailed when her boss tells her he doesn't have the funds to hire her on after her graduation. She's stuck--in New York City--without a Plan B. When she sees a job listing for a matchmaker, she's intrigued. Sasha's secret is that her parents met through a kind of matchmaker: her father chose her mom through a catalog and paid for her to come to the United States from Russia. Of course, it didn't exactly work out (they're divorced), but Sasha uses the story to get hired on at Bliss, an exclusive NYC matchmaking service. She's hopeful the job will tide her over while she waits for a writing gig. And, she thinks, she has to know something about love, since she's successfully with her boyfriend, Jonathan, who works around-the-clock in his Wall Street gig. But matchmaking isn't as easy as it looks--it's a lot of stressful Tinder swiping and tracking down potential mates in random ways--and it becomes even more complicated when Sasha develops a crush on one of her client's matches. One of the firm's rules is that matches are off-limits. Sasha's struggling: can she keep it all together?
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This is one of those books where I find myself going into it warily, because you just know things are going to come crashing down, and you (me) are not 100% sure you want to be there for all of it. It's not a secret (it's in the book description) that Sasha and Jonathan break up and that she gets into a relationship with Adam, one of her client's matches. For some reason, I often have an issue with these sorts of books where the character just makes bad choices: Sasha makes no attempt to avoid what will be an inevitable downfall with Adam, so I found myself cringing as she made a string of poor decisions.
That's not to say Sasha isn't an engaging character. This book is very readable, and I certainly liked Sasha and reading about her life. However, I can't lie:I probably am a little older than the target audience for this novel. It offers a fun and engaging look at the dating scene in New York, but there wasn't a lot I could relate to. I felt protective of Sasha, not empathetic to her, if that makes any sense. Honestly, the book just made me feel relieved I no longer have to date or deal with basically anything Sasha had to endure during the course of this novel.
Still, Orenstein does a good job at capturing Sasha's voice and what it's like to be a young twenty-something trying to survive in the city. Sasha's relationship with her best friend Caroline and her mom are well-done. I didn't think there was as much overall about matchmaking as a job as I'd hoped--it seemed to be a lot of Tinder swiping and chatting--so that was a little bit of a bummer, but there was enough to know it's a job I'd never want!
Overall, if you're young and still dating, you'll probably really enjoy this book--especially if you live in a city. If not, some of its essence may be a bit lost of you, but you'll still like Orenstein's witty writing and the arc of Sasha's struggles.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated Good Luck with That in Books
Mar 11, 2019
Powerful, emotional read, but completely worth it
Emerson, Georgia, and Marley have been best friends since they were teens. They met at Camp Copperbrook, a weight-loss camp. They've stayed close ever since, so when Emerson passes away, Georgia and Marley are distraught. Emerson asks her friends to complete a list they made at camp, forcing both Georgia and Marley to confront some long-held fears. Marley still feels guilty since her twin sister, Frankie, died when they were four. And Georgia, has been scarred by the exacting conditions--especially about weight--passed on by her mother and brother. And she's hurt after the ending of her marriage. But Georgia and Marley are determined to complete the items on the list, for Emerson, even if it means getting past their comfort zone and learning to love themselves just as they are.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
I'll be honest. I wasn't sure I'd like this one in the beginning. The tell-it-like-it-is weight talk is jarring at first, so are Marley's many, many references to her dead twin. I was confused about who was talking, eventually having to make myself a little cheat sheet to keep Georgia and Marley and their various family members/histories straight. But, pretty quickly, this book grew on me, and became a very powerful, very heartbreaking, very realistic, and very lovely read.
This isn't an easy-to-read book. It's starkly realistic and tells it like it is. Weight, life, reality, friendship, parenting, and more. It's tough to read and touches on the insecurities we all have deep inside ourselves, plus how cruel the world can be to those it deems "different." It made me very sad at times.
Luckily, the novel is also infused with Higgins' trademark humor. The woman can write a darn funny scene and even with the serious topics she covers here, there are plenty of funny times and warmth throughout this novel. She can make piggyback rides humorous. And running! Marley and Georgia become real people throughout the course of this novel, and so much of their friendship is witty and hilarious. I really grew to love them.
The book is also powerful in so many ways. Yes, it can be powerfully sad and heartbreaking at times, but it's also just powerfully well-done. I really think this is a book everyone should read, especially parents or anyone who spends time around teens. Georgia's teenage nephew, Mason, quickly became one of my favorite characters. His storyline has nothing to do with weight, but everything to do with self-acceptance, and I totally adored him.
There's so much going on in this book. The power of friendship. Struggling with weight and loving yourself. And the idea of, What happens when we get everything we want and we still aren't happy? So much resonated with me. The book will make you laugh. It will make you cry. Parts of it are predictable, but in the total Higgins fashion of exactly the way you want them to be.
Overall, this book was nothing like what I expected, but that's totally OK. It's really a powerful, tough, emotional read, but completely worth it. By the end, I was completely immersed in the characters' lives and the story. I found it to be heartbreaking and beautiful, and I certainly recommend it.
Kristy H (1252 KP) rated All I Ever Wanted in Books
Mar 20, 2019
Fun, enjoyable book with great characters
Callie Grey is turning thirty, and her life simply isn't going as planned. She's not married--or even dating--and now her boss, Mark, whom she's loved for years, is marrying Muriel, a perfect specimen from California. Even worse, Muriel is honing in on Callie's territory at the advertising agency where she works. Her mother runs the family business: a funeral home, where Callie's thirtieth birthday was held (sharing space with a wake). Her father, meanwhile, is trying to win her mother back, despite the fact that she hates him for cheating on her--when Callie was eight. Hester, her sister, despises all men due to said cheating incident. And no matter how hard she tries, Callie can't get over Mark and the five weeks they "dated." Still, it seems like maybe that could change when she meets Ian, the town's new sulky but handsome veterinarian. But can Callie put the past behind her to find her own happiness? And is Ian ready to move on himself?
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
So, as part of my reading goals for 2019, I'm going to try to read more books that I own. I've been "practicing" a bit here at the end of 2018, and ALL I EVER WANTED was part of that. I read two of Higgins' recent releases lately and really loved them, so decided to go with this one. While I didn't find it quite as modernly witty and wonderful as those two (a few scenes describing characters' weight and a few other things rubbed me a bit wrong), it was still a really enjoyable read.
Well, I read another romance recently and while it was good, I just couldn't fall fully for the characters. Not the case here. While I worried a bit early on that Callie would be too much of a whiner, she grew on me quickly. Higgins is just so good with the slow build of her characters and storylines. You get the gruff but charming Ian and all these wonderful scenes that make you smile. Her books have just the right balance of sweet and funny (there always seems to be a classic dinner party scene that makes me laugh out loud). There's a great moment where Callie and Ian are on a hike, and a wonderfully humorous time where Callie dates someone who is, yes, a human hair artisan.
The point is, we really get to know the characters--their flaws and foibles plus their good sides--and it just helps make the story. I care about them. I know Callie's family (a great cast of ancillary characters, including her grandfather and nieces), I know her backstory, and we even get to know Ian's tale. The book deals, deftly, with some complicated emotions and heartache along with the fun and fluff. (And well, there's an incident with a wild turkey that's pretty awesome.) And because we get these two fleshed out characters--even if we know they are probably destined to get together--we're invested along the way to find out how and why. That's what I love about Higgins. It's not just some token scenes along the way to an inevitable conclusion. There's real meat and depth, along with humor. And I really enjoyed the ending, too.
Overall, this is just a fun, enjoyable book with some depth to back itself up. The characters are interesting, and parts of it will make you laugh out loud. I recommend it, and I'm glad I picked it up off my bookshelf!
Movie Metropolis (309 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
We have a problem
To say 2014’s Guardians of the Galaxy was a surprise hit is a slight understatement. Many had predicted Marvel’s gamble to sink the studio with its unknown characters and very unique sense of style, but it ended up being one of the year’s best films grossing nearly $800million.
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Three years on, director James Gunn returns with the plucky group of space stars. But can lightning strike twice? Or have the Guardians had their time to shine?
Star Lord (Chris Pratt), Gamora (Zoe Saldana), Rocket (Bradley Cooper), Drax (Dave Bautista) and Baby Groot (Vin Diesel) struggle to keep their newfound family together as they desperately try to unravel the mystery of Peter Quill’s true parentage in the outer reaches of the galaxy.
To our cast of space vigilantes, James Gunn has thrown in a few new personas and fleshed out some secondary characters, resulting in a film that rivals Avengers: Age of Ultron for the amount of people jostling for screen-time. Unfortunately, Volume 2 also suffers from many of the same problems as its earthly stablemate.
The biggest joy of watching Guardians 2 is seeing those secondary characters getting their chance in the spotlight. In particular, Michael Rooker’s Yondu makes a massive impact throughout the running time and is a highlight throughout. Elsewhere, Karen Gillan’s villainous Nebula gets a similar treatment, though not quite to the same extent.
Moreover, the team we have all come to know and love is on fine form, even if they are split from one another for the majority of the film. Chris Pratt is probably the biggest star in Hollywood at the moment and he looks like he’s having the time of his life. However, it’s not Star Lord that shines brightest this time around. That honour goes to Dave Bautista’s Drax.
The addition of Kurt Russell as Pratt’s father, Ego is an ingenious piece of casting and his ‘pet’ Mantis, played wonderfully by Pom Klementieff steals the show in every scene. Her brief moments with Bautista are where the film really succeeds.
Another witty script crafted by James Gunn and Nicole Perlman ensures that Guardians 2 is absolutely hilarious. Some of the one-liners are absolute corkers and it often outdoes its predecessor, raising the bar very high for future Marvel projects in the process.
To look at, Volume 2 is pleasant if unspectacular. Colourful? Yes. Detailed? Not so much. With so much going on at once, it’s easy for the film to feel overwhelmed with some of the CGI being downright poor. The opening scene in which our heroes battle a hideous octopus-like beast, whilst fun to watch, isn’t crafted to the same level as its predecessor’s introductory sequence. The finale is a little anti-climactic, unfortunately falling into the same pitfalls that so many big blockbusters do nowadays – needless and frankly ugly CGI.
Guardians of the Galaxy: Vol 2 is another accomplished film in the ever-expanding Marvel Cinematic Universe. However, like Avengers: Age of Ultron, it suffers from its predecessor’s popularity and is overstuffed with too many characters elbowing for screen-time.
Unfortunately, the new approach the first film took has disappeared a little this time around. Because Volume 1 was such a delightful change from the rest of the crowd-pleasing blockbusters, Guardians 2 was bound to be a bit of a disappointment.
https://moviemetropolis.net/2017/04/28/we-have-a-problem-guardians-of-the-galaxy-2-review/
Movie Metropolis (309 KP) rated Wonder Woman (2017) in Movies
Jun 10, 2019
DC gets it right
I’m not going to sit here and tell you that Wonder Woman is alright because it’s been directed by a woman, or that it’s the most progressive superhero film of the last decade. No, neither of those things are true.
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
However, the titular superhero, played superbly by Gal Gadot stars in by far the best film in the ever-expanding DC Universe – though with Suicide Squad and Batman v Superman as stablemates, that really isn’t saying much.
Before she became Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an invincible warrior. Raised on a sheltered island paradise, Diana meets a US pilot (Chris Pine) who tells her about the conflict that’s raging in the outside world. Convinced she can stop the threat, Diana leaves her safe haven for the very first time. She fights alongside men of war and along the way discovers her true potential and her destiny.
So, let’s get the elephant in the room out of the way first. Director Patty Jenkins is one of the only women to have helmed a big summer blockbuster. Mimi Leder crafted Deep Impact back in 1998 and since then, female directors have been few and far between with Kathryn Bigelow being a notable exception. The gravitas of this cannot be understated.
How does the cast do? Well, it’s a story of two halves. Gal Gadot has proven herself in Batman v Superman and with a full film behind her, she is exceptional. It’s almost impossible to now think of anyone better suited to playing the titular character. Chris Pine is fine but he’s in the film far too much – not really his fault, but a superhero sidekick is usually relegated to a few witty one-liners rather than a fully-fledged supporting role.
The villains on the other hand are absolute garbage. Danny Huston hams it up as a German general and Elena Anaya’s portrayal of “Dr Poison” aiming to ramp up the war effort with the introduction of mustard gas is little to no use to the plot. The introduction of another villainous character towards the film’s climax also fails to lift the offering.
But what about the special effects? You guessed it, it’s 50/50. The sequences of Wonder Woman braving No Man’s Land are stunning, especially with the now instantly recognisable theme tune playing in the background, but this is poorly juxtaposed with some very shoddy CGI, it had me thinking of 2003’s Catwoman it was that bad.
Then the finale arrives and we’re thrown head first into the same CGI heavy ending that blights the majority of comic-book films nowadays. So, whilst it’s true that Patty Jenkins certainly knows how to shoot the action, she’s let down by cheap looking special effects.
Overall, Wonder Woman is a perfectly decent addition to the DCEU and certainly head and shoulders above its other offerings. The problem arises when we take a deeper look at Gal Gadot – she’s much, much better than the film she is in, and that’s a problem facing Ben Affleck, Henry Cavill, Will Smith, Margot Robbie… you get the picture.
Justice League, the ball is in your court.
https://moviemetropolis.net/2017/06/02/dc-gets-it-right-wonder-woman-review/
Movie Metropolis (309 KP) rated Ghostbusters (2016) in Movies
Jun 11, 2019
I ain't afraid of no reboot
So it’s here. One of the most reviled films of the decade before it was even released; the Ghostbusters reboot has a tough job persuading fans of the original films and newcomers alike that it’s worth their time.
With director Paul Feig, stars like Melissa McCarthy and Chris Hemsworth and the backing of the series’ previous stars, it’s certainly got a lot going for it, but does the finished product soar or deserve all those dislikes on YouTube? The most disliked film trailer in YouTube history.
Paranormal researcher Abby Yates (Melissa McCarthy) and physicist Erin Gilbert (Kristen Wiig) are trying to prove that ghosts exist in modern society. When strange apparitions appear in Manhattan, Gilbert and Yates turn to engineer Jillian Holtzmann (Kate McKinnon) for help. Also joining the team is Patty Tolan (Leslie Jones), a lifelong New Yorker who knows the city inside and out. Armed with proton packs and plenty of attitude, the four women prepare for an epic battle as thousands of ghosts descend on Times Square.
To look at, Ghostbusters is absolutely stunning with breath-taking CGI coupled with sweeping shots of New York’s famous skyline. With the exception of The Jungle Book, there simply hasn’t been a film so far this year that has looked this good. The ghouls are rendered with brilliant special effects that culminate at the finale for a cracking female-led battle and Slimer even makes an appearance – what more could you ask for?
This is also a witty, occasionally hilarious and on the whole reasonably funny film that utilises Paul Feig’s knack at scriptwriting and the talents of its exceptional cast very well. Melissa McCarthy’s presence proves just what a team she and Feig are, with Chris Hemsworth providing some of the film’s best one-liners.
But the true surprise is in Kate McKinnon. Her wacky, over-the-top character has been tremendously well written and is a joy to watch on screen, especially in the film’s final act. Leslie Jones and Kristen Wiig each make an impact with the former in particular being very funny indeed. The cameos are all present and correct too, with the majority of the previous film’s main cast returning in some small way.
There are a couple of flaws. When you think of Paul Feig then Bridesmaids will probably spring to mind. Then perhaps The Heat or Spy? All these films were given a 15 certification by the BBFC and they used that certificate to its full potential. Ghostbusters is given the much-maligned 12A rating meaning it’s not as immediately hilarious as those films.
That’s not to say it isn’t funny, in fact, part of the humour is derived from spotting references to its much-loved predecessors, but it doesn’t have you rolling about the aisles like Feig’s earlier works.
The story does occasionally suffer from the pressures of influence, with the original film’s footprint well and truly stamped throughout. Nevertheless, this isn’t a real drag and the taut 116 minute running time keeps things moving along nicely with the highlights being the group’s inception and interactions.
Ghostbusters fans; you can rest easy. This isn’t meant to step on the toes of its wonderful predecessors at all. What it has achieved however is to provide its audience, new generation or old, with cracking special effects, a decent, well-written script and some dry, subtle humour. It’s one of the best films of the year so far and no publicity is bad publicity.
https://moviemetropolis.net/2016/07/12/i-aint-afraid-of-no-reboot-ghostbusters-review/
With director Paul Feig, stars like Melissa McCarthy and Chris Hemsworth and the backing of the series’ previous stars, it’s certainly got a lot going for it, but does the finished product soar or deserve all those dislikes on YouTube? The most disliked film trailer in YouTube history.
Paranormal researcher Abby Yates (Melissa McCarthy) and physicist Erin Gilbert (Kristen Wiig) are trying to prove that ghosts exist in modern society. When strange apparitions appear in Manhattan, Gilbert and Yates turn to engineer Jillian Holtzmann (Kate McKinnon) for help. Also joining the team is Patty Tolan (Leslie Jones), a lifelong New Yorker who knows the city inside and out. Armed with proton packs and plenty of attitude, the four women prepare for an epic battle as thousands of ghosts descend on Times Square.
To look at, Ghostbusters is absolutely stunning with breath-taking CGI coupled with sweeping shots of New York’s famous skyline. With the exception of The Jungle Book, there simply hasn’t been a film so far this year that has looked this good. The ghouls are rendered with brilliant special effects that culminate at the finale for a cracking female-led battle and Slimer even makes an appearance – what more could you ask for?
This is also a witty, occasionally hilarious and on the whole reasonably funny film that utilises Paul Feig’s knack at scriptwriting and the talents of its exceptional cast very well. Melissa McCarthy’s presence proves just what a team she and Feig are, with Chris Hemsworth providing some of the film’s best one-liners.
But the true surprise is in Kate McKinnon. Her wacky, over-the-top character has been tremendously well written and is a joy to watch on screen, especially in the film’s final act. Leslie Jones and Kristen Wiig each make an impact with the former in particular being very funny indeed. The cameos are all present and correct too, with the majority of the previous film’s main cast returning in some small way.
There are a couple of flaws. When you think of Paul Feig then Bridesmaids will probably spring to mind. Then perhaps The Heat or Spy? All these films were given a 15 certification by the BBFC and they used that certificate to its full potential. Ghostbusters is given the much-maligned 12A rating meaning it’s not as immediately hilarious as those films.
That’s not to say it isn’t funny, in fact, part of the humour is derived from spotting references to its much-loved predecessors, but it doesn’t have you rolling about the aisles like Feig’s earlier works.
The story does occasionally suffer from the pressures of influence, with the original film’s footprint well and truly stamped throughout. Nevertheless, this isn’t a real drag and the taut 116 minute running time keeps things moving along nicely with the highlights being the group’s inception and interactions.
Ghostbusters fans; you can rest easy. This isn’t meant to step on the toes of its wonderful predecessors at all. What it has achieved however is to provide its audience, new generation or old, with cracking special effects, a decent, well-written script and some dry, subtle humour. It’s one of the best films of the year so far and no publicity is bad publicity.
https://moviemetropolis.net/2016/07/12/i-aint-afraid-of-no-reboot-ghostbusters-review/
Kristy H (1252 KP) rated Small Admissions in Books
Feb 13, 2018
Kate Pearson is going through a rough time. She's been dumped by Robert, her incredibly handsome French boyfriend, and she turned down a spot in her grad school program, so instead of living a dream life in Paris, she's living on the couch, barely able to wash her own hair. Her friend Chloe feels responsible (Robert is her cousin, after all), her friend Vicki is just annoyed (Vicki has no patience for wallowing), and Kate's older sister Angela just wants to fix everything. She connects Kate to a lead for an interview at the admissions department at the Hudson Day School. Surprising everyone, Kate gets the job, and suddenly has to get her life together. There's no time for self-pity during admissions season, after all. Indeed, Kate finds herself drawn to her job, her new colleagues, and the various children she meets while at work. And while Kate's working non-stop, her friends are busy falling in love, feeling guilty about their role in Kate's earlier breakdown regarding Robert, and generally making a mess of things. Will Kate make her own mess at the new admissions gig as well, or is this the fresh chance she needed?
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
I am torn somewhat on my thoughts for this book. It starts off quite witty and drew me in immediately. It's told from a multitude of perspectives, including Kate's friends (Chloe and Vicki), her sister (Angela) and Kate, and Kate's new boss, Henry. It's also interspersed with tales of several children trying to get into private school, along with the perspectives of their parents. There's definitely some nuance and depth there, but sometimes it's A LOT. A lot of characters, a lot of jumping of back and forth. I won't lie: Kate's friends certainly annoyed me at times. The side show with them can be humorous, but often just irritating. I found myself wanting more Kate.
The problem with all the jumping around is that I didn't really get to know the characters as much as I wanted, which was a shame, because they were fascinating. Kate, Chloe, Angela, Henry -- they were intriguing and, when featured, seemed real, even if Angela was driving us crazy meddling into Kate's life, as was Chloe with her never-ending guilt over her supposed role in Kate's breakdown. Poeppel has done an excellent job of creating real, flawed characters, and I just wish they all received a little more face-time. The snippets from the kids (and parents) applying for school are great, too, but it's hard not to see them sometimes as a detraction from our main characters, especially a side plot with two fervent (and delusional) parents.
Still, don't think I didn't enjoy the book, because I did. There are some wise and wonderful moments and some instances where I found myself laughing out loud. Kate is endearing, and you cannot help but rooting for her character. This book is redeemed by her and her journey. She is an inspiration. Because of her and my various feelings for this novel, my final rating falls at 3.75 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you) in return for an unbiased review; it is available everywhere as of 12/27/2016.
Jen Dixon is back in kindergarten. She thought her days as "Class Mom" were behind her: Jen's two daughters are in college after all. But Jen, at age forty-six, is back on the Mom circuit, with her first husband, Ron, and five-year-old son, Max. This is Jen's chance to do things over again, with a husband and the security she lacked the first time around. So when her best friend Nina (also PTA President) asks Jen to be Class Mom, she agrees. The duties of Class Mom seem fairly simple--coordinate field trips, set up class parties, and send out emails to the other parents. Jen does this with aplomb and a fairly decent level of sarcasm, which isn't always appreciated by all the parents. At the same time, she's training for a mud run and attempting to keep the flame going in her marriage with Ron. It doesn't help when she discovers that her high school crush is another parent in Max's class. Jen has a lot going on--can she juggle it all?
This book appealed to me on LibraryThing as I have two daughters in kindergarten and am suddenly in the midst of the whole school dynamic. Luckily, things aren't quite as dramatic as the school portrayed in Gelman's novel! The book came along at a pretty good time, as I've read a string of fairly serious thrillers recent. <i>It's certainly a funny and fast read. </i>
I couldn't help but like Jen. She's an engaging protagonist. Her struggles as a parent, wife, and friend are realistic and yet humorous. Her surrounding cast of characters, while not quite as fleshed out, are also funny, though not perhaps always as realistic (more on that later). I enjoyed that her husband, best friend, and kids weren't the typical stereotypes or cardboard cutouts you often see in novels, but real people, with issues of their own.
Also enjoyable was the way the novel interspersed Jen's emails to the class at the beginnings of many chapters (along with a variety of replies). They were usually funny and lightened up the book and surprisingly moved the plot along fairly well. They also made me grateful for some of the lack of politics at my kids' school--so far. It's still early though, sigh!
The only problem for me was that a lot of the good in this book--great characters, humor--was marred a bit by just a lot going on--not all of it completely believable. There are some silly plotlines thrown in that almost don't seem necessary and once resolved, are a bit disappointing. There's one last "shocker" tossed in at the very end of the novel that did surprise me somewhat, but I'm not really sure it was needed.
<i>Still, this is a very engaging and fun novel for a first-time novelist.</i> It's not a pretentious literary piece, but it's not aiming to be. Instead, it's certainly a witty and fascinating look at the craziness that happens in your children's classrooms. 3.5 stars.
I received a copy of this novel from the publisher and LibraryThing (thank you!) in return for an unbiased review; it is available everywhere as of 08/01/2017.
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This book appealed to me on LibraryThing as I have two daughters in kindergarten and am suddenly in the midst of the whole school dynamic. Luckily, things aren't quite as dramatic as the school portrayed in Gelman's novel! The book came along at a pretty good time, as I've read a string of fairly serious thrillers recent. <i>It's certainly a funny and fast read. </i>
I couldn't help but like Jen. She's an engaging protagonist. Her struggles as a parent, wife, and friend are realistic and yet humorous. Her surrounding cast of characters, while not quite as fleshed out, are also funny, though not perhaps always as realistic (more on that later). I enjoyed that her husband, best friend, and kids weren't the typical stereotypes or cardboard cutouts you often see in novels, but real people, with issues of their own.
Also enjoyable was the way the novel interspersed Jen's emails to the class at the beginnings of many chapters (along with a variety of replies). They were usually funny and lightened up the book and surprisingly moved the plot along fairly well. They also made me grateful for some of the lack of politics at my kids' school--so far. It's still early though, sigh!
The only problem for me was that a lot of the good in this book--great characters, humor--was marred a bit by just a lot going on--not all of it completely believable. There are some silly plotlines thrown in that almost don't seem necessary and once resolved, are a bit disappointing. There's one last "shocker" tossed in at the very end of the novel that did surprise me somewhat, but I'm not really sure it was needed.
<i>Still, this is a very engaging and fun novel for a first-time novelist.</i> It's not a pretentious literary piece, but it's not aiming to be. Instead, it's certainly a witty and fascinating look at the craziness that happens in your children's classrooms. 3.5 stars.
I received a copy of this novel from the publisher and LibraryThing (thank you!) in return for an unbiased review; it is available everywhere as of 08/01/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Zuky the BookBum (15 KP) rated The White Road in Books
Mar 15, 2018
This is the first book I’ve read by Sarah Lotz, plus it’s the first I’ve read to do with natural, mountainess horror… and I have to say I really enjoyed it! It instantly pulls you into the story, and the writing and setting instantly creates such an atmospheric, creepy and chilling feeling.
You do have to suspend belief for this novel. A man going down to do some caving is plausible, but the idea that Simon could climb Mount Everest after no professional training is just not believable. This didn’t bother me an awful lot as I was so involved with the characters stories and encaptured by the fear of the situations, but I know it can be an issue for some people.
I’m stunned at how claustrophobic and breathless this book made me feel. When we’re down in the caves with Simon, straight off, I found myself squirming and panicking as we made our way deeper into the abyss. Then those feelings were brought back to me again as we were scaling Everest and the air was getting thinner and thinner. Lotz really has a way of writing horrifying experiences! She’s also good at adding in humour to parts of the story that others would make severely intense, and I liked that we had that chance to have a bit of a mental break from all the dramatics.
I won’t lie and say this was the most perfect book in the world, because it isn’t. I was disappointed by the final climb up Everest. It all happened to quickly, I was stunned to turn the page and find we were back down at ABC camp. It wasn’t at all as climactic as what had happened down in the caves, which seemed weird, as this was our main event! <b><i>But</i></b>, the climb up Everest feels like much more like a <i>means</i> to an end.
Lotz is a master at getting you attached to characters. Simon was witty and he was tragic, by the end I felt like I knew him completely and to be honest, <i>I think I was in love with him a little bit. </i> When we get to the end, that chilling, haunting end, I very nearly shed a tear. I was so attached to his character, I felt like he was worth crying for, but somehow I kept my wits about me (very unlike me!)
Like I just mentioned, the ending is one of the best I’ve read. For me, it was everything I wanted it to be, and everything I didn’t want it to be. It was raw and terrifying. I felt a little choked up by it all.
Overall, I think I’ve discovered a new type of book I like! I like this horror-in-the-wilderness feel so I’m definitely going to be checking out more books like this! <i>(I just bought myself Ararat by Christopher Golden)</i> Please, if you read the synopsis and thought “hmm, that sounds like it could be good”, rush out to get this! I know Lotz’s other books have garnered pretty average to poor reviews, but after this, I’m going to have to check out her other stuff.
<i>Thank you to Hodder & Stoughton for sending me an advanced reader’s copy of this book.</i>
You do have to suspend belief for this novel. A man going down to do some caving is plausible, but the idea that Simon could climb Mount Everest after no professional training is just not believable. This didn’t bother me an awful lot as I was so involved with the characters stories and encaptured by the fear of the situations, but I know it can be an issue for some people.
I’m stunned at how claustrophobic and breathless this book made me feel. When we’re down in the caves with Simon, straight off, I found myself squirming and panicking as we made our way deeper into the abyss. Then those feelings were brought back to me again as we were scaling Everest and the air was getting thinner and thinner. Lotz really has a way of writing horrifying experiences! She’s also good at adding in humour to parts of the story that others would make severely intense, and I liked that we had that chance to have a bit of a mental break from all the dramatics.
I won’t lie and say this was the most perfect book in the world, because it isn’t. I was disappointed by the final climb up Everest. It all happened to quickly, I was stunned to turn the page and find we were back down at ABC camp. It wasn’t at all as climactic as what had happened down in the caves, which seemed weird, as this was our main event! <b><i>But</i></b>, the climb up Everest feels like much more like a <i>means</i> to an end.
Lotz is a master at getting you attached to characters. Simon was witty and he was tragic, by the end I felt like I knew him completely and to be honest, <i>I think I was in love with him a little bit. </i> When we get to the end, that chilling, haunting end, I very nearly shed a tear. I was so attached to his character, I felt like he was worth crying for, but somehow I kept my wits about me (very unlike me!)
Like I just mentioned, the ending is one of the best I’ve read. For me, it was everything I wanted it to be, and everything I didn’t want it to be. It was raw and terrifying. I felt a little choked up by it all.
Overall, I think I’ve discovered a new type of book I like! I like this horror-in-the-wilderness feel so I’m definitely going to be checking out more books like this! <i>(I just bought myself Ararat by Christopher Golden)</i> Please, if you read the synopsis and thought “hmm, that sounds like it could be good”, rush out to get this! I know Lotz’s other books have garnered pretty average to poor reviews, but after this, I’m going to have to check out her other stuff.
<i>Thank you to Hodder & Stoughton for sending me an advanced reader’s copy of this book.</i>
Zuky the BookBum (15 KP) rated Rosemary's Baby (Rosemary's Baby, #1) in Books
Mar 15, 2018
<b><i>This is no dream, she thought. This is real, this is happening.</i></b>
<b>Note to self and others:</b> beware of overly friendly neighbours.
This is amazing. At just over 200 pages, this novel takes you on a hell (excuse the pun) of a journey that you wont forget anytime soon. Levin has managed to make a novel so witty, and at the same time, so terrifying. In a way, the tone of this book is reminiscent of American Psycho (or rather American Psycho is reminiscent of this as it came out afterwards), but rather than in-your-face vulgar gore, this is far more psychologically disturbing. Never has such a mundane life, as Rosemarys and Guys, ever been so horrifying.
Id already watched the movie when I picked this up, so I knew what this novel was about and what happened, and I think, maybe, that made me enjoy this <i>more.</i> When you know how the story plays out, the tension in this really grips you and you find yourself angry and empathetic towards Rosemarys naivety. I think if I went into this novel not knowing, Rosemary would have simply pissed me off, shes that sort of weak and dependant woman I oh-so hate in books, but it was a different experience for me, knowing what I know. Thats not to say you wont like this going into it blind, Im sure the tension and horror of this will affect you just the same way <i>and</i>_ you'll get the pleasure of the pure shock of the discovery, something I didn't.
Ive said previously that I find it hard to really <i>hate</i> a character in a book, as I often find things to like about them, despite all their bad ways, but thats not the case in this one. Lets just say there is one specific character in this I hate more than anyone (in any other book ever, so far) for their betrayal, all for their own selfish gain.
The ending of this novel is one of the hardest, if not <i>the</i> hardest to swallow. Its <i>so</i> distressing and <i>so</i> upsetting. I cant say anything more than that, but its truly awful.
Im really trying not to give too much away with this review, its hard not to say so many things, but I think its OK to mention the fact this book is about devilry (its written on the book as a quote from Capote so it cant exactly be ignored)! This is a truly terrifying novel, and if you had qualms about having children before, youll definitely have more after reading this book.
This is a one-sitting read for me and Im actually excited to re-read it sometime in the future. This work is a masterpiece. Levin is an incredible writer and Im now aiming to read the rest of his work by the end of the year (yes, even <i>Son of Rosemary</i>, even though it has the worst ratings ever).
P.S. Even if you dont like horror, youll most likely enjoy this book as its not openly trying to freak you out. Its far more a suspense novel that gets in your head.
<b>Note to self and others:</b> beware of overly friendly neighbours.
This is amazing. At just over 200 pages, this novel takes you on a hell (excuse the pun) of a journey that you wont forget anytime soon. Levin has managed to make a novel so witty, and at the same time, so terrifying. In a way, the tone of this book is reminiscent of American Psycho (or rather American Psycho is reminiscent of this as it came out afterwards), but rather than in-your-face vulgar gore, this is far more psychologically disturbing. Never has such a mundane life, as Rosemarys and Guys, ever been so horrifying.
Id already watched the movie when I picked this up, so I knew what this novel was about and what happened, and I think, maybe, that made me enjoy this <i>more.</i> When you know how the story plays out, the tension in this really grips you and you find yourself angry and empathetic towards Rosemarys naivety. I think if I went into this novel not knowing, Rosemary would have simply pissed me off, shes that sort of weak and dependant woman I oh-so hate in books, but it was a different experience for me, knowing what I know. Thats not to say you wont like this going into it blind, Im sure the tension and horror of this will affect you just the same way <i>and</i>_ you'll get the pleasure of the pure shock of the discovery, something I didn't.
Ive said previously that I find it hard to really <i>hate</i> a character in a book, as I often find things to like about them, despite all their bad ways, but thats not the case in this one. Lets just say there is one specific character in this I hate more than anyone (in any other book ever, so far) for their betrayal, all for their own selfish gain.
The ending of this novel is one of the hardest, if not <i>the</i> hardest to swallow. Its <i>so</i> distressing and <i>so</i> upsetting. I cant say anything more than that, but its truly awful.
Im really trying not to give too much away with this review, its hard not to say so many things, but I think its OK to mention the fact this book is about devilry (its written on the book as a quote from Capote so it cant exactly be ignored)! This is a truly terrifying novel, and if you had qualms about having children before, youll definitely have more after reading this book.
This is a one-sitting read for me and Im actually excited to re-read it sometime in the future. This work is a masterpiece. Levin is an incredible writer and Im now aiming to read the rest of his work by the end of the year (yes, even <i>Son of Rosemary</i>, even though it has the worst ratings ever).
P.S. Even if you dont like horror, youll most likely enjoy this book as its not openly trying to freak you out. Its far more a suspense novel that gets in your head.