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Alice (12 KP) rated Of Sand and Malice Made (The Song of the Shattered Sands, #0.5) in Books
Jul 3, 2018
Definitely wasn’t what I expected. After reading the blurb I was excited to read about the youngest pit fighter in Sharakhai only there wasn’t so much pit fighting as running all over the desert trying to escape from a demonic being who becomes fixated on Ceda.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
Darren (1599 KP) rated 3 Days To Kill (2014) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 3 Days to Kill starts as we meet CIA agent Ethan Renner (Costner) who along with his team is about to take down one of the biggest threats in the world The Wolf (Sammel) by eliminating his closest associate The Albino (Lemarquis) only the mission gets compromised when Ethan’s health catches up with him as he learns he only has 3 months to live.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
Released by the CIA Ethan sets out on cleaning up his own personal affairs wanting to build a relationship with daughter Zooey (Steinfeld) through his ex-wife Christine (Nielsen) after years of times apart working. With everything going badly Ethan knows that it will become difficult but when fellow agent Vivi Delay (Heard) offers him a chance to live longer Ethan comes out of retirement for one last assignment.
Thoughts on 3 Days to Kill
Story – The story for this film tries to balance a dying man’s final months with his family and his CIA life that he has meant to have walked away from. The CIA story does feel very generic of this modern day slick hitman style which is all fine. The dying man’s wish story ends up feeling like an awkward comedy in places. The story also feels very long and doesn’t seem to end up deciding if it wants to be serious or not.
Action/Thriller – The action is all very good and entertaining with the opening sequence looking like it set the tone but in the end if just turns into another slick hitman film.
Characters/Performance – I can’t find anything wrong with Costner’s performance as well as Steinfeld or Neilsen, it is the Heard performance that doesn’t make sense because she doesn’t suit the character and the character doesn’t suit the movie. The movie tries to make all the characters fit into everyday experiences but for some reason Vivi character is wildly over the top for no apparent reason.
Settings – The settings are mostly all in Paris which all works for the film which is trying to make us have a location we want to visit but showing that crime can happen there I guess.
Special Effects – The Special effects are mostly used for the action sequences and they all come off to the level you need them too.
Final Thoughts –This is an overlong action thriller that ends up getting caught up in the middle of comedy too often for its own good.
Overall: Solid action film that starts too strong for its own benefits.
The Bucket: Memories of an Inattentive Childhood
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The Bucket by Allan Ahlberg - the enthralling childhood story one of Britain's best-loved children's...
Joe Goodhart (27 KP) rated Justice League Dark, Volume 1: The Last Age of Magic in Books
Nov 30, 2020
I finally finished up the first JLD volume from new series writer James Tynion IV. I already remarked on how I was quite pleased with his handle of the core members, bringing a real sense of belonging in a very dark (but not THE BOYS dark! THANK GOD!) setting.
I am 50, right? I remember when Zatanna was simply a top hat, coat and tails, plus fishnets. I was a totally fanboying her character back in the day. I even went so far as to request a sketch (back when sketches could run you simply $20, and no attendees were trying to make money off the art acquired) of her from then-new artist Adam Hughes.
When I first saw the art for JLD, wherein Zee's token "top hat and fishnets" were gone. Instead, she was now attired in black slacks, thigh-high black leather boots, white bodice, and stockings are now on her arms as sleeves of a sort. I have to admit, by the end of this volume, as well as the subsequent one (WW + JLD: THE WITCHING HOUR), it gives her a more "sensible sorceress" look. It feels less objectifying, no?
Oh, Constantine, how you've grown as a character! No longer just a likeable (sort of) a-hole with a flair for dark things magical, he seemed to have matured as a character. He seems to, indirectly or otherwise, fit in the team, despite being more akin to a lone wolf character. Tynion really should be given a chance at writing a Constantine mini, perhaps. just sayin'!
The art by Alvaro Martinez Bueno and Daniel Sampiere, with inks by Raul Fernandez and Juan Albarran, is super spot-on. All the regular characters are rendered well, never once veering away from their token looks. Fortunately, DC at least recognizes some good fits, as this seems to be the ongoing art team on the series going forward. Good stuff, indeed!
Now, while the main story held my attention until the very end, the last story, "Tales From The Otherkind", not so much. I get what Tynion was going for, but it just wasn't doing it for me. It was this final story in the volume which prevented this from being a 5-Star review.
But, don't let that sway you! There's some solid creepiness within, as well as some real tense moments. You may even enjoy that last story in the volume. So, that said, I urge you to check this one out. No disappointments, even if you don't like the last story as much as I did!
I am 50, right? I remember when Zatanna was simply a top hat, coat and tails, plus fishnets. I was a totally fanboying her character back in the day. I even went so far as to request a sketch (back when sketches could run you simply $20, and no attendees were trying to make money off the art acquired) of her from then-new artist Adam Hughes.
When I first saw the art for JLD, wherein Zee's token "top hat and fishnets" were gone. Instead, she was now attired in black slacks, thigh-high black leather boots, white bodice, and stockings are now on her arms as sleeves of a sort. I have to admit, by the end of this volume, as well as the subsequent one (WW + JLD: THE WITCHING HOUR), it gives her a more "sensible sorceress" look. It feels less objectifying, no?
Oh, Constantine, how you've grown as a character! No longer just a likeable (sort of) a-hole with a flair for dark things magical, he seemed to have matured as a character. He seems to, indirectly or otherwise, fit in the team, despite being more akin to a lone wolf character. Tynion really should be given a chance at writing a Constantine mini, perhaps. just sayin'!
The art by Alvaro Martinez Bueno and Daniel Sampiere, with inks by Raul Fernandez and Juan Albarran, is super spot-on. All the regular characters are rendered well, never once veering away from their token looks. Fortunately, DC at least recognizes some good fits, as this seems to be the ongoing art team on the series going forward. Good stuff, indeed!
Now, while the main story held my attention until the very end, the last story, "Tales From The Otherkind", not so much. I get what Tynion was going for, but it just wasn't doing it for me. It was this final story in the volume which prevented this from being a 5-Star review.
But, don't let that sway you! There's some solid creepiness within, as well as some real tense moments. You may even enjoy that last story in the volume. So, that said, I urge you to check this one out. No disappointments, even if you don't like the last story as much as I did!
Lifeline...
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Marked Yours (Sentries #1)
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Kyera (8 KP) rated Wires and Nerve, Volume 2: Gone Rogue in Books
Jan 31, 2018
As the second and final graphic novel (for now) chronicling Iko's adventures after the events of the Lunar Chronicles, Gone Rogue does a brilliant job catching us up on what all of our favourite characters have been up to in the last year. Despite the fact that Wires and Nerve continues the story in graphic novel form, rather than the original book - I never felt like I was missing anything.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
365Flicks (235 KP) rated Bornless Ones (2016) in Movies
Nov 20, 2019
Take 4 Outrageously good looking guys and gals, A 5th guy with some sort of life challenging disease… Move them into a new out of the way house with a secret history, not to far from an Institution, Have them desecrate and destroy what look to be supernatural symbols boarding up the windows and you have Bornless Ones… Oh and there is scary possession, Craziness and a fair bit of really well done gore, Seriously well done Gore!!!
Now that’s not to say that this movie lacks originality in any way because it really does not. Ok we may have seen the creepy house in the middle of nowhere that scares the crap out of its occupants before, but can we really ever get too much of that. The difference I found was that Bornless Ones is in many ways a spiritual cousin to movies like Evil Dead and in many ways actually betters what has come before in its Genre. One of those ways is the performance our cast put in.
Emily (Margaret Judson – The Newsroom) has decided that she cant look after her Cerebal Palsy suffering brother Zach (Micheal Johnston – MTV’s Teen Wolf) anymore, she is going to move him to an institution. However fearing he is going to be too far away from her, Emily and her boyfriend Jesse (Devin Goodsell) buy a house nearby, the house has a past. Emily and Jesse are accompanied by there friends Woodrow (Mark Furze – Home and Away, Underbelly) and Michelle (Bobby T) to help them move in. That’s when the movie cranks it up to 11 and everything goes nuts as our core characters are taken hold of by a paranormal force one by one and must fight for survival.
My horror kick has absolutely continued into 2017 and Bornless Ones was a fantastic place to start. Its a hell of a lot more Evil Dead than the Evil Dead Remake which sucked and this movie really had me in from the start. It does help that it wastes no time at all, no sooner had they all moved in and the shenanigans began.
Alexander Babaev has done a great job on Directing and Writing with this movie and while it falls into the Indie bracket of movies it deserves to be seen by a wider audience. The acting from our core cast is better than you might expect, infact they all smash it out of the park. The acting once possession has taken hold is creepy as shit and utterly compelling.
Bornless Ones is definitely worth a watch if you are a fan of this genre, it is a lot better than most of the possession movies coming out these days. Give it a try…
Now that’s not to say that this movie lacks originality in any way because it really does not. Ok we may have seen the creepy house in the middle of nowhere that scares the crap out of its occupants before, but can we really ever get too much of that. The difference I found was that Bornless Ones is in many ways a spiritual cousin to movies like Evil Dead and in many ways actually betters what has come before in its Genre. One of those ways is the performance our cast put in.
Emily (Margaret Judson – The Newsroom) has decided that she cant look after her Cerebal Palsy suffering brother Zach (Micheal Johnston – MTV’s Teen Wolf) anymore, she is going to move him to an institution. However fearing he is going to be too far away from her, Emily and her boyfriend Jesse (Devin Goodsell) buy a house nearby, the house has a past. Emily and Jesse are accompanied by there friends Woodrow (Mark Furze – Home and Away, Underbelly) and Michelle (Bobby T) to help them move in. That’s when the movie cranks it up to 11 and everything goes nuts as our core characters are taken hold of by a paranormal force one by one and must fight for survival.
My horror kick has absolutely continued into 2017 and Bornless Ones was a fantastic place to start. Its a hell of a lot more Evil Dead than the Evil Dead Remake which sucked and this movie really had me in from the start. It does help that it wastes no time at all, no sooner had they all moved in and the shenanigans began.
Alexander Babaev has done a great job on Directing and Writing with this movie and while it falls into the Indie bracket of movies it deserves to be seen by a wider audience. The acting from our core cast is better than you might expect, infact they all smash it out of the park. The acting once possession has taken hold is creepy as shit and utterly compelling.
Bornless Ones is definitely worth a watch if you are a fan of this genre, it is a lot better than most of the possession movies coming out these days. Give it a try…
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Altered Beast Classic
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Venture into the underworld in SEGA’s legendary beat ‘em up Altered Beast, now available on...