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From the Fatherland with Love
Ryu Murakami, Charles De Wolf, Ralph McCarthy and Ginny Takemori
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An ambitious, epic dystopian novel - part political thriller and part satire. From the Fatherland,...
Brainwave Studio
Health & Fitness and Productivity
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Stressed out? Trouble sleeping? Distracting sounds at work or school? Need a relaxing break from a...
Age of Wushu Dynasty
Games
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The beacon of war been out for a while, a series of new changes are coming to Jianghu now, the...
Defiance (Rise of the Iliri #3)
9.0
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HER ONLY CHOICE IS TO CHANGE HER WORLD… Salryc Luxx came to the Black Blades as ignorant of her...
LifeShift
8.0
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Was Zeus a Greek God or merely a space explorer? Following his mission to bring civilization to...
young-adult
Chris Sawin (602 KP) rated Werewolves Within (2021) in Movies
Dec 14, 2021
An incredible ensemble cast. (2 more)
Plot stays true to the classic 'whodunit' formula.
Milana Vayntrub.
Not enough horror. (2 more)
Not enough werewolves.
The burning desire for a hard R-rating.
A Sleepover with Guns
A horror comedy film based on the 2016 Red Storm Entertainment developed, Ubisoft published multiplayer VR video game of the same name, Werewolves Within keeps the same mystery/whodunit element of the game by introducing audiences to a small town under attack from a werewolf and leaving them to wonder which of the townsfolk could be the actual lycanthrope.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Directed by Josh Ruben and written by Mishna Wolff, Werewolves Within begins as Ranger Finn Wheeler (Sam Richardson) arrives in Beaverfield for his new post. Finn hits it off with the local mail carrier Cecily (Milana Vayntrub), but the rest of the town is unusually eccentric, to say the least.
There’s Trisha (Micahela Watkins) and Pete (Michael Chernus) Aderton, a couple who makes weird miniature dolls of everyone they meet and care a little too much for their dog. Devon (Cheyenne Jackson) and Joaquim (Harvey Guillén) are a homosexual couple living off the riches of a successful technological company. The town’s resident mechanic is Gwen (Sarah Burns), a crude woman whose husband Marcus (George Basil) is largely regarded as the town idiot.
Elsewhere in town, rounding out Beaverfield’s colorful cast of characters, is the clingy owner of the local lodge, Jeanine (Catherine Curtin), canine attack expert Dr. Ellis (Rebecca Henderson), oil magnate Sam (Wayne Duvall) who hopes to install a pipeline through the town at any cost, and Emerson, a ‘scary’ hunter who hates people and lives on the outskirts of town.
One night, when the power suddenly goes out and with the town’s back-up generators in a state of disrepair, everyone in town takes refuge in Jeanine’s lodge. However, after a corpse is discovered underneath the lodge’s porch and the townsfolk barricade themselves inside the building in an attempt to protect themselves from whatever may be lurking outside, the werewolf manages to attack from within.
In the aftermath of the attack, everyone begins to turn on each other, as the monster’s strike from inside the lodge provides them with a shocking revelation: Somebody in the lodge is the werewolf.
The cast works so well together. Richardson is does an excellent job of portraying Finn, a guy so nice and soft spoken that he feels like an African American Ned Flanders attempting to take charge as the authority figure.
Similarly, Vayntrub is so charming as Cecily that it makes you wonder why she hasn’t been in much else outside of AT&T commercials and the occasional voice role as Marvel’s Squirrel Girl, while Guillén is just as funny here as he is on What We Do in the Shadows, albeit in a slightly different way.
However, the most entertaining aspect of the film’s casting is the way everyone’s eccentric chemistry bounces off each other in a way that evokes this palpable sense of quirky absurdity that you can’t really find anywhere else.
The formula of Werewolves Within is a lot like Knives Out or Murder on the Orient Express, as it’s a mystery wrapped within the confines of a horror comedy, with the ensemble cast taking center stage as they dance around the comedy genre and a mild R-rating while the horror aspect is mostly reduced to sitting in the backseat and tapping you on the shoulder from time to time.
In fact, to that same mysterious end, the eponymous werewolf isn’t actually revealed until the last ten or so minutes of the film.
As someone who hasn’t played the original video game, the film adaptation of Werewolves Within was, overall, a little disappointing from a personal standpoint.
Yes, the film is more of a whodunit than a straight horror film, and thus it’s understandable why it did not lean completely into the more gory and terrifying potential of its premise. Yet, even with this fact in mind, the film still feels particularly lacking when it comes to its actual horror elements.
It’s also one of the softest R-rated films to come along in quite some time. While some aspects, such as Finn biting his tongue or saying “Heavens to Betsy” instead of dropping an F-bomb make sense, it remains frustrating nonetheless that Werewolves Within constantly feels as if it’s purposely holding itself back.
Which is a shame, because there’s more to a film like this than silly on-screen hijinks and running attempts by the audience to figure out who the killer is – after all, some of us will pay good money to see the monster you’ve advertised your entire film.
Recently, there seems to be a rising trend among modern werewolf movies to barely feature a film’s respective monster on screen. This year’s Bloodthirsty is a great example and, as much as I love the film, The Wolf of Snow Hollow did the horror/comedy concoction to a much more satisfying degree than Werewolves Within, and yet totally massacred the idea of an actual werewolf being the culprit.
At the end of the day, Werewolves Within is a film where a bunch of weirdos in some-little-nowhere-town are forcibly crammed into a lodge during a snowstorm and proceed to irritate one another to semi-humorous results as a werewolf hides among them. The film is essentially a wolf in a person’s clothing, as while Werewolves Within is fine for what it is and features some great performances here and a couple laugh-out-loud moments, its potential seems to be far greater than what we received.
Ultimately, Werewolves Within leaves horror fans starving and salivating for more.
Sensitivemuse (246 KP) rated Our Dark Duet in Books
Dec 13, 2017
Great Sequel !
***Possible spoilers below. You’ve been warned***
The plot was off to a pretty slow start in this one. Before I start, I’d have to recommend you read This Savage Song before going to this book. You would need the foundation that was set up in This Savage Song to really benefit and enjoy reading Our Dark Duet.
As mentioned before, the plot was off to a slow start. Kate and August are on both different ends of the spectrum but have changed drastically. They’ve definitely ‘grown up’ so to speak. Kate becomes monster hunter extraordinaire. August leads his own squad in the FTF. Kate’s part of the story was definitely more interesting. Despite trying hard not to warm up to people she manages to have her small group of friends (but of course, shuns them anyway despite one of them trying to reach out to her numerous times). I love this quality in Kate. It makes her so much more realistic and puts her way from the group of those ‘stone cold butt kickers that apparently have no soul’.
That being said about Kate. Oh. Lord. That ending. Kate dying with August nearby got my stomach into knots and twists. I can’t believe it. It was beautifully written though and a suitable ending for her. Kate was pretty much a pariah and a lone wolf. August was one of the few that was able to get to know Kate at a more deeper level. It was only fitting that she meets her end with that one person by her side. Beautifully done.
I didn’t really think the romance scene between Kate and August was necessary. It was a minor filler that didn’t need to be added. I never saw August and Kate that way. They were too different and didn’t have that nice ongoing chemistry together. Fighting partners, yes. Partners in love? No I don’t think so.
So more about characters dying. Am I the only one that felt a punch to the gut when Ilsa died? Ilsa was a character I really loved in these two books. She went down in a blaze of glory though (albeit, a shocked blaze of glory.)
You have to admit, Sloan is one of the better villains I have read in a long while. I like him teaming up with Alice even though villains they are, they are looking out for themselves. He’s creepy, malicious, calculating, and cunning. He’s a perfect villain.
The last half of the book, which was filled with action, blood, explosions and all the good stuff set the pace for the great ending to a wonderfully written duology. I know fans out there are asking for more, as it’s not the end of the adventures for August and Soro. For me, it’s just enough and it’s a perfect ending. Well done Ms Schwab! Now I’m off to read your other works!
The plot was off to a pretty slow start in this one. Before I start, I’d have to recommend you read This Savage Song before going to this book. You would need the foundation that was set up in This Savage Song to really benefit and enjoy reading Our Dark Duet.
As mentioned before, the plot was off to a slow start. Kate and August are on both different ends of the spectrum but have changed drastically. They’ve definitely ‘grown up’ so to speak. Kate becomes monster hunter extraordinaire. August leads his own squad in the FTF. Kate’s part of the story was definitely more interesting. Despite trying hard not to warm up to people she manages to have her small group of friends (but of course, shuns them anyway despite one of them trying to reach out to her numerous times). I love this quality in Kate. It makes her so much more realistic and puts her way from the group of those ‘stone cold butt kickers that apparently have no soul’.
That being said about Kate. Oh. Lord. That ending. Kate dying with August nearby got my stomach into knots and twists. I can’t believe it. It was beautifully written though and a suitable ending for her. Kate was pretty much a pariah and a lone wolf. August was one of the few that was able to get to know Kate at a more deeper level. It was only fitting that she meets her end with that one person by her side. Beautifully done.
I didn’t really think the romance scene between Kate and August was necessary. It was a minor filler that didn’t need to be added. I never saw August and Kate that way. They were too different and didn’t have that nice ongoing chemistry together. Fighting partners, yes. Partners in love? No I don’t think so.
So more about characters dying. Am I the only one that felt a punch to the gut when Ilsa died? Ilsa was a character I really loved in these two books. She went down in a blaze of glory though (albeit, a shocked blaze of glory.)
You have to admit, Sloan is one of the better villains I have read in a long while. I like him teaming up with Alice even though villains they are, they are looking out for themselves. He’s creepy, malicious, calculating, and cunning. He’s a perfect villain.
The last half of the book, which was filled with action, blood, explosions and all the good stuff set the pace for the great ending to a wonderfully written duology. I know fans out there are asking for more, as it’s not the end of the adventures for August and Soro. For me, it’s just enough and it’s a perfect ending. Well done Ms Schwab! Now I’m off to read your other works!
Cyn Armistead (14 KP) rated Blood Oath (Nathaniel Cade #1) in Books
Mar 1, 2018
Blood Oath is an interesting and fairly refreshing variation on the vampire riff. Most of the current tales give us a suave, sexy predator who mesmerizes his or her prey, leaving humans pining for their presence. They might even fall in love with a human. Nathaniel Cade, however, refers to humans as food, saying, "Would you have sex with a cow?" That makes much more sense to me. It's a good thing he isn't interested, either, as the typical reaction people have to encountering him is utter panic, often involving the loss of bladder control.
Cade is definitely a predator, though - an extremely effective one. Farnsworth attempts to explain his abilities scientifically, rather than mystically (I'd classify this book as science fiction if I had to choose a genre, whereas most books featuring vampires and similar creatures are fantasy or horror). The same is true of the enenies he faces.
While I'm not generally interested in socio-political thrillers (which is what this book was, other than a story about a vampire who works for the president), I did enjoy the fresh take on an old trope. While I normally groan when I see the first book from a new author billed as the beginning of a series (do publishers even buy single books any more?), I'm somewhat pleased this time. I do wish they'd been a little more careful with the name of the series (The President's Vampire), as there's another book with the same name: [b:The President's Vampire: Strange-but-True Tales of the United States of America|690096|The President's Vampire Strange-but-True Tales of the United States of America|Robert Damon Schneck|http://photo.goodreads.com/books/1177264074s/690096.jpg|676444] by [a:Robert Damon Schneck|368998|Robert Damon Schneck|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]. Then again, if Farnsworth's book or series takes off, I suppose there's a chance that sales of Schneck's will as well. I'm sure he wouldn't complain about that at all. I've put it on my to-read list, after all.
I hope to talk my partner, Sam, into reading <i>Blood Oath</i>. If I do, it'll be fairly miraculous, as I don't recall him anything with dragons or werewolves in it other than ([a:Jim Butcher|10746|Jim Butcher|http://photo.goodreads.com/authors/1205261964p2/10746.jpg]'s Dresden Files) for most of the time that I've known him (12 years as of this writing). After his years at White Wolf, I think many books seem more than slightly derivative. He also did so much research before working on books he wrote for them (like [b:The Book of Nod|416122|The Book of Nod|Sam Chupp|http://photo.goodreads.com/books/1223664741s/416122.jpg|405290]) that he got a little burned out on certain subjects. Farnsworth's approach really is different enough that I think he might give it a chance. Will you?
Cade is definitely a predator, though - an extremely effective one. Farnsworth attempts to explain his abilities scientifically, rather than mystically (I'd classify this book as science fiction if I had to choose a genre, whereas most books featuring vampires and similar creatures are fantasy or horror). The same is true of the enenies he faces.
While I'm not generally interested in socio-political thrillers (which is what this book was, other than a story about a vampire who works for the president), I did enjoy the fresh take on an old trope. While I normally groan when I see the first book from a new author billed as the beginning of a series (do publishers even buy single books any more?), I'm somewhat pleased this time. I do wish they'd been a little more careful with the name of the series (The President's Vampire), as there's another book with the same name: [b:The President's Vampire: Strange-but-True Tales of the United States of America|690096|The President's Vampire Strange-but-True Tales of the United States of America|Robert Damon Schneck|http://photo.goodreads.com/books/1177264074s/690096.jpg|676444] by [a:Robert Damon Schneck|368998|Robert Damon Schneck|http://www.goodreads.com/images/nophoto/nophoto-U-50x66.jpg]. Then again, if Farnsworth's book or series takes off, I suppose there's a chance that sales of Schneck's will as well. I'm sure he wouldn't complain about that at all. I've put it on my to-read list, after all.
I hope to talk my partner, Sam, into reading <i>Blood Oath</i>. If I do, it'll be fairly miraculous, as I don't recall him anything with dragons or werewolves in it other than ([a:Jim Butcher|10746|Jim Butcher|http://photo.goodreads.com/authors/1205261964p2/10746.jpg]'s Dresden Files) for most of the time that I've known him (12 years as of this writing). After his years at White Wolf, I think many books seem more than slightly derivative. He also did so much research before working on books he wrote for them (like [b:The Book of Nod|416122|The Book of Nod|Sam Chupp|http://photo.goodreads.com/books/1223664741s/416122.jpg|405290]) that he got a little burned out on certain subjects. Farnsworth's approach really is different enough that I think he might give it a chance. Will you?
Gareth von Kallenbach (971 KP) rated I, Tonya (2017) in Movies
Jul 8, 2019
Most people when they hear the name Tonya Harding immediately have images of Nancy Kerrigan holding her knee and crying out “Why?” over and over again come to their minds. They may even think of Harding herself crying to a panel of judges about the state of the laces on her skates during Olympic competition. Her name and image became a point of ridicule and shame. She became the butt of jokes throughout the 90s and a never-ending punchline. People were not sympathetic to her and were not willing to hear her story. She was condemned to being the monster that we convinced ourselves that she was. The film I, Tonya sheds light onto who this woman was in demonstrating the complexities of her upbringing, years of abuse at the hands of her mother and later her husband. Margot Robbie (Suicide Squad, Wolf of Wall Street) stars as Tonya Harding, the disgraced Olympic figure skater.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
I Tonya, takes audiences deep into the world that Tonya Harding experiences. We see the heartache, we bear witness to the brutal violence and abuse she suffers. Audiences find themselves rooting for Tonya to break out and become a success. The film, based on interviews, court testimony, and sports and news footage allows us all to have a greater picture of exactly who Tonya was. It points out in a mixture of humor, terror, and realism what the public got wrong about her and how we all became her worst abusers. The public wanted her to not only fail, but to fail miserably as most had fallen in love with her competitor and the victim of an attack committed in Tonya’s name. I Tonya, through brutal honesty shows us how someone who is already flawed due to their appearance, presentation, or lack of polish can quickly become villainized because they do not fit our description of innocent or are seen as someone we want representing us. The true reality of I, Tonya is that the film is a reflection in the mirror. It is one of the most honest representations of what the human, and more specifically, the American experience is. You have successes and failures, but despite this, we are recognized for the worst actions that are linked to our names and images.
I, Tonya takes the best elements of Mommy Dearest, Blades of Glory, Black Swan, and Sleeping With The Enemy in order to create a sports biopic that audiences will not realize they needed until they find themselves walking out of the theater. Margot Robbie, Allison Janney (Mom, The Help, Juno), and Sebastian Stan (Captain America: Civil War) will have audiences angered, elated, and heartbroken as they take audiences on a full tour of their emotions. I, Tonya is an instant classic that will capture audiences with its storytelling and demonstrate that Tonya Harding’s life is much more than a one-liner.
Night Reader Reviews (683 KP) rated Coven Deception in Books
Feb 4, 2020
Honest Review for Free Copy of Book
Coven: Deception by D. H. Davis is very similar to Twilight by Stephenie Meyer in the fact that it is largely a supernatural teen romance. Add in the threat of the coven being under attack and exposed, and it becomes an interesting read.
Brooke Lesley is in training to become the leader of her coven once she turns eighteen but it is not that easy. She must deal with an overbearing father, mastering incantations, and learning history from Elders who are hiding things from her. Being super stressed out Brooke decides to take a walk during lunch and ends up witnessing two men trying to rob an old lady. Brooke steps in to help her only to find Jessie, a boy from her school has the same idea. As it turns out he is a vampire which means that their friendship is forbidden.
Soon strange things start happening all over town and an Elder from another coven is killed. The coven Brooke is from ignores all the signs and lets their long-standing hatred for vampires cloud their investigations. Brooke and her friends notice that not only is this unnamed threat an issue but also the Elders are hiding the truth about the feud with the vampires. It will take cunning and rule-breaking on their part but is up to Brooke and her friends to find out what really is going on, and to try to stop it.
I enjoyed how Brooke found it in herself to stand up to her father and the Elders when she discovers they are hiding things from her. The fact that her mother encourages her to do what she must in order to make changes the coven desperately needs instead of following blindly behind her husband was also surprising considering the coven dynamics. Honestly how similar this book was to Twilight was a definite downside to me. The whole forbidden love with a vampire seems kind of overused and when the wolf attacked the school I was just waiting for Brooke to say it was a shapeshifter and start talking to it.
Young adults and teens will enjoy this book the most. It might even be safe for most middle school students. Fans of the Twilight series will either love this book because of how similar it is or hate it, calling it a rip-off. I give this book a 2 out of 4 rating. I found it to be a good midrange young adult book. It might not have been the best supernatural teen romance but it was certainly far from the worst. I would recommend it to fans of the genre looking for a quick read.
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Brooke Lesley is in training to become the leader of her coven once she turns eighteen but it is not that easy. She must deal with an overbearing father, mastering incantations, and learning history from Elders who are hiding things from her. Being super stressed out Brooke decides to take a walk during lunch and ends up witnessing two men trying to rob an old lady. Brooke steps in to help her only to find Jessie, a boy from her school has the same idea. As it turns out he is a vampire which means that their friendship is forbidden.
Soon strange things start happening all over town and an Elder from another coven is killed. The coven Brooke is from ignores all the signs and lets their long-standing hatred for vampires cloud their investigations. Brooke and her friends notice that not only is this unnamed threat an issue but also the Elders are hiding the truth about the feud with the vampires. It will take cunning and rule-breaking on their part but is up to Brooke and her friends to find out what really is going on, and to try to stop it.
I enjoyed how Brooke found it in herself to stand up to her father and the Elders when she discovers they are hiding things from her. The fact that her mother encourages her to do what she must in order to make changes the coven desperately needs instead of following blindly behind her husband was also surprising considering the coven dynamics. Honestly how similar this book was to Twilight was a definite downside to me. The whole forbidden love with a vampire seems kind of overused and when the wolf attacked the school I was just waiting for Brooke to say it was a shapeshifter and start talking to it.
Young adults and teens will enjoy this book the most. It might even be safe for most middle school students. Fans of the Twilight series will either love this book because of how similar it is or hate it, calling it a rip-off. I give this book a 2 out of 4 rating. I found it to be a good midrange young adult book. It might not have been the best supernatural teen romance but it was certainly far from the worst. I would recommend it to fans of the genre looking for a quick read.
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https://smashbomb.com/nightreader