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David (771 KP) rated Logan (2017) in Movies
Jan 17, 2018
Very different from other X-men films
I sat at home to watch this not knowing much about it except the synopsis on screen. Watched the colour version rather than the film noir version. As my title says it's not like other X-men films with it's bloody violence and bad language as the previous films were aimed at a younger audience (in my opinion). The film was fast paced and gave us a little back story on how Prof X and Wolverine got to where they are now. As I am used to him in humorous roles, Stephen Merchants character was a surprise showing that he can step out of his comfort zone. The actress that played Lauren was fantastic even though she didn't speak for the first half of the film. She would be a great evil spirit in a ghost/horror movie as she has a very good deadpan glare that looks straight through you (chilling). I am not going to do spoilers, I will say that I would watch the film again maybe even the film noir version.
Awix (3310 KP) rated The Greatest Showman (2017) in Movies
Feb 7, 2018 (Updated Feb 7, 2018)
Cheese with a side order of sugar
I suppose Hugh Jackman has to do something now he's retired from being Wolverine, and as his skill-set basically consists of eviscerating people with his implanted claws and being able to sing and dance a bit, it's not surprising that his first big post-rodent movie is a musical.
Despite being (theoretically) a historical bio-pic, The Greatest Showman is very much of our time in that it has a powerful message about diversity and inclusivity. That there is anything odd about a film about diversity and inclusivity a) being fronted by two straight white dudes and b) concerning a conman who made a huge fortune by running a freak show, does not appear to have occurred to the film-makers.
The plot is ridiculous sugary cheese, but what keep the film (I'm tempted to say annoyingly) watchable are the songs and choreography, which are really, really good and deserve to be in a much better-written movie. Pretty much the definition of an undemanding guilty pleasure, although I have to note that this is one of those movies that everyone seems to hate apart from the mass audience.
Despite being (theoretically) a historical bio-pic, The Greatest Showman is very much of our time in that it has a powerful message about diversity and inclusivity. That there is anything odd about a film about diversity and inclusivity a) being fronted by two straight white dudes and b) concerning a conman who made a huge fortune by running a freak show, does not appear to have occurred to the film-makers.
The plot is ridiculous sugary cheese, but what keep the film (I'm tempted to say annoyingly) watchable are the songs and choreography, which are really, really good and deserve to be in a much better-written movie. Pretty much the definition of an undemanding guilty pleasure, although I have to note that this is one of those movies that everyone seems to hate apart from the mass audience.
Mike Carlson (115 KP) rated The Amazing Spider-Man : 24/7 in Books
Mar 15, 2018
Daze in the life
This collection of loosely-strung vignettes varies in quality. It happens, especially when you have half a dozen issues with as many creators.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.
The first story, "Loose Ends", offers a promising future foe in Kraven's daughter. It's a follow-up to a story told elsewhere.
Next is "Marked". It features a "D-list" (according to Spider-Man) villain going by The Spot. He should be upgraded to more of a threat seeing as he doesn't set off the Spidey Sense anymore.
Following this is "Birthday Boy". Pretty much a character-centric filler with Wolverine. It's not bad - none of these really are - it just feels like treading water.
The 2 part "Face Front" features the Fantastic Four. The story about dabbling in an alternate dimension's affairs is cliche, and the focus on a mindwipe about Spidey's identity starts to grate after a while.
Finally, we have the 3 part "24/7". This is the most entertaining of the bunch. Peter goes on a superhero spree for days, simply to annoy the newly-elected mayor. It also introduces an acid-spitting version of the Vulture.
LeftSideCut (3778 KP) rated X-Men: Apocalypse (2016) in Movies
Aug 19, 2019 (Updated Oct 25, 2019)
A dammmnnn shame
Contains spoilers, click to show
Oh boy.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
I'm going to get straight to the main flaw with this one - I'm not sure how someone can really mess up Apocalypse so bad - he is a great X-Men villain. I remember watching the cartoon as a kid, being enamoured whenever Apocalypse turned up. The first mutant, practically a god, terrifying voice etc.
The Age of Apocalypse story arc is also a great comic - one where we see just how dangerous Apocalypse can be.
But instead of this classic villain, we get, well whatever the hell this is.
Oscar Isaac is give or take in other films I've seen him in, he just sort of exists to me, but I'm sure he did the best he could with what he was given.
But the character we're presented with in X-Men: Apocalypse is a mutant that isn't particularly terrifying, whose motives aren't very clear, and who speaks in a goddam normal human voice for the entire movie.
He looks, ok I guess, a little Ivan Ooze-ish at times, and there is a (very) brief moment where his voice goes all demonic and his eyes turn white, which offers a tiny glimpse of what could have been.
Elsewhere, the still awesome Michael Fassbender is relegated to a sidekick character, new cast members such as Psylocke, Angel, and Storm are there just to strike poses to edgy rock music, and Quicksilver gets a re hash of his great scene from DOFP that just doesn't quite hit the mark this time round.
The introduction of Sophie Turner as Jean Grey is fine, and it's nice to see a young Cyclops, Nightcrawler etc, but they're not given too much to do. It all just feels like one big wasted opportunity.
The film would have been much better and ballsier had it ended with Apocalypse winning, and ushering a full on Age of Apocalypse scenario for a sequel, but instead, he is dispatched with not too much trouble, as the writers poorly shoehorn in a segue for Dark Phoenix (for the second time in this franchise)
It's not all bad, there are times where I felt I was watching the cartoon come to life. The opening scene in ancient Egypt was pretty fun, and I actually quite enjoyed the brief Wolverine scene - those few minutes were way more entertaining to me than the entirety of X-Men Origins: Wolverine.
Overall though, this one had me wanting the rights to return to Marvel Studios.
Movie Metropolis (309 KP) rated Logan (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Third time lucky?
The X-Men franchise is as convoluted as Spaghetti Junction. Littered with constantly changing timelines, it has become the epitome of tiring and fans are getting exasperated too. With every great film (X2, X-Men: Days of Future Past), the series has followed it with some truly awful movies (X-Men: Origins Wolverine, X-Men: Apocalypse).
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
To this end, Hugh Jackman has finally decided to hang up his Adamantium claws after Logan, his ninth and apparently final outing as the grizzly hero. Are we third time lucky for his solo films?
James Mangold, director of The Wolverine, returns to the director’s chair and helms an at times brutal and uncompromising film speckled with the sort of emotional heft you’d find in the saddest rom-com’s.
In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor Charles Xavier (Patrick Stewart) in a hide out on the Mexican border accompanied by long-time acquaintance Caliban (Stephen Merchant). But Logan’s attempts to hide from the world and his legacy are upended when a young mutant, Laura, (Dafne Keen) arrives, being pursued by unspeakable dark forces.
In parts, Logan feels very much like a Western. The bleak, unforgiving Mexican landscape is a beautiful change from the dreary concrete jungles that blight the majority of superhero films these days and this is where Logan will either succeed or fail. It doesn’t feel like a superhero film, despite its faithfulness to the Old Man Logan comics.
Much like a metaphor for the genre itself, Logan has grown weary of the world and it is a testament to Hugh Jackman’s acting capabilities that he is able to add yet another dimension to a character that has been a cinema staple since the Millennium. Patrick Stewart is also on top form showing a vulnerable side to the world’s smartest mutant. Newcomer, Dafne Keen is also exceptional despite her limited dialogue.
Heartfelt scenes in which the oddball family share dinner with kind strangers are strikingly juxtaposed with sequences of sheer brutality. If you thought Deadpool was bloody, you haven’t seen anything yet. And for all the violence, Logan is the most poignant film in the entire X-Men canon, wearing its 15 certification proudly when it needs to, but not shying away from sections of quiet contemplation.
Negatives? Well, in spite of its gargantuan length, the ending feels a little tacked on and rushed – something a lot of modern blockbusters seem to feel is necessary at the moment and the final 30 minutes are a slight anti-climax in comparison to what preceded it, but on the whole, this final outing for Hugh Jackman proves a fitting one. Third time’s a charm!
https://moviemetropolis.net/2017/03/03/third-time-lucky-logan-review/
5 Minute Movie Guy (379 KP) rated X-Men: Days of Future Past (2014) in Movies
Jun 26, 2019
This is the X-Men movie you've always hoped for. (3 more)
James McAvoy and Michael Fassbender further prove they are worthy successors to Patrick Stewart and Ian McKellan.
The action and special effects are brilliantly executed and undeniably satisfying.
An effective and engaging story with commendable performances all around.
This is what most superhero movies should strive to emulate. X-Men: Days of Future Past is a miraculous, thrilling, and rewarding experience that you’ll want to see again and again.
The future in X-Men: Days of Future Past is more desolate than ever. Mutants are being hunted to extinction, with the few remaining survivors living together as refugees as they try to escape their all-too-certain fate of captivity or death. They are hunted by Sentinels, versatile and powerful machines programmed to locate and imprison any and all mutants, as well as any humans that attempt to help them. The entire world has been transformed into an apocalyptic dystopia at the mercy of these machines. In order to prevent their inevitable demise, the mutants devise a plan that will rewrite the course of history by telepathically sending the consciousness of one of their own back in time in order to stop the Sentinels from ever rising to power. Doing so means averting the assassination of their designer, Dr. Bolivar Trask, and accomplishing this will require the disbanded X-Men crew to put aside their differences and reunite for a common goal; to save the fate of mutants.
X-Men: Days of Future Past is personally only the second X-Men film that I have seen, and I believe that’s to my disadvantage when watching it. That’s not to say the film isn’t accessible to people that are unfamiliar with X-Men, but you will certainly get the most out of it if you’ve seen the other films, or at least are somewhat knowledgeable about the super mutant group. Fortunately for me, even though I haven’t seen the original X-Men trilogy, nor the Wolverine spin-off films, I saw plenty of the popular X-Men cartoon of the ‘90s when growing up, and probably read more than a handful of the comics. Therefore I felt right at home with the story, even when it quickly thrusts the audience right into the thick of the action. I can imagine newcomers might at times feel a little overwhelmed, especially with such a wide array of unique characters, and so much going on. Although I do believe that the film manages to very effectively balance the action and characters, and create an immensely entertaining and engaging experience regardless of your history with X-Men.
I think it speaks of the true power and quality of the film when I say that after watching X-Men: Days of Future Past, I am now eager to watch all of the other entries in the movie series. Not only to help myself better understand the numerous references to past films, but because the film is so good and so expertly made that I don’t want to miss anything else. Make no mistake, X-Men: Days of Future Past is not only one of the best superhero movies ever made, it’s also the perfect homage to the X-Men. The film merges the two timelines seamlessly, combining the legendary cast of the original trilogy with the equally impressive cast of X-Men: First Class. It ties everything together so well and concludes in such an extraordinary manner that I would feel perfectly content if they ended the X-Men series entirely with Days of Future Past. While I don’t expect the already announced X-Men: Apocalypse (2016) to be able to top this one, I will admit that I am still more than excited to see what they have in store for the future.
Days of Future Past has an incredible, star-studded cast. It brings back the beloved X-Men stars of old, highlighted by Hugh Jackman as Wolverine, as well as with Patrick Stewart and Ian McKellan reprising their roles as Professor X and Magneto. In addition, it includes the cast of X-Men: First Class, with James McAvoy and Michael Fassbender playing younger versions of Professor X and Magneto, while Jennifer Lawrence returns as Mystique. The more substantial newcomers include Game of Thrones star Peter Dinklage as Trask, the creator of the Sentinels, and Evan Peters, playing a teenage Quicksilver. Despite the film having a large number of characters, it doesn’t feel like any of them get the short end of the stick. While some of them may not get much screen-time, Days of Future Past still gives you a solid display of what each of the mutants are capable of. It’s a truly wonderful thing to be able to witness the new era of X-Men actors in the same film as their older counterparts, and it makes it all the more apparent just how remarkably well-cast McAvoy and Fassbender are for their roles. These two young stars in particular have especially large shoes to fill, but they each do an exceptional job. The way in which the film combines the young actors with the old makes it feel as though it’s honoring a proper passing of the torch from one generation to the next.
This action-packed film features some great acting performances, and even though there are a lot of characters, I don’t believe there is a single weak performance among them. The real star of the show is James McAvoy as young Charles Xavier, otherwise known as Professor X. McAvoy nails the inner-conflict of his character in what is surely the most demanding role of the movie. He portrays a convincing struggle of a great man who has lost his way and fallen into despair and desolation. He is a man torn apart by the tension between his feelings of compassion and his guilt-ridden capitulation. Fassbender, on the contrary, is unnerving and yet engrossing as the magnificent Magneto. I personally loved the way in which his character continuously throws a wrench into everyone’s plans by opting to take an alternative and selfish approach. I found him to be notably riveting during a tense scene that takes place on an airplane, where Fassbender really demonstrates his talent. Then of course, there’s everybody’s favorite mutant, Wolverine. Hugh Jackman’s Wolverine is wonderfully enthralling, insanely ripped, and appropriately arrogant. Jackman has turned Wolverine into a career-defining role. There is no doubt about it, he is Wolverine, and no one will ever do it better. Meanwhile, everybody’s favorite actress, Jennifer Lawrence, adds an emotional and memorable performance as Mystique. Lastly, newcomer Evan Peters is a real-stand out as Quicksilver, in a performance that surely will become an instant fan favorite. His big scene alone makes me wish I had seen the movie in 3D, and in fact, the movie is so good that I just might do that. The stellar cast of X-Men: Days of Future Past hit all the right notes, making the characters memorable, and personable.
The action in Days of Future Past is simply phenomenal. This is what most superhero movies should strive to emulate. What I admire most about the action of this film is that it’s smart. It’s well-thought-out and well-executed. It never feels derivative, nor uninspired. Everything has its purpose and has a tangible weight to it. Rather than cluttering the film with unnecessary action pieces, it instead focuses on making its important action sequences really memorable and really good. It also handles its use of violence extremely well, making it powerful and satisfying, without making it feel sugarcoated because of its PG-13 rating. The movie’s score is suitably powerful, helping to escalate the action and establish a tense, grandiose ambiance. The special effects seen here are outstanding. This is a big upgrade over First Class, not only in visual quality, but certainly also in scale. It reaches an epic level and yet it never hinders in quality or takes any shortcuts. It shows you what you want to see, and does it better than you’d ever expect. The result is a movie that’s as visually remarkable as it is entertaining. The true enemies of Days of Future Past, the Sentinels, look awesome. I don’t know how they looked in the older movies, if they’re even present at all, but I never liked their appearance in the comic books. I’m glad they’ve been completely reimagined from their original design, and I love how the movie demonstrates their ability to adapt to make them more efficient mutant-killing machines. The character Beast also looks better than ever, unlike in First Class where his appearance was embarrassingly bad, and borderline laughable. In X-Men: Days of Future Past, everything looks stellar. You won’t want to look away as you’re sitting on the edge of your seat in sheer delight.
The majority of the film is set in the 1970s, taking place after the events of X-Men: First Class, as the Vietnam War is coming to an end. Considering that the film deals with themes of discrimination, it’s fitting that this setting coincides with the Civil Rights movement, even though it’s not explicitly referenced. This was a time in American history when the country was divided, and it offers a strong parallel to the grim, segregated world depicted in the film’s present-day wasteland. The story of Days of Future Past is rather dark, dealing with an apocalyptic future fueled by fear, jealousy and hatred. Although, it still has its fair share of laughs, thanks to the always charming Wolverine and the lightning fast Quicksilver. The movie does an admirable job in recreating the ‘70s, and additionally with juggling the different time periods, while maintaining a steady, coherent pace. However, as much as I enjoyed the ending, I must say that using time travel as a method to clean up a series’ loose ends seems a little cheap, but it’s entirely forgivable given just how beautifully it all comes together. X-Men: Days of Future Past is ultimately a miraculous, thrilling, and rewarding experience that you’ll want to see again and again.
X-Men: Days of Future Past embodies everything I love about movies. It has great action, unforgettable characters, an engaging story, top-notch special effects, and a nice healthy dose of comedy, while never feeling unoriginal or insignificant. I really believe this movie is every X-Men fan’s dream come true. To be honest, I have never considered myself much of an X-Men fan. Now that I’ve seen Days of Future Past, I’m an X-Men fan for life.
(This review was originally posted at 5mmg.com on 5.26.14.)
X-Men: Days of Future Past is personally only the second X-Men film that I have seen, and I believe that’s to my disadvantage when watching it. That’s not to say the film isn’t accessible to people that are unfamiliar with X-Men, but you will certainly get the most out of it if you’ve seen the other films, or at least are somewhat knowledgeable about the super mutant group. Fortunately for me, even though I haven’t seen the original X-Men trilogy, nor the Wolverine spin-off films, I saw plenty of the popular X-Men cartoon of the ‘90s when growing up, and probably read more than a handful of the comics. Therefore I felt right at home with the story, even when it quickly thrusts the audience right into the thick of the action. I can imagine newcomers might at times feel a little overwhelmed, especially with such a wide array of unique characters, and so much going on. Although I do believe that the film manages to very effectively balance the action and characters, and create an immensely entertaining and engaging experience regardless of your history with X-Men.
I think it speaks of the true power and quality of the film when I say that after watching X-Men: Days of Future Past, I am now eager to watch all of the other entries in the movie series. Not only to help myself better understand the numerous references to past films, but because the film is so good and so expertly made that I don’t want to miss anything else. Make no mistake, X-Men: Days of Future Past is not only one of the best superhero movies ever made, it’s also the perfect homage to the X-Men. The film merges the two timelines seamlessly, combining the legendary cast of the original trilogy with the equally impressive cast of X-Men: First Class. It ties everything together so well and concludes in such an extraordinary manner that I would feel perfectly content if they ended the X-Men series entirely with Days of Future Past. While I don’t expect the already announced X-Men: Apocalypse (2016) to be able to top this one, I will admit that I am still more than excited to see what they have in store for the future.
Days of Future Past has an incredible, star-studded cast. It brings back the beloved X-Men stars of old, highlighted by Hugh Jackman as Wolverine, as well as with Patrick Stewart and Ian McKellan reprising their roles as Professor X and Magneto. In addition, it includes the cast of X-Men: First Class, with James McAvoy and Michael Fassbender playing younger versions of Professor X and Magneto, while Jennifer Lawrence returns as Mystique. The more substantial newcomers include Game of Thrones star Peter Dinklage as Trask, the creator of the Sentinels, and Evan Peters, playing a teenage Quicksilver. Despite the film having a large number of characters, it doesn’t feel like any of them get the short end of the stick. While some of them may not get much screen-time, Days of Future Past still gives you a solid display of what each of the mutants are capable of. It’s a truly wonderful thing to be able to witness the new era of X-Men actors in the same film as their older counterparts, and it makes it all the more apparent just how remarkably well-cast McAvoy and Fassbender are for their roles. These two young stars in particular have especially large shoes to fill, but they each do an exceptional job. The way in which the film combines the young actors with the old makes it feel as though it’s honoring a proper passing of the torch from one generation to the next.
This action-packed film features some great acting performances, and even though there are a lot of characters, I don’t believe there is a single weak performance among them. The real star of the show is James McAvoy as young Charles Xavier, otherwise known as Professor X. McAvoy nails the inner-conflict of his character in what is surely the most demanding role of the movie. He portrays a convincing struggle of a great man who has lost his way and fallen into despair and desolation. He is a man torn apart by the tension between his feelings of compassion and his guilt-ridden capitulation. Fassbender, on the contrary, is unnerving and yet engrossing as the magnificent Magneto. I personally loved the way in which his character continuously throws a wrench into everyone’s plans by opting to take an alternative and selfish approach. I found him to be notably riveting during a tense scene that takes place on an airplane, where Fassbender really demonstrates his talent. Then of course, there’s everybody’s favorite mutant, Wolverine. Hugh Jackman’s Wolverine is wonderfully enthralling, insanely ripped, and appropriately arrogant. Jackman has turned Wolverine into a career-defining role. There is no doubt about it, he is Wolverine, and no one will ever do it better. Meanwhile, everybody’s favorite actress, Jennifer Lawrence, adds an emotional and memorable performance as Mystique. Lastly, newcomer Evan Peters is a real-stand out as Quicksilver, in a performance that surely will become an instant fan favorite. His big scene alone makes me wish I had seen the movie in 3D, and in fact, the movie is so good that I just might do that. The stellar cast of X-Men: Days of Future Past hit all the right notes, making the characters memorable, and personable.
The action in Days of Future Past is simply phenomenal. This is what most superhero movies should strive to emulate. What I admire most about the action of this film is that it’s smart. It’s well-thought-out and well-executed. It never feels derivative, nor uninspired. Everything has its purpose and has a tangible weight to it. Rather than cluttering the film with unnecessary action pieces, it instead focuses on making its important action sequences really memorable and really good. It also handles its use of violence extremely well, making it powerful and satisfying, without making it feel sugarcoated because of its PG-13 rating. The movie’s score is suitably powerful, helping to escalate the action and establish a tense, grandiose ambiance. The special effects seen here are outstanding. This is a big upgrade over First Class, not only in visual quality, but certainly also in scale. It reaches an epic level and yet it never hinders in quality or takes any shortcuts. It shows you what you want to see, and does it better than you’d ever expect. The result is a movie that’s as visually remarkable as it is entertaining. The true enemies of Days of Future Past, the Sentinels, look awesome. I don’t know how they looked in the older movies, if they’re even present at all, but I never liked their appearance in the comic books. I’m glad they’ve been completely reimagined from their original design, and I love how the movie demonstrates their ability to adapt to make them more efficient mutant-killing machines. The character Beast also looks better than ever, unlike in First Class where his appearance was embarrassingly bad, and borderline laughable. In X-Men: Days of Future Past, everything looks stellar. You won’t want to look away as you’re sitting on the edge of your seat in sheer delight.
The majority of the film is set in the 1970s, taking place after the events of X-Men: First Class, as the Vietnam War is coming to an end. Considering that the film deals with themes of discrimination, it’s fitting that this setting coincides with the Civil Rights movement, even though it’s not explicitly referenced. This was a time in American history when the country was divided, and it offers a strong parallel to the grim, segregated world depicted in the film’s present-day wasteland. The story of Days of Future Past is rather dark, dealing with an apocalyptic future fueled by fear, jealousy and hatred. Although, it still has its fair share of laughs, thanks to the always charming Wolverine and the lightning fast Quicksilver. The movie does an admirable job in recreating the ‘70s, and additionally with juggling the different time periods, while maintaining a steady, coherent pace. However, as much as I enjoyed the ending, I must say that using time travel as a method to clean up a series’ loose ends seems a little cheap, but it’s entirely forgivable given just how beautifully it all comes together. X-Men: Days of Future Past is ultimately a miraculous, thrilling, and rewarding experience that you’ll want to see again and again.
X-Men: Days of Future Past embodies everything I love about movies. It has great action, unforgettable characters, an engaging story, top-notch special effects, and a nice healthy dose of comedy, while never feeling unoriginal or insignificant. I really believe this movie is every X-Men fan’s dream come true. To be honest, I have never considered myself much of an X-Men fan. Now that I’ve seen Days of Future Past, I’m an X-Men fan for life.
(This review was originally posted at 5mmg.com on 5.26.14.)
Sarah (7798 KP) rated X-Men: Days of Future Past (2014) in Movies
Jun 19, 2019
One of the best X-Men films
The X-Men have always been some of my favourite superheroes, and I loved the original 2 films (and I refuse to mention The Last Stand). Whilst First Class was a nice introduction to the younger versions of the X-Men, it wasnt great. X-Men really needed this next film to be something special, and for me it really is.
Bryan Singer really knows how to work his magic when it comes to the X-Men films and you can tell. He did it with the originals and he did it with this too. The idea to work a plot involving the original X-Men and the younger versions is a genius idea and gives us the best of both worlds. Admittedly I do wish they'd shown us more of the originals, but I dont think my heart could take much seeing them get picked off by the Sentinels.
Putting Wolverine into this works really well and new addition Quicksilver gets possibly the best scene of the entire film. And we've also got Magneto being his usual sneaky self with some great scenes of him really using his powers. Don't get me wrong the actual minute details in the plot are a little bit ridiculous and farfetched but this can be ignored for the most part as it's just an all round enjoyable film. Just a shame it's the last decent X-Men film that they've made.
Bryan Singer really knows how to work his magic when it comes to the X-Men films and you can tell. He did it with the originals and he did it with this too. The idea to work a plot involving the original X-Men and the younger versions is a genius idea and gives us the best of both worlds. Admittedly I do wish they'd shown us more of the originals, but I dont think my heart could take much seeing them get picked off by the Sentinels.
Putting Wolverine into this works really well and new addition Quicksilver gets possibly the best scene of the entire film. And we've also got Magneto being his usual sneaky self with some great scenes of him really using his powers. Don't get me wrong the actual minute details in the plot are a little bit ridiculous and farfetched but this can be ignored for the most part as it's just an all round enjoyable film. Just a shame it's the last decent X-Men film that they've made.
Joe Goodhart (27 KP) rated All-New Wolverine, Volume 6: Old Woman Laura in Books
Nov 30, 2020
I know I mentioned on here before (or at least I think I did), but I was starting to lose interest in Tom Taylor's ALL-NEW WOLVERINE. It wasn't that he was a bad writer (he really wasn't), nor was it that I had lost interest in Laura Kinney as a character.
No, quite simply, it just came to the book becoming too silly, with Laura's clone sister Gabby taking much of the spotlight. With that shift in focus, the series had lost a sizable chunk of it's edginess, leaving it feeling more like a pantomime version of the series.
However, with this, "Old Woman Logan", the final story of ANW, Taylor hits it right out of the park!
The first half of the book was a one-off issue with Gabby and Deadpool teaming to take down a mad scientist sort intent on pushing the sport of "genetically modified zombie wolverines" followed by the epilogue to "Orphans of X". Both were solid, with just the right amount of humor peppered in.
But the real gem, kicking ya right in the feels, was the "Old Woman Logan" arc. I won't give any spoilers, as I read it with spoilers and it was awesome! All I will say is this has definitely become one of my new favorites!
Seriously, if you love the character of Laura Kinney as much as I do, you HAVE to read this! So, so, soooo GOOD!
No, quite simply, it just came to the book becoming too silly, with Laura's clone sister Gabby taking much of the spotlight. With that shift in focus, the series had lost a sizable chunk of it's edginess, leaving it feeling more like a pantomime version of the series.
However, with this, "Old Woman Logan", the final story of ANW, Taylor hits it right out of the park!
The first half of the book was a one-off issue with Gabby and Deadpool teaming to take down a mad scientist sort intent on pushing the sport of "genetically modified zombie wolverines" followed by the epilogue to "Orphans of X". Both were solid, with just the right amount of humor peppered in.
But the real gem, kicking ya right in the feels, was the "Old Woman Logan" arc. I won't give any spoilers, as I read it with spoilers and it was awesome! All I will say is this has definitely become one of my new favorites!
Seriously, if you love the character of Laura Kinney as much as I do, you HAVE to read this! So, so, soooo GOOD!