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Emma @ The Movies (1786 KP) rated I Am Lisa (2020) in Movies
Oct 4, 2020
This caught my eye on the Fright Fest line-up for its intriguing idea, who doesn't love werewolves?
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
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Janeeny (200 KP) rated How to Be Famous in Books
Jul 8, 2019
I’ve been ‘aware’ of Caitlin Moran’s work for a number of years. I think she first came to my attention in 2011. I worked in a bookshop and Morans book ‘How to be a Woman’ was in the charts. The cover art just seemed to exude a quirky confidence and it went straight into my ‘theoretical’ TBR pile.
As you can imagine, a booksellers TBR pile is a challenging Behemoth, so when ‘Raised by Wolves’ (a sitcom written by Caitlin Moran and her sister Caroline) came on the telly in 2013 I still hadn’t read ‘How to be a Woman’.
Happily, ‘Raised by Wolves’ was hilarious, putting Caitlin Moran well and truly on my radar as someone who had a lot of interesting and humorous opinions that I would really need to read about some day.
(On a little side note Alexa davies who plays Aretha in this is hilarious and worth keeping an eye on.)
Cut to 2019 Caitlin Moran has released 4 more books and I haven’t read a single one of them! So when NETgalley offered me a copy of ‘How to be famous’ in exchange for an honest review I had to say yes, as despite the fact that I actually own a copy of ‘How to be a girl’ I still haven’t read it, so I figured, if I have a deadline for a review that is going to spur me on to actually read this one!
It worked, I read it, and it was everything I thought it would be.
It had some definite laugh out loud moments, Morans humorous writing style comes through triumphantly.
So, the blurb . . .
“Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.
Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.
But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?”
First off, despite the fact that this is the second book in a series, you don’t lose anything of the story by not having read the first one. If anything it makes you want to read the first one even more, as you want to know how Dolly got to where she is and the adventures she’s had on the way.
Secondly, the characters were just brilliant not a two-dimensional one among them, the dialogue just flows beautifully, and you’ll end the book wishing you were friends with them.
Thirdly, in my inexpert opinion its really well written, the story flows effortlessly and you are just grabbed by the collar and dragged along on this adventure.
I quite literally cannot find the words to say how much I admire Morans writing style, as I said before, this is so well written and the characters are so relatable. It’s full of many laugh out loud moments and some very frank and hilarious conversations about sex, and amongst the humour are actually some quite serious issues, like the clear displays of the inequality of women within the music industry (even though this was set in the 90s, I’m sure much of it is still true today)
And coming from somebody who never seems to get symbolism or messages from books, I took away a LOT from this one
One of my favourite moments was a letter that Dolly writes to her musician friend (Johnny) who is troubled by accusations of ‘selling out’
It basically addresses the scorn heaped on bands, with a predominantly teenage female following, by ‘Elitist’ fans and the music industry. She asks Johnny to appreciate his ‘screaming’ girls fans, as just because they’re louder, more emotional, younger, and haven’t been part of the fanbase since day one, doesn’t mean they don’t appreciate the music any less or feel any less. Yes, they are the ones putting money in your bank account, putting you in the charts, but just because they are part of the mass market doesn’t make their feelings any less valid.
Seeing as I’ve been both a ‘screaming girl fan’ and an ‘Elitist Fan’ I understand and appreciate what’s being said here.
There is so much to love bout this book, the strong female characters, the humour, the feminist message, and underneath it all a good old fashioned love story
As you can imagine, a booksellers TBR pile is a challenging Behemoth, so when ‘Raised by Wolves’ (a sitcom written by Caitlin Moran and her sister Caroline) came on the telly in 2013 I still hadn’t read ‘How to be a Woman’.
Happily, ‘Raised by Wolves’ was hilarious, putting Caitlin Moran well and truly on my radar as someone who had a lot of interesting and humorous opinions that I would really need to read about some day.
(On a little side note Alexa davies who plays Aretha in this is hilarious and worth keeping an eye on.)
Cut to 2019 Caitlin Moran has released 4 more books and I haven’t read a single one of them! So when NETgalley offered me a copy of ‘How to be famous’ in exchange for an honest review I had to say yes, as despite the fact that I actually own a copy of ‘How to be a girl’ I still haven’t read it, so I figured, if I have a deadline for a review that is going to spur me on to actually read this one!
It worked, I read it, and it was everything I thought it would be.
It had some definite laugh out loud moments, Morans humorous writing style comes through triumphantly.
So, the blurb . . .
“Johanna Morrigan (AKA Dolly Wilde) has it all: at eighteen, she lives in her own flat in London and writes for the coolest music magazine in Britain. But Johanna is miserable. Her best friend and man of her dreams John Kite has just made it big in 1994’s hot new BritPop scene. Suddenly John exists on another plane of reality: that of the Famouses.
Never one to sit on the sidelines, Johanna hatches a plan: she will Saint Paul his Corinthians, she will Jimmy his Pinocchio—she will write a monthly column, by way of a manual to the famous, analyzing fame, its power, its dangers, and its amusing aspects. In stories, girls never win the girl—they are won. Well, Johanna will re-write the stories, and win John, through her writing.
But as Johanna’s own star rises, an unpleasant one-night stand she had with a stand-up comedian, Jerry Sharp, comes back to haunt in her in a series of unfortunate consequences. How can a girl deal with public sexual shaming? Especially when her new friend, the up-and-coming feminist rock icon Suzanne Banks, is Jimmy Cricketing her?”
First off, despite the fact that this is the second book in a series, you don’t lose anything of the story by not having read the first one. If anything it makes you want to read the first one even more, as you want to know how Dolly got to where she is and the adventures she’s had on the way.
Secondly, the characters were just brilliant not a two-dimensional one among them, the dialogue just flows beautifully, and you’ll end the book wishing you were friends with them.
Thirdly, in my inexpert opinion its really well written, the story flows effortlessly and you are just grabbed by the collar and dragged along on this adventure.
I quite literally cannot find the words to say how much I admire Morans writing style, as I said before, this is so well written and the characters are so relatable. It’s full of many laugh out loud moments and some very frank and hilarious conversations about sex, and amongst the humour are actually some quite serious issues, like the clear displays of the inequality of women within the music industry (even though this was set in the 90s, I’m sure much of it is still true today)
And coming from somebody who never seems to get symbolism or messages from books, I took away a LOT from this one
One of my favourite moments was a letter that Dolly writes to her musician friend (Johnny) who is troubled by accusations of ‘selling out’
It basically addresses the scorn heaped on bands, with a predominantly teenage female following, by ‘Elitist’ fans and the music industry. She asks Johnny to appreciate his ‘screaming’ girls fans, as just because they’re louder, more emotional, younger, and haven’t been part of the fanbase since day one, doesn’t mean they don’t appreciate the music any less or feel any less. Yes, they are the ones putting money in your bank account, putting you in the charts, but just because they are part of the mass market doesn’t make their feelings any less valid.
Seeing as I’ve been both a ‘screaming girl fan’ and an ‘Elitist Fan’ I understand and appreciate what’s being said here.
There is so much to love bout this book, the strong female characters, the humour, the feminist message, and underneath it all a good old fashioned love story
Christina Haynes (148 KP) rated Avoiding Alpha in Books
Jun 14, 2018
Contains spoilers, click to show
So Tessa is now a Werewolf, Human and Bruja (Witch in Spanish) She has accepted the fact she is one and can't do anything about it. She has also accepted that Dastien is her mate. But what she hasn't accepted is that she is going to have to change into a wolf... And that scares her.
With the Vampires gone, and her and Dastien enjoying life as mates. Things couldn't be better (other than the changing into a Werewolf part) However there is a Tribunal approaching because of the whole Dastien biting her thing... (Because wolves aren't allowed to bite human and Dastien broke that rule. They have to have tribubal. Although he bit her due to her being his mate, it still has to happen) She is terrified of what might happen to them both.
Then Meredith her best friend and room neighbor. Was cursed a few years ago so her wolf can't come out and she is never about to change into one again. This curse is now breaking. With Meredith finding her mate in Donovan, who is one of the seven (one of the high Werewolves, who are in charge of all Were.) She freaks and her wolf tries to break out and this gets her really ill. So ill she could die.
Tessa tries to find away to help her by breaking the curse and freeing her wolf. She tries magic and asks for her cousins help. But unfortunately there is no way to break another Witches curse. So Tessa suggests trying to keep the curse to save her life and then working on away to stop this curse later. Once Meredith is better.
We then find out who cursed her and why, Tessa then tries to talk to this Witch and get her to break that curse. But this Witch the leader of the Coven hates all Werewolves and will only break this curse (put the curse back on her and stop the wolf coming back) if she can do the same to Tessa and she joins the Coven she is destined to lead. But Tessa won't join.
Tessa tries to break the curse again and tries to keep Meridith's wolf at bay. But is unsuccessful in doing so. She goes back to the Coven ready to make a deal, but in going there she learns how to break the curse completely. But in order to break this curse she needs to accept she is going to have to change to become a wolf. Which she finally does.
With the Tribunal approaching Tessa has so many emotions. She needs to relax and save Meredith and become one with who she is.
3☕ – NOT A BAD BOOK
Love, Christina ?
With the Vampires gone, and her and Dastien enjoying life as mates. Things couldn't be better (other than the changing into a Werewolf part) However there is a Tribunal approaching because of the whole Dastien biting her thing... (Because wolves aren't allowed to bite human and Dastien broke that rule. They have to have tribubal. Although he bit her due to her being his mate, it still has to happen) She is terrified of what might happen to them both.
Then Meredith her best friend and room neighbor. Was cursed a few years ago so her wolf can't come out and she is never about to change into one again. This curse is now breaking. With Meredith finding her mate in Donovan, who is one of the seven (one of the high Werewolves, who are in charge of all Were.) She freaks and her wolf tries to break out and this gets her really ill. So ill she could die.
Tessa tries to find away to help her by breaking the curse and freeing her wolf. She tries magic and asks for her cousins help. But unfortunately there is no way to break another Witches curse. So Tessa suggests trying to keep the curse to save her life and then working on away to stop this curse later. Once Meredith is better.
We then find out who cursed her and why, Tessa then tries to talk to this Witch and get her to break that curse. But this Witch the leader of the Coven hates all Werewolves and will only break this curse (put the curse back on her and stop the wolf coming back) if she can do the same to Tessa and she joins the Coven she is destined to lead. But Tessa won't join.
Tessa tries to break the curse again and tries to keep Meridith's wolf at bay. But is unsuccessful in doing so. She goes back to the Coven ready to make a deal, but in going there she learns how to break the curse completely. But in order to break this curse she needs to accept she is going to have to change to become a wolf. Which she finally does.
With the Tribunal approaching Tessa has so many emotions. She needs to relax and save Meredith and become one with who she is.
3☕ – NOT A BAD BOOK
Love, Christina ?
Acanthea Grimscythe (300 KP) rated Wolf Blood in Books
Jan 31, 2019
Wolf Blood is a fresh, new take on the apocalypse–free of zombies and nuclear fallout. It’s a welcome breath of fresh air in a market that’s already overly saturated with the same tropes, and for that Steve Morris deserves props. That’s not to say that there aren’t issues with Wolf Blood. There are several, actually. It does, however, mean that this is a title worth taking the time to read if you’re sick of the same washed up material.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
Professor Wiseman and his three students, Samuel, Leann, and Adam, have tucked themselves away in the Carpathians after a poorly received publication foretelling of a werewolf apocalypse is met with widespread mockery and criticism. His reputation ruined, the Professor and his students continue their research in quiet solitude–until things go wrong. All three students become infected, soon returning to London to bring back the superiority of wolves.
Let’s be honest, this idea is pretty interesting and in execution, Morris does a pretty decent job. I didn’t find any outwardly obvious plot holes, and that’s a plus too. The book is fast-paced, making for an easy and quick read. It isn’t bogged down with too much exposition, either. In fact, it might not have enough in some cases. Fortunately, it doesn’t detract too much from what’s going on.
Also, characters. There are too many characters whose purpose isn’t revealed in this book. Granted it’s the first of a series and they probably have a reason to exist later on down the road, but ultimately I feel it would have been better if those characters were introduced later. Instead we end up with a handful of people we don’t care about, and not enough time to develop feelings for those we do meet.
Morris’s werewolves are an important topic of discussion too. They are somewhere in-between the romanticized version and the truly monstrous. As a fan of gore and horror, I was hoping for purely the latter–especially since it is an apocalypse book. While there is some sappiness to this crew of mangy mutts, much of their desires lean toward the more primal nature of a wolf.
Overall, I thoroughly enjoyed reading this; I devoured it in just over twenty-four hours and, considering all that’s going on in my life, that’s a good thing. Rating wise, I’m stuck between three and four. Considering how much fun I had reading it, I’ve decided to lean toward the higher rating. This is definitely a fun book.
I would like to thank the publisher and NetGalley for providing me with a free copy of this book in exchange for an honest and unbiased review.
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Lyndsey Gollogly (2893 KP) rated Inseparable (Rise of the Iliri #4) in Books
Feb 4, 2021
17 of 250
Kindle
Inseparable ( Rise of Iliri book 4)
By Auryn Hadley
Once read a review will be written via Smashbomb and link posted in comments
DISASTER! THE BLACK BLADES DISBANDED, AN ALLIANCE IN TURMOIL...
The intersecting worlds of the iliri, grauori, and men collide when an alliance is declared, and the humans renege. In the midst of offering an olive branch to other races, they seem secretly hellbent on destroying them all - and they begin by putting Sal on trial and disbanding the Black Blades. Auryn Hadley offers up deft commentary on racism between communities - melded with fantastical action-adventure in a world at war, and passionate erotic romance in this fourth installment of the Rise of the Iliri.
True to its title, in Inseparable, on the world of Ogun, it's the connections between all beings - human and otherwise - that will save or destroy them.
Her recent mission a success, fearless (and irresistibly arousing) iliri warrior Lieutenant Salryc Luxx gets thanks in the form of imprisonment by the Conglomerate of Free Citizens. Sal's not even sure what she's accused of, but she suspects it's the color of her pale skin - not her actions - that's really on trial.
Kinetry, an old comrade and ally of the Black Blades now forced to hold Sal, warns her that a rash of anti-iliri sentiment is sweeping Parliament and the military. In fact, it seems men don't care for any race but their own. But Kinetry doesn't know that the King of Anglia is on his way to the military stronghold. Nor does he know the King is bringing with him thousands of grauori soldiers, members of a race of formerly hidden human-like wolves whose hunting and battle skills are unmatched.
If the King arrives before Sal's trial is resolved, he'll learn something in the courtroom that may destroy all hope of the intended alliance. Torn between truth and treason, Sal must navigate political sensitivities to hold the three races together. And just when she seems to get somewhere, the Conglomeration disbands the Black Blades.
Been a while since I caught up with the blades this book was the best so far and yes I say that after every book! Sal is brilliant. My first yay moment was Dom and amAnglia turning up with the army to pull Sal out of jail! Then finally Zep got the job done! I almost squealed when she got her crown finally in place!! The book is just ram packed with moments of about time and thank Gods! Those pups are just out of control cute too!! It almost got me at the end almost I’m so glad she pulled it back! Looking forward to the next book!
Kindle
Inseparable ( Rise of Iliri book 4)
By Auryn Hadley
Once read a review will be written via Smashbomb and link posted in comments
DISASTER! THE BLACK BLADES DISBANDED, AN ALLIANCE IN TURMOIL...
The intersecting worlds of the iliri, grauori, and men collide when an alliance is declared, and the humans renege. In the midst of offering an olive branch to other races, they seem secretly hellbent on destroying them all - and they begin by putting Sal on trial and disbanding the Black Blades. Auryn Hadley offers up deft commentary on racism between communities - melded with fantastical action-adventure in a world at war, and passionate erotic romance in this fourth installment of the Rise of the Iliri.
True to its title, in Inseparable, on the world of Ogun, it's the connections between all beings - human and otherwise - that will save or destroy them.
Her recent mission a success, fearless (and irresistibly arousing) iliri warrior Lieutenant Salryc Luxx gets thanks in the form of imprisonment by the Conglomerate of Free Citizens. Sal's not even sure what she's accused of, but she suspects it's the color of her pale skin - not her actions - that's really on trial.
Kinetry, an old comrade and ally of the Black Blades now forced to hold Sal, warns her that a rash of anti-iliri sentiment is sweeping Parliament and the military. In fact, it seems men don't care for any race but their own. But Kinetry doesn't know that the King of Anglia is on his way to the military stronghold. Nor does he know the King is bringing with him thousands of grauori soldiers, members of a race of formerly hidden human-like wolves whose hunting and battle skills are unmatched.
If the King arrives before Sal's trial is resolved, he'll learn something in the courtroom that may destroy all hope of the intended alliance. Torn between truth and treason, Sal must navigate political sensitivities to hold the three races together. And just when she seems to get somewhere, the Conglomeration disbands the Black Blades.
Been a while since I caught up with the blades this book was the best so far and yes I say that after every book! Sal is brilliant. My first yay moment was Dom and amAnglia turning up with the army to pull Sal out of jail! Then finally Zep got the job done! I almost squealed when she got her crown finally in place!! The book is just ram packed with moments of about time and thank Gods! Those pups are just out of control cute too!! It almost got me at the end almost I’m so glad she pulled it back! Looking forward to the next book!
Movie Metropolis (309 KP) rated The Jungle Book (2016) in Movies
Jun 10, 2019
A New Classic
There’s an old saying; “if it ain’t broke, don’t fix it”, and that was the kind of reaction many people had towards Disney’s live-action remake of The Jungle Book.
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/
Helmed by Iron Man director, Jon Favreau, it certainly garnered a mixed response come its first trailer release late last year. But what is the finished product like? And are we looking at a new classic?
Rudyard Kipling’s The Jungle Book is one of the most recognisable tales ever, despite its wafer thin plot, and the 1967 Disney animation is faithful to the first, and unfortunately also the latter.
We join this film in the midst of the action, as our young hero Mowgli (played by an unbelievably good Neel Sethi) learns how to run with his family – an adoptive pack of wolves. As the story progresses, Mowgli meets a whole host of friendly, and not so friendly, jungle animals as he strives to find just who he is.
This is a much darker interpretation of the classic story than we have been used to. There are scenes here that are genuinely terrifying, helped in part by the breath-taking CGI used to render the animals, with one infamous tiger in particular being the stuff of nightmares.
Speaking of which, an all-star cast that includes Ben Kingsley, Bill Murray, Scarlett Johansson, Idris Elba, Christopher Walken and Lupita Nyong’o lend their voices to fan favourites like Bagheera, Baloo, Kaa, Shere Khan, King Louie and Raksha. The vocal performances from each are sublime with Murray being a particular highlight with his comedic persona fitting perfectly with Baloo.
The jungle is brought to the screen in such detail that each frame is brimming with creatures, plants and life. In 3D, it is one of the most magnificent settings ever put to film as vibrant colours make the eyes dance with excitement. It lives and breathes right before your very eyes.
Then there’s the soundtrack. It’s true that the majority of the animation’s songs failed to make the cut, but looking back, it was only Bare Necessities that made any sort of impact and thankfully this survives, receiving a thundering orchestral backing track in the process. Christopher Walken’s gangster-like singing gives I Wanna Be Like You a whole new edge.
Nevertheless, it does, at times feel like Jon Favreau is going through the motions with the rest of the story – setting Mowgli up for one big set piece after another, though a few nice additions keep the plot flowing right up until the harrowing and beautifully filmed finale.
Overall, Disney has another classic on their hands. The Jungle Book is one of the most spectacular and breath-taking films ever put to the big screen. From a magnificent score to exceptional voice acting, it’s practically perfect in every way.
https://moviemetropolis.net/2016/04/16/a-new-classic-the-jungle-book-review/