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Terrifier (2017)
Terrifier (2017)
2017 | Horror
When two women see a creepy clown in a pizza place they soon find themselves fighting for their livers in an abandoned building.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
  
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Awix (3310 KP) rated The Divine Order (2017) in Movies

Mar 10, 2018 (Updated Mar 10, 2018)  
The Divine Order (2017)
The Divine Order (2017)
2017 | Drama, International
It's not that uncommon for a certain kind of feminist film to turn up in art-house cinemas in the UK - these are usually about the struggle for self-determination as experienced by women in traditionalist societies around the world. What is unusual is to see this sort of story taking place in a recognisably modern European setting, as is the case with The Divine Order. The year is 1971, the setting is rural Switzerland, and a vote is looming over whether women should be given the right to vote. Yes, 1971; yes, Switzerland. Young housewife Nora finds herself almost by accident leading the women of her village in a campaign for, if not equality, then at least recognition.

A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.