Search

Search only in certain items:

    Psychology - Video

    Psychology - Video

    (0 Ratings) Rate It

    Podcast

    (PSYC 110) What do your dreams mean? Do men and women differ in the nature and intensity of their...

    Psychology - Audio

    Psychology - Audio

    (0 Ratings) Rate It

    Podcast

    (PSYC 110) What do your dreams mean? Do men and women differ in the nature and intensity of their...

Terrifier (2017)
Terrifier (2017)
2017 | Horror
When two women see a creepy clown in a pizza place they soon find themselves fighting for their livers in an abandoned building.
Terrifier could easily be mistaken for an 80’s or 90’s slasher movie as Art the Clown (never actually named in the film) cut’s, stabs, shoots and strangles his way through the rest of the cast using a variety of different weapons. Art the Clown seems to stand out in a genre that could almost be called over saturated, he speaks less than either Mike Myers or Jason Voorhees but carries out his kills with a comedic joy that almost matches Freddy Kruger, acting out his pleasure through mime which seems to intensify the silence he exudes.
The film seems to have a homemade feel about it, that’s not saying that it seems cheap but that the cast seem to get along well and that it could almost be something that was shot for fun by a group of friends in the same way the ‘Evil Dead’ or the original ‘Night of the Living Dead’ was. This is helped by a small cast and limited locations.
Being a slasher there is, of course; blood, violence, screaming and a bit of nudity but no sex, in fact the reason one character gets involved it to avoid being in the room with a couple who are getting amorous. Art dispatched his victims in a number of ways, most of which have been done before, after all there are only so many ways to stab or shoot someone, however, Art brings a joyfulness to his actions and, although I have already compared him to Freddy Kruger, Art seems to really see a funny side to what he is doing unlike Freddy who just enjoys the kill.
I have seen that there is a sequel slated for 2020 and given the being/end of Terrifier I think that is could be very interesting.
  
40x40

Awix (3310 KP) rated The Divine Order (2017) in Movies

Mar 10, 2018 (Updated Mar 10, 2018)  
The Divine Order (2017)
The Divine Order (2017)
2017 | Drama, International
It's not that uncommon for a certain kind of feminist film to turn up in art-house cinemas in the UK - these are usually about the struggle for self-determination as experienced by women in traditionalist societies around the world. What is unusual is to see this sort of story taking place in a recognisably modern European setting, as is the case with The Divine Order. The year is 1971, the setting is rural Switzerland, and a vote is looming over whether women should be given the right to vote. Yes, 1971; yes, Switzerland. Young housewife Nora finds herself almost by accident leading the women of her village in a campaign for, if not equality, then at least recognition.

A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.
  
Inherit the Wind (1960)
Inherit the Wind (1960)
1960 | Classics, Drama
I found this movie incredibly interesting. Not only is it based on a true story, I think it's a film that transcends time because of its themes. All of the issues discussed in this movie are ones that we still talk about today. We see all the time arguments for more religion in schools or less, and religion itself is argued and where its place is in our lives. I think this movie does a beautiful job of pushing those boundaries and causing you to question why it is we believe what we do and why we're so set on others believing it too.

As far as the cast and the acting, I think it's phenomenal. Obviously, with powerhouses like Gene Kelly, Spencer Tracy, and Fredric March, their performances are incredible. I find the women in the film to be less believable but I think it's more the time and the way women acted in the '60s and less to do with the women themselves. The overdramatic, falling after their husband or fiancé, in one case, is just played out - but that also might just be me speaking from my own experience.

Overall, I think this movie is great. It holds up 60 years after its initial release and I'm sure it will hold up for another 60 years. I think it pushes positive conversations and forces you to think outside of your own experiences and your own life and in general, I think that's what art (in any form) should do. Would definitely recommend this film.