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Allison Anders recommended The Red Shoes (1948) in Movies (curated)

 
The Red Shoes (1948)
The Red Shoes (1948)
1948 | Classics, Drama, Musical
8.3 (3 Ratings)
Movie Favorite

"It was my daughter Tiffany who made me see the beauty of this film—she loved it so much as a child, and I think in many ways it spoke to her on the difficult choice for women artists between art and love, a calling of career and the calling of the heart. The Technicolor restoration of the film is stunning. This was one of the early titles in the Criterion Collection, and it’s just gorgeous. The DVD production was helped along with the loving hands (certainly one of my favorite pair of hands on earth) of film editor Thelma Schoonmaker, Michael Powell’s widow.There’s fantastic commentary with cinematographer Jack Cardiff and Ian Christie, as well as Martin Scorsese, a close, dear friend of Powell’s. And actress Moira Shearer gives such a wonderful account of the feelings of awe and fear of the dancers around working with living ballet legend Leonide Massine . . . and how in spite of this, she and Massine came to get on like a house on fire. He would fill her with the most amazing tales of his life in the last true golden age of ballet with the great dance impresario Sergei Diaghilev—I cannot even imagine what a thrill these hours of conversation must have been!"

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LoganCrews (2861 KP) rated 47 Ronin (2013) in Movies

Jan 12, 2021 (Updated Jul 4, 2021)  
47 Ronin (2013)
47 Ronin (2013)
2013 | Action, Drama, Sci-Fi
As expected this is a lot of eye-popping visual work in service of a story void of even a single drop of weight. Too much gorgeous design fetish on display to truly dislike in spite of it being executed as plainly as can be otherwise - for every mechanical, generic expository beat there's a splashpad of stunning locales, vibrant costumes, luscious CGI, sweeping sets, excellent props, and fully realized art backing it up. It's super atmospheric and the money is *definitely* on the screen but everything underneath the hood is not only lackluster but genuinely problematic. The idea to take one of the most legendary events in Japanese history and not only turn it into another passive whitewashed popcorn flick is gross all on its own, but to frame the entire thing around a bunch of wronged Japanese men + women having to constantly praise and apologize to a white man for bullying him or whatever is - quite frankly - beyond insulting. As much as I won't soon be forgetting the pop aesthetic experience this delivered upon, I'm also glad it bombed. A screenplay this goofy has no right being so tame. And see the skull guy on the poster? He's only in the movie for like 30 seconds so fuck you.
  
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