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Sophie Wink (11 KP) rated Granite Grit (Fighting's in the Blood #1) in Books
Jun 26, 2019
"When your toughest opponent is you."
Your not kidding! A very true statement in more ways than one throughout the novel, for the main character Joe and the reader's themselves. What a fantastic debut novel.
The storyline is brilliant, easy to follow and written in quite a unique style jumping from past to present in the space of a couple lines with ease. It is truly fascinating, coming from someone who is clueless when it comes to boxing of any kind I managed to understand everything, it all made sense. I loved the twists and turns the story itself took, unwinding the spiral of destruction the main character created for himself, it's powerful yet sad and overall really moving creating the important hook.
The themes of the story are simple and conveyed with the utmost professionalism, the love between man and women, between parents and children, between man and the art of boxing. The relationships between the characters throughout the novel are wonderfully portrayed whether they come to a complete halt or blossom in times of tragedy. I think the theme of abuse is conveyed beautifully considering the sensitive, powerful and hard-hitting nature of the theme as a whole tying in well with a further theme of family which seems to be one of Joe's fatal flaws. Which leads me on to the character Joe whom I love, hate and support, the character development of Joe is remarkably controlled and really well done. At first, I really loved and sympathised with the man trying to keep his family afloat, then his downwards spiral left me hating him yet supporting him, wanting him to do well and wanting him to win the fight with not only himself but his opponents.
Personally, the fight scenes were my favourite due to the descriptive manner of which they were told, I felt like I was in the crowd onlooking the entire scene feeling the tension and fear in the atmosphere. Although it may not seem like it due to the boxing element the novel is very relatable considering family loyalty, the struggle for money and even the determination Joe has to prove himself. I even found myself laughing out loud at some of the comments Joe made.
Overall, this is truly an amazing book and I couldn't recommend it more.
Your not kidding! A very true statement in more ways than one throughout the novel, for the main character Joe and the reader's themselves. What a fantastic debut novel.
The storyline is brilliant, easy to follow and written in quite a unique style jumping from past to present in the space of a couple lines with ease. It is truly fascinating, coming from someone who is clueless when it comes to boxing of any kind I managed to understand everything, it all made sense. I loved the twists and turns the story itself took, unwinding the spiral of destruction the main character created for himself, it's powerful yet sad and overall really moving creating the important hook.
The themes of the story are simple and conveyed with the utmost professionalism, the love between man and women, between parents and children, between man and the art of boxing. The relationships between the characters throughout the novel are wonderfully portrayed whether they come to a complete halt or blossom in times of tragedy. I think the theme of abuse is conveyed beautifully considering the sensitive, powerful and hard-hitting nature of the theme as a whole tying in well with a further theme of family which seems to be one of Joe's fatal flaws. Which leads me on to the character Joe whom I love, hate and support, the character development of Joe is remarkably controlled and really well done. At first, I really loved and sympathised with the man trying to keep his family afloat, then his downwards spiral left me hating him yet supporting him, wanting him to do well and wanting him to win the fight with not only himself but his opponents.
Personally, the fight scenes were my favourite due to the descriptive manner of which they were told, I felt like I was in the crowd onlooking the entire scene feeling the tension and fear in the atmosphere. Although it may not seem like it due to the boxing element the novel is very relatable considering family loyalty, the struggle for money and even the determination Joe has to prove himself. I even found myself laughing out loud at some of the comments Joe made.
Overall, this is truly an amazing book and I couldn't recommend it more.
Kristy H (1252 KP) rated The Lying Game in Books
Jan 21, 2018
Predictable (1 more)
Slow-moving
Isa, Kate, Fatima, and Thea were the best of friends for a year in boarding school. Thick as thieves, they kept to themselves at Salten House, bonded by a game they invented (The Lying Game), where they came up with increasingly higher stakes lies for a series of points and boasting rights. The girls spent much of their time at The Mill House, Kate's childhood home--a quick walk across the marsh from their boarding school and home to Kate's father, Ambrose, and stepbrother, Luc. But all that changes when Ambrose, an art teacher at Salten, dies; a scandal is uncovered; and the girls are expelled. Years pass without the four women seeing each other, until they receive a text from Kate: I need you. Isa--with her baby daughter in tow, Fatima, and Thea return to The Mill House, where Kate still lives, to help their friend. But what exactly happened all those years ago? And are the women still playing The Lying Game?
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
So I probably enjoyed this novel more than I should have, considering it's rather predictable. There are so few characters in the book as a whole, it seems, for the ending to be that grand of a surprise. It's also a slow-moving mystery where much of the drama could be avoided if the characters would just talk to each other or tell the truth - ever. The main character, Isa, puts her baby in danger far more often than a reasonable parent would, and for what? Even worse, while Isa is a fairly well-developed main character, her three best friends seem to be more of cliches or stereotypes than fleshed out characters.
Still, Ware has had this hold on me on each of her two previous novels--and she did it again here. The book is just oddly readable, and I found myself drawn to it, despite its flaws, so I have to give that to her. I read it rather quickly, despite being swamped at work, and found myself sneaking away to finish it on my lunch break. It's very descriptive, just like her first two books, and you can easily picture the eerie setting. Even if you're not fully invested in what's happening or you're pretty sure what's going to happen, or who was involved, there's just something compelling that makes you keep reading. The novel is told from Isa's point of view, unfolding in the present, but flashing back to her memories of the past. It's a rather effective technique, as we only figure out plot pieces as she does and can discern bits and pieces of the story through Isa's perspective alone.
Overall, I'd hoped for a bit more, and I probably enjoyed Ware's first two novels as a cohesive whole more than this one. But I won't deny that I found this book intriguing and that it kept me reading. There's certainly a lot in the novel that requires you to suspend some elements of disbelief. Still, I'll definitely continue to read anything Ware writes--she just has a fascinating style.
Berek and Hacker's Gynecologic Oncology
Jonathan S. Berek and Neville F. Hacker
8.0
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Get the evidence-based, practical guidance you need to provide state-of-the-art care to women with...
TD
Trap Door: Trans Cultural Production and the Politics of Visibilty
Johanna Burton, Eric A. Stanley and Reina Gossett
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The increasing representation of trans identity throughout art and popular culture in recent years...
Eilidh G Clark (177 KP) rated Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma in Books
May 14, 2017
This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
‘Graffiti and scorch marks, echoes of small fires, decorated doorsteps. Golden Special Brew cans and crushed vodka bottles, bright as diamonds, collected in gutters. Front gardens were filled with mouldy paddling pools and, occasionally, a rust burnished shell of a car. I had never seen anything so beautiful, so many colours, before in grey Aberdeen.’
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
This is a novel with nothing held back. While the title is light hearted and the cover art bright and cheerful, both are deceiving. The cover shows a silhouette of a young girl holding a giant red balloon against the backdrop of a Scottish suburban town. It is important to address the significance of this image. Readers may recall a similar painting by Banksy, named Girl With Balloon which was originally painted on a wall in London. Beside the painting was engraved “There Is Always Hope”. While Banksy’s painting shows the girl releasing the balloon, possibly representing lost hope or lost innocence, Hudson’s cover shows the girl being lifted by the balloon. Considering this when addressing the text, it is clear that Hudson wished to demonstrate that one can only hold on to hope by not letting go. Critics have described this book as containing bittersweet humour and Hudson cleverly intrudes in the second chapter by saying that this is in fact a ‘humorous cautionary tale’. As soon as you begin reading, expect to get dirt under your nails. The author launches right into the location of the novel using regional Scottish dialect and local Aberdonian vernacular. The story begins with the birth of out protagonist, Janie Ryan. Born to Iris (formally Irene), a single, homeless mother who comes from a line of women described as ‘fishwives to the marrow’, Iris has recently returned from London after trying to change her destiny (not wanting to become her mother). After falling pregnant to a rich and married American man, the relationship breaks down. Iris is forced to return to poverty in the back streets of Aberdeen but is keen to ensure that things have changed,’ I didnae go all the way to fuckin’ London to come back an’ be the same old Irene!’ Unfortunately, Iris falls back into her old ways and for Janie; this has a direct effect on her life. The reader follows the protagonist from her first home to temporary care and then to a string of homes over the UK in some of its poorest areas. Janie watches, as her mother gets involved in some abusive relationships, including one with alcohol, and watches helplessly as her mother loses hope. Towards the latter end of the novel, it is clear that Janie is falling into the same habits as her mother, however, a string of unfortunate event forces her to reassess her life. The end of the novel, like the cover art, is left to the reader’s interpretation. Can Janie break the cycle and make changes to her life, or is she destined to become her mother? This is not only a well-written novel but also a powerful commentary on life within the poverty trap.
Kerry Hudson, Tony Hogan Bought me an Ice Cream Float Before He Stole My Ma, 2012 published by Vintage Books
Gareth von Kallenbach (980 KP) rated Magic Mike XXL (2015) in Movies
Aug 6, 2019
When we last saw Mike Lane (Channing Tatum) he was trading in his g-string and the adulation of grown women with lots of dollar bills to spare, for a custom furniture business of his own and a serious relationship with a girl named Brooke. He said goodbye to his band of magical, muscular men (and by magical, we mean in the art of making clothes disappear) and headed off into a better future.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Candy Fever Mania - The Kingdom of Match 3 Games
Games and Entertainment
App
Welcom to the paradise of candy fever mania world! Candy Fever Blast is a FREE game. The Candy world...
Ivana A. | Diary of Difference (1171 KP) rated A Single Thread in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-18.png?resize=1024%2C576&ssl=1"/>;
<i>When the team from LoveReading UK contacted me regarding A Single Thread, all I knew was that I loved Girl With A Pearl Earring by Tracy Chevalier and would therefore read any other book she writes.</i>
A Single Thread follows the life of Violet, during the year 1932, a few years after the First World War. Violet has lost her brother and fiance in the war and is still learning to cope. She is labelled as a ”surplus woman” by the society, a woman that in unlikely to marry.
With the grief, the society label and the suffocation of her mother, Violet starts a journey that will change her life.
She is determined to find where she belongs and who she truly is, in a time where being a woman and succeeding on your own was not praised by others.
Her journey starts with a long walk in a few towns, something she used to do with her late father and brother, and it continues with her learning canvas embroidery (today knows as needlepoint), and the beautiful art of bell ringing (which pleasantly reminded me of The Hunchback of Notre Dame by Victor Hugo, a book I read in high school and one I should re-read).
With Tracy’s writing, it is always so easy to lose yourself in the book and teleport to the past and re-live every scene as if you’re there. It is such a pleasurable experience.
I loved Violet, and I loved how she coped with all challenges of that era. Post First World War times were extremely hard, with too many men dying and too many women not being able to ever marry. Violet’s courage and hope kept moving her forward!
<b><i>This novel yells courage. It yells freedom. It yells independence. And standing along Violet, while she finds courage when you least expect to was a moment I will cherish.</i></b>
I recommend it to you, if you love novels in the war time period, or novels that talk about courage!
Thank you to the team at LoveReading UK, for sending me a copy of this book in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2019/09/Book-Review-Banner-18.png?resize=1024%2C576&ssl=1"/>;
<i>When the team from LoveReading UK contacted me regarding A Single Thread, all I knew was that I loved Girl With A Pearl Earring by Tracy Chevalier and would therefore read any other book she writes.</i>
A Single Thread follows the life of Violet, during the year 1932, a few years after the First World War. Violet has lost her brother and fiance in the war and is still learning to cope. She is labelled as a ”surplus woman” by the society, a woman that in unlikely to marry.
With the grief, the society label and the suffocation of her mother, Violet starts a journey that will change her life.
She is determined to find where she belongs and who she truly is, in a time where being a woman and succeeding on your own was not praised by others.
Her journey starts with a long walk in a few towns, something she used to do with her late father and brother, and it continues with her learning canvas embroidery (today knows as needlepoint), and the beautiful art of bell ringing (which pleasantly reminded me of The Hunchback of Notre Dame by Victor Hugo, a book I read in high school and one I should re-read).
With Tracy’s writing, it is always so easy to lose yourself in the book and teleport to the past and re-live every scene as if you’re there. It is such a pleasurable experience.
I loved Violet, and I loved how she coped with all challenges of that era. Post First World War times were extremely hard, with too many men dying and too many women not being able to ever marry. Violet’s courage and hope kept moving her forward!
<b><i>This novel yells courage. It yells freedom. It yells independence. And standing along Violet, while she finds courage when you least expect to was a moment I will cherish.</i></b>
I recommend it to you, if you love novels in the war time period, or novels that talk about courage!
Thank you to the team at LoveReading UK, for sending me a copy of this book in exchange for my honest review.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
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