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Bob Mann (459 KP) rated Captain Marvel (2019) in Movies
Sep 28, 2021
Women: Be the Best Version of Yourselves!
So, after much brouhaha and trolling – probably mostly from woman-hating teenage nerds who can’t get laid – Brie Larson‘s hyper-hero barrels onto our cinema screens.
Stan Lee tribute.
First off, what a Marvel-lous idea to pay tribute to Stan Lee in the Marvel production logo for this film. Michael Giacchino‘s rousing Marvel anthem leads to a simple title card: “Thanks Stan”. Poignant and touching.
Lee makes another cameo in this film. I wonder how many more of these they have in the can? Will they “do a Princess Leia” in future films and CGI in his cameos? I’m not a great fan of this, but he’s such a staple part of the show that – with his family’s permission of course – I would actually welcome having that happen in this specific case.
The Plot.
The movie opens on the Kree home world of Hala where Vers, a member of Starforce (“a race of noble warrior heroes”), is being put through her paces by her mentor Yon-Rogg (Jude Law). But she is one mixed up lady, having some exceptional powers but no memory of her past. As an example of this, when she communes with the ‘Supreme Intelligence’ (who looks different to everyone) she sees a woman (Annette Bening) who she clearly admires but she has no idea why.
The Kree are at war against the race of terrorist thugs known as the Skrulls. (Their name reminds me of a classic Mitchell and Webb Nazi SS sketch – “We have skulls on our caps…. does that mean we’re the baddies?”). After a Skrull ambush and some judicious brain-delving, Vers surfaces memories that leads her back to the Terran home world and a past that is set to redefine her future.
What’s good.
A lot. I really enjoyed this Marvel outing. With all the nay-sayers, I went in with low expectations, but the story actually built well and Brie Larson makes the role her own. It goes without saying that she looks gorgeous and fills out that costume very nicely! (The zero gravity ‘hair scene’ is spectacular). But she manages to convey with that style superhero grit with an essence of quirky humour running underneath it. In doing so she holds the whole film together.
Also spectacular were the ‘youngified’ Nick Fury (Samuel L Jackson) and Agent Coulson (Clark Gregg). The effect could have been ‘uncanny valley’ with knobs on, but is actually done so well I didn’t even notice. The chemistry between Jackson and Larson is great.
In the strong supporting cast Annette Bening is pure class, and a well-toned Jude Law seems to be having enormous fun. Elsewhere, Ben Mendelsohn (of “Rogue One” fame) is the leader of the Krulls and “Goose” is played by Reggie, Gonzo, Archie and Rizzo! (Flerkin hell!)
The Marvel/DC Laff-ometer.
A key characteristic of the Marvel/DC films is the humour injected (more it has to be said in Marvel than DC), and in terms of the Marvel/DC-laffometer, this film probably lies fairly in the middle of the range. It’s not the snort-fest of Ragnarok or GotG, but neither is it at the po-faced Man of Steel end. Much fun is made of the 1995 setting with gags from Arnie in “True Lies” to computer loading times being well-exploited.
There are also lots of great Marvel in-jokes, not least of which is the story behind Fury losing his eye: hilarious!
What’s not so good.
The problem I have with “Transformers” films is that there is little tension for me in seeing robots hitting ten-bells out of each other. I’ve similarly commented that many superhero movies have the same flaw that (Thanos aside, as things stand) they are pretty much indestructible and there is little threat implied. Captain Marvel however takes this to entirely different levels: the Hulk smash is a mere gnat-bite compared to what Carol Danvers can deliver; storming through planet-busting nuclear weapons and starships without a scratch. It’s so over-the-top that a showdown scene in the finale, although played for a laugh, also becomes laughable in the wrong way.
The film also ladles on female empowerment as if it was gravy in an Australian chip shop! (I bet Theresa May has the film on permanent loop in the Downing Street home cinema). Don’t get me wrong, I am a big supporter of #MeToo (and indeed #SheDo), but the film is a bit too heavy handed in its messaging in this area.
A troop of monkeys.
There are two extra scenes in the end titles (“monkeys“) and they are both corkers. The first bridges directly from “Infinity War” to “Endgame”, picking up (literally) that pager that Nick Fury was no longer able to hang onto; the second a nice sight gag featuring Goose that links the end of this film to the “monkey” at the end of Thor! Well worth waiting for!
Final Thoughts.
This was a Marvel film I really enjoyed, and which I would definitely re-watch. It’s been written and directed by ‘indie’ writing duo Anna Boden and Ryan Fleck (with Geneva Robertson-Dworet also contributing to the screenplay), and very well done it is in my view. Not everyone seems to have liked it: but I did!
On April 25th, the Danvers vs Thanos match is going to be a bout that will be worth buying tickets to see!
Stan Lee tribute.
First off, what a Marvel-lous idea to pay tribute to Stan Lee in the Marvel production logo for this film. Michael Giacchino‘s rousing Marvel anthem leads to a simple title card: “Thanks Stan”. Poignant and touching.
Lee makes another cameo in this film. I wonder how many more of these they have in the can? Will they “do a Princess Leia” in future films and CGI in his cameos? I’m not a great fan of this, but he’s such a staple part of the show that – with his family’s permission of course – I would actually welcome having that happen in this specific case.
The Plot.
The movie opens on the Kree home world of Hala where Vers, a member of Starforce (“a race of noble warrior heroes”), is being put through her paces by her mentor Yon-Rogg (Jude Law). But she is one mixed up lady, having some exceptional powers but no memory of her past. As an example of this, when she communes with the ‘Supreme Intelligence’ (who looks different to everyone) she sees a woman (Annette Bening) who she clearly admires but she has no idea why.
The Kree are at war against the race of terrorist thugs known as the Skrulls. (Their name reminds me of a classic Mitchell and Webb Nazi SS sketch – “We have skulls on our caps…. does that mean we’re the baddies?”). After a Skrull ambush and some judicious brain-delving, Vers surfaces memories that leads her back to the Terran home world and a past that is set to redefine her future.
What’s good.
A lot. I really enjoyed this Marvel outing. With all the nay-sayers, I went in with low expectations, but the story actually built well and Brie Larson makes the role her own. It goes without saying that she looks gorgeous and fills out that costume very nicely! (The zero gravity ‘hair scene’ is spectacular). But she manages to convey with that style superhero grit with an essence of quirky humour running underneath it. In doing so she holds the whole film together.
Also spectacular were the ‘youngified’ Nick Fury (Samuel L Jackson) and Agent Coulson (Clark Gregg). The effect could have been ‘uncanny valley’ with knobs on, but is actually done so well I didn’t even notice. The chemistry between Jackson and Larson is great.
In the strong supporting cast Annette Bening is pure class, and a well-toned Jude Law seems to be having enormous fun. Elsewhere, Ben Mendelsohn (of “Rogue One” fame) is the leader of the Krulls and “Goose” is played by Reggie, Gonzo, Archie and Rizzo! (Flerkin hell!)
The Marvel/DC Laff-ometer.
A key characteristic of the Marvel/DC films is the humour injected (more it has to be said in Marvel than DC), and in terms of the Marvel/DC-laffometer, this film probably lies fairly in the middle of the range. It’s not the snort-fest of Ragnarok or GotG, but neither is it at the po-faced Man of Steel end. Much fun is made of the 1995 setting with gags from Arnie in “True Lies” to computer loading times being well-exploited.
There are also lots of great Marvel in-jokes, not least of which is the story behind Fury losing his eye: hilarious!
What’s not so good.
The problem I have with “Transformers” films is that there is little tension for me in seeing robots hitting ten-bells out of each other. I’ve similarly commented that many superhero movies have the same flaw that (Thanos aside, as things stand) they are pretty much indestructible and there is little threat implied. Captain Marvel however takes this to entirely different levels: the Hulk smash is a mere gnat-bite compared to what Carol Danvers can deliver; storming through planet-busting nuclear weapons and starships without a scratch. It’s so over-the-top that a showdown scene in the finale, although played for a laugh, also becomes laughable in the wrong way.
The film also ladles on female empowerment as if it was gravy in an Australian chip shop! (I bet Theresa May has the film on permanent loop in the Downing Street home cinema). Don’t get me wrong, I am a big supporter of #MeToo (and indeed #SheDo), but the film is a bit too heavy handed in its messaging in this area.
A troop of monkeys.
There are two extra scenes in the end titles (“monkeys“) and they are both corkers. The first bridges directly from “Infinity War” to “Endgame”, picking up (literally) that pager that Nick Fury was no longer able to hang onto; the second a nice sight gag featuring Goose that links the end of this film to the “monkey” at the end of Thor! Well worth waiting for!
Final Thoughts.
This was a Marvel film I really enjoyed, and which I would definitely re-watch. It’s been written and directed by ‘indie’ writing duo Anna Boden and Ryan Fleck (with Geneva Robertson-Dworet also contributing to the screenplay), and very well done it is in my view. Not everyone seems to have liked it: but I did!
On April 25th, the Danvers vs Thanos match is going to be a bout that will be worth buying tickets to see!
BankofMarquis (1832 KP) rated Bird Box (2018) in Movies
Feb 1, 2019
Almost a good movie
One of my favorite films of 2018 is A QUIET PLACE where aliens with extreme hearing can get you if you make a noise. It is a quite interesting and well made film (with a bravura performance by Emily Blunt), so when I heard there was a variant of this theme (this time you can't use your eyes), I decided to check it out and to see if Sandra Bullock could pull off the same sort of bravura performance as Blunt.
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
And, that's too bad, for by comparison the Netflix flick BIRD BOX is no A QUIET PLACE, but if I don't try to compare it to A QUIET PLACE, BIRD BOX is a very entertaining film, indeed.
The story follows Bullock as Malorie a pregnant single woman who holds no "maternal instinct" towards her unborn child. Malorie is devoid of emotion and compassion and is dreading the day that her child will be born. Enter into this an "end of world event" where unseen aliens show up and, if you look at them, you go insane and try to commit suicide. Amidst this chaos, Malorie and a ragtag assortment of survivors find shelter in the house of Douglas (John Malkovich). Can this disparate group of strangers find a way to survive in this insane new world?
Well...the fun in this kind of movie is in the characters trapped together and the "10 Little Indians" style of demise as the house guests are picked off one by one by the aliens (or each other). It is the drama of these trapped individuals, and the surprise and the ingenuity of how they are killed off that makes or breaks these types of films.
And in this way, this film succeeds very well for besides Bullock and Malkovich, the housemates are filled with (for the most part) a strong grouping of actors led, most notably, by Trevante Rhodes (MOONLIGHT) and Jacki Weaver (ANIMAL KINGDOM). They are strong presences in this household and are interesting to watch. Good ol' B.D. Wong (JURASSIC PARK among many, many credits) brings his usual, solid game and Lil Rey Howery (GET OUT) brings much needed energy and humor to the proceedings. Add to this the usual, creepy Tom Hollander (IN THE LOOP) as a mysterious houseguest who is...creepy...and there is enough going on to keep my interest.
Add to this the always intriguing work of Malkovich as the paranoid, "me first" homeowner and Bullock underplaying her emotions as a counterbalance to Malkovich overplaying his emotions and the scenes in the house were interesting and (at times) gripping.
The problem I have with this film is that it inter cuts these scenes with scenes of Bullock (and a few other survivors from the house) "5 years later" - so, you already know who makes it and who doesn't - which takes away the tension of the house scenes. It also has an ending that, quite frankly, I saw coming a mile off and so it was not a satisfying conclusion to the proceedings for the ending was uneventful and unsurprising. A poor way to end this sort of film.
Don't get me wrong, the scenes in the house of the initial group of survivors is well worth viewing this film, I just wish Director Susanne Bier (THE NIGHT MANAGER) didn't dilute these scenes by bringing us forward in time too soon. I wonder how much better this film could have been had we just watched the events of the film (including all of the "5 years later scenes") in chronological order, I gotta think it would have been a better film.
This is, by every definition of the term, a "B" film, perfect for a snow, rain or cold-bound afternoon at home.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(ofMarquis)
Sign Off, a murder mystery by Patricia McLinn, is a marvelous book about a woman named Elizabeth who works for a news station when a little girl asks her to look into a murder case that has been unsolved. At first Elizabeth wasn’t sure if she could solve it, but as she looks at the news from the case, she finds herself curious about all parties involved and begins asking questions. Along the way, she start to find herself after having had a rough past that left her in a small town, as well as finding someone who might be interested in her. With her small team of colleagues, they all work to try to solve the case and find out what really happened.
At first, I was worried the book would leave out details about the main character that could help fill in her background, but upon reading further I was pleasantly surprised with hoe they would tie in the information that was left out in the beginning, using the case to help introduce the said information. I enjoy the suspense and the way the book was written so that you were trying to solve the murder mystery alongside Elizabeth and Mike. The details McLinn used to describe different scenes and things in the book was chilling to think about. Even though it would be accurate in the way she was suing them, it still makes me shiver at the thought of such descriptions used.
I enjoyed the different characters and their personalities which made you want to suspect someone over another person and even take notes mentally in hopes to figure it out before the murderer was revealed. Though, your thoughts may be wrong. I also enjoyed the underlying tone of romance in the brewing. It made it so that it was realistic and made it able to give reasons for Mike to want to spend time with Elizabeth other than helping solve the case. I would have loved to see that develop more, but was pleasantly surprised with everything that was said about such a development between the characters and seeing them be mature about it.
Though they were mature about most things, it was clear not everything earned such merit. While the characters seemed to be able to handle themselves, you couldn’t help but wonder why in some instances where they so brave and in others seemed slightly cowardly or lost for words. There were also a few things that had confused me on the approach the characters took to certain problems but wasn’t like confused in the way that left you unhappy, but more like “why would they do that instead of this”? While I believe even though the characters made some slight error in my own opinion of what should be done, I found that these small errors made the story feel more well-rounded, unlike some story-lines that can make their characters seem like a god in their area of expertise. I quite enjoyed the reality feel for this murder mystery.
Sign Off was a real page turned that kept me wanting more, and even though it is book one of the Caught Dead in Wyoming series, I will have to say I was pleasantly surprised that it could easily stand alone. I will be looking forward to the rest of the series, as there are currently seven books in total. Patricia McLinn has given us a fabulous product that can satisfy just about any need you may have. It you want action, mystery, suspense, and a tad bit of romance mixed in with some comedy, this is a book for you. I would rate this book 4 star out of 4 stars. It was just a truly amazing tale that kept me wanting more.
At first, I was worried the book would leave out details about the main character that could help fill in her background, but upon reading further I was pleasantly surprised with hoe they would tie in the information that was left out in the beginning, using the case to help introduce the said information. I enjoy the suspense and the way the book was written so that you were trying to solve the murder mystery alongside Elizabeth and Mike. The details McLinn used to describe different scenes and things in the book was chilling to think about. Even though it would be accurate in the way she was suing them, it still makes me shiver at the thought of such descriptions used.
I enjoyed the different characters and their personalities which made you want to suspect someone over another person and even take notes mentally in hopes to figure it out before the murderer was revealed. Though, your thoughts may be wrong. I also enjoyed the underlying tone of romance in the brewing. It made it so that it was realistic and made it able to give reasons for Mike to want to spend time with Elizabeth other than helping solve the case. I would have loved to see that develop more, but was pleasantly surprised with everything that was said about such a development between the characters and seeing them be mature about it.
Though they were mature about most things, it was clear not everything earned such merit. While the characters seemed to be able to handle themselves, you couldn’t help but wonder why in some instances where they so brave and in others seemed slightly cowardly or lost for words. There were also a few things that had confused me on the approach the characters took to certain problems but wasn’t like confused in the way that left you unhappy, but more like “why would they do that instead of this”? While I believe even though the characters made some slight error in my own opinion of what should be done, I found that these small errors made the story feel more well-rounded, unlike some story-lines that can make their characters seem like a god in their area of expertise. I quite enjoyed the reality feel for this murder mystery.
Sign Off was a real page turned that kept me wanting more, and even though it is book one of the Caught Dead in Wyoming series, I will have to say I was pleasantly surprised that it could easily stand alone. I will be looking forward to the rest of the series, as there are currently seven books in total. Patricia McLinn has given us a fabulous product that can satisfy just about any need you may have. It you want action, mystery, suspense, and a tad bit of romance mixed in with some comedy, this is a book for you. I would rate this book 4 star out of 4 stars. It was just a truly amazing tale that kept me wanting more.
Ryan Hill (152 KP) rated Justice League (2017) in Movies
May 27, 2019
"They said the age of heroes would never come again."
As a huge fan of Zack Snyder's first two efforts inside the DCEU and Patty Jenkins wonderful Wonder Woman, my expectations for Justice League were pretty much through the roof. After the mediocre buzz that it got and all the stuff that happened behind the scenes, I was a little skeptical but still very excited, but after getting out of the theater, one word really just describes how I felt; disappointed.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
Kristy H (1252 KP) rated The Perfect Stranger in Books
Feb 1, 2018
Leah Stevens needs to get away from Boston. Due to an article she published, her job as a journalist is over thanks to fears of a lawsuit coupled with an in-place restraining order. So when she comes across her old friend Emmy in a bar, the timing seems perfect. Emmy is coming out a bad relationship and she suggests the pair--once former roommates--move to rural Pennsylvania and start over. Leah gets a teaching position at the nearby school, and Emmy picks up a series of odd jobs. But their fresh start is jeopardized when a local woman, with a startling likeness to Leah, is attacked. Then Emmy vanishes, and Leah really starts to worry. Leah works with the local police, but quickly fears she may be under suspicion as well, as it rapidly becomes clear that Leah didn't know Emmy well at all. In fact, Leah is starting to wonder: did Emmy even exist?
This is Miranda's follow-on to [b:All the Missing Girls|23212667|All the Missing Girls|Megan Miranda|http://images.gr-assets.com/books/1452098621s/23212667.jpg|42755300], and I actually found myself liking THE PERFECT STRANGER even more. While GIRLS hooked you with its backward narrative shtick, STRANGER pulls you immediately with the strength of its story, and it never lets go. Everything in the novel is complicated and interrelated, it seems, and you're constantly digesting details and facts and trying to put these intricately interwoven pieces together, just as Leah is. Because she has a past as a reporter, she's great at digging through facts, but you also can't trust her as a narrator, and it puts you--the reader--in quite a bind. What is true? Who is real? It was a frustrating (in a good way) dilemma, and I loved it.
The novel gets progressively creepier as it unfolds: to the point that I found myself checking the curtains when I was up late at night (frantically reading the book, of course!). I kept wondering what on earth was going on and how everything could possibly fit together. At one point, there was a great plot twist that I totally didn't see coming. I love when that happens! The book kept me puzzling right up until the end. It's really quite spellbinding.
It reminded me a bit of a [a:Mary Kubica|7392948|Mary Kubica|http://images.gr-assets.com/authors/1447464986p2/7392948.jpg] novel; you really do start to doubt if Emmy exists. As mentioned, Leah is a very unreliable narrator in many ways. She brings her reporter instincts to this small town (despite trying to escape that part of her past), and it's truly fascinating watching her try to unravel the story. Her searches become really exciting, even if you don't completely trust her or know if you can believe her.
Everything ties together really well. The only downside for me was that the ending was a bit anticlimactic, but the "aha" moments when everything fits together are amazing. It's a really intricate and well-plotted novel. I stayed up late to finish it because I could not go to bed without knowing what had happened. I was more excited about finishing this book than Duke's defeat in the NCAA tournament - that should say a lot. :)
Overall, a very exciting and interesting (and often spooky!) thriller. Definitely recommend.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 04/11/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
This is Miranda's follow-on to [b:All the Missing Girls|23212667|All the Missing Girls|Megan Miranda|http://images.gr-assets.com/books/1452098621s/23212667.jpg|42755300], and I actually found myself liking THE PERFECT STRANGER even more. While GIRLS hooked you with its backward narrative shtick, STRANGER pulls you immediately with the strength of its story, and it never lets go. Everything in the novel is complicated and interrelated, it seems, and you're constantly digesting details and facts and trying to put these intricately interwoven pieces together, just as Leah is. Because she has a past as a reporter, she's great at digging through facts, but you also can't trust her as a narrator, and it puts you--the reader--in quite a bind. What is true? Who is real? It was a frustrating (in a good way) dilemma, and I loved it.
The novel gets progressively creepier as it unfolds: to the point that I found myself checking the curtains when I was up late at night (frantically reading the book, of course!). I kept wondering what on earth was going on and how everything could possibly fit together. At one point, there was a great plot twist that I totally didn't see coming. I love when that happens! The book kept me puzzling right up until the end. It's really quite spellbinding.
It reminded me a bit of a [a:Mary Kubica|7392948|Mary Kubica|http://images.gr-assets.com/authors/1447464986p2/7392948.jpg] novel; you really do start to doubt if Emmy exists. As mentioned, Leah is a very unreliable narrator in many ways. She brings her reporter instincts to this small town (despite trying to escape that part of her past), and it's truly fascinating watching her try to unravel the story. Her searches become really exciting, even if you don't completely trust her or know if you can believe her.
Everything ties together really well. The only downside for me was that the ending was a bit anticlimactic, but the "aha" moments when everything fits together are amazing. It's a really intricate and well-plotted novel. I stayed up late to finish it because I could not go to bed without knowing what had happened. I was more excited about finishing this book than Duke's defeat in the NCAA tournament - that should say a lot. :)
Overall, a very exciting and interesting (and often spooky!) thriller. Definitely recommend.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 04/11/2017.
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Emma @ The Movies (1786 KP) rated Long Shot (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Fred Flarksy is a controversial journalist who likes to uncover the evil and corrupt in the world, when his paper is brought by a company that they themselves have uncovered as the "bad guy" he quits on the spot. Lance, his best friend, knows exactly what he needs to feel better, drink, steak, and a fundraiser with Boyz II Men.
It's fair to say that Fred didn't expect leaving his job to lead him to a chance reunion and such a wild ride.
It's fair to say that I wasn't too sure what this one was going to be like. I've never been a massive fan of Seth Rogen, a lot of his roles seem pointlessly crude. I don't mind that particularly, but too much of it just isn't my cup of tea. The line-up of him and Theron seemed a little mad, and a bit off balance, but the trailers looked like they had something to them so I was willing to have my mind changed... and oh boy did I change my mind.
At this point I've seen the movie twice and it really is great fun, and surprisingly heartwarming.
The odd headlining duo actually work wonderfully together, they bounce off each other so well throughout and that chemistry has shot this up into my favourite rom-coms.
Seth Rogen seems to have a knack for the outraged outbursts in films and we get a few of those at the beginning of the film. We quickly see Fred become a loveable character when he first sees Charlotte across the room at the fundraiser. He's sweet, he's vulnerable and he's funny. That's when you really start rooting for him.
Had you asked me to sum up Charlize Theron's previous acting roles I'd have said they were all of the dramatic and action persuasion, and mostly they are, I'd completely forgotten things like Gringo and A Million Ways To Die In The West. I hope we'll see more of her doing this sort of comedy, she's obviously well suited for it.
It's not just the lead roles though, the support cast are brilliant. June Diane Raphael as Charlotte's right-hand woman was so snippy with Fred to great effect, and O'Shea Jackson Jr. as Lance was the sort of supportive friend we all need. The highlight though was Tristan D. Lalla as secret service Agent M, he takes adorable to a whole new level.
My only negative on the casting was Alexander Skarsgård, but that's not because of his acting, it's because of what they did to him... that slurping, that laugh... why would you do that?! Why!!? After the wonder of him in The Aftermath this has ruined the image of him for me.
Long Shot's plot is entirely predictable. Two people are reunited after years, they catch feelings, something gets in the way, they split up, then they get back together. The fact you know where it's leading just means that you can sit back and enjoy it more. I was expecting the funny, but I really wasn't expecting to cry... yes, I know I'm a wreck. There are some surprisingly touching moments involved and the way they brought the film together at the end was perfect.
This probably deserves 5 stars, and I would give it that extra half star in a heartbeat if it wasn't for the Skarsgård thing and the fact that there's no way I could watch this with my parents even though I know dad would find it hilarious.
What you should do
It's definitely one to see, it doesn't need the big screen but you certainly won't be wasting your money if you went and saw it at the cinema.
It's fair to say that Fred didn't expect leaving his job to lead him to a chance reunion and such a wild ride.
It's fair to say that I wasn't too sure what this one was going to be like. I've never been a massive fan of Seth Rogen, a lot of his roles seem pointlessly crude. I don't mind that particularly, but too much of it just isn't my cup of tea. The line-up of him and Theron seemed a little mad, and a bit off balance, but the trailers looked like they had something to them so I was willing to have my mind changed... and oh boy did I change my mind.
At this point I've seen the movie twice and it really is great fun, and surprisingly heartwarming.
The odd headlining duo actually work wonderfully together, they bounce off each other so well throughout and that chemistry has shot this up into my favourite rom-coms.
Seth Rogen seems to have a knack for the outraged outbursts in films and we get a few of those at the beginning of the film. We quickly see Fred become a loveable character when he first sees Charlotte across the room at the fundraiser. He's sweet, he's vulnerable and he's funny. That's when you really start rooting for him.
Had you asked me to sum up Charlize Theron's previous acting roles I'd have said they were all of the dramatic and action persuasion, and mostly they are, I'd completely forgotten things like Gringo and A Million Ways To Die In The West. I hope we'll see more of her doing this sort of comedy, she's obviously well suited for it.
It's not just the lead roles though, the support cast are brilliant. June Diane Raphael as Charlotte's right-hand woman was so snippy with Fred to great effect, and O'Shea Jackson Jr. as Lance was the sort of supportive friend we all need. The highlight though was Tristan D. Lalla as secret service Agent M, he takes adorable to a whole new level.
My only negative on the casting was Alexander Skarsgård, but that's not because of his acting, it's because of what they did to him... that slurping, that laugh... why would you do that?! Why!!? After the wonder of him in The Aftermath this has ruined the image of him for me.
Long Shot's plot is entirely predictable. Two people are reunited after years, they catch feelings, something gets in the way, they split up, then they get back together. The fact you know where it's leading just means that you can sit back and enjoy it more. I was expecting the funny, but I really wasn't expecting to cry... yes, I know I'm a wreck. There are some surprisingly touching moments involved and the way they brought the film together at the end was perfect.
This probably deserves 5 stars, and I would give it that extra half star in a heartbeat if it wasn't for the Skarsgård thing and the fact that there's no way I could watch this with my parents even though I know dad would find it hilarious.
What you should do
It's definitely one to see, it doesn't need the big screen but you certainly won't be wasting your money if you went and saw it at the cinema.
Ryan Hill (152 KP) rated Shazam! (2019) in Movies
Jun 22, 2019
"i'd like to purchase some of your finest beer please"
Shout "Shazam!" into the sky and you're struck by a bolt of lightning from the heavens; blessed with the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury. Instantly elevated from whatever you were into your peak self; reborn with a crack of thunder, a flash of light and a cloud of smoke. It's a wonderfully novel and simple idea for a comic book character. Something that allows for a spectacular hero moment right before each conflict or feat; an epic bit of imagery to light up the night sky and electrify the frame. This transformation also perfectly captures the spirit of both this film and it's hero; a belief in the idea that even the most forgotten, marginalized and seemingly powerless person can change the world.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Heather Cranmer (2721 KP) rated Recursion in Books
Jul 15, 2019
I want to start this review by saying that science fiction isn't my usual genre that I love to read. However, I loved Dark Matter by Blake Crouch, so I decided that I'd give Recursion by Blake Crouch a read since the synopsis intrigued me. I was absolutely blown away by Recursion!
Helena, a nueroscientist is working on a chair to help people with memory loss like her mother who suffers from Alzheimer's. She has it almost all figured out, but she lacks the funding to make her dream a reality. Funding comes in the form of Marcus Slade. Together, Slade and Helena work together to create a chair that can send people back in the past and change memories. However, when people start suffering from False Memory Syndrome due to the changing of memories, Helena wants to stop. Slade won't allow it. Together with Barry, who was forced to have his memories changed, Helena will stop at nothing to stop her memory chair from being used for bad, even if it means dying again and again.
I'm not a very scientific person. (In fact, science and math were my worse subjects in school.) This book does use a lot of scientific jargon that went way over my head at times, yet I was still very intrigued. There are enough context clues to figure out what's going on without all the scientific speak. I felt the plot was solid for Recursion, and scarily enough, I could actually picture this becoming a reality in the not too distant future. Blake Crouch has a knack for writing books that seem so lifelike and in the moment. There is plenty of action in Recursion, and there's also enough mystery to make the reader wonder what is going to happen next. Due to being able to go back to different memories and plotting different outcomes, Recursion is full of little plot twists. There's no cliff hangers in this book, and all my questions were answered by the last page.
The characters in Recursion were so very lifelike! Barry reminded me at first of a dad who loved his family, especially his daughter, very much. He seems like a down to Earth guy and just very well rounded. I admired tenacity to always want to make things right. I also loved Helena's character. I loved how she was willing to do whatever it took, including death and extreme pain, to try to make things right. Helena was an extremely intelligent woman, but she wasn't conceited about it. I felt like Slade's heart was in the right place, but greed took over. I felt like Slade was the perfect antagonist, and his personality reminded me of many people in power and those with a lot of money. I enjoyed reading about each character's story in each memory. I found that to be extremely interesting.
The pacing for Recursion was perfect. This book held my attention from the very first page until the very last word in the book. Not once did I ever become bored or lost while reading this book. I was hooked from the get-go, and I couldn't wait to read more of Recursion every time I was interrupted.
Trigger warnings for Recursion include profanity, mentions of drug use, alcohol use, profanity, sexual references (non graphic), death, violence, some gore, and murder.
Overall, Recursion is quite the read! It's got a thrilling plot and memorable characters throughout! I would love to see this book made into a movie. I think it would do very well! I would definitely recommend Recursion by Blake Crouch to anyone looking for a book that will keep them hooked from the beginning. Regardless of if you're a science fiction fan or not, Recursion is the kind of book that will please any reader.
Helena, a nueroscientist is working on a chair to help people with memory loss like her mother who suffers from Alzheimer's. She has it almost all figured out, but she lacks the funding to make her dream a reality. Funding comes in the form of Marcus Slade. Together, Slade and Helena work together to create a chair that can send people back in the past and change memories. However, when people start suffering from False Memory Syndrome due to the changing of memories, Helena wants to stop. Slade won't allow it. Together with Barry, who was forced to have his memories changed, Helena will stop at nothing to stop her memory chair from being used for bad, even if it means dying again and again.
I'm not a very scientific person. (In fact, science and math were my worse subjects in school.) This book does use a lot of scientific jargon that went way over my head at times, yet I was still very intrigued. There are enough context clues to figure out what's going on without all the scientific speak. I felt the plot was solid for Recursion, and scarily enough, I could actually picture this becoming a reality in the not too distant future. Blake Crouch has a knack for writing books that seem so lifelike and in the moment. There is plenty of action in Recursion, and there's also enough mystery to make the reader wonder what is going to happen next. Due to being able to go back to different memories and plotting different outcomes, Recursion is full of little plot twists. There's no cliff hangers in this book, and all my questions were answered by the last page.
The characters in Recursion were so very lifelike! Barry reminded me at first of a dad who loved his family, especially his daughter, very much. He seems like a down to Earth guy and just very well rounded. I admired tenacity to always want to make things right. I also loved Helena's character. I loved how she was willing to do whatever it took, including death and extreme pain, to try to make things right. Helena was an extremely intelligent woman, but she wasn't conceited about it. I felt like Slade's heart was in the right place, but greed took over. I felt like Slade was the perfect antagonist, and his personality reminded me of many people in power and those with a lot of money. I enjoyed reading about each character's story in each memory. I found that to be extremely interesting.
The pacing for Recursion was perfect. This book held my attention from the very first page until the very last word in the book. Not once did I ever become bored or lost while reading this book. I was hooked from the get-go, and I couldn't wait to read more of Recursion every time I was interrupted.
Trigger warnings for Recursion include profanity, mentions of drug use, alcohol use, profanity, sexual references (non graphic), death, violence, some gore, and murder.
Overall, Recursion is quite the read! It's got a thrilling plot and memorable characters throughout! I would love to see this book made into a movie. I think it would do very well! I would definitely recommend Recursion by Blake Crouch to anyone looking for a book that will keep them hooked from the beginning. Regardless of if you're a science fiction fan or not, Recursion is the kind of book that will please any reader.
LeftSideCut (3776 KP) rated Zack Snyder's Justice League (2021) in Movies
Mar 18, 2021 (Updated Mar 19, 2021)
Contains spoilers, click to show
First of all, it's a damn miracle that this even exists at all. A once mythical cut that just seemed like a fabricated idea from Snyder fans who couldn't quite except that Justice League (2017) was awful. It's no secret that the theatrical cut was riddled with issues, and of course, personal tragedy, that resulted in a messy final product. This extended cut aimed to restore Snyder's original vision, and right the wrongs of what came before, and it mostly succeeds.
I still believe that the DCEU should have invested in solo movies for all it's big players before tackling a huge event like this, but there comes a time where I have to accept that that isn't what happened, so I watched this with that in mind, and left my bitterness at the door.
Zack Snyder's Justice League is undeniably a far superior, and vastly different beast to its predecessor. The 4 hour+ runtime gives the narrative plenty of breathing space, and allows the audience to connect with these characters properly. The biggest benefactor of this is Cyborg. A character that was more or less tossed to the side before, is given so much backstory, that he is now an integral part of the films emotional core. The Flash is another character that hugely benefits. Whereas before he was relegated to comedy relief and almost useless in the grand scheme of things, here, he's a young man who grows throughout the story from a joker, into an instrumental part of saving the world. The balance between all of these characters is well done actually - Batman doesn't feel like a waste, Wonder Woman is back to being a raging badass instead of moping over Steve Trevor - All of the League members feel important, and each bring their own strengths. They are portrayed as an effective team.
Main antagonist Steppenwolf is much better realised. He visually looks a hundred times better than whatever the fuck we got back in 2017, and he feels like an actual threat. His evil scheme makes sense this time around whereas before it was an ill explained mess. It feels like the stakes are high.
The set pieces we get are pretty spectacular. The new stuff is a treat to watch, and the familiar stuff has been reworked so well. The action heavy scenes involving Steppenwolf in Themyscira, and when the League first take him on below Striker Island are absolutely thrilling. In the original cut, I'd argue that the scene immediately following Superman's revival was the most exciting in terms of action, but here, it's probably the most lackluster in comparison. It's spaced out nicely, and the screenplay is incredibly engaging. The humour is seldom but funny when it happens, and the more emotional moments are well executed. All of this combined results in a story that never feels like a drag. The four hours flew by pretty quickly, and it's all complimented by a wonderful music score.
In terms of wider DC material, there's a whole wealth of stuff for comic fans to enjoy - Darkseid using his angular beams, the introduction of Ryan Choi aka The Atom, Martian Manhunter, and the extended Knightmare sequence where Batman and The Joker converse about events that have happened in the past. All good stuff that makes the DCEU finally feel like a connected narrative.
Overall, Zack Snyder's Justice League does a pretty damn good job at delivering an event movie that is bittersweet. It's great to see Snyder's original vision realised (although I can understand how it may not have resonated with a wider audience - it's most definitely a movie for fans of DC comics), but it's all a setup for a sequel that will probably never happen, which is a great shame. This is what happens when studios stick their ore in too much!
Final note - it makes me really happy that Alfred addresses Superman as 'Master Kent'.
I still believe that the DCEU should have invested in solo movies for all it's big players before tackling a huge event like this, but there comes a time where I have to accept that that isn't what happened, so I watched this with that in mind, and left my bitterness at the door.
Zack Snyder's Justice League is undeniably a far superior, and vastly different beast to its predecessor. The 4 hour+ runtime gives the narrative plenty of breathing space, and allows the audience to connect with these characters properly. The biggest benefactor of this is Cyborg. A character that was more or less tossed to the side before, is given so much backstory, that he is now an integral part of the films emotional core. The Flash is another character that hugely benefits. Whereas before he was relegated to comedy relief and almost useless in the grand scheme of things, here, he's a young man who grows throughout the story from a joker, into an instrumental part of saving the world. The balance between all of these characters is well done actually - Batman doesn't feel like a waste, Wonder Woman is back to being a raging badass instead of moping over Steve Trevor - All of the League members feel important, and each bring their own strengths. They are portrayed as an effective team.
Main antagonist Steppenwolf is much better realised. He visually looks a hundred times better than whatever the fuck we got back in 2017, and he feels like an actual threat. His evil scheme makes sense this time around whereas before it was an ill explained mess. It feels like the stakes are high.
The set pieces we get are pretty spectacular. The new stuff is a treat to watch, and the familiar stuff has been reworked so well. The action heavy scenes involving Steppenwolf in Themyscira, and when the League first take him on below Striker Island are absolutely thrilling. In the original cut, I'd argue that the scene immediately following Superman's revival was the most exciting in terms of action, but here, it's probably the most lackluster in comparison. It's spaced out nicely, and the screenplay is incredibly engaging. The humour is seldom but funny when it happens, and the more emotional moments are well executed. All of this combined results in a story that never feels like a drag. The four hours flew by pretty quickly, and it's all complimented by a wonderful music score.
In terms of wider DC material, there's a whole wealth of stuff for comic fans to enjoy - Darkseid using his angular beams, the introduction of Ryan Choi aka The Atom, Martian Manhunter, and the extended Knightmare sequence where Batman and The Joker converse about events that have happened in the past. All good stuff that makes the DCEU finally feel like a connected narrative.
Overall, Zack Snyder's Justice League does a pretty damn good job at delivering an event movie that is bittersweet. It's great to see Snyder's original vision realised (although I can understand how it may not have resonated with a wider audience - it's most definitely a movie for fans of DC comics), but it's all a setup for a sequel that will probably never happen, which is a great shame. This is what happens when studios stick their ore in too much!
Final note - it makes me really happy that Alfred addresses Superman as 'Master Kent'.
Emma @ The Movies (1786 KP) rated Zack Snyder's Justice League (2021) in Movies
Apr 2, 2021
Contains spoilers, click to show
The Snyder Cut sets up so much for future Justice League adventures, and those things would have been good... but the film absolutely didn't need to be this long to still do that, some of the scenes were so drawn out that it became painful. (I like Jason Momoa getting hit with buckets of water as much as the next person, but even I didn't need that full scene of him standing on the dock in the waves. At one point I wondered if they'd shot extra footage for an aftershave commercial.)
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html