"Jean Pierre-Melville was the undisputed master of the French crime drama. Here he turns his gaze on the French Resistance during World War II (of which he himself was a member) in an entirely unsentimental, unflinching portrait. It not only de-romanticizes the movement with its rigorous and austere account of the day-to-day operations in this gray world, it also indicts it. For all the good the Resistance did, its members were only human: prone to betrayal and petty revenge. The movie is so specific in its regard of the loneliness and fear of these operatives, whose everyday lives alternate between boredom and peril. Unreleased in this country for thirty-seven years, the film was an absolute revelation to me when I saw it upon its release in 2006. Already a major fan of Melville’s crime films, I loved how this one both expands and distills his unique technical skills and his ability to tap into his characters’ emotional states. What emerges is something both complex in design and deeply personal. Casablanca it is not. Melville shows us the inner workings of something so intricate and important while also asking us whether the ends truly justify the means."

"This adaptation of the D. H. Lawrence novel examines the relationships between two sisters and their respective romantic partners in post–World War I England. Ken Russell does a fascinating job of exploring themes of jealousy, lust, homosexuality, fidelity, and social class in a challenging and often pointed way. He turns the notion of virtuous love on its head and, in true Russell fashion, throttles the characters and the audience, unflinchingly asking them the deeper questions that we typically dare not even ask ourselves. There are breathtaking locations, arresting cinematography, and a wrestling scene that makes Viggo Mortensen’s nude knife fight in Eastern Promises look tame. As with all Ken Russell movies, be prepared to have this one on your mind for a while after the credits have rolled."