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Daughter of Smoke & Bone (Book 1)
By Laini Taylor
⭐️⭐️⭐️⭐️⭐️
Reread

Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil's supply of human teeth grown dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherwordly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she's prone to disappearing on mysterious "errands"; she speaks many languages--not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she's about to find out.

When one of the strangers--beautiful, haunted Akiva--fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?

When you start a book and realise you have already read it but continue because it was so good! Well this was better the second time round. All the emotions came flooding back and I love that a book can have that effect on you. Rereading Karou and Akivas story was just as enjoyable as the first time the world building and story is just beautiful. I really like this authors style.
  
A Blade So Black
A Blade So Black
L.L. McKinney | 2018 | Young Adult (YA)
9
5.5 (2 Ratings)
Book Rating
I've seen the point brought up that so many fantasy protagonists have really neglectful parents. Who lets their kid be gone for an unknown amount of time doing something "important" that their kid refuses to tell them about because it's a "secret"? This book makes a point of how NOT neglectful Alice's mother is. The blurb calls her overprotective, but really it's just normal protective. Alice's mom just wants to know her daughter hasn't been shot by the police when she's gone for 24 hours and not answering her phone, that seems normal to me! I actually enjoyed how that was different than a lot of fantasy YA, even if it's really a small sideplot.

In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.

About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.

A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!

You can read all my reviews at http://goddessinthestacks.com
  
Blade Runner Soundtrack by Vangelis
Blade Runner Soundtrack by Vangelis
1994 | Rock
(0 Ratings)
Album Favorite

"I went to see Blade Runner when it came out in the cinema; for me it was the perfect melding of sound and vision and a kind of dystopian future that seemed quite compelling. Almost a place you'd like to live in, because of the idea of replicants and who is human, and WHAT is human? Also, the beauty of Harrison Ford. Him and - whatsername - Sean Young, she was styled to perfection. Ridley Scott, although he reckoned it was a torturous film to make - the budget got cut and all kinds of jiggery pokery went on backstage - the one enduring thing, for me, is the soundtrack. Bizarrely, the soundtrack album didn't come out until years and years and years afterwards [1994], but you could get the film on VHS and everything. In 1990, I got summoned to work with Vangelis in Paris, and we wrote the title track on my album. One of the first things I asked was, ""Can I have a copy of the soundtrack?"" We recorded 'Europa' in Studio Omega on the edge of the Bois de Boulogne, which was originally earmarked for Hitler's occupation should things go pear-shaped during the Second World War. The Bois de Boulogne is where all the transvestites and transsexuals would come out at night. It was quite an atmospheric place to work. At the end of the weekend they gave me a tape of the track we'd recorded, and a metal cassette of the Blade Runner soundtrack that I've still got today. It's a real treasured item. I remember reading And Suddenly There Came A Bang!, where it talks about Blade Runner, Harrison Ford and also Mel Gibson in Mad Max 2, and I remember seeing it soon after and thinking, ""Oooh. Yes."" That was mindblowing. It was kind of a blueprint for the early look of Frankie for me. That whole cyberpunk and S&M... The baddies were more attractive than the goodies, obviously, and Max himself was somewhere in between the both, neither good nor bad - just out for himself. Another soundtrack I think needs mentioning is Midnight Express by Giorgio Moroder. which is also on a par, I think. Although it's more disco - especially 'Chase' - Vangelis and Moroder to me were icons of electronic music in the '70s and '80s. Although I think Vangelis had the edge with atmosphere."

Source
  
Pan's Labyrinth (2006)
Pan's Labyrinth (2006)
2006 | Fantasy
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.

Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.

Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.

Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
  
W(
Wither (The Chemical Garden, #1)
10
7.3 (9 Ratings)
Book Rating
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.