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Lee (2222 KP) rated Welcome to Marwen (2018) in Movies
Jan 11, 2019
Steve Carell (1 more)
Leslie Mann
This year, I made a resolution to try not to let critic reviews heavily influence my decision to go see a movie or not. In the period between Christmas and New year, I'd booked to go see Holmes and Watson, but when the very bad reviews for it started coming it, I decided to cancel, opting to continue lazing on the sofa with food, drink and Netflix instead. That particular choice I don't regret, but I feel there have been many occasions over the last year where I've either hated a movie the critics loved, or loved a movie the critics were negative about. Time to try and change that.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
I almost did miss out on seeing Welcome to Marwen though, due to the large number of mediocre reviews I read. In fact, it doesn't seem to have appealed to the general public enough to keep it in the cinemas for very long at all. Having only opened here in the UK on New year's Day, the screening I went to last night was actually the last screening being shown at that particular cinema, and I was one of only a handful of people there watching it. What prompted me earlier this week to give it a go though was after listening to director Robert Zemeckis talk passionately about it, along with his other movies. It was a gentle reminder that this guy is responsible for so many of my favourite movies, and I decided to give it a shot. While I'm glad I did, and overall I enjoyed it a lot, I can certainly appreciate where some of the criticism is coming from.
Welcome to Marwen is based on the true story of Mark Hogancamp, and the 2010 documentary on his life title 'Marwencol'. Mark (played in the movie by Steve Carell) suffered a severe beating at the hands of a bunch of thugs following an altercation in a bar regarding his lifestyle choice of being a cross dresser. After nine days in a coma, the beating understandably left him traumatised, but it also left him without any memory his life prior to the attack - once a talented war illustrator, he now can't even write his own name. But Mark remained an artist, building a miniature World War II Belgian town called Marwen outside his home and populating it with dolls. Using them he creates scenes and a story which he then photographs, helping him to express and deal with his lack of memory, the pain and trauma he now experiences, and the relationships with the people around him. Captain Hogie is a fighter pilot, an Action Man/GI Joe figure representing Mark. The residents of Marwen are all women, alter egos of various people who have helped him in the past or continue to help him. The toyshop worker who supplies him with the dolls, a friend he met during rehab, a co-worker, his carer and the woman who came to his aid following his beating. The town is also terrorised regularly by a bunch of Nazis, representing the men responsible for attacking him. And whenever the Nazis are beaten and killed, they are brought back to life by a Belgian witch! When a woman called Nicol (Leslie Mann) moves in across the street, she strikes up a wonderful friendship with Mark, earning her own doll in the town of Marwen where she strikes up a relationship with Captain Hogie. As the movie progresses, Mark has to deal with the pending sentencing of his attackers and the anxiety surrounding an upcoming exhibition showcasing his photographs. Marwen, and its inhabitants, help him to work through all of this.
The scenes and stories in Marwen that Mark is creating and imagining are brought to life in the movie using impressive motion capture CGI which, if you've seen the trailer or any clips of the movie, will know looks incredible. When you think about the animation Zemeckis and his team were producing for The Polar Express back in 2004, through Beowulf and Disney's The Christmas Carol to where we are now with this movie, it's simply amazing how far we've come. Perfect recreations of the movie characters in doll form, moving and interacting with the real surroundings and the CGI is just faultless. But for the earlier parts of the movie, this aspect of the movie for me was for a while the most frustrating and dull. The movie opens with a big scene as Captain Hogie crashes his plane, comes across a group of Nazis before being rescued by the girls of Marwen and we get a few more of these lengthy sequences early on, with only short glimpses of Mark and his life inbetween. I found myself become interested and engrossed in the life of Mark, wanting to learn more, only to be snapped out of it by a not so interesting scene involving some dolls. Thankfully, the length of those scenes reduces over time, and as you begin to empathise more with Mark and his life, you start to appreciate more the reasons why a certain scene is playing out the way it is. At that point, I began to really appreciate and enjoy them a lot more.
My only issue overall with this movie is that I wouldn't really know the age range to pitch it at, and that's possibly why it doesn't appear to have done so well with audiences. You've got the fun elements involving the dolls and the CGI, but then some of these scenes do involve a fair bit of violence which actually appears quite realistic at times. Then you've got the trauma and the flashbacks involving the beating - the movie doesn't go as dark as it could, or maybe should have done with that subject matter, but I certainly wouldn't say this is a fun movie for all the family to enjoy. Which is a shame really because I did enjoy this a lot. Steve Carell does an outstanding job, and Leslie Mann is just wonderful as always. It's opened my eyes to some of the consequences of brain injury and made me want to learn more about Mark Hogancamp, which parts of the movie are true and which parts were added for entertainment. I'll be sure to try and watch the documentary at some point.
Phil Leader (619 KP) rated Kings or Pawns (Steps of Power #1) in Books
Nov 18, 2019
This book contains the usual staple fantasy races: elves, humans, dwarves, centaurs. There are epic battles and bold heroes, princesses in peril and magic. There is even a map at the front.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
But that is where any similarity between this book and most other epic fantasy novels ends. Sherwood tells the tale of an elven country that has become corrupt with a ruling council who make decisions for reasons of profit, driving the rightful kings away and installing a puppet regime. Meanwhile the country is facing a war led by a brilliant defector.
When his father, the king, dies young Prince Hairem is determined to stand up to the council and stop the rot. But the council has ruled for hundreds of years, how can he possibly change things? Meanwhile Jikun, the general of the army must obey the council's wishes, even if the orders will only lead to destruction.
Sherwood starts with a few scenes and set pieces and gradually introduces the key players; Jikun is bold and brilliant but has a lot of inner demons which threaten to destroy him. Hairem is idealistic but naive.
The machinations of the council are real House of Cards type stuff, every way that Hairem tries to exert his authority blunted and diverted by the wily council members, who simultaneously try to make out they are on his side. As a political thriller this works amazingly well despite being set in a fantasy world; the descriptions and characters are perfectly pitched. It seems that pretty much everybody has dark secrets which everybody else is either trying to discover or use to their advantage.
There are scenes of action too, with Jikun and the army and also Sellemar mounting a daring raid into enemy territory plus duels and assasination attempts. This book really does have everything packed into it and the ending is both shocking and perfectly balanced to allow for further books in the series while satisfyingly closing a number of plot threads.
I was expecting a fairly standard fantasy book when I started this; what I got was an absolute gem that just begged to be read. A total masterpiece.
Neon's Nerd Nexus (360 KP) rated Little Women (2019) in Movies
Jan 18, 2020 (Updated Jan 18, 2020)
Coffee and Compliments
Little Women feels like a breath of fresh air in a time chock full of superhero movies and action sequels. Simply overflowing with such kindness, warmth and an enormous sense of love and heart little women is pure escapism into a tale so beautify simple yet so sophisticated and intricate that its simply a pure delight to behold for any age to enjoy. Being unfamiliar with the source material myself I was concerned that I wouldnt enjoy this movie but as the film began I found myself so absorbed by its beauty and overwhelmed with its ability to transport me back and embed me into a period in time like it was but a memory of my own. Production design is staggering and constantly breathtaking from clothing, set design, lighting and props everything just screams quality and class making homes feel lived in/cosy, parties feel exciting/grand and the outdoor scenes to feel magical and fable esque. Whats truly stunning here however is how the feeling of belonging has been masterfully created and as we spend time with this family the bond and love depicted here is so flawless, real and full of love its hard to remember these are actresses we are watching and not real people going about thier lives. Perfomances are splendind but its Florence Pugh that really shows she deserves her nomene for this for sure with a performance so believable full of innocence, emotion and energy that its trully entrancing to watch. With accurate depictions of love, courtship, acceptance, passion, drive, perseverance, innocence, maturity, family life, bonding and grief we almost see these girls fight thier own personal battles along side the real war going on as they struggle to make something of themselves and live freely in a world where men are considered to have all the dominance and rights. Although taking place in the past it all just feels so very current and timeless not affraid to tackle a variety of important and complex themes/issues while exploring the very characteristics and traits that make us human. A wonderful delight and a simply magnifict and heart warming piece of film making history. Such a joyous experiance for anyone and everyone alike.
Absolution (The Protectors #1)
10.0
Rate It
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But what I felt most was the perfection of what these two men were giving me. And I knew in that...
Dark M_M Contemporary Romance Ménage
JT (287 KP) rated Captain America: The First Avenger (2011) in Movies
Mar 10, 2020
With the impending Avengers flick due out in the summer this year, 2011 was all about wrapping up the the final film which would link yet another character into the superhero pack. If I’m honest I am pretty bored of the superhero genre of late, so this one was going to have to work hard if it was going to hold my interest. But, for the most part… hold my interest it did!
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Evans starts off as a scrawny weakling, desperate to serve his country during World War II. You’ll have to look hard to realise that Evans’ appearance is a brilliant piece of CGI, no man could get to that size and back in such a short space of time.
He then gets himself accepted as part of an experiment to transform average soldiers into supreme physical beings. Rogers, now a beef cake becomes an American poster boy for the war promoting everything the American public should stand for.
Singing in chorus lines he longs to be part of the action, to get onto the front line and to help bring down HYDRA, and its main villain Johann Schmidt aka Red Skull.
The film moves through the gears, massive explosions and some great action set pieces. But you’d expect nothing less, director Joe Johnston injects the film with enough to tie over until a rather disappointing ending.
One of the bright lights however is Weaving, whose Red Skull is one of the more colourful villains we might have seen in recent times. His penetrating persona gives the film a lift when otherwise it was heading for the doldrums.
Captain America does what pretty much every other super hero film has done before it, starts as an origins story, throws some back history in along with a lot of action but ultimately fails on the big pay off.
We all know where the film is going though, as most will have seen all the trailers surrounding The Avengers, for me though this is just another missing piece of the puzzle that will lead onto a much greater film. After which Captain America will pretty much be all but forgotten.
Darren (1599 KP) rated Air (2015) in Movies
Jun 20, 2019
Story: Air starts in the future when the world has gone through a war, the remaining people live in a bunker in sleep chambers, engineers Bauer (Reedus) and Cartwright (Hounsou) both awaken on a routine cycle to check the equipment before returning to their chambers, but when a fire causes them to lose one of their chambers, they must work together with the resources they have because in 2 hours their air supply runs out.
As the clock ticks down the two must face moral decisions which involve risks to the fellow the sleepers in their bunker but finding a way for them both to get back to sleep is the most important part and any means necessary.
Thoughts on Air
Characters – Bauer seems to be the most resourceful of the two technicians in the chamber, he plays things safe and makes sure he knows the damage of any effect the men do. Cartwright seems to be the one who is about to lose his mind, he has visions of his wife who makes him make the decisions he does. While it could be argued these two men are meant to be considered the lower lives of the selected neither of them is made out to be the good guy while both find themselves making bad decisions through the film.
Performance – Both Norman Reedus and Djimon Hounsou are great actors but in this role the two just don’t give their best performances and end up not helping us care about either character.
Story – The story should work, we have the world ending with the only survivors in sleeping pods with two technicians watching over them every so many months or years. The problems here are clear, we have two unlikable characters who while they do take a step back to solve the problem it does just turn into a mindless battle of who will get the upper hand.
Sci-Fi/Thriller – The sci-fi side of the film comes from idea the world has ended and now the few survivors are underground, we are left wondering how the two men could survive with the only one chamber.
Settings – The film is set within the chamber, it shows the unclear feeling of what is outside and the fear of what is happening with no safety in the chamber.
Special Effects – The effects are used well with most being practical until we see the outside world which is as bleak as we are expecting.
That Moment That Annoyed Me – I just didn’t care about the two characters.
Final Thoughts – This is a sci-fi film that we have seen before, we have seen better before but we have seen worse too and lacks the pace we need in the film.
Overall: Disappointing thriller.
https://moviesreview101.com/2018/06/01/air-2015/
As the clock ticks down the two must face moral decisions which involve risks to the fellow the sleepers in their bunker but finding a way for them both to get back to sleep is the most important part and any means necessary.
Thoughts on Air
Characters – Bauer seems to be the most resourceful of the two technicians in the chamber, he plays things safe and makes sure he knows the damage of any effect the men do. Cartwright seems to be the one who is about to lose his mind, he has visions of his wife who makes him make the decisions he does. While it could be argued these two men are meant to be considered the lower lives of the selected neither of them is made out to be the good guy while both find themselves making bad decisions through the film.
Performance – Both Norman Reedus and Djimon Hounsou are great actors but in this role the two just don’t give their best performances and end up not helping us care about either character.
Story – The story should work, we have the world ending with the only survivors in sleeping pods with two technicians watching over them every so many months or years. The problems here are clear, we have two unlikable characters who while they do take a step back to solve the problem it does just turn into a mindless battle of who will get the upper hand.
Sci-Fi/Thriller – The sci-fi side of the film comes from idea the world has ended and now the few survivors are underground, we are left wondering how the two men could survive with the only one chamber.
Settings – The film is set within the chamber, it shows the unclear feeling of what is outside and the fear of what is happening with no safety in the chamber.
Special Effects – The effects are used well with most being practical until we see the outside world which is as bleak as we are expecting.
That Moment That Annoyed Me – I just didn’t care about the two characters.
Final Thoughts – This is a sci-fi film that we have seen before, we have seen better before but we have seen worse too and lacks the pace we need in the film.
Overall: Disappointing thriller.
https://moviesreview101.com/2018/06/01/air-2015/
The Betrayal: The 1919 World Series and the Birth of Modern Baseball
Book
In the most famous scandal of sports history, eight Chicago White Sox players-including Shoeless Joe...
Gareth von Kallenbach (980 KP) rated Mary Queen of Scots (2018) in Movies
Jul 2, 2019
Mary Queen of Scots” tells the story of two women fighting to rise above the status quo and take the power that they were genetically entitled to. Yet, their paths are forsaken by the omnipresent patriarchy, despite their high status and crowns.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
The film is a display of the hard hands of men attempting to crush the ambitions of women. The manipulative and aggressive power of the patriarchy is a theme sown throughout the story.
This tale is filled with twists and turns, betrayal, romance, gore, and heartache. It is a portrayal of a timeless theme.
The audience will be placed in another world of the distant past where life was poor, brutish, nasty, and short, as Leviathan would have put it.
Margot Robbie as Queen Elizabeth I, embodies a woman absorbed by the challenge of maintaining her crown. She forfeits her femininity to become a masculine ruler out of necessity and the impact upon her is great in sacrifice.
On the other hand, her cousin, Mary Queen of Scots, played by Saoirse Ronan, is an ambitious leader with hopes to bring peace between two kingdoms at all costs.
Ronan delivers an elegant and passionate performance as Mary, a headstrong and fearless lady of power with rosy cheeks and eyes full of brightness. She believes in love and she believes in truth, but she also believes in war. The audience will experience where her values and virtue lead her.
If escape from the mundane modern world is what the movie goer desires, this will be the perfect film. It is a balance of everything and a reflection of life itself in all its most ugly and beautiful moments.
Director Josie Rourke has delivered a riveting historical drama onto the big screen.
The film has an ethereal and realistic way of reviving this piece of our past. But heed my warning, it will not be for the faint of heart.
SD
Special Deliveries: Her Nine-Month Secret: The Secret Casella Baby / The Secret Heir of Sunset Ranch / Proof of Their Sin
Dani Collins, Cathy Williams and Charlene Sands
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The Secret Casella Baby How does it feel to be one of the beautiful people? This is a question...