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ClareR (6256 KP) rated The Island of Missing Trees in Books
Sep 28, 2021
How come this is only the first book I’ve read by Elif Shafak?! This is a book full of heart, feeling and imagination - it’s just beautiful. The Island of Missing Trees has taught me far more about what happened in Cyprus and the war/ dispute between Cypriots and the Turkish invasion.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
There’s a feel of Romeo and Juliet about this: a Greek-Cypriot boy (Kostas), and a Turkish-Cypriot girl (Defne) fall in love - something forbidden in the climate they’re living in. They meet in secret in a tavern that has a fig tree growing through the centre of it. This is a significant tree - it’s one of the main narrators of this story. And what a story it has to tell. It talks about the natural world in which it lives, the humans that it comes into contact with, the conflict it lives through, the sorrow, the loss.
This book describes the fracturing of a country, people forced to leave the country they love. Kostas is one of these people. He moves to London to live with his uncle, but he never seems to feel as though he fits in in there. He does follow his passion though, and becomes an expert in Natural History: the trees and plants around him, around the world, and in his native Cyprus. Which is what brings him and Defne back together, and reunites them with the fig tree.
The three of them return to London together, all cast adrift from their homeland.
Later, Kostas and Defne’s daughter carries this feeling of not quite belonging as well, but her father doesn’t seem to be able to give her what she needs. She knows nothing of her roots: she has no contact with her Cypriot family - until the day her aunt arrives.
The way that Shafak writes about loss and the pain of loss is visceral, but there’s a great deal of hope and the promise of healing. This book just has it all. I was completely enveloped in this story, and I’ve been left with a pressing need to read everything else that Elif Shafak has written!
Many thanks to Jellybooks and Penguin for providing me with a copy of this book to read.
Suswatibasu (1703 KP) rated Postcapitalism: A Guide to Our Future in Books
Nov 28, 2017
Some useful criticism and interesting speculation
As a former colleague of Paul Mason, I'm aware of his left-wing sensibilities having produced some of his work while he was in Greece celebrating Syriza's victory, the Scottish referendum as well as the war in Gaza. As a result, his own staunch views comes across strongly in this book, but I was surprised that he was able to critique Marxist polemics clearly without resorting to bias.
Mason writes about the way in which the present model of capitalism, and by extension the capitalist system itself, has reached a critical point. The old model is coming off the rails, sinking under the weight of the massive debts that it has created as a result of financialisation and downright fraud, and finding that its very success in transferring wealth upwards leaves it short of the demand that it needs to keep the wheels turning. It’s not suited to a world in which the marginal cost of the stuff that people want to buy is approaching zero. It is in any case ill-equipped to deal with the challenges of climate change, an ageing population and instability-induced mass migrations.
What's great about this book is the way it synthesises some of the best writing about the transformative potential of the internet and the web with a non-dogmatic perspective from the Marxist tradition.
There are a lot of arguments made in this book, that can easily be strung out into a university course. Consequently, Mason spreads himself a little thin in some areas such as climate change. Despite this, it's still important and worth the dense read.
Mason writes about the way in which the present model of capitalism, and by extension the capitalist system itself, has reached a critical point. The old model is coming off the rails, sinking under the weight of the massive debts that it has created as a result of financialisation and downright fraud, and finding that its very success in transferring wealth upwards leaves it short of the demand that it needs to keep the wheels turning. It’s not suited to a world in which the marginal cost of the stuff that people want to buy is approaching zero. It is in any case ill-equipped to deal with the challenges of climate change, an ageing population and instability-induced mass migrations.
What's great about this book is the way it synthesises some of the best writing about the transformative potential of the internet and the web with a non-dogmatic perspective from the Marxist tradition.
There are a lot of arguments made in this book, that can easily be strung out into a university course. Consequently, Mason spreads himself a little thin in some areas such as climate change. Despite this, it's still important and worth the dense read.
Awix (3310 KP) rated Blood Red Skies in Tabletop Games
May 18, 2018 (Updated May 18, 2018)
Warlord Games continue in their mission to entice Games Workshop's veteran players with an elegant and very engaging game of fighter combat from the Second World War. The system partly involves chucking loads of d6s, as you might expect, but also hinges around a very neat mechanic involving a tilting flying base which indicates your planes' status and places them at a state of advantage or disadvantage. The basic rules are very simple to learn; playing the game well is considerably more of a challenge.
Most of the components in the starter box are very appealing and well put-together; the planes come in different coloured plastic so even without paint they are easy to distinguish. If I had to sling a slight brick at this release it's that the rulebooks are very skimpy and don't cover a number of situations which are almost certain to arise in your first few games; it's easy enough to figure out what 'should' happen but it would be good to have official confirmation. The advanced rules for using bombers and other multi-engined planes are also somewhat confusingly presented.
There's also the point that even a week or so after the game's release, the general consensus is that the points values for some of the starting planes are a little bit hinky - the Spits and 109s seem well-balanced, but Russian Yaks seem generously priced while Japanese Zeroes cost too many points, for instance. However, many supplementary releases of other planes and so on are planned, so no doubt this will be fixed in due time. In the meantime this is a very enjoyable, attractive and extremely playable game.
Most of the components in the starter box are very appealing and well put-together; the planes come in different coloured plastic so even without paint they are easy to distinguish. If I had to sling a slight brick at this release it's that the rulebooks are very skimpy and don't cover a number of situations which are almost certain to arise in your first few games; it's easy enough to figure out what 'should' happen but it would be good to have official confirmation. The advanced rules for using bombers and other multi-engined planes are also somewhat confusingly presented.
There's also the point that even a week or so after the game's release, the general consensus is that the points values for some of the starting planes are a little bit hinky - the Spits and 109s seem well-balanced, but Russian Yaks seem generously priced while Japanese Zeroes cost too many points, for instance. However, many supplementary releases of other planes and so on are planned, so no doubt this will be fixed in due time. In the meantime this is a very enjoyable, attractive and extremely playable game.
Natari (73 KP) rated Hunt the Moon (Cassandra Palmer, #5) in Books
Jul 19, 2019
Hunt the Moon is a great addition to the series because it takes us Deeper than ever before. Prepare to light up the dark side of the moon, because this book is a super-bright flashlight on the mysteries and mythologies that fuel the Cassandra Palmer world and the overall plot of the series. But be ready for some shadows and more questions to be thrown in as unexpected twists and turns take us on a whole new, thrilling angle.
I really enjoyed Hunt the Moon. Karen Chance onces again nails the pace of action, romance and deepening our understanding of the loveable characters she has created. In Hunt the Moon we learn a lot about the big three, Cassie, Pritkin and Mircea which puts their behaviour and way of reacting to life in a whole new light. It's a work of art.
In Hunt the Moon, Cassie finds herself a brand new enemy, because rogue vampires, black wizards and gods were't enough. Now she gets to throw in the fae and demi-gods too. Who bring with them a whole new bag of tricks. And while you shouldn't laugh at someone who always seems to find herself and her bodyguards in the midst of explosions, but, well, it's damn funny when a stoned pythia is glaring at a possessed fridge. Karen is able to be serious and cover some unsettling topics like war, politics and childhood trauma (of all varieties) and balance it with pleasant prose and just straight-up fun. That's the best word for the Cassie Palmer series, it is fun to read.
I really enjoyed Hunt the Moon. Karen Chance onces again nails the pace of action, romance and deepening our understanding of the loveable characters she has created. In Hunt the Moon we learn a lot about the big three, Cassie, Pritkin and Mircea which puts their behaviour and way of reacting to life in a whole new light. It's a work of art.
In Hunt the Moon, Cassie finds herself a brand new enemy, because rogue vampires, black wizards and gods were't enough. Now she gets to throw in the fae and demi-gods too. Who bring with them a whole new bag of tricks. And while you shouldn't laugh at someone who always seems to find herself and her bodyguards in the midst of explosions, but, well, it's damn funny when a stoned pythia is glaring at a possessed fridge. Karen is able to be serious and cover some unsettling topics like war, politics and childhood trauma (of all varieties) and balance it with pleasant prose and just straight-up fun. That's the best word for the Cassie Palmer series, it is fun to read.
Margaret of York: The Diabolical Duchess
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Warlord of Britannia (Warlord #2)
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The enthralling new drama in the epic story of the barbarian king who led the tribes of Britannia...