Smashbomb

Search

Search results

All (2295)

Content

Suswatibasu (1703 KP) rated The Lion, the Witch and the Wardrobe in Books

Oct 10, 2017 (Updated Oct 11, 2017)

I discovered Turkish delight through this book...

This is a must read for children, as the mystical elements are fascinating, but are lost when reading it as an adult.

First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in.

The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia.

I like the book better than the film just because of the amount of detail used by the master of fantasy C. S. Lewis.

Kudos

Awix (3310 KP) rated Biggles (1986) in Movies

Mar 28, 2018 (Updated Mar 28, 2018)

Biggles (1986)

1986 | Adventure, Sci-Fi

5.4

(9 Ratings)

Movie Rating

Biggles Cocks It Up

Startlingly incompetent big-screen version of the classic boy's-adventure hero. New York yuppie discovers he is 'time twin' of First World War fighter ace, is plucked back through time to help him destroy a German secret weapon. Don't worry, it doesn't make any more sense in the actual movie.

Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.