Becs (244 KP) rated Hollow City: The Second Novel of Miss Peregrine's Children in Books
Oct 2, 2019
Synopsis: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she’s trapped in the body of a bird. The extraordinary journey that began in Miss Peregrine’s Home for Peculiar Children continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. And before Jacob can deliver the peculiar children to safety, he must make an important decision about his love for Emma Bloom.
Genre: Fantasy, Young Adult, Paranormal, Fiction
Audience/Reading Level: Middle School+
Interests: Fantasy, Young Adult, Paranormal
Style: Light Read
Point of View: Third Person
Difficulty Reading: It was a very easy read and know even younger individuals will be able to understand what the underlying meaning of the story is.
Promise: Like its predecessor, this second novel in the Peculiar Children series blends thrilling fantasy with newly discovered (and thoroughly mesmerizing) vintage photography to create a one-of-a-kind reading experience that will delight readers of all ages.
Quality: Like your favorite cake with extra whip cream and ice cream. 😉
Insights: When I first read this series, I read Tales of the Peculiar by Ransom Riggs first to get a better understanding of the characters since I had a feeling that there was going to be a lot of references to it. I was right. I honestly fell in love with this series and love the way that Ransom Riggs writes. It just captures my attention and transports me into a world of fantasy that is a great escape from reality!
Favorite Quotes: “Laughing doesn’t make bad things worse any more than crying makes them better.”
“There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder.”
What will you gain: A love of a new fantasy world that will make you wish, you too were a part of the Peculiar children’s world.
Aesthetics: I absolutely love the vintage style this series has. The photographs help give an idea of who and what the characters look like. The way that Ransom Riggs writes, just draws anybody of any age into the plot and storyline, like an enchantment that takes you from the real world, into a world filled with magic, hope, love, and adventure.
“Some truths are expressed best in the form of myth.”
Suswatibasu (1703 KP) rated The Lion, the Witch and the Wardrobe in Books
Oct 10, 2017 (Updated Oct 11, 2017)
First published in 1950, this is one of the most classic portal fantasies ever written. Four children are sent from London to an old house in the country during the evacuations of World War II. Through a magic wardrobe, they enter the fantasy land of Narnia, which is a jumbled mixture of Greek mythology, Bible stories, and Arthurian romances, with a bit of Medieval Bestiaries thrown in.
The White Witch has made herself Queen of Narnia, and put it under the spell of an ever-constant winter. With the arrival of the children and the lion Aslan, an old prophecy is met, spring comes to Narnia, and there is a major clash between the good and evil Narnians on who gets to dominate Narnia.
I like the book better than the film just because of the amount of detail used by the master of fantasy C. S. Lewis.
Awix (3310 KP) rated Biggles (1986) in Movies
Mar 28, 2018 (Updated Mar 28, 2018)
Potentially charming adventure movie is utterly torpedoed by fatal uncertainty of tone; what started off as a 'straight' period movie is reduced to gibberish by the addition of witless time-travel plotline, which drags crass 80s 'comedy' bits in with it. The fact it largely seems to be the work of people who've never actually seen a film before, let alone worked on one, is the just the coup de grace. Even Peter Cushing's usual near-supernatural ability to lift a dubious script mostly fails him; no wonder this was his final (non-CGI) big-screen appearance. Soundtrack contains Queen bassist John Deacon's only recordings away from the band; this is almost certainly not a good enough reason to watch the damn thing.
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