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DaveySmithy (107 KP) rated Casablanca (1942) in Movies
Dec 3, 2024
A Timeless Classic: Casablanca - A 10/10 Masterpiece
Few films manage to withstand the test of time quite like Casablanca. Released in 1942, this cinematic gem not only defines its era but also transcends it, continuing to captivate audiences decades later. Directed by Michael Curtiz and featuring unforgettable performances by Humphrey Bogart and Ingrid Bergman, Casablanca is a rare film that combines stellar storytelling, iconic performances, and a profound emotional core into an unparalleled movie experience.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
What makes Casablanca truly extraordinary is its perfect balance of intimate romance and global stakes. Set during World War II in the Moroccan city of Casablanca, the story revolves around Rick Blaine (Bogart), a cynical American expatriate who runs a nightclub, and Ilsa Lund (Bergman), the woman who once broke his heart. Their unexpected reunion is fraught with unresolved emotions and set against the backdrop of political intrigue, resistance efforts, and the shadow of Nazi oppression. It’s not just a love story—it’s a story of sacrifice, morality, and the search for meaning in chaotic times.
Humphrey Bogart, known for his tough-guy persona, delivers a nuanced and deeply human performance as Rick. His dry wit, vulnerability, and quiet heroism make Rick one of cinema’s most iconic characters. Bogart effortlessly conveys the tension between Rick’s outward indifference and his inner turmoil, making his journey from apathy to sacrifice profoundly moving. Opposite him, Ingrid Bergman is luminous as Ilsa. Her portrayal is layered with strength, grace, and a quiet sadness that makes her character unforgettable. The chemistry between Bogart and Bergman is electric, their unspoken longing resonating in every glance and line of dialogue.
The supporting cast is equally brilliant. Claude Rains as the charmingly corrupt Captain Renault steals nearly every scene he’s in with his biting humor and moral ambiguity. Paul Henreid’s portrayal of Victor Laszlo, the noble resistance leader, adds gravitas to the story, while Sydney Greenstreet and Peter Lorre deliver memorable turns as colorful figures in Casablanca’s shadowy underworld. Every character, no matter how small their role, feels fully realized and essential to the tapestry of the story.
What elevates Casablanca to legendary status, however, is its script. Few films boast dialogue as sharp and iconic, with lines like “Here’s looking at you, kid,” and “We’ll always have Paris” becoming ingrained in pop culture. The screenplay, penned by Julius and Philip Epstein and Howard Koch, is a masterclass in storytelling, seamlessly blending romance, suspense, and humor. Each scene serves a purpose, driving the plot forward while deepening the emotional stakes.
Max Steiner’s score is another standout element, with the recurring use of “As Time Goes By” becoming as timeless as the film itself. The music weaves through the narrative, underscoring moments of joy, heartbreak, and tension with haunting beauty.
But perhaps the most remarkable aspect of Casablanca is its ability to resonate on multiple levels. It’s a sweeping romance, a gripping war drama, and a meditation on sacrifice and duty, all rolled into one. Its themes remain universal, its characters relatable, and its emotional impact undiminished by time.
In a world filled with good movies and great movies, Casablanca stands apart as a perfect one. It’s not just a film—it’s an experience, a masterpiece that speaks to the heart and soul. For that, it earns a well-deserved 10/10.
Bookapotamus (289 KP) rated The Philosopher's Flight in Books
May 29, 2018
For anyone who has been suffering withdrawal from the end of a certain magical boy wizard series, The Philosopher's Flight by Tom Miller is the perfect antidote! It's clever, and sharp, but also a quick read based on alternative history where special "powers" can do different things, and one boys journey to"fit in" this world where girls rule! The opposite sexism is interesting (women typically have the most refined powers and go to war, do the dangerous stuff, etc.) and Robert wants to do everything the women do - and we see if he attains that goal, while facing some pretty crazy "roadblocks" along the way.
I love stories that take me away to another place - get me out of reality and imagine what life would be like if things were "different". And this book does just that. It's very clever how it's pretty historically accurate, just with this twist of Sigilry, these signs and symbols drawn to move energy and ultimately produce some sort of effect (hovering/flying, restoring health, moving an object, sending messages). There are great stories of friendship, interesting characters, and stories of love as well. All wrapped up in a creative story of action, adventure and social-awareness.
There are a few "racy" scenes...so I'd recommend a more mature audience, but its fantastic all-around in general. I'm excited to see if the Philosopher Flies Again! Thanks NetGalley!
I love stories that take me away to another place - get me out of reality and imagine what life would be like if things were "different". And this book does just that. It's very clever how it's pretty historically accurate, just with this twist of Sigilry, these signs and symbols drawn to move energy and ultimately produce some sort of effect (hovering/flying, restoring health, moving an object, sending messages). There are great stories of friendship, interesting characters, and stories of love as well. All wrapped up in a creative story of action, adventure and social-awareness.
There are a few "racy" scenes...so I'd recommend a more mature audience, but its fantastic all-around in general. I'm excited to see if the Philosopher Flies Again! Thanks NetGalley!
David McK (3587 KP) rated Chaosmage (The Age of Darkness Trilogy, #3) in Books
Jan 30, 2019
The final part of [a:Stephen Aryan|10372063|Stephen Aryan|https://images.gr-assets.com/authors/1435501696p2/10372063.jpg]'s 'Age of Darkness' trilogy (that also consists of [b:Battlemage|24396857|Battlemage (The Age of Darkness Trilogy, #1)|Stephen Aryan|https://images.gr-assets.com/books/1434726211s/24396857.jpg|43981438] and [b:Bloodmage|26030693|Bloodmage (The Age of Darkness Trilogy #2)|Stephen Aryan|https://images.gr-assets.com/books/1454627052s/26030693.jpg|46819958]), with this one having more-than-a-hint of 'The Walking Dead' about it, primarily set (as it is) in a compound in an eerily abandoned and destroyed city (after the war covered in [b:Battlemage|24396857|Battlemage (The Age of Darkness Trilogy, #1)|Stephen Aryan|https://images.gr-assets.com/books/1434726211s/24396857.jpg|43981438]) that is under siege by - more or less - zombies.
OK, maybe not zombies in the classicly - or comtemporarily (is that a word?) - understood sense, but that's more or less what 'The Forsaken' (as they are called) come across as.
This novel also sees the return of the Battlemage Balfruss - who seems to be modelled after [a:David Gemmell|11586|David Gemmell|https://images.gr-assets.com/authors/1202771023p2/11586.jpg]'s character of Druss, if Druss could use magic - with it taking more or less chapter about to move between his point of view and the other key characters.
All-inan-all a solid ending to the trilogy, that leaves the door open for further tales to be told in this world.
OK, maybe not zombies in the classicly - or comtemporarily (is that a word?) - understood sense, but that's more or less what 'The Forsaken' (as they are called) come across as.
This novel also sees the return of the Battlemage Balfruss - who seems to be modelled after [a:David Gemmell|11586|David Gemmell|https://images.gr-assets.com/authors/1202771023p2/11586.jpg]'s character of Druss, if Druss could use magic - with it taking more or less chapter about to move between his point of view and the other key characters.
All-inan-all a solid ending to the trilogy, that leaves the door open for further tales to be told in this world.
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