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The Ballad of John Latouche: An American Lyricist's Life and Work
Book
Born into a poor Virginian family, John Treville Latouche (1914-56), in his short life, made a...
Charlie Cobra Reviews (1840 KP) rated Tolkien (2019) in Movies
Jul 7, 2020
An Unexpectedly Dull Journey
Tolkien is a 2019 biographical/drama movie directed by Dome Karukoski and written by David Gleeson and Stephen Beresford. It's produced by Fox Searchlight Pictures and Chernin Entertainment and distributed by Walt Disney Studios Motion Pictures. The film stars Nicholas Hoult, Lily Collins, Colm Meaney, and Derek Jacobi.
As a young boy living in the countryside, J.R.R. Tolkien, learns multiple languages and how to read and write with his younger brother as they are taught by their mother. They are forced to move to the city so their mother can better provide for them when unfortunate events have them taken in by the Church and and stay at a boarding house. This is where, as a young student at King Edward's School, among a group of fellow outcasts, he finds friendship, love, and artistic inspiration. But his friends and their new brotherhood must endure the ups and downs of his position in society, his relationship with the love of his life Edith Bratt and later the outbreak of World War I.
I was really excited for this movie and having my hopes up and expectations might be the reason I didn't enjoy it as much as I thought I would. For one I don't normally watch autobiographies but I have seen more that I liked in comparison to this film. I guess I thought they would show more about him coming up with the ideas for his books, which they showed very little of. Instead it was about the important events of his life which I guess is what biographies should do. For some reason though I felt like the storytelling dragged and it didn't do enough to keep you interested, very lackluster. I found that the story, acting, and dialogue were all well done but the movie suffered from the direction they went with and how they chose to show it. One thing I really liked was there were several instances where you could see what influenced him when he wrote the Lord of The Rings" books. It's an entertaining film with flair and ambition that teems with on the nose moments but is hindered by the usual biopic framework. I believe the quote from Rotten Tomatoes says it best, "Tolkien Has the period trappings and strong performances of a worthy biopic, but lacks the imagination required to truly do it's subject justice". I give it a 6/10.
As a young boy living in the countryside, J.R.R. Tolkien, learns multiple languages and how to read and write with his younger brother as they are taught by their mother. They are forced to move to the city so their mother can better provide for them when unfortunate events have them taken in by the Church and and stay at a boarding house. This is where, as a young student at King Edward's School, among a group of fellow outcasts, he finds friendship, love, and artistic inspiration. But his friends and their new brotherhood must endure the ups and downs of his position in society, his relationship with the love of his life Edith Bratt and later the outbreak of World War I.
I was really excited for this movie and having my hopes up and expectations might be the reason I didn't enjoy it as much as I thought I would. For one I don't normally watch autobiographies but I have seen more that I liked in comparison to this film. I guess I thought they would show more about him coming up with the ideas for his books, which they showed very little of. Instead it was about the important events of his life which I guess is what biographies should do. For some reason though I felt like the storytelling dragged and it didn't do enough to keep you interested, very lackluster. I found that the story, acting, and dialogue were all well done but the movie suffered from the direction they went with and how they chose to show it. One thing I really liked was there were several instances where you could see what influenced him when he wrote the Lord of The Rings" books. It's an entertaining film with flair and ambition that teems with on the nose moments but is hindered by the usual biopic framework. I believe the quote from Rotten Tomatoes says it best, "Tolkien Has the period trappings and strong performances of a worthy biopic, but lacks the imagination required to truly do it's subject justice". I give it a 6/10.
Holly Johnson recommended Blade Runner Soundtrack by Vangelis in Music (curated)
Gareth von Kallenbach (980 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Story: 42 starts with the history of baseball and how after World War II there was 400 players in the MLB and they were all white, the black players had their own league until 1947 when the number dropped to 399. Branch Rickey (Ford) wants to bring the first black man to the major leagues for the Brooklyn Dodgers against everything the world at the time suggests, that player is Jackie Robinson (Boseman).
Jackie must start in a feeder team and must put aside the segregation issues that is still going through America, Jackie and his wife Rachel (Beharie) must show they have the thick skin to deal with the abuse from the crowd, other players attitude and prejudices going through America to become a trailblazer for the African American Baseball players.
Thoughts on 42
Characters – Looking at the characters we are looking at real people this time and one Jackie Robinson who would stand up for what he believed in while making his name on the baseball field, he becomes the trailblazer given the chance to become the first black major league baseball player defining all the segregation problems going through America. Branch Rickey was a bible loving owner of the Brooklyn Dodgers who wants to make a difference in the game giving Jackie a chance to change the game so he could be owning a victorious team. Rachel is Jackie’s wife that stands by him through the discrimination he experiences.
Performance – Chadwick Boseman is fantastic in this role showing that he was going to be a huge name in the future. Harrison Ford gives us one of his best performances of his elder career that is outside his known franchises, with Nicole Beharie doing well with the character she has to work with.
Story – The story of Jackie Robinson is the stuff of legends on America, the trailblazer for African America baseball players fight on and off the field against the discrimination he faces to become the star of the season. We get to see how the country of America was so far behind the times with their equality that is still happening without being as serious as it once was. This is an important history lesson if you are a fan of baseball, sport and history in general.
Biography/Sports – Jackie Robinson is an icon of the sport of baseball, this shows how he fought off everything to become that icon.
Settings – Each setting shows us the different worlds that Jackie must walk into with different opinions on the difference in race.
Scene of the Movie – The team standing up for Robinson against ben Chapman.
That Moment That Annoyed Me – I don’t understand baseball.
Final Thoughts – When you look at sports biopics you will always see an icon born and this shows just how Jackie Robinson became the legend the game knows and is a must watch.
Overall: Must watch for sports fans.
https://moviesreview101.com/2019/05/27/42-2013/
Jackie must start in a feeder team and must put aside the segregation issues that is still going through America, Jackie and his wife Rachel (Beharie) must show they have the thick skin to deal with the abuse from the crowd, other players attitude and prejudices going through America to become a trailblazer for the African American Baseball players.
Thoughts on 42
Characters – Looking at the characters we are looking at real people this time and one Jackie Robinson who would stand up for what he believed in while making his name on the baseball field, he becomes the trailblazer given the chance to become the first black major league baseball player defining all the segregation problems going through America. Branch Rickey was a bible loving owner of the Brooklyn Dodgers who wants to make a difference in the game giving Jackie a chance to change the game so he could be owning a victorious team. Rachel is Jackie’s wife that stands by him through the discrimination he experiences.
Performance – Chadwick Boseman is fantastic in this role showing that he was going to be a huge name in the future. Harrison Ford gives us one of his best performances of his elder career that is outside his known franchises, with Nicole Beharie doing well with the character she has to work with.
Story – The story of Jackie Robinson is the stuff of legends on America, the trailblazer for African America baseball players fight on and off the field against the discrimination he faces to become the star of the season. We get to see how the country of America was so far behind the times with their equality that is still happening without being as serious as it once was. This is an important history lesson if you are a fan of baseball, sport and history in general.
Biography/Sports – Jackie Robinson is an icon of the sport of baseball, this shows how he fought off everything to become that icon.
Settings – Each setting shows us the different worlds that Jackie must walk into with different opinions on the difference in race.
Scene of the Movie – The team standing up for Robinson against ben Chapman.
That Moment That Annoyed Me – I don’t understand baseball.
Final Thoughts – When you look at sports biopics you will always see an icon born and this shows just how Jackie Robinson became the legend the game knows and is a must watch.
Overall: Must watch for sports fans.
https://moviesreview101.com/2019/05/27/42-2013/
Chris Sawin (602 KP) rated Spider-Man: No Way Home (2021) in Movies
Dec 18, 2021
Willem Dafoe (2 more)
The on-screen bickering between characters.
The Doc Ock, Doctor Strange, and villainous team-up action sequences.
The humor doesn't always land. (2 more)
Peter's idiotic logic.
Lizard is supremely underutilized.
Riding the Nostalgia Train
Spider-Man: No Way Home picks up immediately after the events of Spider-Man: Far From Home. Quentin Beck (Jake Gyllenhaal) has revealed to the world that Peter Parker (Tom Holland) is Spider-Man. The world is torn in thinking that Peter is either still a hero or behind the drone attacks on London like Beck stated before his death.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Peter is now in a relationship with MJ (Zendaya) while Ned (Jacob Batalon) tags along as the third wheel more than the guy in the chair. As the three attempt to get into MIT and other colleges, MJ and Ned are punished for being associated with Peter. Feeling guilty, Peter takes it upon himself to contact Doctor Strange (Benedict Cumberbatch), who eventually agrees to perform a spell that would make everyone forget that Peter Parker is Spider-Man. However, Peter’s motor mouth and constant need to change Strange’s spell botches it and ends up opening the multiverse.
Early on, the humor in Spider-Man: No Way Home is lacking and a little lame. Much of the film rides on Peter’s relationship with MJ. Peter, MJ, and Ned have become inseparable in the film thanks to the events of Homecoming, Far From Home, Infinity War, and Endgame. Nearly everything boils down to them making decisions as a trio even when Peter is out there as Spider-Man. The humor in the film doesn’t really find its footing until the villains come along and even then it starts off pretty rough (making fun of the Otto Octavius name in the trailer is a prime example).
Peter’s solution to all of these villains invading his universe from their own is pure stupidity. The desire to do what’s best for someone’s well being is there and you understand why Peter is so adamant about going in the direction that he does. However, he has the opportunity to end all of this early on with little to no repercussions other than some structural damage that he is able to repair in one night.
Peter chooses to change the fate of these villains with the best intentions and suffers for it. In a way, it’s inevitable as it factors in to and is motivation for who Peter Parker and Spider-Man are as essentially one heroic character. “It’s what they do,” as they say several times in the film. That doesn’t mean you have to swallow it as something a supposed genius and one of Marvel’s smartest minds would conjure up though.
Next to the surprises the film has in store for first time viewers, the villains are arguably the highlight of the film. Peter’s fight with Doctor Octopus (Alfred Molina) on the bridge is nearly on par with the Spider-Man/Doc Ock fight on the train from Spider-Man 2. Willem Dafoe is also still Spider-Man’s greatest and most sinister adversary as Norman Osborn/The Green Goblin two decades later.
Dafoe’s one stipulation for returning to the franchise was that he would be allowed to do all of his own stunts even at 66 years old; he believes it all factors in to his performance and it shows. You feel sympathy for Norman and admire his brilliance, but he’s plagued with this gushingly nefarious and uncontrollable alternate personality. With that reverberating laugh and amazing facial expressions, Dafoe literally steals the film every time he’s on screen.
The bickering in the film results in some of the most entertaining sequences in the film. There’s at least two instances, one between all of the villains when they’re all in the same room and another sequence later that occurs right before the big fight scene between Spider-Man and the five villains that have crossed over, that are just incredible and it’s basically just dialogue.
Screenwriters Chris McKenna and Erik Sommers deserve a lot of the credit. If it wasn’t for their writing then those back-and-forth dialogue exchanges between characters wouldn’t exist. But the performances from the cast also factor in to how great those sequences are. Much of the older returning cast have joked about only returning for the money, but it’s clear that there was some enjoyment of not only the script but also being able to work with such a talented group of people.
Speaking of trains, the Spider-Man/Doctor Strange battle in the mirror dimension is one of No Way Home’s visual treats. Doctor Strange and his magical origins opened up the cosmic aspect for the MCU, which has always resulted in trippy and otherworldly sequences that are tonally different and unlike anything else from the other Marvel films. Seeing Spider-Man swing around as the world is upside down while dodging kaleidoscopic skyscrapers and barely escaping gravity defying portals results in a sequence especially memorable for MCU fans.
Spider-Man: No Way Home isn’t without its flaws, but it is mostly exactly what it’s advertised to be. The film doesn’t necessarily redefine the, “With great power comes great responsibility,” aspect for Tom Holland’s Spider-Man but it without a doubt gives the MCU version of Spider-Man his version of that principle. No Way Home is a nostalgic extravaganza that exceeds expectations and is a perfect and satisfying bookend for the first three Tom Holland Spider-Man movies.
Rachel King (13 KP) rated Eternal Rider (Lords of Deliverance, #1, Demonica, #6) in Books
Feb 11, 2019
I loved that this book took a concept that I am very familiar with, the Four Horsemen from Revelation, and turned it on its head. For all of the repetitiveness of fantasy fiction using the same species over and over again - from mermaids to vampires - the horsemen are definitely new vehicles for enticing literature.
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
The background of the story is that all of the horsemen once lead human lives, but were cursed to become the horsemen after reacting very badly to the news that Lilith is their mother. Another interesting quirk on the common tale is that one of them is actually female, Limos. The four are destined to either fulfill the Biblical prophecy or the demonic equivalent - which none of them want to do. In addition, each of them have a unique method by which they fall into the demonic prophecy's designated role and must fight to keep said method from playing out.
Ares, whom the story says the Greek god of war is named for, is destined to become War should the being bearing his seal, or agimortus, dies. Thanks to Cara, a human, inadvertently crossing paths with a hellhound, she becomes the bearer of the agimortus. Luckily, she has a few tricks of her own to aid her in her new role. I liked Cara and the way she seemed to blossom despite her captivity and impending death, as well as how easily she could stand up to Ares. I would have liked a little more character development, as it did not feel like her character arc was complete.
Ares is also an interesting character. Even though he is drawn to wars and violence, with his very presence inciting violence and rage among humans, Cara is immune to this ability. Because of how her presence weakens him, Ares shows a vulnerability characteristic of the humanity he left behind thousands of years ago. Around Cara, he is simply a normal guy falling in love, and the way he attempts to "macho-up" to deal with it is positively adorable.
The violence in the book is both believable and quite gritty. Of course, the horsemen's supernatural abilities of strength and healing allow it to be especially intense and dramatic. The sexual scenes in the book are also quite graphic and detailed, without feeling cheesy or awkward.
The laws built into Ione's world of horsemen, angels, and demons is complex without being confusing. The reader is introduced to its structure piece by piece throughout the novel without being bombarded by the details, and all of the pieces fit together nicely. In addition, Ione even includes a glossary at the beginning of the book to help the reader become more accustomed to the world.
The other siblings are all unique and show lots of promise for future books in the series. Thanatos, destined to become Death, has a seductive air of mystery that had me wondering several times throughout the book if something would occur between him and Cara. The sister, Limos, destined to be Famine, also shows many interesting characteristics, such as a certain hidden madness that she struggles to keep leashed, and the chemistry she shares with Arik is palpable. Even though Reseph becomes Pestilence early in the book, I have a feeling he may prove to be the most interesting of the siblings under a theme of redemption. I only have to wait till December for Immortal Rider (Lords of Deliverance), which centers on Limos, to find out what happens next!
Gareth von Kallenbach (980 KP) rated Hunter Killer (2018) in Movies
Jul 2, 2019
The Hunt for Red October. Crimson Tide. Das Boot. These are the some of the greatest submarine movies ever made. Hunter Killer is not on that list.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
That’s not to say that this movie isn’t entertaining. Gerard Butler appears alongside a surprisingly well stocked cast including Academy award winner Gary Oldman, Emmy winner Michael Nyqvist, Common and Linda Cardellini to create a gripping experience that is high action and suspense throughout the entire film. But where it excels in action it falls short in story and character development.
The action begins right off the bat; and within 5 minutes of the opening credits two submarines are destroyed and the world is on the brink of World War 3. Commander Joe Glass (Butler), despite never having captained a submarine before, is field promoted into command of the USS Arkansas, considered a Hunter Killer submarine, and sent to investigate the missing subs. During the course of his investigation, he discovers that not all is what it seems. Meanwhile, Rear Admiral John Fisk (Common) and NSA Agent Jayne Norquist (Cardellini) are at the Pentagon with some issues of their own. Using a Navy Seal recon team, they’ve discovered that a Russian military coup is in progress and the only way to prevent a war is to rescue the captive Russian president. In the end, all three teams need to work together in order to steer the two countries away from being driven into a nuclear confrontation by a rogue Russian defense minister
To its credit, this movie is what it is. Pure, driven action with few breaks and absolutely no subplots or side stories. Despite there being three main teams within the film (the submarine, the recon team and the Pentagon team) all three are focused on the same objective and there is very little deviation from their respective missions. There’s no accompanying love story or unshown historical conflict between two characters. There’s not even much in terms of character development beyond the typical “old crew learns to trust new and unproven leader”. This is as close to a pure action movie as you’re going to get. Every single line, scene and character is used to further an explosion in some way or another.
This is the first big project for director Donovan Marsh who, prior to this, hasn’t had anything close to this quality of cast or this kind of budget. Hunter Killer has actually been tossed around the studios for a number of years with other notable directors including Tony Scott (Crimson Tide) and Antoine Fuqua (Training Day) previously attached to the script. While it would have been exciting to see what either of those two could have done with this film, Marsh does manage to keep things alive by maintaining that constant stream of action and suspense. Unfortunately, he doesn’t seem to be able to elevate the picture above that basic level. Despite an all-star cast who performed excellently, the movie remains essentially one-dimensional.
If you’re looking for a tense (Crimson Tide), intelligent (Hunt for Red October) submarine movie that looks a little more like a political thriller and a little less like an advertisement for the Navy, then this movie is not for you. However, if you’re in need of a bit more action and a lot less subtext, then Hunter Killer makes for a great night out full of explosions, amusing jokes and better acting than the dialogue really deserved.
Darren (1599 KP) rated Zulu (2013) in Movies
Aug 5, 2019
Story: Zulu starts when a young woman is murdered, police officer Ali Sokhela (Forest) and his team that includes the washed up Brian Epkeen (Bloom) and rookie Dan Fletcher (Kemp) must start to investigate the case.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
As the investigation deepens Brian must hold himself together while Ali must face his demons from his past which becomes deadly as they fall into an illegal drug dealing ring with a new devasting drug on the market.
Thoughts on Zulu
Characters – Brian Epkeen is a washed-up police officer, he is great at solving crimes, he tends to have a different woman every night, which has made him distant from his son. He never looks professional but will always do the right thing for his team. Ali Sokhela is scared by his childhood in the racial torn country, now he is a captain in the police force which sees him needing to forgive the men his father fought against to work in the same team, he does have connections which helps him through the city, with his own demons he must locate the killer. Dan is a rookie officer that is part of the team, his innocence isn’t ready to be in the field with the seasoned vets. Ruby is Brian’s ex-wife that hates him and that Brian hassle when he feels like it.
Performances – Orlando Bloom does show us that he can still be a leading man, an edgy side to his character is a big plus too, we could happily watch more of his work here. Forest Whitaker is great too, he has the darker backstory which pushes him into his decisions and hits the accent. The rest of the cast don’t get as much screen time as he does, but you do feel like they hired a lot of local talent which helps make the film feel authentic.
Story – The story follows two cops, one with a dark past because of his skin colour as a child, the other lives in darkness because of his addiction that must use their skills to solve a crime which starts simple enough until things get out of hand to a much bigger problem running through the city. This does feel gritty with how we investigate things, it doesn’t hold back with what happens to the characters and shows us just how far the criminal underworld will go to keep a secret. While this doesn’t rely on twists to get the final outcome, it does show us just how far these two would go to solve a crime and bring the criminals to justice.
Crime – The crime world we enter here shows us just how both sides in a drug war are waging against each other, we get bodies piling up that will only increase the battle with a racial tension that just increases the tension between the twos.
Settings – The film is set in South Africa, we get to see how difficult the drug war is with the racial tension still between the people in the city.
Scene of the Movie – Brian’s escape plan.
That Moment That Annoyed Me – The scene where the head turns up, there is such a pointless line here.
Final Thoughts – This is a gritty crime drama that shows us the harsh reality of the drug world, the two cops must overcome demons that will put them through a major test to get to the bottom of a crime.
Overall: Crime fans surprise.
Gareth von Kallenbach (980 KP) rated the PC version of Battlefield 1 in Video Games
Jun 19, 2019
Electronic Arts and Dice have crafted a thrilling entry into the Battlefield series with the World War I themed Battlefield 1. The visually stunning game is dripping with authenticity which is seen in every frame of the game. The weapons, uniforms, vehicles, tactics, and technology as a historians dream brought to life.
Players to take part in the solo campaigns find themselves reliving various battles from the point of those who participated in them. There is a tank mission behind enemy lines in Europe, a battle in the Italian mountainside, a thrilling aerial scenario, a very intense and emotional story set against the battle of Gallipoli, and a thrilling desert adventure featuring Lawrence of Arabia himself.
One of the great things about the game is that it takes modern gameplay tactics such as trying to secure an objective or defeat enemy units and infuses it with a sense of the past. Weapons are slow to load, are not always the most accurate at a distance, and have a crudeness about them that is refreshing in this era of games featuring advanced weaponry and technology. This does require a bit of a learning curve as there have been times where I would unload a full magazine on an enemy player and multiplayer mode only to see them survive and dispatch me with one or two shots from pistol. Once you start to get the way the weapons work and develop strategies to work within their strengths and limitations, you’ll soon find yourself able to make solid progress in the game.
The solo play campaigns allow players to set a difficulty that is best suited for their style of play and have very interesting and gripping narratives.
Many players will keep their focus on the multiplayer portion which has campaign objectives as well as quick matches. This does take a bit of learning as the landscapes are large and there are plenty of places for players with higher grade weapons to pick up new players before they even know an enemy is near. Naturally your weaponry choices to get better as your on-field accomplishments merit them it is also important to note that due to the vast landscapes littered with foxholes, trenches, villages, and other locales, wide open areas where players are very exposed and vulnerable are numerous.
Getting a tank often seems like a big accomplishment but when you realize that the vehicle is slow to turn it is a sitting duck for enemy artillery, explosives, and other tanks. Strategy and teamwork are vital to the success of any mission especially when players can move up and bring in one of the massive zeppelins into the battle. I really enjoyed flying the planes of the era but had to remember that there reduced speed made it very difficult turn especially for somebody who was used to strafing a target, flying into the distance, making a wide turn, and then attacking again. I found myself that many times with the leaving the battlefield warning and was not able to turn fast enough to get myself back where I needed to be.
As somebody who studied history extensively in college, it was amazing to get a sense of the war the on the pages of history books and learn how in this era of new technology such as planes, tanks, gas, machine guns, Zeppelins, and more, the capacity to do devastating damage upon an enemy was massive as truly technology greatly overshadowed the tactics and medical abilities of the era.
Battlefield 1 is a glorious achievement and gaming as it takes an error that has been largely ignored and brings it forward incredible detail combined with thrilling battles that are loaded with customization options that will keep players playing well into the future. With the planned DLC content to come, I’m very interested to see what direction the developers will take it as there are countless possibilities ahead.
http://sknr.net/2016/10/30/battlefield-1/
Players to take part in the solo campaigns find themselves reliving various battles from the point of those who participated in them. There is a tank mission behind enemy lines in Europe, a battle in the Italian mountainside, a thrilling aerial scenario, a very intense and emotional story set against the battle of Gallipoli, and a thrilling desert adventure featuring Lawrence of Arabia himself.
One of the great things about the game is that it takes modern gameplay tactics such as trying to secure an objective or defeat enemy units and infuses it with a sense of the past. Weapons are slow to load, are not always the most accurate at a distance, and have a crudeness about them that is refreshing in this era of games featuring advanced weaponry and technology. This does require a bit of a learning curve as there have been times where I would unload a full magazine on an enemy player and multiplayer mode only to see them survive and dispatch me with one or two shots from pistol. Once you start to get the way the weapons work and develop strategies to work within their strengths and limitations, you’ll soon find yourself able to make solid progress in the game.
The solo play campaigns allow players to set a difficulty that is best suited for their style of play and have very interesting and gripping narratives.
Many players will keep their focus on the multiplayer portion which has campaign objectives as well as quick matches. This does take a bit of learning as the landscapes are large and there are plenty of places for players with higher grade weapons to pick up new players before they even know an enemy is near. Naturally your weaponry choices to get better as your on-field accomplishments merit them it is also important to note that due to the vast landscapes littered with foxholes, trenches, villages, and other locales, wide open areas where players are very exposed and vulnerable are numerous.
Getting a tank often seems like a big accomplishment but when you realize that the vehicle is slow to turn it is a sitting duck for enemy artillery, explosives, and other tanks. Strategy and teamwork are vital to the success of any mission especially when players can move up and bring in one of the massive zeppelins into the battle. I really enjoyed flying the planes of the era but had to remember that there reduced speed made it very difficult turn especially for somebody who was used to strafing a target, flying into the distance, making a wide turn, and then attacking again. I found myself that many times with the leaving the battlefield warning and was not able to turn fast enough to get myself back where I needed to be.
As somebody who studied history extensively in college, it was amazing to get a sense of the war the on the pages of history books and learn how in this era of new technology such as planes, tanks, gas, machine guns, Zeppelins, and more, the capacity to do devastating damage upon an enemy was massive as truly technology greatly overshadowed the tactics and medical abilities of the era.
Battlefield 1 is a glorious achievement and gaming as it takes an error that has been largely ignored and brings it forward incredible detail combined with thrilling battles that are loaded with customization options that will keep players playing well into the future. With the planned DLC content to come, I’m very interested to see what direction the developers will take it as there are countless possibilities ahead.
http://sknr.net/2016/10/30/battlefield-1/