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Phillip McSween (751 KP) rated After the Dark (2014) in Movies
Jan 13, 2018
Nope
Ever drank an open soda that's been sitting in the fridge too long? That's kind of like what happens to the premise of After the Dark. Due to its lack of reality (will expand on that in a moment), there are no real stakes and we all know what happens to Phillip McSween when he watches a film with no stakes. I turn green...
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Despite a premise that falls flat, I can appreciate the message that the film was trying to get across. Everyone is important and has value. You can never understand that true value of a person or a thing until you give that person or a thing a try. The true value behind this message actually saved this film from getting a worse score.
I also give credit, as I did with I Declare War, for the film daring to try such an interesting premise. On paper it seems like it just might work and, perhaps with a bit more development, it could have. Or perhaps the film was just doomed from the start. One can never be sure.
I'll let you decide for yourself: On their last day of classes, a professor challenges a high school class to imagine different scenarios in which they would have to survive an apocalypse. While this is all happening inside of a classroom, the film takes us into the imaginary world of these different apocalyptic scenarios so what we're seeing is never actual reality, but the scenarios themselves. Ready to drop everything and watch yet?
With me watching 365 movies and having to randomly choose some from my list of all-time Rotten Tomato films, I expect some duds to slip through. Not only was the source material not enough to make me care, but the ending was so ridiculous that it destroyed any hopes of After the Dark being worth anyone's time. I give it a 61.
Hazel (1853 KP) rated The Stars Never Rise (The Stars Never Rise, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest
The Stars Never Rise</i> is the first book in an exciting new dystopian series. Since the war, the rise of soul sucking demons has been reduced, but instead of worrying about the remaining few, Nina Kane spends her time trying to provide food and clothing for herself and her younger sister Melanie. That is until she comes face to face with a demon – a degenerate – that she barely escapes from. Believing that it was a one off encounter and that she is safe within the walled in town of New Temperance run by the Unified Church, Nina turns her focus back to her sister who has her own troubles.
Before Nina gets the chance to help Melanie try to resolve her problem she encounters her second demon in the physical form of someone she has known all her life. While trying to protect herself, Nina unleashes a power she never knew she had. She is an exorcist who can rid bodies of demons, however the Church paints her as a wanted person with suspicions of being possessed.
The story gets exciting when Nina meets Finn, a fugitive, and his friends who help her to escape from the clutches of the Church. The mysterious Finn reveals the truth about Nina’s abilities and the lies the Church want people to believe. Within twenty-four hours the world is no longer the place Nina knew it to be.
Rachel Vincent has filled this book with lots of original ideas from her interpretation of demons to the character Finn, who is not human in the traditional sense. Not only does the story have fantasy/supernatural themes, it also deals with other more realistic issues such as poverty and teenage pregnancy.
<i>The Stars Never Rise</i> is bound to make an impression in the young adult market and become popular with dystopian lovers of all ages. Those who love this book will be eagerly awaiting the next in the series.
The Stars Never Rise</i> is the first book in an exciting new dystopian series. Since the war, the rise of soul sucking demons has been reduced, but instead of worrying about the remaining few, Nina Kane spends her time trying to provide food and clothing for herself and her younger sister Melanie. That is until she comes face to face with a demon – a degenerate – that she barely escapes from. Believing that it was a one off encounter and that she is safe within the walled in town of New Temperance run by the Unified Church, Nina turns her focus back to her sister who has her own troubles.
Before Nina gets the chance to help Melanie try to resolve her problem she encounters her second demon in the physical form of someone she has known all her life. While trying to protect herself, Nina unleashes a power she never knew she had. She is an exorcist who can rid bodies of demons, however the Church paints her as a wanted person with suspicions of being possessed.
The story gets exciting when Nina meets Finn, a fugitive, and his friends who help her to escape from the clutches of the Church. The mysterious Finn reveals the truth about Nina’s abilities and the lies the Church want people to believe. Within twenty-four hours the world is no longer the place Nina knew it to be.
Rachel Vincent has filled this book with lots of original ideas from her interpretation of demons to the character Finn, who is not human in the traditional sense. Not only does the story have fantasy/supernatural themes, it also deals with other more realistic issues such as poverty and teenage pregnancy.
<i>The Stars Never Rise</i> is bound to make an impression in the young adult market and become popular with dystopian lovers of all ages. Those who love this book will be eagerly awaiting the next in the series.
Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies
Aug 9, 2019
Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.
Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.
While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.
The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.
“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.
Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.
Phil Leader (619 KP) rated The Daylight War (The Demon Cycle #3) in Books
Nov 12, 2019
The Daylight War is the 3rd installment in the Demonwar Cycle by Peter V. Brett. It concerns a world (strongly hinted to be a future version of ours) that is plagued every night by demons that rise from the ground to kill the human population.
In the previous book (The Desert Spear) the rise of Jardir and his attempt to unite the humans by force was described, as was the continuing story of Arlen Bales, Leesha Paper and Roger Inn, the other major players in the story.
This book follows on immediately from the previous book. At the next new moon the demon princes are going to arrive in an attempt to destroy both Jardir and Arlen (both believed by many to be the fabled Deliverer) and both must prepare for the coming.
Most of the story follows Arlen and the people of Cutter's Hollow in their preparations for the next new moon. It also follows the return of Leesha and Roger to Cutter's Hollow following their journey to Everam's Bounty to stay with Jardir, and the many different threads that arise from that encounter and their return home.
As with the previous books the focus is on the characters involved, their interactions and personalities. Even more of the supporting cast is explored, with the main inhabitants of Cutter's Hollow and Jardir's inner circle becoming familiar to the reader. Conflicts and secrets between the characters abound with old feuds settled.
Again the writing is sublime with the descriptions and personalities of the characters a particular highlight. The scenes fighting demons are well written and Brett seems to have worked hard to produce something different in each one so they are never dull or predictable. The ending is brilliant and there are plenty of threads to pick up in the next installment.
Definitely recommended, but have patience it is a very long book.
In the previous book (The Desert Spear) the rise of Jardir and his attempt to unite the humans by force was described, as was the continuing story of Arlen Bales, Leesha Paper and Roger Inn, the other major players in the story.
This book follows on immediately from the previous book. At the next new moon the demon princes are going to arrive in an attempt to destroy both Jardir and Arlen (both believed by many to be the fabled Deliverer) and both must prepare for the coming.
Most of the story follows Arlen and the people of Cutter's Hollow in their preparations for the next new moon. It also follows the return of Leesha and Roger to Cutter's Hollow following their journey to Everam's Bounty to stay with Jardir, and the many different threads that arise from that encounter and their return home.
As with the previous books the focus is on the characters involved, their interactions and personalities. Even more of the supporting cast is explored, with the main inhabitants of Cutter's Hollow and Jardir's inner circle becoming familiar to the reader. Conflicts and secrets between the characters abound with old feuds settled.
Again the writing is sublime with the descriptions and personalities of the characters a particular highlight. The scenes fighting demons are well written and Brett seems to have worked hard to produce something different in each one so they are never dull or predictable. The ending is brilliant and there are plenty of threads to pick up in the next installment.
Definitely recommended, but have patience it is a very long book.
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