Expressionism
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Anxious angles: The pioneers and masterworks of -degenerate- ExpressionismGerman Expressionists were...

An East End Story
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One evening in the long hot summer of 1959, Alfred Gardner was walking home along Commercial Road....

Ta-ra-ra-boom-de-ay: The Dodgy Business of Popular Music
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Simon Napier-Bell is a legend in the music business. Not only was he the manager of The Yardbirds, T...

That Mighty Heart: Visions of London
John Elinger and Katherine Shock
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In 1802 William Wordsworth, the great Romantic poet, gazed over London and claimed "Earth has not...

Grand Hotel Abyss: The Lives of the Frankfurt School
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This brilliant group biography asks who were the Frankfurt School and why they matter today In 1923,...

Heather Cranmer (2721 KP) created a post
Feb 6, 2021 (Updated Feb 6, 2021)

Alex Kapranos recommended Greek Music From The Underground by Various in Music (curated)

Bob Mann (459 KP) rated The Dig (2021) in Movies
Jan 31, 2021
Against this backdrop there is a critical illness emerging, a son (Archie Barnes) and his attachment to the father figure of Brown and a potential romance between Rory and archaeologist Peggy Piggott, trapped in a loveless marriage.
Talent:
Starring: Carey Mulligan, Ralph Fiennes, Johnny Flynn, Lily James, Archie Barnes, Ken Stott, Monica Donlan.
Directed by: Simon Stone.
Written by: Moira Buffini (from the novel by John Preston).
Bullet points of my thoughts:
+ Superb acting by Mulligan and Fiennes – Oscar noms for both?
+ Young Archie Barnes impresses as the son Robert
+ Cinematography by Mike Eley shows the open Suffolk skies at their best
+ Based on fact, a fascinating historical record of the real excitement of uncovering the past
o The script deftly melds the archeology with the love story subplot: but was the latter really necessary?
– Curious “man heavy” script, replacing some of the historical female characters with men and making Peggy Piggott (Lily James) a bit of a klutz
– Asynchronous editing decision I found to be distracting and unnecessary.
For my full review, please see the video at https://youtu.be/m8Ad8B8dkSY .

LeftSideCut (3776 KP) rated The Man Who Killed Hitler and Then the Bigfoot (2018) in Movies
Dec 9, 2020
The film focuses on the life of Calvin Barr, an old man portrayed by Sam Elliott. He's a guy who's lonely, seen some shit in his time, and feeling his age until one day, he's approached by the government to hunt and kill the legendary Bigfoot, and put a stop to a potential world ending plague. Calvin is a bit of a legendary creature himself, having served in WWII, and is said to have killed Hitler himself before it was covered up, and his immunity to this killer plague makes him the perfect candidate.
This quirky other wordly narrative is quite a jarring contrast to the otherwise grounded drama that makes up the rest of the plot. Flashbacks tell of Calvin's life before the war, and how he met the woman he wanted to marry. It's essentially a love story, that veers into bonkers territory at the flick of a switch.
Somehow though, it all works really well. The screenplay is top notch and gives us some engaging characters with a great cast. Sam Elliott has the grizzled old man role down to a tee by now. Aidan Turner plays the younger Calvin, and the relationship between him and Caitlin Fitzgerald's character is believable and touching. Larry Miller also stars as Calvin's brother and the two of them also have decent chemistry.
This movie is overflowing with gorgeous shots. The last third especially is a visual feast, and it's all complimented by a wonderful score, courtesy of Joe Kraemer.
If you're looking for a schlocky bad-good film suggested by the title then you're in the wrong place. This is a charming and quirky character drama with sprinkles of a creature feature, and I can fully see why some might not get on with it, but for me, it just works.

The Crisis of Multiculturalism in Europe: A History
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A history of modern European cultural pluralism, its current crisis, and its uncertain future In...
Politics social issues