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Gareth von Kallenbach (980 KP) rated Inglourious Basterds (2009) in Movies

Aug 9, 2019

Should we be allowed to laugh at brutality? Is there room for comedy in a film about the Second World War? These are just some of the questions Quentin Tarantino’s latest film “Inglorious Bastards” is sure to bring to mind.

“Inglorious Bastards” is composed of two intertwined stories broken into chapters combining fictitious and factual historic events. The two stories, the tragic tale of orphaned Jewish girl Shosanna (Mélanie Laurent) and that of an oddly funny group of American soldiers, called “the Bastards”, create introspections into the meaning of glory, destruction, and propaganda.

Familiar faces are scattered throughout the film from creator of “the Office” B.J. Norvak to “Austin Powers“ star Mike Myers. The standout performance of Lieutenant Aldo Raine, played by the always-evolving Brad Pitt, is both comical and clever and the role of Nazi Colonel Hans Landa, Christoph Waltz, is so evil that, within the scope of the film, he some how manages to overshadow Hitler.

While the film is visually graphic, it is the ideas of violence rather than explicit visuals that litter the film. These violent scenes, from scalping to strangulation, are more dramatic than visually accurate.

The film did drag in parts such, as the dark Cinderella-like bar scene, and there was definitely room for further character development for “the Bastards”, yet the sly structure of the film shatters these minor faults but keeping viewers completely invested in the plotline.

“Inglorious Bastards” mixes classic film elements with techniques hauntingly David Lynch in style. From elements of television westerns to the hauntingly familiar sound of David Bowie, Tarintino has created a new way of looking at the past, all while using a time generally perceived as too awful to mention as a background for laughter.

Twisted, tortured, glorious and not “Inglorious Bastards” delivers as a film bound to become classic Tarantino. Fans will be elated and those who oppose the film’s adult themes will not walk away without at least thinking about the meaning of this one-of-kind feature.

Kudos

Phil Leader (619 KP) rated The Daylight War (The Demon Cycle #3) in Books

Nov 12, 2019

The Daylight War is the 3rd installment in the Demonwar Cycle by Peter V. Brett. It concerns a world (strongly hinted to be a future version of ours) that is plagued every night by demons that rise from the ground to kill the human population.

In the previous book (The Desert Spear) the rise of Jardir and his attempt to unite the humans by force was described, as was the continuing story of Arlen Bales, Leesha Paper and Roger Inn, the other major players in the story.

This book follows on immediately from the previous book. At the next new moon the demon princes are going to arrive in an attempt to destroy both Jardir and Arlen (both believed by many to be the fabled Deliverer) and both must prepare for the coming.

Most of the story follows Arlen and the people of Cutter's Hollow in their preparations for the next new moon. It also follows the return of Leesha and Roger to Cutter's Hollow following their journey to Everam's Bounty to stay with Jardir, and the many different threads that arise from that encounter and their return home.

As with the previous books the focus is on the characters involved, their interactions and personalities. Even more of the supporting cast is explored, with the main inhabitants of Cutter's Hollow and Jardir's inner circle becoming familiar to the reader. Conflicts and secrets between the characters abound with old feuds settled.

Again the writing is sublime with the descriptions and personalities of the characters a particular highlight. The scenes fighting demons are well written and Brett seems to have worked hard to produce something different in each one so they are never dull or predictable. The ending is brilliant and there are plenty of threads to pick up in the next installment.

Definitely recommended, but have patience it is a very long book.