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Sensitivemuse (246 KP) rated Silence for the Dead in Books
Mar 29, 2018
Good ghost story, slow dragged out ending
Anything to do with a horror ghost theme and an asylum has to be good right? Well, yes and no. The book was somewhat enjoyable to read but it had its’ moments.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.
The plot itself was good. It had the elements of a good gothic theme - not scary enough to make people read it in daytime (seriously?) but it had some good decent creep factor in it. It’s enough to set the mood and theme of the book but nothing to make the skin crawl. The element of mystery was also there and the ghost story aspect was good - nothing to blind side you - except perhaps for a little twist in the end (with where the ghost was and who was it manipulating etc etc). It’s pretty much a stable plot with all the main points closed (or is it? *queue creepy organ music*) so I’d have to say the gothic ghost story was what was in it for me.
Character wise. Kitty is likable. She’s resourceful, and a survivor from horrible abuse. Big applause for her for being strong and able to stand up and survive through various ordeals. Captain Mabry stood out for me because I enjoyed reading about his character. He seemed to be the strong stable silent type in the asylum where you have various patients with various issues (most were casualties of World War One) and there was a certain calmness about him that made him likable.
It’s pretty much obvious Kitty and Jack were to be together. The romance aspect in the book was all right. Necessary? I’m not sure perhaps. It’s not really for me. When their romance was more cemented was where the book was starting to take a slight turn downhill.
So near the ending when everything was revealed, all plot holes start to close. Sometimes, depending on the writing, you can stretch it out and make it interesting. Or you can make it drag. This one, unfortunately drags. We’re done with the ghosts, everything was answered, and the last 30 pages or so I just wanted the book to end. The romance of Kitty and Jack intensify and this is where intense eye rolling is also induced. Dear Lord, am I reading this just to see if there’s a scary twist at the end? Or am I wasting my time? Well sadly, I wasted my time. It was good to see what happened to characters like Mabry, and even Matron, but it just dragged way too much. Yeah okay we get it Kitty and Jack forever. Why do we need so many pages of this, am I suddenly reading a romance now?
Other than the ghost story in this book, the romance nearly killed it for me and a dragged out ending. Perhaps a nice twist in the ending would be nice. Or maybe skim the 30 pages and be done. I would say take it or leave it with this book. It was moderately enjoyable for me.

Primal Incinerators Of Moral Matrix by Tetragrammacide
Album Watch
IRON BONEHEAD PRODUCTIONS is proud to present TETRAGRAMMACIDE's massively anticipated debut album,...
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Movie Metropolis (309 KP) rated The Hunger Games: Mockingjay - Part 1 (2014) in Movies
Jun 10, 2019
Too slow in parts
The Hunger Games series has become something of a worldwide phenomenon over the last few years, with over $1bn in takings between two films, success is a bit of an understatement.
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/
A year after the critically acclaimed Catching Fire, director Francis Lawrence returns with the first part of Suzanne Collins’ underwhelming finale – Mockingjay, but can it continue with the series’ success and improve on the lacklustre novel?
Partially is the short answer. Lawrence continues to provide a slick environment in which the film resides and commands the best from the actors, but severe pacing issues occasionally stop the movie dead in its tracks.
Mockingjay begins just hours after the end of the second film with Jennifer Lawrence becoming a completely deflated Katniss Everdeen when she realises that Peeta wasn’t rescued with her in the arena.
She is now hiding out in District 13, along with a host of familiar faces including Elizabeth Banks’ brilliant Effie Trinket who provides the majority of the film’s comedic moments – though these are few and far between this time around. The late Philip Seymour Hoffman also returns as Plutarch Heavensbee and completely commands the screen in every scene.
However, the standout performance doesn’t belong to one of the old favourites. Julianne Moore enters the series as President Alma Coin and is a complete joy, her warm yet steely persona is engaging and mesmerising and her character promises to be even more intriguing in the next instalment.
It’s also nice to see Liam Hemsworth take on a more central role as Gale, which leaves Josh Hutcherson’s whiny Peeta very much in the background.
The film centres around the creation of numerous propaganda videos, each designed to threaten the Capitol and President Snow, played by such a convincing Donald Sutherland you actually believe he is evil, made by the rebellion to show they are fighting back.
The lack of a games for a focus point could’ve had a huge impact on this film’s popularity, but Francis Lawrence gets around the lack of them with style and flair, blending truly horrific images of war with those of running water, forests and wild animals – all the while showing us how even in the darkest of times, there is beauty in this world.
Moreover, the special effects have once again been stepped up a gear. The onslaught of the Capitol’s bombers is realised beautifully and really drives home how brutal this film can be in parts. It is the first in the series where its 12A certification may have been slightly too lenient, with images of Snow’s increasing brutality proving a shock to the system.
Unfortunately, the decision to split Collins’ last novel into two films was a controversial one which hasn’t paid off. The pacing of the film is appalling and some of the worst I’ve seen. You can fill a 2 hour runtime with as much beautiful scenery as you like, but if there isn’t enough action to counterbalance it, you end up with something that feels a little hollow.
The story simply isn’t there and we spend the majority of the film watching Katniss recoil in shock at seeing Peeta in the Capitol and wandering around the different districts aimlessly, searching for more atrocities to become angry at.
Mercifully, there is one scene towards the climax which rivals Gareth Edward’s Godzilla for the most eerily quiet and exquisitely shot action sequence of the year – see if you can spot it.
Overall, Mockingjay: Part 1 is a decent film if not quite to the standard of last year’s Catching Fire. The decision to create two films has destroyed the series’ pacing and reeks of money grabbing.
However, stunning performances from all the actors, in particular Julianne Moore and Donald Sutherland ensure that fans of the series will be dying to see the next instalment in a year’s time.
https://moviemetropolis.net/2014/11/22/too-slow-in-parts-mockingjay-part-1-review/

Gareth von Kallenbach (980 KP) rated Thor: Ragnarok (2017) in Movies
Jun 19, 2019
One of the biggest challenges with an ongoing series is crafting a story that is on par or better than the prior offering and that the characters continue to grow so audiences do not get a rehash of what they have seen before.
With “Thor Ragnarok” Chris Hemsworth has returned for his third solo outing, and fifth outing overall as the heroic Asgardian warrior Thor.
This time out Thor is on his quest to track down the Infinity Stones and finds himself plagued by visions of Ragnarok: a legend detailing the fiery destruction of his home of Asgard.
With an action laden opening, Thor believes he has ended the threat and returns home to find his father Odin (Sir Anthony Hopkins), has been sent to Earth and his evil brother Loki (Tom Hiddleston) assuming his place.
Thor ventures to Earth with his brother which sets a series of events into motion, the result of which unleashes the long imprisoned Hela (Cate Blanchett), who plans the subjugation of Thor and Asgard. Naturally Thor is not going to put up with this, but finds himself mid battle knocked out of his transit home and on a remote world called Sakaar.
As if being stranded far from home is not enough of a challenge, Thor is forced to become a gladiator for the erratic Grandmaster (Jeff Goldblum), whom Loki has managed to charm and become a part of his inner circle.
As fate has it, Thor becomes matched with The Hulk (Mark Ruffalo), and must find a way to survive and make his way home before Hella can destroy all that he holds precious.
The film is the best of the Thor films and it is engaging from start to finish. There is a significant amount of humor in the film but it does not feel forced and is very appropriate to many of the scenes. The film also has plenty of action and the blend between comedy and action is deftly handed by Director TaiKa Waititi who never lets the film become a parody of itself nor take itself too seriously at times. He knows when there is a time to laugh and when there is a time to be deathly serious.
This allows for a deeper and more enjoyable and engaging Thor than has been previously seen. He is not as one-dimensional as he has been in the past as the strong, quick to anger muscle that I would love to see explored in further outings.
I had worried from the trailers that the movie might be more of a video game as it seemed heavily dependent on retro style CGI and camp humor which made it seem like something out of the 80s. While there are elements of that, the film mixes the old and new to create one of the most authentic and enjoyable comic adaptations seen to date. It continues the winning formula of Marvel Studios and of course, sets up the next outing for Thor in “Avengers: Infinity War” as well as the larger Marvel Universe as we a whole. The film also has some great cameos and I am curious to see how the addition of the newly introduced characters will be explored down the road. The return of Hiddleston was also a real treat as he is so good as the mercurial but always sly and dangerous Loki that he commands your complete attention every time he appears on screen.
Marvel has once again set very high standards for comic based movies and has again delivered another winner that you will not want to miss.
http://sknr.net/2017/11/01/thor-ragnarok-2/
With “Thor Ragnarok” Chris Hemsworth has returned for his third solo outing, and fifth outing overall as the heroic Asgardian warrior Thor.
This time out Thor is on his quest to track down the Infinity Stones and finds himself plagued by visions of Ragnarok: a legend detailing the fiery destruction of his home of Asgard.
With an action laden opening, Thor believes he has ended the threat and returns home to find his father Odin (Sir Anthony Hopkins), has been sent to Earth and his evil brother Loki (Tom Hiddleston) assuming his place.
Thor ventures to Earth with his brother which sets a series of events into motion, the result of which unleashes the long imprisoned Hela (Cate Blanchett), who plans the subjugation of Thor and Asgard. Naturally Thor is not going to put up with this, but finds himself mid battle knocked out of his transit home and on a remote world called Sakaar.
As if being stranded far from home is not enough of a challenge, Thor is forced to become a gladiator for the erratic Grandmaster (Jeff Goldblum), whom Loki has managed to charm and become a part of his inner circle.
As fate has it, Thor becomes matched with The Hulk (Mark Ruffalo), and must find a way to survive and make his way home before Hella can destroy all that he holds precious.
The film is the best of the Thor films and it is engaging from start to finish. There is a significant amount of humor in the film but it does not feel forced and is very appropriate to many of the scenes. The film also has plenty of action and the blend between comedy and action is deftly handed by Director TaiKa Waititi who never lets the film become a parody of itself nor take itself too seriously at times. He knows when there is a time to laugh and when there is a time to be deathly serious.
This allows for a deeper and more enjoyable and engaging Thor than has been previously seen. He is not as one-dimensional as he has been in the past as the strong, quick to anger muscle that I would love to see explored in further outings.
I had worried from the trailers that the movie might be more of a video game as it seemed heavily dependent on retro style CGI and camp humor which made it seem like something out of the 80s. While there are elements of that, the film mixes the old and new to create one of the most authentic and enjoyable comic adaptations seen to date. It continues the winning formula of Marvel Studios and of course, sets up the next outing for Thor in “Avengers: Infinity War” as well as the larger Marvel Universe as we a whole. The film also has some great cameos and I am curious to see how the addition of the newly introduced characters will be explored down the road. The return of Hiddleston was also a real treat as he is so good as the mercurial but always sly and dangerous Loki that he commands your complete attention every time he appears on screen.
Marvel has once again set very high standards for comic based movies and has again delivered another winner that you will not want to miss.
http://sknr.net/2017/11/01/thor-ragnarok-2/

Dana (24 KP) rated The Winner's Kiss in Books
Mar 23, 2018
So my rating for this is actually a 3.5 stars instead of a 4 stars, but I rounded up. Oh and there will be spoilers in this review, so you have been warned.
This was an okay ending for the series-it wasn't bad but it wasn't bad either.
The characters got whiny and I only understood some of their motivations for what they did. Kestrel and Arin were very angsty throughout the series, and they did not disappoint in this book either.
I understand Kestrel had to forget herself in the work camp to be able to survive the camp and to become a better person afterwards, but to me, it was kinda pointless. Yes, she gets to start a new relationship with Arin and everyone else, but it seemed like a cover for the story to be able to go on without as many hitches. She was still able to retain some of herself, but most of her memories were gone? That just didn't make much sense to me. With that, how would she remember how to play the games so well if her mind was gone? I'm pretty sure that war strategy doesn't stay with you longer than your core memories, but hey, that's just my opinion. Another convenient thing that came with Kestrel's memory loss was that some of the previous novels' subplots were not touched on because she couldn't remember them. Again, not really my favorite thing in the world when it comes to writing.
Because of these couple of things, I did see quite a few plot holes that were too big for me not to notice.
I liked Arin the tiger. I want a tiger friend because that would be awesome.
I also really liked the clever way Kestrel took down the emperor. That was a brilliant move and I was actually really worried for her when I was reading that part of the book.
Overall, it was paced quite well, it was a very quick read, but there were plot and characterization problems that kept me from absolutely loving it. I am glad that I finished reading this series and that I waited to be able to binge read them all in one summer, but it was also kind of a let down from what I had expected.
If you like books with interesting concepts, lands, and politics, definitely pick this series up because, like I said before, I didn't dislike it! Not by a long shot!
This was an okay ending for the series-it wasn't bad but it wasn't bad either.
The characters got whiny and I only understood some of their motivations for what they did. Kestrel and Arin were very angsty throughout the series, and they did not disappoint in this book either.
I understand Kestrel had to forget herself in the work camp to be able to survive the camp and to become a better person afterwards, but to me, it was kinda pointless. Yes, she gets to start a new relationship with Arin and everyone else, but it seemed like a cover for the story to be able to go on without as many hitches. She was still able to retain some of herself, but most of her memories were gone? That just didn't make much sense to me. With that, how would she remember how to play the games so well if her mind was gone? I'm pretty sure that war strategy doesn't stay with you longer than your core memories, but hey, that's just my opinion. Another convenient thing that came with Kestrel's memory loss was that some of the previous novels' subplots were not touched on because she couldn't remember them. Again, not really my favorite thing in the world when it comes to writing.
Because of these couple of things, I did see quite a few plot holes that were too big for me not to notice.
I liked Arin the tiger. I want a tiger friend because that would be awesome.
I also really liked the clever way Kestrel took down the emperor. That was a brilliant move and I was actually really worried for her when I was reading that part of the book.
Overall, it was paced quite well, it was a very quick read, but there were plot and characterization problems that kept me from absolutely loving it. I am glad that I finished reading this series and that I waited to be able to binge read them all in one summer, but it was also kind of a let down from what I had expected.
If you like books with interesting concepts, lands, and politics, definitely pick this series up because, like I said before, I didn't dislike it! Not by a long shot!

Nicole Hadley (380 KP) rated The Banana-Leaf Ball: How Play Can Change the World in Books
Jun 18, 2018
The Banana-Leaf Ball by Katie Smith Milway is book is based on a real refuge camp in East Africa and a boy whose life got better when the sport of soccer was introduced to the children. The coaches from the organization Right to Play taught kids how to get along by playing together.
The main character, Deo Rukundo, an East African boy is forced to flee his home because of a war in his country. He ends up separated from his family and keeps running deep into the forest for safety. After many weeks where he lives on dew drops, wild fruits and leaves he finds his way to a refugee camp in Northwest Tanzania. Frightened, homesick and alone, he prays for the well-being of the rest of his family.
With little resources in the refugee camp bullies emerge and vandalize those living there. They steal and intimidate everyone and they especially target Deo. Remy the gang leader is menacing and poses threats to all those he encounters.
One day a coach arrives and gathers up the children to play a game of soccer. He hesitates about joining in the game but his excitement overcomes him and he touts his excellent soccer skills in front of the coach. Very impressed, the coach makes Deo captain of the "shirts" team. As the game progresses brand new feelings of comradery and acceptance emerge from the players as they work together as a team to score that winning goal. The kids start to laugh, forget their worries and relax. They area transformed into" kids" once again.
In the following days the kids gather at Deo's house and he teaches them his soccer moves and how to make a ball out of dried banana leaves. Most importantly they open up to each other about their feelings and share their experiences both before refugee camp and the life they are living now.
This book is based upon a true story. It is heartwarming and inspiring. It points out that truly frightening, seemingly hopeless situations can indeed be turned around into something positive and bearable for those caught in such tragic circumstances.
The book is a perfect catalyst to get kids talking about others less fortunate and the social justice issues that surround refugees all over the world. It allows them to discuss the handling of bullies and the value of sports, teamwork, sharing with each other and acceptance.
I received this ARC book from Kids Can press via NetGalley in exchange for an honest review.
The main character, Deo Rukundo, an East African boy is forced to flee his home because of a war in his country. He ends up separated from his family and keeps running deep into the forest for safety. After many weeks where he lives on dew drops, wild fruits and leaves he finds his way to a refugee camp in Northwest Tanzania. Frightened, homesick and alone, he prays for the well-being of the rest of his family.
With little resources in the refugee camp bullies emerge and vandalize those living there. They steal and intimidate everyone and they especially target Deo. Remy the gang leader is menacing and poses threats to all those he encounters.
One day a coach arrives and gathers up the children to play a game of soccer. He hesitates about joining in the game but his excitement overcomes him and he touts his excellent soccer skills in front of the coach. Very impressed, the coach makes Deo captain of the "shirts" team. As the game progresses brand new feelings of comradery and acceptance emerge from the players as they work together as a team to score that winning goal. The kids start to laugh, forget their worries and relax. They area transformed into" kids" once again.
In the following days the kids gather at Deo's house and he teaches them his soccer moves and how to make a ball out of dried banana leaves. Most importantly they open up to each other about their feelings and share their experiences both before refugee camp and the life they are living now.
This book is based upon a true story. It is heartwarming and inspiring. It points out that truly frightening, seemingly hopeless situations can indeed be turned around into something positive and bearable for those caught in such tragic circumstances.
The book is a perfect catalyst to get kids talking about others less fortunate and the social justice issues that surround refugees all over the world. It allows them to discuss the handling of bullies and the value of sports, teamwork, sharing with each other and acceptance.
I received this ARC book from Kids Can press via NetGalley in exchange for an honest review.

ClareR (5854 KP) rated The Women at Hitler’s Table in Books
Dec 3, 2019
Even though The Women at Hitler’s Table doesn’t feature an appearance by Hitler himself, it is very much about Hitler’s Germany and how his paranoia directly affected the women who were forced into becoming his food tasters. 1943 saw a shift in the Second World War, the Allies and Russia began to take the upper hand, and Hitler saw assassination plots around every corner (he wasn’t far wrong, but it was generally instigated by his own side).
Rosa Sauer moves from Berlin to live with her husbands parents in the countryside, to escape the bombs that killed her parents. However, in doing so she draws attention to herself and ends up being ‘enlisted’ by the SS as one of the female food tasters at the Wolfschanze (Wolfs Lair). In some ways this is a privileged position - food is scarce and people are starving. Rosa and her fellow food tasters are guaranteed regular food, but each meal could be their last. They have no choice but to eat: SS guards watch their every mouthful. Some of the women are Hitler loyalists and see it as an honour to do this, whilst others (Rosa included) aren’t as keen. Rosa is beginning to see the cracks in the regime, and in fact has disagreed with the party’s politics for a long time. But she has chosen not to do or say anything - as many people did.
This book looks at what life was like for the ordinary Germans. Their loves, loyalties, secrets and the fear for both their present circumstances and their futures. This isn’t a comfortable read. It looks at some very unsettling subjects, and the fear of the women is palpable. I think the story would have stood up well without the romance element, but I’m sure some would disagree with me and would enjoy that aspect more.
I really liked the links with real historical figures: Claus Von Stauffenberg, some local nobility and a real food taster that the story was based on (Margot Wölk). I also liked the style in which this was written. It was dark, subdued, much like how I imagine the country felt as a whole at this point. I really did enjoy this book - it was an interesting and new angle to look at a period in history which we all feel that we know a lot about. Just when you thought you’d seen it all, Hitler’s female food tasters make their appearance....
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review.
Rosa Sauer moves from Berlin to live with her husbands parents in the countryside, to escape the bombs that killed her parents. However, in doing so she draws attention to herself and ends up being ‘enlisted’ by the SS as one of the female food tasters at the Wolfschanze (Wolfs Lair). In some ways this is a privileged position - food is scarce and people are starving. Rosa and her fellow food tasters are guaranteed regular food, but each meal could be their last. They have no choice but to eat: SS guards watch their every mouthful. Some of the women are Hitler loyalists and see it as an honour to do this, whilst others (Rosa included) aren’t as keen. Rosa is beginning to see the cracks in the regime, and in fact has disagreed with the party’s politics for a long time. But she has chosen not to do or say anything - as many people did.
This book looks at what life was like for the ordinary Germans. Their loves, loyalties, secrets and the fear for both their present circumstances and their futures. This isn’t a comfortable read. It looks at some very unsettling subjects, and the fear of the women is palpable. I think the story would have stood up well without the romance element, but I’m sure some would disagree with me and would enjoy that aspect more.
I really liked the links with real historical figures: Claus Von Stauffenberg, some local nobility and a real food taster that the story was based on (Margot Wölk). I also liked the style in which this was written. It was dark, subdued, much like how I imagine the country felt as a whole at this point. I really did enjoy this book - it was an interesting and new angle to look at a period in history which we all feel that we know a lot about. Just when you thought you’d seen it all, Hitler’s female food tasters make their appearance....
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review.

Gareth von Kallenbach (980 KP) rated How to Train Your Dragon 2 (2014) in Movies
Aug 6, 2019
In 2010, the most unlikely Viking proved that dragons and humans can co-exist in the first How To Train Your Dragon film. Set five years after the original movie, How to Train Your Dragon 2 opens up on the Village of Berk where Vikings and dragons have developed a fond relationship. Hiccup (Jay Baruchel), the nerdy chieftain’s son, is now a few years older and has made himself a winged suit and spends his days soaring the skies with his beloved dragon, Toothless. This film brings together the original gang of friends, Astrid (America Ferrera), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), and twins Ruffnut and Tuffnut (Kristen Wiig and TJ Miller). Still at odds with his expectations, Hiccup’s father Stoick (Gerard Butler) demands that he begins the preparations and training to follow in his footsteps and become chief of their Village. This is not the future Hiccup sees for himself, he and Toothless flee the Village and explore the world and stumble upon a cave full of dragons and encounter a Mysterious Dragon Rider (Cate Blanchett), with a similar affinity for dragons. Hiccup has realized that war still exists between dragons and men beyond the borders of his Village. He attempts to negotiate peace with dragon-hunter Drago (Djimon Hounsou), who is threatening to invade the village with his army.
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….

Ivana A. | Diary of Difference (1171 KP) rated The Museum of Broken Promises in Books
Apr 20, 2020
I am so excited to be part of the Book Buzz for The Museum of Broken Promises by Elizabeth Buchan. This lovely book is out on 02nd April, so don’t forget to grab your copy!
This book is quite emotional and heart-breaking from the very beginning until the very end. Based in Europe, in two timelines between now and 1985, we are witnesses to cold war, politics, fight for freedom and an extraordinary love story.
Today, Laure is living in Paris and she owns The Museum of Broken Promises - a place of wonder and sadness. Every object in the museum has been donated and each represents a moment of grief or terrible betrayal. Laure also has hidden objects of her own in there, from her own youth.
Back in 1985, Laure is in Prague, running away after her dad suddenly passes away. But her life here is very confusing. She is struggling to comprehend the dark politics that are taking over the city. But then she meets a young musician. And her love for him is forbidden and causes trouble and terrible consequences.
It is only years after having created the museum that Laure can finally come to terms with her past and celebrate the love she is feeling!
My Thoughts:
This is a very emotional book and I have learned that I need to be in a certain mood in order to be able to fully appreciate it. This is one of those books that leaves a tiny mark in your heart that you will always carry with you.
The story is amazing, we are witnessing a great life full of memories and stories of love, fight for freedom, betrayals, fears, ups and downs. It is so realistic that will make you shiver at times.
I have to admit, I found myself slightly confused at the beginning, trying to figure out which timeline I am currently in, but after a few chapters, I am able to make a difference and get a clearer picture of the story.
I loved the idea of this Museum of Broken Promises. It made me think of what object I could maybe leave there to represent my grief.
I have to admit, I didn’t truly connect with Laure as a main character. She seemed too closed in her own world and her sharing her story in the way that she did was very contradicting to me.
I loved Tomas though. He was my absolute favourite, the hero of this book.
This book is quite emotional and heart-breaking from the very beginning until the very end. Based in Europe, in two timelines between now and 1985, we are witnesses to cold war, politics, fight for freedom and an extraordinary love story.
Today, Laure is living in Paris and she owns The Museum of Broken Promises - a place of wonder and sadness. Every object in the museum has been donated and each represents a moment of grief or terrible betrayal. Laure also has hidden objects of her own in there, from her own youth.
Back in 1985, Laure is in Prague, running away after her dad suddenly passes away. But her life here is very confusing. She is struggling to comprehend the dark politics that are taking over the city. But then she meets a young musician. And her love for him is forbidden and causes trouble and terrible consequences.
It is only years after having created the museum that Laure can finally come to terms with her past and celebrate the love she is feeling!
My Thoughts:
This is a very emotional book and I have learned that I need to be in a certain mood in order to be able to fully appreciate it. This is one of those books that leaves a tiny mark in your heart that you will always carry with you.
The story is amazing, we are witnessing a great life full of memories and stories of love, fight for freedom, betrayals, fears, ups and downs. It is so realistic that will make you shiver at times.
I have to admit, I found myself slightly confused at the beginning, trying to figure out which timeline I am currently in, but after a few chapters, I am able to make a difference and get a clearer picture of the story.
I loved the idea of this Museum of Broken Promises. It made me think of what object I could maybe leave there to represent my grief.
I have to admit, I didn’t truly connect with Laure as a main character. She seemed too closed in her own world and her sharing her story in the way that she did was very contradicting to me.
I loved Tomas though. He was my absolute favourite, the hero of this book.
SL
Sous Les Ordres de Rommel: Des Deserts D'Afrique Du Nord Aux Plages de Normandie
Hans Holler and Markus Reisner
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In this extraordinary autobiography by Hans Holler, an Austrian born in 1921 near Wiener Neustadt,...