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Taut Lines: Extraordinary True Fishing Stories
Book
Since the earliest writings of civilization, people have been writing about fish and the pursuit of...
Terminator Genisys: Guardian
Games and Entertainment
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The year is 2028 and humanity is on the brink of extinction. Help John Connor in the war to save...
Studs Lonigan
Book
This Library of America volume contains one of the masterpieces of American naturalism and a major...
CARS MOD FOR MINECRAFT PC GAME
Catalogs and Utilities
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ADD CARS, PLANES, BOATS, DIRT BIKE, AND MORE TO MINECRAFT! This is one of the best car mods which...
Bob Mann (459 KP) rated The Courier (2020) in Movies
Aug 16, 2021
Cumberbatch is brilliant. (1 more)
Great real life history lesson
A peerless Cumberbatch and a miscast Buckley.
It's not to be confused with the Olga Kurylenko / Gary Oldman 2019 movie of the same title. But with a fresh Berlin current-day Russian spy scandal in the news this week, seeing the cold war spy drama "The Courier" is a timely thing to do.
Positives:
- Benedict Cumberbatch is outstandingly good in this. He could have been born to play the slightly bemused English gentlemen of the time. All golf, tweed suits and gentlemen's clubs. No spoilers, but there is a physical transformation as well that's impressive to observe. The film would have been decidedly so-so I think without that core central performance.
- The film is based on a true story. As someone who was born in 1961, it's a good reminder to count our blessings that you, me and everyone else are still around to live our lives at all. The world was on the brink of a precipice and learning the story of Wynne's part in this was insightful history.
- There's a nice catchy Russian-themed score by Abel Korzeniowski.
Negatives:
- I'm a big fan of Jessie Buckley. Really, I am. And to be fair to her, her performance is really good. I particularly liked a scene where she dismissed on the doorstep a local busybody. But I just didn't see her as Wynne's pearl-neckless-wearing wife in this part. Perhaps the problem is that although there's a 13 year age gap between the leads, I always imagine Buckley as being much younger that her 31 years. For whatever reason, the casting didn't work for me.
Summary Thoughts on "The Courier": As a true-life spy story, the movie is interesting and Cumberbatch's performance is brilliant. But I can't say that I was 100% grabbed by it. While having a few moments of high drama and tension - particularly one on a plane - I never felt that to be maintained for enough of the movie. Director Dominic Cooke has a limited filmography (with the Saoirse Ronan movie "On Chesil Beach" being his only other feature) and writer Tom O'Connor is the guy behind the more flippant "Hitman's Bodyguard" films. Perhaps a more experienced writer/director team would have elevated this to a higher level.
So it's eminently watchable but not memorable. Just a marginal hit in my book.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Positives:
- Benedict Cumberbatch is outstandingly good in this. He could have been born to play the slightly bemused English gentlemen of the time. All golf, tweed suits and gentlemen's clubs. No spoilers, but there is a physical transformation as well that's impressive to observe. The film would have been decidedly so-so I think without that core central performance.
- The film is based on a true story. As someone who was born in 1961, it's a good reminder to count our blessings that you, me and everyone else are still around to live our lives at all. The world was on the brink of a precipice and learning the story of Wynne's part in this was insightful history.
- There's a nice catchy Russian-themed score by Abel Korzeniowski.
Negatives:
- I'm a big fan of Jessie Buckley. Really, I am. And to be fair to her, her performance is really good. I particularly liked a scene where she dismissed on the doorstep a local busybody. But I just didn't see her as Wynne's pearl-neckless-wearing wife in this part. Perhaps the problem is that although there's a 13 year age gap between the leads, I always imagine Buckley as being much younger that her 31 years. For whatever reason, the casting didn't work for me.
Summary Thoughts on "The Courier": As a true-life spy story, the movie is interesting and Cumberbatch's performance is brilliant. But I can't say that I was 100% grabbed by it. While having a few moments of high drama and tension - particularly one on a plane - I never felt that to be maintained for enough of the movie. Director Dominic Cooke has a limited filmography (with the Saoirse Ronan movie "On Chesil Beach" being his only other feature) and writer Tom O'Connor is the guy behind the more flippant "Hitman's Bodyguard" films. Perhaps a more experienced writer/director team would have elevated this to a higher level.
So it's eminently watchable but not memorable. Just a marginal hit in my book.
(For the full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks.)
Merissa (12687 KP) rated Half a Soul (Regency Faerie Tales #1) by Olivia Atwater in Books
May 26, 2022 (Updated Jun 13, 2023)
HALF A SOUL is the first book in the Regency Faerie Tales and I honestly can't wait to read more. This was a gentle story with some harsh life lessons for our main character when she learns what war and workhouses are really like in a world where magic exists.
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022
She -- Dora -- sees life through a slightly skewed lens as it is, being a Faerie Lord stole half her soul when she was only a child. Since then, she struggles to feel emotions, apart from "long-tailed ones". Her cousin, Vanessa, is the only warmth in her life and she will do all she can to please her. This includes going to London, although Dora isn't sure if she is going to help Vanessa's chances of finding a husband, or if she is going because of Vanessa's scheme to cure Dora. Either way, they end up in London, with the ton, and Dora has her own adventures whilst Vanessa is at the mercy of the matchmaking mothers.
I found Dora to be a heart-warming character who is aware of her own 'strangeness' but tries her best to fit in to please her cousin. I loved how she was truthful and direct, at a time when it was not fashionable to be so. Elias was the perfect foil for her. She didn't accept his rudeness or be put off by his temper, simply because she wasn't affected by it. Albert, and his mother, Lady Caraway, were jewels in this book and I loved every scene they were in. I was so happy for him!
Rightly or wrongly, I enjoy historical fiction as it is written. I have no idea if the dip of the neckline or the length of the hem is one hundred per cent accurate, and I don't really care. And if it is historically incorrect, so what? So long as the story fits together, and the inconsistencies remain the same throughout (now there's an oxymoron for you), that's all that concerns me.
I loved this story as it guided me along, all coming together nicely at the end. The epilogue was perfect. I sincerely hope to see more of this couple in future books. A fantastic start to a new series by a new-to-me author and absolutely recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 26, 2022
A Bibliophagist (113 KP) rated Scythe (Arc of a Scythe #1) in Books
Jan 27, 2020
Well written (3 more)
Unique plot
Less YA tropes
No teen angst and romance
Not your typical YA
I approached this book with little expectation. I saw it cluttering up my feed on Instagram and being posted by everyone. I liked the cover (I'm a sucker for good covers and any YA without a photo manipulated monstrosity catches my eye). However every time I picked it up in the store and read the back and I just wasn't interested.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
BobbiesDustyPages (1259 KP) rated American Gods in Books
Aug 30, 2017
I could live in this book
Contains spoilers, click to show
Short and to the point:
From start to finish I just did not want to put down American Gods, I just always really enjoy Gaiman's writing style he manages to create a world within a world that just feels so effortless and downright real. Their are so many amazing characters and most of them I just wanted more of, also with the amount of character we have we really get something that we never do and that is people of color represented and it is WONDERFUL .This is one of those few books that as soon as I was finished I wanted to turn it over and start reading again.
Characters:
Shadow Moon - I could wax poetics about Shadow, he was quiet and kind of dry and usually that would have me think a character is kind of boring but just not with Shadow he drew me and made me fall in love. It was a so a happy surprise to have a main protagonist who is a person of color which is something that is need so much nowadays.
Laura – I really loved how Laura was handled, most characters who died the way she did would have been either thrown aside or made to be hated but that is not the case here, I love how she helps Shadow and her love for him really comes through but also that we do see her as her own person.
Mr. Wednesday - What can I say about Wednesday besides from the moment you meet him I don't trust him but like Shadow I can't help what wanting to follow him where he's taking me.
The Gods - even though there are a lot and I mean a lot of characters throughout the book I found myself never feeling overwhelmed by them Gaiman really found a way to give them all a voice but in no way overshadow the plot or any of the other characters.
Plot:
We meet Shadow a few days before his release from prison he is taken into the wardens office to me given the devastating new that his wife Laura had been killed, when he is released from prison he meets a strange man know as Mr. Wednesday who offers Shadow a job to accompany him across America so he can recruit others to fight in an upcoming war, The Old Gods vs. The New Gods.
The story takes you to so many places and you meet so many just unique characters I love the differences between the gods how the old are left to do what they have to service feeding off of any belief they can get and how the new gods aren't at all what I thought I was going to be getting because let's face it there are not as many religious gods any more instead we worship TV and technology the way the Greeks worshiped the gods of Olympus.
Personal thoughts:
I could not get enough of American Gods even though the book was pretty hefty and it took me sometime to finish I still wanted more, Gaiman just creates such a wonderful and unique worlds that I could stay lost in them forever.
From start to finish I just did not want to put down American Gods, I just always really enjoy Gaiman's writing style he manages to create a world within a world that just feels so effortless and downright real. Their are so many amazing characters and most of them I just wanted more of, also with the amount of character we have we really get something that we never do and that is people of color represented and it is WONDERFUL .This is one of those few books that as soon as I was finished I wanted to turn it over and start reading again.
Characters:
Shadow Moon - I could wax poetics about Shadow, he was quiet and kind of dry and usually that would have me think a character is kind of boring but just not with Shadow he drew me and made me fall in love. It was a so a happy surprise to have a main protagonist who is a person of color which is something that is need so much nowadays.
Laura – I really loved how Laura was handled, most characters who died the way she did would have been either thrown aside or made to be hated but that is not the case here, I love how she helps Shadow and her love for him really comes through but also that we do see her as her own person.
Mr. Wednesday - What can I say about Wednesday besides from the moment you meet him I don't trust him but like Shadow I can't help what wanting to follow him where he's taking me.
The Gods - even though there are a lot and I mean a lot of characters throughout the book I found myself never feeling overwhelmed by them Gaiman really found a way to give them all a voice but in no way overshadow the plot or any of the other characters.
Plot:
We meet Shadow a few days before his release from prison he is taken into the wardens office to me given the devastating new that his wife Laura had been killed, when he is released from prison he meets a strange man know as Mr. Wednesday who offers Shadow a job to accompany him across America so he can recruit others to fight in an upcoming war, The Old Gods vs. The New Gods.
The story takes you to so many places and you meet so many just unique characters I love the differences between the gods how the old are left to do what they have to service feeding off of any belief they can get and how the new gods aren't at all what I thought I was going to be getting because let's face it there are not as many religious gods any more instead we worship TV and technology the way the Greeks worshiped the gods of Olympus.
Personal thoughts:
I could not get enough of American Gods even though the book was pretty hefty and it took me sometime to finish I still wanted more, Gaiman just creates such a wonderful and unique worlds that I could stay lost in them forever.
Sheridan (209 KP) rated Love, Death & Robots in TV
Apr 20, 2019
CGI is amazing (1 more)
The Perfect Mix of Morbid Humour and Gore
A Masterpiece of the Weird and Fantastical
This is going to be a long one, I'm going to review each episode as they aren't linked or related in any way, but just know, they are all gorgeous works of art and you should totally go watch the whole thing ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Beyond the Aquila Rift - CGI was beautiful from the moment it started, I was like 'shiiiit this series is going to be everything I love'. This one is about a crew making a delivery in space, however nothing quite goes to plan. For me, it had a very 'Mass Effect' feel with the FTL travel. I was not expecting a full out sex scene in the first 6 minutes but then again the episodes are on average only 16 minutes long. It was rauncy yet somehow, still quite tasteful, but as with most animated stuff there was an excessive amount of topless boob shots. I won't spoil it, but it ended up as a horrific mind fuck that left a shiver down my spine ?.
Secret War - Again, CGI was epic and the story was the perfect mix of unsettling, gory, and tragic. It follows a platoon of Red Army soldiers who are hunting down mysterious 'monsters'. There's blood, there's guts, a guy has an arm off at one point - what more could you ask for?
Sonnie's Edge - Immediately feels hellishly grunge and rave. I absolutely adored the blacklight effects and a strong female styling, the fight is gorgeous, the monsters have almost a Kaju feel which really made me happy as I love Pacific Rim. Of course this epicness is immediately ruined by a sloppy scene (I won't spoil it) which cemented the fact in my mind this was written by a man (I checked later and found I was correct), it does save itself with a fantastic twist at the end though so it was still an amazing short.
Sucker of Souls - This had a great grungy cartooning that felt half Kill Bill, half 2003 TMNT. It ended up being a real bad day for an archaeological expedition. Gore injected with humour is always a favourite of mine and this ticked all those boxes, including a wisecracking explosives expert (looking at you Gary!) If we've learnt anything from Indiana Jones and Rick O'Connell it's, don't fuck with tombs. This time was no different.
Three Robots - There's something just so fucking fantastic about robots going on holiday and speculating about 'human' stuff. It's just the perfect injection of morbid humour and I love it. The twist at the end had me laughing harder than I had any right to ?.
Ice Age - I haven't seen Topher Grace since That 70's Show so I was like 'heeeey cool'. This was the first one that wasn't soley animation so that was really cool. They find a civilization in their freezer - yes, you read that right, their freezer - and the story is awesome ?. It's a neat reflection on humans and our place in the world.
The Witness - Set in a brightly coloured city the animation here feels very Borderlands-y, which is super cool because I fricking love that game ?. There's murder, full frontal nudity, erotic dancing, and an ending that will tear your head right off. Pretty neat all in all.
Suits - Great Googamooga, this is my absolutely favourite so far, a perfectly normal looking farm, complete with adorable hick accents, discovers a breach in their fence. This isn't just any breach, this is an alien style swarm complete with Mech Warrior suits and a woman named Mel, who I'm convinced is Tank Girl as an old lady. 17 minutes of utter badassery you do not want to miss. Utterly LOVED it, and would 10/10 watch this as its own series.
When the Yogurt Took Over - Ok so the name - I was like 'should I take this seriously? Oooor' ?. Weirdly serious - yet hysterical. A five minute journey into what happened when Yogurt became sentient. You will not be disaappointed ?.
Good Hunting - With animation that reminds me of The Last Airbender, it's a story of magic, friendship, and the industrial age. A beautiful and tragic story, with horrific overtones of what greed and 'progress' can do.
The Dump - The animation this reminds me of would be sorta like, if the people at Pixar got high with Tim Burton. There was one random thing - I found Pearly's dick swing in the wind much funnier than any sane person probably would ?. A great story about man's best friend and let me tell ya, everyone needs an Otto ❤.
Shape-Shifter - There's something so deeply interesting about putting the supernatural into regular life. Two men, who are not human, in the US marines. Insanely intense story for under 15 minutes. Gorgeous CGI work too.
Helping Hand - This had a great "Gravity" feel to it, when everything goes wrong you just keep going, give a little and then a little more and you achieve the impossible. Breathtaking space visuals is just an added bonus ?.
Fish Night - Telltale style animation, depicts a story of a father and son on the road. The car breaks down and something both magical and tragic happens. The ending left me reeling ?.
Lucky 13 - The CGI in this one was so good it took me half the time to figure out that it wasn't real. Lucky 13 was to Cutter like the Normandy was to Joker. Just - the best goddamn ship ❤.
Zima Blues - Animated in a style similiar to Archer, this was an interesting piece about art and how it effects us, we search for meaning through it sometimes it's about appreciating the little things ❤.
Blindspot - 90's animation and a rad story about robots. This is my second favourite after Suits, would 10/10 watch as its own movie ?.
Alternate Histories - Did not stop laughing the entire time. Utter gold. I will recommend one thing - pause it at the blue screen bit, you won't be disappointed ?.
The only thing I'm sad about is there wasn't more of this to watch, it was incredible ?.
Fred (860 KP) rated Avengers: Endgame (2019) in Movies
Apr 25, 2019
Over-hyped? Yes. Good? Meh. Then why a 7? Read on.
So, I'll keep this spoiler-free, although I'm sure everyone and their dog will have seen this within a week of it's release. Let me say here that when I watch a movie, I remember the boring parts, especially when most of the movie is boring. And I also don't fall for it when the ending of a movie is awesome & so I leave the theater thinking the whole movie was awesome, when it just wasn't.
Anyway, the movie starts with a scene that could have been (and should have been) the ending to Infinity War & it would have changed nothing of the "half the world is dead" cliffhanger we were left with. We would have also gotten a shorter final movie, which would be better off. At least we wouldn't have those ridiculous "when to pee" articles on the internet. Please. I've seen all the Lord of the Rings movies in the theater. Nobody talked pee breaks & those movies were far superior to the Marvel movies. So, after this fantastic beginning, we then get a long sequence of scenes where it seems to want to re-introduce the characters we've seen in 20 freaking films already. Let's catch-up, shall we? Yes, let's make a 3 hour movie to show us our heroes eating lunch. Are you kidding me? The film goes on too long here & it's all very unnecessary. We are finally told the heroes are going to do something about the situation & they start to figure out how to do it. So, here's a minor SPOILER here, so skip to the next paragraph if you don't want to see it. The heroes decide to get the Infinity stones. And here's where there's a problem for me. See in Infinity War, I felt Thanos got the stones too easily. In a half hour, he got all 6. Well, the heroes get them even quicker in this film. What could have been made into a separate movie, they have the stones in 20 minutes. Playing with time-travel, they could have spread out the nostalgic look back into the older films, like they did in this film, but they could have had a lot more fun or play with it like Back to the Future II did when Marty went back to 1955 again. I felt a missed opportunity.
Okay, no more spoilers. So after the heroes do this, they now have to ability to do what they want & then starts maybe the greatest piece of film I've ever seen. At least in any of the Marvel Cinematic Universe movies. It's incredible & a comic-book fan's sweet dream come true. There are really no surprises as to what is going to happen. You know who's showing up. You know when they're showing up & you know what the endgame is going to be. Again, I will not give anything away, but I'm pretty sure everyone knows someone or someones will not continue on. We know the rumors & you've heard the end will bring you to tears. So, after this scene, we are "treated" to about 15 minutes of a sad sequence. Boo Hoo. We say goodbye, but then something extraordinary. The final scene to the film is perfect. It fixes one of what I considered a great injustice in the MCU & ends the film with a "YES!" moment.
So, final verdict is I am giving the film a 7 out of 10. Don't believe the perfect 10 scores. It's not a 10. In fact, I feel that if I ever watch it again, I will probably watch the beginning, then skip to the end. Most of the film is filler to lead us to that phenomenal scene.
Anyway, the movie starts with a scene that could have been (and should have been) the ending to Infinity War & it would have changed nothing of the "half the world is dead" cliffhanger we were left with. We would have also gotten a shorter final movie, which would be better off. At least we wouldn't have those ridiculous "when to pee" articles on the internet. Please. I've seen all the Lord of the Rings movies in the theater. Nobody talked pee breaks & those movies were far superior to the Marvel movies. So, after this fantastic beginning, we then get a long sequence of scenes where it seems to want to re-introduce the characters we've seen in 20 freaking films already. Let's catch-up, shall we? Yes, let's make a 3 hour movie to show us our heroes eating lunch. Are you kidding me? The film goes on too long here & it's all very unnecessary. We are finally told the heroes are going to do something about the situation & they start to figure out how to do it. So, here's a minor SPOILER here, so skip to the next paragraph if you don't want to see it. The heroes decide to get the Infinity stones. And here's where there's a problem for me. See in Infinity War, I felt Thanos got the stones too easily. In a half hour, he got all 6. Well, the heroes get them even quicker in this film. What could have been made into a separate movie, they have the stones in 20 minutes. Playing with time-travel, they could have spread out the nostalgic look back into the older films, like they did in this film, but they could have had a lot more fun or play with it like Back to the Future II did when Marty went back to 1955 again. I felt a missed opportunity.
Okay, no more spoilers. So after the heroes do this, they now have to ability to do what they want & then starts maybe the greatest piece of film I've ever seen. At least in any of the Marvel Cinematic Universe movies. It's incredible & a comic-book fan's sweet dream come true. There are really no surprises as to what is going to happen. You know who's showing up. You know when they're showing up & you know what the endgame is going to be. Again, I will not give anything away, but I'm pretty sure everyone knows someone or someones will not continue on. We know the rumors & you've heard the end will bring you to tears. So, after this scene, we are "treated" to about 15 minutes of a sad sequence. Boo Hoo. We say goodbye, but then something extraordinary. The final scene to the film is perfect. It fixes one of what I considered a great injustice in the MCU & ends the film with a "YES!" moment.
So, final verdict is I am giving the film a 7 out of 10. Don't believe the perfect 10 scores. It's not a 10. In fact, I feel that if I ever watch it again, I will probably watch the beginning, then skip to the end. Most of the film is filler to lead us to that phenomenal scene.