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Darren (1599 KP) rated Warsaw 44 (2014) in Movies

Jun 25, 2019  
Warsaw 44 (2014)
Warsaw 44 (2014)
2014 |
7
7.0 (1 Ratings)
Movie Rating
Story: Warsaw 44 starts as we meet Stefan (Pawlowski) a young man living in Warsaw in 1944 during the war, he lives with his mother and younger brother bring the money back to the home, this changes when he meets a group of people similar to his age, they offer him a chance to go into the Polish army as they plan to fight back against the Germans.

As the Uprising starts to attack the Nazi’s Stefan learns the harsh reality of war up close and personal, with the love of his life Biedronka (Wichlacz) being the only one that will help him through the destruction.

 

Thoughts on Warsaw 44

 

Characters – Stefan is the honest hard working young man, he supports his family, protects his brother from the horrors of war, he is however led to join the Uprising in Warsaw against the Nazi’s, a move which will change his life, he will learn love and heartache as the war comes closer than he would imagine. Biedronka is the woman that Stefan falls for in the uprising, she fights alongside the men and will do everything to save lives. Kama is another woman in the uprising that shows love towards Stefan, we get plenty of characters in this film that are mostly following the ones in the uprising that will do anything to get their freedom back.

Performances – Jozef Pawlowski is good in the leading role, the charm he shows saying goodbye to his little brother could melt a heart and seeing his reaction to the war side of the film shows us how any young man would have been going through during the time. The rest of the cast is good, getting their moments to shine with the desperation needed through the war.

Story – The story follows the young people of Poland setting up an uprising to take on the Nazis during World War II, it starts as a small fight and soon throws them into the true harsh reality of war. While seeing the realities of war isn’t anything new, we do know how destruction, devasting and brutal war is on the people involved and World War II could well have been the worse in modern history, these people didn’t have any hope and only wanted freedom, they were willing to lay die their lives to do so. The characters however are fictional which could hold back being truly connected to the real people that would have suffered through the events. The story isn’t an easy watch and does have parts we don’t need to see, mostly the romance.

History/Romance/War – The history behind this film is true, we knew how bad the war was on the people and just how fighting back was the only way, these two parts of the film are shown near perfectly for what it could have cost people. The romance however just feels tacked on and unneeded for most of the film.

Settings – The film makes us feel like we are there, feeling each explosion, moment of destruction with hauntingly created settings.


Scene of the Movie – The graveyard battle, because it shows us what they will truly be battling.

That Moment That Annoyed Me – The romance side of the film.

Final Thoughts – This is a hard hitting war drama, it shows us just what people were willing to do through the war through the eyes of the young adults.

 

Overall: Hard-hitting war drama

https://moviesreview101.com/2019/06/23/abc-film-challenge-world-cinema-w-warsaw-44-2014/
  
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Michael Korda recommended Paths of Glory (1957) in Movies (curated)

 
Paths of Glory (1957)
Paths of Glory (1957)
1957 | Classics, Drama, War
8.9 (8 Ratings)
Movie Favorite Watch

"All right, Stanley Kubrick was a genius, the master of the big, ambitious film that stuns the senses, like 2001: A Space Odyssey. But Paths of Glory is one of the last great triumphs of black-and-white filmmaking. It is also a tribute to the talent of Kirk Douglas, who here takes on the role of a French colonel in the trenches of the First World War with such explosive energy that one realizes how many films (and directors) were unworthy of Kirk’s genius as an actor—his first acting role, by the way, was onstage as the servant in Chekhov’s The Three Sisters, with Catherine Cornell, Judith Anderson, and my mother as the sisters and Ruth Gordon as the dreadful sister-in-law. Nobody has ever captured the First World War better on film (except perhaps for Jean Renoir in Grand Illusion, which is in a class by itself). A heartbreaking giant of a film, not a bad shot or a wasted frame in it; perfect filmmaking."

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