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The Great Influenza
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Magisterial in its breadth of perspective and depth of research, The Great Influenza provides us...
Chozen Part Two (Headspace #2)
8.0
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With each shocking discovery, the world I once thought I knew turns to chaos. I know not all will...
Dark Crime MM Thriller TRIGGER WARNING
Lyndsey Gollogly (2893 KP) rated Last Stand ( Black Mage book 4) in Books
Nov 28, 2022
213 of 230
Kindle
Last Stand ( Black Mage book 4)
By Rachel E Carter
⭐️⭐️⭐️⭐️
He's the Black Mage and she's the traitor to the Crown.
Ryiah's world was shattered the night she discovered King Blayne's nefarious plans. Now, she has to betray the one she loves most in order to save the realm from war. Torn between love and duty, Ry finds herself on a perilous mission to help the rebels and convince the kingdom of Pythus not to honor its pact with the corrupt king of Jerar - all the while deceiving the most powerful mage in the realm, the very man sworn to protect the Crown and hunt the rebels at all costs: her husband.
She's one step ahead, but sooner or later the curtain will fall.
Sooner or later, she'll have to fight.
This was so good and the perfect follow on and final book in this series. After such an emotional rollercoaster I’m sad to see it come to an end. If I had one slight moan was that I just found a few bits drawn out.
Not sure I’d still be around after such a betrayal though!
Kindle
Last Stand ( Black Mage book 4)
By Rachel E Carter
⭐️⭐️⭐️⭐️
He's the Black Mage and she's the traitor to the Crown.
Ryiah's world was shattered the night she discovered King Blayne's nefarious plans. Now, she has to betray the one she loves most in order to save the realm from war. Torn between love and duty, Ry finds herself on a perilous mission to help the rebels and convince the kingdom of Pythus not to honor its pact with the corrupt king of Jerar - all the while deceiving the most powerful mage in the realm, the very man sworn to protect the Crown and hunt the rebels at all costs: her husband.
She's one step ahead, but sooner or later the curtain will fall.
Sooner or later, she'll have to fight.
This was so good and the perfect follow on and final book in this series. After such an emotional rollercoaster I’m sad to see it come to an end. If I had one slight moan was that I just found a few bits drawn out.
Not sure I’d still be around after such a betrayal though!
RəX Regent (349 KP) rated Hell's Angels (1930) in Movies
Feb 19, 2019
Big budget, elaborate air combat scenes which resulted in several deaths and Gimmick after gimmick… This has to be the Howard Hughes’ World War 1 epic, Hell’s Angels.
Where to begin?
Well, we follow the Routledge two brothers as they join the war effort and the Royal Air Corps. in 1914 and whilst one is a somewhat cowardly womaniser, his brother is the noble heroic type who spends the film being screwed over bey everyone in one way or another, but most notably by his girlfriend, Jean Harlow, who is so annoyingly wrong for him that it is a relief when he has heart is broken by her in the third act.
But like mots aspects of this plot, this is as messy and disjointed as everything else. We are given a story line to follow for two hours, as Hughes indulges his legendary love of flying to create some of the best dog fight sequences ever committed to film. They are real, epic and effective in conveying the thrilling danger of these world war one battles.
But this is a film of gimmick. Pushing the pre-code envelope with sex and bad language, this was originally conceived as a silent movie and was re-written and re-shot to become the sound movie whcih we have to today and there in clearly lies the problem. What we end up is a movie cobbled together, with silence sequences being converted to sound, the poor acting from its star James Hall as the idealistic Roy Routledge, Jean Harlow, replacing the original silent star Gretta Nissen for this sound version, excelling in her role as his trampy girlfriend and Ben Lyon as the weaker brother, Monte, but the real star of this show are the special effects.
But of the human stars, Harlow, presented here in the only colour footage known to exist of the tragic star, who would die at the young age of 26 just seven years later, probably delivers one of the best performances in the whole picture, certainly outshining her male co-stars.
Of the special effects though, the use of 2-tone Technicolor, which was actually shot with the Metrocolor system but processed by Technicolor, in one sequence as the group are all together at a party, as well as the classical use of tints during some other scenes, add a vibrancy to the project. But this also can have a jarring effect, especially as we leave the colour scenes and wrap up thet sequences in black and white.
But the model effects, notably the munition raid at the end and the Zeppelin bombing London scenes are spectacular, especially for the time. The other notable gimmick which has yet to be transferred to the small screen, was the original use of what was called Magnascope back in 1930.
This was obviously only used at high end theaters but this paved the way for what IMAX are doing now, by blowing up the aerial scenes into a larger screen format from the 1.20:1 ratio which the the rest of film was presented. But when you add all this up you have got a mess!
Magnascope, technicolor scenes, tinted scenes, daring aerial battles, a half arsed love story and an image of world war which was a kin to that of Michael Bay’s Pearl Harbor’s (2001) view of World War 2! But this is what this is. An early, lavish popcorn blockbuster, with little to offer but cinematic thrills, which it succeeds at without any doubt.
The action is great, the plot is mediocre to say the least but as film, it does offer a brief insight into how cinema audiences saw the Great War back in 1930 and you can not help but think that this audience was only nine years away from the next one as we watch this.
pictureBut the ending was grim, with noble ends rounding off a story of brotherly love and love of duty and country, seems overblown considering what we had had to sit through but still, by the end, is anybody really routing for the Routledge brothers to have a happy ending?
I certainly was not. But this ending is the nearest thing that this film has to a story arc, as is pays off the opening act where Roy risks his life fighting a duel for his cowardly brother against the very German officer who is about to have them executed.
Duty wins out and Monte sees the light at the end after a very melodramatic death scene.
But having said all that, this film is worth it for the action alone and for film buffs, the only colour footage of Jean Harlow.
Where to begin?
Well, we follow the Routledge two brothers as they join the war effort and the Royal Air Corps. in 1914 and whilst one is a somewhat cowardly womaniser, his brother is the noble heroic type who spends the film being screwed over bey everyone in one way or another, but most notably by his girlfriend, Jean Harlow, who is so annoyingly wrong for him that it is a relief when he has heart is broken by her in the third act.
But like mots aspects of this plot, this is as messy and disjointed as everything else. We are given a story line to follow for two hours, as Hughes indulges his legendary love of flying to create some of the best dog fight sequences ever committed to film. They are real, epic and effective in conveying the thrilling danger of these world war one battles.
But this is a film of gimmick. Pushing the pre-code envelope with sex and bad language, this was originally conceived as a silent movie and was re-written and re-shot to become the sound movie whcih we have to today and there in clearly lies the problem. What we end up is a movie cobbled together, with silence sequences being converted to sound, the poor acting from its star James Hall as the idealistic Roy Routledge, Jean Harlow, replacing the original silent star Gretta Nissen for this sound version, excelling in her role as his trampy girlfriend and Ben Lyon as the weaker brother, Monte, but the real star of this show are the special effects.
But of the human stars, Harlow, presented here in the only colour footage known to exist of the tragic star, who would die at the young age of 26 just seven years later, probably delivers one of the best performances in the whole picture, certainly outshining her male co-stars.
Of the special effects though, the use of 2-tone Technicolor, which was actually shot with the Metrocolor system but processed by Technicolor, in one sequence as the group are all together at a party, as well as the classical use of tints during some other scenes, add a vibrancy to the project. But this also can have a jarring effect, especially as we leave the colour scenes and wrap up thet sequences in black and white.
But the model effects, notably the munition raid at the end and the Zeppelin bombing London scenes are spectacular, especially for the time. The other notable gimmick which has yet to be transferred to the small screen, was the original use of what was called Magnascope back in 1930.
This was obviously only used at high end theaters but this paved the way for what IMAX are doing now, by blowing up the aerial scenes into a larger screen format from the 1.20:1 ratio which the the rest of film was presented. But when you add all this up you have got a mess!
Magnascope, technicolor scenes, tinted scenes, daring aerial battles, a half arsed love story and an image of world war which was a kin to that of Michael Bay’s Pearl Harbor’s (2001) view of World War 2! But this is what this is. An early, lavish popcorn blockbuster, with little to offer but cinematic thrills, which it succeeds at without any doubt.
The action is great, the plot is mediocre to say the least but as film, it does offer a brief insight into how cinema audiences saw the Great War back in 1930 and you can not help but think that this audience was only nine years away from the next one as we watch this.
pictureBut the ending was grim, with noble ends rounding off a story of brotherly love and love of duty and country, seems overblown considering what we had had to sit through but still, by the end, is anybody really routing for the Routledge brothers to have a happy ending?
I certainly was not. But this ending is the nearest thing that this film has to a story arc, as is pays off the opening act where Roy risks his life fighting a duel for his cowardly brother against the very German officer who is about to have them executed.
Duty wins out and Monte sees the light at the end after a very melodramatic death scene.
But having said all that, this film is worth it for the action alone and for film buffs, the only colour footage of Jean Harlow.
The Old Vic: The Story of a Great Theatre - From Kean to Olivier to Spacey
Terry Coleman and Kevin Spacey
Book
The Old Vic, one of the world's great theatres, opened in 1818 with rowdy melodrama and continued...
A Moveable Feast: The Restored Edition
Book
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved...
Angelmaker
4.0
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Book
From the acclaimed author of The Gone-Away World - an adventure story, a war story, and a love...
Leni Riefenstahl
Book
Leni Riefenstahl achieved fame as a dancer, actress, photographer, and director, but her entire...
Mark @ Carstairs Considers (2534 KP) rated City of Scoundrels in Books
Nov 8, 2019
Saving a War Widow from Scoundrels
It’s the fall of 1918, and the draft age for World War I has been increased, upsetting Elizabeth Miles since her fiance, Gideon Bates, has been drafted. Gideon is focusing his last few weeks as a civilian on drafting wills for soldiers. Most of them are, but one of the exceptions is Tom Preston, part owner of Preston Shoes, which has made a fortune providing shoes to the soldiers. Tom wants a new will leaving his share of the family business to his new wife and their unborn child – a wife the rest of his family knows nothing about. When word comes back that Tom has died, this new will goes missing, and his family doesn’t want to acknowledge his widow. Elizabeth is quick to jump in, getting her family, all conmen, to come up with a scheme to get this war widow the money she should have inherited. But what complications might there be along the way?
Yes, there are complications. We wouldn’t have much of a novel without them. It would have been nice if they are started a little sooner, but that’s a minor complaint. I was hooked the entire time, and it only became harder to put the book down the further I got into it. History came alive, and I felt like I was part of what was happening in the New York City area during this time. It helps that the characters are extremely strong. Through them, I came to care about the plot and the history that was unfolding around us. Yes, I felt that welcomed into the world that I was actually part of what was happening on the page. If you aren’t taking these trips back in time, you need to do so today.
Yes, there are complications. We wouldn’t have much of a novel without them. It would have been nice if they are started a little sooner, but that’s a minor complaint. I was hooked the entire time, and it only became harder to put the book down the further I got into it. History came alive, and I felt like I was part of what was happening in the New York City area during this time. It helps that the characters are extremely strong. Through them, I came to care about the plot and the history that was unfolding around us. Yes, I felt that welcomed into the world that I was actually part of what was happening on the page. If you aren’t taking these trips back in time, you need to do so today.
Phil Leader (619 KP) rated Letters to the Pianist in Books
Nov 19, 2019
War is hell. Sometimes that hell can be a little closer to home.
14 year old Ruth Goldberg lives with her family in the East End of London during the Second World War with her parents and younger sister and brother. Her life isn't perfect by any means but at least she has her family. When their house takes a direct hit from a German bomb, the children are orphaned and cast adrift to live with strangers.
Meanwhile a man is found in the rubble following the bombing, suffering from total amnesia, who is given the name Edward because cannot even remember his own. He does discover that he is an enormously skilled pianist and soon becomes famous and also rich after marrying the daughter of a well-connected aristocrat millionaire.
The story follows Ruth, her siblings and Edward through the war years and beyond as that one bombing raid changed all their lives forever. Some will find their new lives hold unexpected - even deadly - dangers and all will come to know love and friendship as well as loss and betrayal.
Mayes writes this novel with confidence, moving smoothly between the story lines as they unfold and intertwine. She makes the reader really feel the emotions the characters are going through, good or bad. Edward's story is particularly effective as his previous life slowly starts to come to light and the man he was isn't the person either those around him or Edward himself is comfortable with.
As with her previous book, Stop The World, although very different in subject matter this story is just as deeply affecting and once again I'm sure it will stay with me for some time.
14 year old Ruth Goldberg lives with her family in the East End of London during the Second World War with her parents and younger sister and brother. Her life isn't perfect by any means but at least she has her family. When their house takes a direct hit from a German bomb, the children are orphaned and cast adrift to live with strangers.
Meanwhile a man is found in the rubble following the bombing, suffering from total amnesia, who is given the name Edward because cannot even remember his own. He does discover that he is an enormously skilled pianist and soon becomes famous and also rich after marrying the daughter of a well-connected aristocrat millionaire.
The story follows Ruth, her siblings and Edward through the war years and beyond as that one bombing raid changed all their lives forever. Some will find their new lives hold unexpected - even deadly - dangers and all will come to know love and friendship as well as loss and betrayal.
Mayes writes this novel with confidence, moving smoothly between the story lines as they unfold and intertwine. She makes the reader really feel the emotions the characters are going through, good or bad. Edward's story is particularly effective as his previous life slowly starts to come to light and the man he was isn't the person either those around him or Edward himself is comfortable with.
As with her previous book, Stop The World, although very different in subject matter this story is just as deeply affecting and once again I'm sure it will stay with me for some time.