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WWE Tap Mania
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1.0
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Unleash your ultimate team of Superstars in WWE’s new, fast-paced game, WWE Tap Mania! In WWE Tap...
Evvie Drake Starts Over
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NEW YORK TIMES BESTSELLER - #ReadWithJenna Book Club Pick as Featured on Today - "Everything a...
Bodybuilding Workouts
Sports and Health & Fitness
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Bodybuilding is popular around the world. Find out the tips, tricks and techniques to help you...
Boxing Timer G - Boxing Workout interval round timer
Sports and Health & Fitness
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Boxing Timer G has been purchased by athletes in more than 50 countries and is a sport timer app...
Countdown 1945
Book
From Chris Wallace, the veteran journalist and anchor of Fox News Sunday, comes an electrifying...
Ali A (76 KP) rated Practice Girl in Books
May 24, 2022
Jo always seems to fall fast for boys - boys who, for some reason, don’t fall for her. One night at a party, she hears why - the boys who are on the wrestling team she manages, consider her a girl who’s good enough to hook up with, but not someone to date, aka, a “practice girl”.
After hearing those two words, Jo feels a lot of things - hurt, angry, ashamed, betrayed… but overall, she refuses to let those words define who she is. As she works on herself and her relationships, Jo begins to unpack and find out more uncomfortable truths about herself and her connections with all those around her. And in doing so, helps her understand her real worth.
I loved the authentic voice of Jo. I was a bit worried when I first started the book, not really knowing how a YA novel was going to handle the topic of sex. But, after reading the first few chapters, I was very interested in Jo’s story, and my mind changed.
My father was killed in a work accident when I was 12 (3 days into my 7th grade school year), and in the past, I have wondered what has done towards male relationships for me… This book had what I felt like an authentic take on a high school girl’s insecurities and vulnerabilities involving boys and relationships during that time. High school is hard enough as it is, a death of a parent sure doesn’t make it any easier.
I absolutely loved Jo’s rekindling with Leah and making friends with Jen and Amber. The talk those four had about boys and relationships while sitting around in a circle was exactly what Jo needed and allowed for multiple viewpoints that I don’t feel like are seen or heard about often in YA (like a lot of stuff, it’s getting more and more common though!)
I’m also super proud of Jo for her stance in her relationship with Sam at the end of the book. They both had stuff they needed to figure out and kudos for her to kind of force him to acknowledge that.
Overall, I enjoyed this YA novel about reputation, double standards, relationships, and empowerment. I recommend it to those who like contemporary novels that have a strong female lead, who learns lessons that I believe are important for young girls to hear.
*Thank you Bookish First and Viking Penguin for a copy of this book in exchange for an honest review
After hearing those two words, Jo feels a lot of things - hurt, angry, ashamed, betrayed… but overall, she refuses to let those words define who she is. As she works on herself and her relationships, Jo begins to unpack and find out more uncomfortable truths about herself and her connections with all those around her. And in doing so, helps her understand her real worth.
I loved the authentic voice of Jo. I was a bit worried when I first started the book, not really knowing how a YA novel was going to handle the topic of sex. But, after reading the first few chapters, I was very interested in Jo’s story, and my mind changed.
My father was killed in a work accident when I was 12 (3 days into my 7th grade school year), and in the past, I have wondered what has done towards male relationships for me… This book had what I felt like an authentic take on a high school girl’s insecurities and vulnerabilities involving boys and relationships during that time. High school is hard enough as it is, a death of a parent sure doesn’t make it any easier.
I absolutely loved Jo’s rekindling with Leah and making friends with Jen and Amber. The talk those four had about boys and relationships while sitting around in a circle was exactly what Jo needed and allowed for multiple viewpoints that I don’t feel like are seen or heard about often in YA (like a lot of stuff, it’s getting more and more common though!)
I’m also super proud of Jo for her stance in her relationship with Sam at the end of the book. They both had stuff they needed to figure out and kudos for her to kind of force him to acknowledge that.
Overall, I enjoyed this YA novel about reputation, double standards, relationships, and empowerment. I recommend it to those who like contemporary novels that have a strong female lead, who learns lessons that I believe are important for young girls to hear.
*Thank you Bookish First and Viking Penguin for a copy of this book in exchange for an honest review
I Like to Watch: Arguing My Way Through the TV Revolution
Book
From The New Yorker's fiercely original, Pulitzer Prize-winning culture critic, a provocative...
Charlie Cobra Reviews (1840 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jul 7, 2020
This Phoenix Failed To Rise From It's Ashes
Dark Phoenix is a superhero movie based on the Marvel Comics X-Men and the Dark Phoenix Saga story arc. It was produced by 20th Century Fox and distributed by Walt Disney Studios Motion Pictures. The movie was written and directed by Simon Kinberg. It stars James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, and Sophie Turner.
In 1975, Professor Charles Xavier takes 8 year-old Jean Grey to his School for Gifted Youngsters, when she inadvertently kills her parents causing a car crash with her telekinesis. In 1992, the space shuttle Endeavor is critically damaged by a solar flare and the X-Men respond to save the astronauts. While rescuing the astronauts, Jean becomes stranded as the shuttle is struck by the energy. To save the X-Men's aircraft from destruction, she absorbs all of it into her body and as a result, her psychic powers are greatly amplified when she survives. Jean spirals out of control, wrestling with her personal demons and this increasingly unstable power that begins tearing her X-Men family apart.
This movie makes me so upset as a long time Marvel fan. If you never heard of the X-Men or watched any of the movies, you could probably say this movie was good. And honestly it was "okay" when I saw it in theaters, I guess with all the bad reviews coming out I thought, wow, it could have been worse. But no, after sitting down and discussing it with my brother and him bringing up some points as well as others that I brought up to him. As well as seeing some reviews, where critics brought up A Lot of other points as well, and this movie was actually pretty bad. Now the special effects were pretty good for the most part, and the acting was good but it was really weird because I felt that so many characters were acting out of character. Or that their motivations didn't match their actions compared to how their characters should actually be. Once again the Dark Phoenix story gets butchered and doesn't come close to the greatness of the cartoon episodes let alone the comics. Stupidest part (and I'm trying really hard to not put spoilers) was from the trailer where Cyclops says the kids are calling you Phoenix. Because after that, they couldn't say that her powers were the Phoenix because it would be like some kind of weird coincidence. The villains were very boring and dull and cliche motivations, Sophie Turner's acting wasn't bad but she just didn't pull off a believable Jean Grey. And the music was good but really out of place in times. Don't even get me started on how they totally didn't take into account how the X-Men and others powers are supposed to work. I give this movie a 5/10. It's just average.
In 1975, Professor Charles Xavier takes 8 year-old Jean Grey to his School for Gifted Youngsters, when she inadvertently kills her parents causing a car crash with her telekinesis. In 1992, the space shuttle Endeavor is critically damaged by a solar flare and the X-Men respond to save the astronauts. While rescuing the astronauts, Jean becomes stranded as the shuttle is struck by the energy. To save the X-Men's aircraft from destruction, she absorbs all of it into her body and as a result, her psychic powers are greatly amplified when she survives. Jean spirals out of control, wrestling with her personal demons and this increasingly unstable power that begins tearing her X-Men family apart.
This movie makes me so upset as a long time Marvel fan. If you never heard of the X-Men or watched any of the movies, you could probably say this movie was good. And honestly it was "okay" when I saw it in theaters, I guess with all the bad reviews coming out I thought, wow, it could have been worse. But no, after sitting down and discussing it with my brother and him bringing up some points as well as others that I brought up to him. As well as seeing some reviews, where critics brought up A Lot of other points as well, and this movie was actually pretty bad. Now the special effects were pretty good for the most part, and the acting was good but it was really weird because I felt that so many characters were acting out of character. Or that their motivations didn't match their actions compared to how their characters should actually be. Once again the Dark Phoenix story gets butchered and doesn't come close to the greatness of the cartoon episodes let alone the comics. Stupidest part (and I'm trying really hard to not put spoilers) was from the trailer where Cyclops says the kids are calling you Phoenix. Because after that, they couldn't say that her powers were the Phoenix because it would be like some kind of weird coincidence. The villains were very boring and dull and cliche motivations, Sophie Turner's acting wasn't bad but she just didn't pull off a believable Jean Grey. And the music was good but really out of place in times. Don't even get me started on how they totally didn't take into account how the X-Men and others powers are supposed to work. I give this movie a 5/10. It's just average.
Leap of Fate
Games
App
*** Minimum hardware: iPad 4, iPad mini 2, iPhone 5s. *** Leap of Fate is a furiously-paced...
Gareth von Kallenbach (962 KP) rated Trumbo (2016) in Movies
Aug 6, 2019
What is it that makes, not a great, but even a good biopic? It is certainly no enviable task, trying to condense decades of a person’s life into a mere two hours. Choosing what to keep and what to leave, stringing events together so that they feel as though they are one complete narrative opposed to a series of vignettes. And then there are the inevitable purists who will write off the entire product based on a single detail either left out or composited due to running time or budgetary restrictions. Over the years, I have found myself wrestling with my opinion of Braveheart. Do I enjoy it for its epic qualities, or do I cast it aside as the wretched historical inaccuracies fly in the face of what is one of the most important times in a country’s past?
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.
The answer is simply, and stolen from another great historical epic, are you not entertained? Film can and should be powerful and informative. It can and should influence our thinking and encourage an emotional response, but above all, it should entertain. Trumbo does all of the above, ticks all the necessary boxes on the list of what makes a great biopic and whatever historical inaccuracies lie within be damned. Director Jay Roach, writer John McNamara and an ensemble so good it has to be seen to be believed have made, if not the best biopic of the year (that distinction still stays with Steve Jobs for now), then certainly the most enjoyable.
Where I find myself in reviewing Trumbo is trying not to sound monotonous in singing its high praises. Whether you’re interested in a message or not, because there is a good one in there, it’s a film that demands to be seen just on the strength of the cohesiveness that comes from the writing, the acting and (I still can’t believe I’m about to write this about the man who made all three Austin Powers movies) the directing.
I could prattle on endlessly about how overwhelmingly good this cast is, but the names speak for themselves. Bryan Cranston showcases that he is not just the best thing on television, but also a big-screen powerhouse. Helen Mirren, in her inimitable fashion and with beautiful understatement, is a force to be reckoned with, seething venom and self-righteousness. Louis C.K. finally breaks out of his stand-up comic persona to give a truly heartfelt performance played with surprisingly restrained vulnerability. The chemistry between him and Bryan Cranston will no doubt leave you wanting more. And John Goodman… well, it’s John Goodman. He continues to prove that no matter how small a part he has to play, it will stay with you long after you’ve left the theater. Hands down, and these are only four out of a dozen terrific performances, there hasn’t been an ensemble this stunning since L.A. Confidential.
It should also be mentioned that Michael Stuhlbarg, David James Elliott and Dean O’Gorman, who portray Edward G. Robinson, John Wayne and Kirk Douglas respectively, are unquestionably destined to go down as the unsung heroes of Trumbo. Their efforts, not just to imitate but to fully realize these Hollywood stars of a by-gone era, are a further complement to inspired casting and commitment to honoring the lives of the people portrayed on screen.
In short (and well done for making it this far through monotonous and truly well-deserved praise), if you have to see one film this Thanksgiving season that doesn’t star Tom Hardy as England’s notorious Kray brothers, see Trumbo.