"I’m just obsessed by Lionel Bart. He’s just an amazing character. When you get someone like him who really understood Dickens, you’re away, it’s a chain of brilliant people. I think these songs are very similar to what dad was writing, I mean he pre-empted him, Lionel Bart, but ‘Pam’s Moods’ and Oliver are really similar in the construction of language. The language is so fucking brilliant in Oliver, the melodies, it’s just unbelievable songwriting. That 1960 production, Ron Moody who plays Fagin is particularly brilliant."

"“It all started on an ordinary day, in the most ordinary place in the world.”—Brief Encounter David Lean’s depictions of two ordinary women (Celia Johnson’s Laura and Katharine Hepburn’s Jane) restraining their desires for Trevor Howard and Rosanno Brazzi, respectively, are two of my all-time favorite cinematic portrayals of forbidden heterosexual love. Incidentally, both use the writing of gay playwrights as source material: Brief Encounter is based on Noël Coward’s Still Life, and Summertime adapts Arthur Laurents’s The Time of the Cuckoo."

"The searing regret of having made the wrong decision in life and realizing it too late makes this book as heart-wrenching today as it was a century ago. Wharton’s writing style, too, is fresh and durable—surprisingly modern when compared with that of her friend and contemporary Henry James. Among the most memorable passages are her prose portraits. Her mocking 165-word description of the doyenne of New York society Mrs. Manson Mingott in chapter four is a hilarious classic of the genre"

"As a young student living in Dublin, I always thought it vaguely pretentious that I should be reading Joyce. But I couldn’t even begin to start with “Ulysses,” and then I discovered “Dubliners,” and thought, this is perfect, this is my kind of thing: An evocative but simple style of writing. I was so delighted for myself: “I’ve read Joyce, I can tick that off my list of smart things I should be doing.” It was just such a surprise to find it accessible."

"It all started on an ordinary day, in the most ordinary place in the world.”—Brief Encounter David Lean’s depictions of two ordinary women (Celia Johnson’s Laura and Katharine Hepburn’s Jane) restraining their desires for Trevor Howard and Rosanno Brazzi, respectively, are two of my all-time favorite cinematic portrayals of forbidden heterosexual love. Incidentally, both use the writing of gay playwrights as source material: Brief Encounter is based on Noël Coward’s Still Life, and Summertime adapts Arthur Laurents’s The Time of the Cuckoo."

"I first read it because it was on sale for a quarter in a bookstore in Penn Station. I thought it was going to be something like the Albee play. I read it on the train to Boston, and I felt that the prose had broken one of my ribs: it was so powerful. I had been a poet until then, not thinking of writing fiction and “Mrs. Dalloway,” let me know you could do in fiction what I wanted to do in poetry."