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Matthew Krueger (10051 KP) rated Tombstone (1993) in Movies
Feb 17, 2021
Kurt Russell (3 more)
Val Klimer
Bill Paxton
Sam Elliott
I'm Your Huckleberry
Tombstone- is a excellent fim. The action, the drama, the suspense, the thrills and the cast are all excellent.
The plot: Wyatt Earp (Kurt Russell) and his brothers, Morgan (Bill Paxton) and Virgil (Sam Elliott), have left their gunslinger ways behind them to settle down and start a business in the town of Tombstone, Ariz. While they aren't looking to find trouble, trouble soon finds them when they become targets of the ruthless Cowboy gang. Now, together with Wyatt's best friend, Doc Holliday (Val Kilmer), the brothers pick up their guns once more to restore order to a lawless land.
Its a excellent film and highly recordmend.
The plot: Wyatt Earp (Kurt Russell) and his brothers, Morgan (Bill Paxton) and Virgil (Sam Elliott), have left their gunslinger ways behind them to settle down and start a business in the town of Tombstone, Ariz. While they aren't looking to find trouble, trouble soon finds them when they become targets of the ruthless Cowboy gang. Now, together with Wyatt's best friend, Doc Holliday (Val Kilmer), the brothers pick up their guns once more to restore order to a lawless land.
Its a excellent film and highly recordmend.
Kevin Phillipson (10018 KP) rated Night Swim (2024) in Movies
Jan 22, 2024
Wyatt Russell (1 more)
Kerry condon
My first cinema visit of 2024 I still laugh that I was the only one in the screening that day also it took me a week to see due to floods where I live
Anyway the film decent start to the year and for a blumhouse movie no gore just the jump scares which is a plus in 4dx there is decent acting from the cast the plot isn't either once u understand what's up with the swimming pool in question overall good start to the year
Anyway the film decent start to the year and for a blumhouse movie no gore just the jump scares which is a plus in 4dx there is decent acting from the cast the plot isn't either once u understand what's up with the swimming pool in question overall good start to the year
Evelyn Kelly (21 KP) rated Tombstone (1993) in Movies
May 19, 2019
Amazing movie
Kurt Russell was born to play Wyatt Earp. It is without a doubt his best role. All Earp wants to do is settle down to the simple life but it doesn't work out that way.
Val Kilmer makes a fantastic Doc Holiday. He lost so much weight to play the character but it's one of his best roles.
It also stars one of my favourite actors, Sam Elliott. You cannot have a western movie without him.
It ticks all the boxes.
Val Kilmer makes a fantastic Doc Holiday. He lost so much weight to play the character but it's one of his best roles.
It also stars one of my favourite actors, Sam Elliott. You cannot have a western movie without him.
It ticks all the boxes.
Ameeka (131 KP) rated The Walking Dead: 400 Days in Video Games
Jul 13, 2017
Writing (1 more)
Stories
Nice filler between Seasons 1 and 2
400 Days is a short game that tells us about the Zombie Armageddon from five different viewpoints. I had no idea what was going on when the game started, just that I needed to choose who I was going to be. I didn't realize that I was going to be playing ALL FIVE of the characters, thus I played them out of (chronological) order.
Chronological order:
Vince - Day 2
Wyatt - Day 41
Russell - Day 184
Bonnie - Day 220
Shel - Day 236
Although you can play them in any order you wish, I recommend doing them in time-order since their stories can overlap. I did not feel a deep connection to these five characters, but I am amazed by Telltale's ability to evoke emotion even thought being half the length of an episode.
Chronological order:
Vince - Day 2
Wyatt - Day 41
Russell - Day 184
Bonnie - Day 220
Shel - Day 236
Although you can play them in any order you wish, I recommend doing them in time-order since their stories can overlap. I did not feel a deep connection to these five characters, but I am amazed by Telltale's ability to evoke emotion even thought being half the length of an episode.
Phillip McSween (751 KP) rated Tombstone (1993) in Movies
Mar 27, 2018
Fun Western
Renowned gunslingers Wyatt Earp (Kurt Russell) and Doc Holiday (Val Kilmer) come to Tombstone, Arizona to settle down, but are forced to pick up their guns again when a gang called the Cowboys start to wreak havoc.
Acting: 8
Beginning: 10
Great start as you're quickly introduced to the bad guys of the film. You can't quite figure out if they're a sloppy group of thugs or a well-oiled machine, but you know they have the worst intentions. The first scene is very reminiscent of the bridal massacre in Kill Bill.
Characters: 9
Cinematography/Visuals: 7
Beautiful shots of the town of Tombstone create the proper western vibes from grassy plains to old-timey saloons. The film isn't as gory as one you would see in our current decade so when you see characters actually bleeding out, the effect is powerful. While I thought the scene in the rain was a bit over the top, the film definitely made up for it in its closing shots of the final face off.
Conflict: 9
The action is both consistent and fun in Tombstone. A lot of it is built up in the familiar traditional western style of long-paused shots. One second, you're watching a staredown and the next, guns are drawn. Wyatt Earp seemed to have this down to a science. His intense staredown right before he open-hand slapped Johnny Tyler (Billy Bob Thornton) was probably one of the most memorable moments for me. Seriously, what man open-hand slaps another man with zero hesitation?
The gunfight montages more than gave me my fill of action. You know it's just a film, but you feel like you're watching the best of the best show off their skills on screen as the bullets fly. I appreciated the original moments that later films have duplicated.
Genre: 8
Memorability: 7
Pace: 7
Plot: 7
Resolution: 7
Overall: 79
Not the best western I've seen, but still a very fun film. If you can get over the hump of the forced love story, this should be an enjoyable watch.
Acting: 8
Beginning: 10
Great start as you're quickly introduced to the bad guys of the film. You can't quite figure out if they're a sloppy group of thugs or a well-oiled machine, but you know they have the worst intentions. The first scene is very reminiscent of the bridal massacre in Kill Bill.
Characters: 9
Cinematography/Visuals: 7
Beautiful shots of the town of Tombstone create the proper western vibes from grassy plains to old-timey saloons. The film isn't as gory as one you would see in our current decade so when you see characters actually bleeding out, the effect is powerful. While I thought the scene in the rain was a bit over the top, the film definitely made up for it in its closing shots of the final face off.
Conflict: 9
The action is both consistent and fun in Tombstone. A lot of it is built up in the familiar traditional western style of long-paused shots. One second, you're watching a staredown and the next, guns are drawn. Wyatt Earp seemed to have this down to a science. His intense staredown right before he open-hand slapped Johnny Tyler (Billy Bob Thornton) was probably one of the most memorable moments for me. Seriously, what man open-hand slaps another man with zero hesitation?
The gunfight montages more than gave me my fill of action. You know it's just a film, but you feel like you're watching the best of the best show off their skills on screen as the bullets fly. I appreciated the original moments that later films have duplicated.
Genre: 8
Memorability: 7
Pace: 7
Plot: 7
Resolution: 7
Overall: 79
Not the best western I've seen, but still a very fun film. If you can get over the hump of the forced love story, this should be an enjoyable watch.
Charlie Cobra Reviews (1840 KP) rated Overlord (2018) in Movies
Jul 3, 2020 (Updated Oct 29, 2020)
Over The Top Action Horror Gorefest - 8/10
Overlord is a action/horror movie directed by Julius Avery, and written by Billy Ray and Mark L. Smith. Produced by J. J. Abrams and Lindsey Weber through Bad Robot Productions, it's R rating, action, and gore carry it past where so many PG-13 horror movies fall short. I really enjoyed this movie despite the familiarity of feeling like a movie version of Call of Duty's Nazi Zombies.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
The night before D-day a squad of paratroopers are tasked with destroying a German radio tower in an occupied French village. Before they can reach their target their plane is shot down and they are left with a ragtag group of survivors: Private First Class Ed Boyce (Jovan Adepo), and Corporal Ford (Wyatt Russell) among others. Also starring John Magaro, Iain De Caestecker, Jacob Anderson, and Dominic Applewhite. While traveling they find a French woman, Chloe (Matthilde Ollivier) who leads them to her home in the village where she lives with her little brother. Boyce is ordered to look for survivors at a rendezvous point and while avoiding detection, has no choice but to infiltrate the base to hide from soldiers. While using the base as a means of escape and avoid capture he learns the Nazis are submitting p.o.w.s and villagers to horrendous experiments involving a mysterious liquid.
While no character came off as exclusively entertaining to me, I felt the film did well in conveying the difficulty of a diverse group being forced to work with each other for their survival. I also felt the casting was successful, although the lead didn't fall into the usual "soldier" archetype, the others did, but rounded off the group in a good way. The casts' chemistry was good, their roles were believable plus the special effects and gore were awesome. Like I said 8/10, almost a 9, but I felt it suspended disbelief too much at the end and was a little "too" over the top.
LeftSideCut (3778 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
Gareth von Kallenbach (980 KP) rated Night Swim (2024) in Movies
Jan 5, 2024
The first major release of 2024 has arrived in the form of “Night Swim” and the Blumhouse production looks to follow on the success of “M3gan” and
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5
their other recent hit “Five Nights at Freddy’s”.
The movie stars Wyatt Russell and Kerry Condon as Ray and Eve Walter; a married couple trying to raise their two children and deal with Ray’s M.S.
diagnosis. Ray is a former Major League Baseball player and holds out hope that he can overcome his situation and make a return to his profession even if those around him do not.
A life on the road has caused Ray to miss many events such as the birth of their daughter as well as be distant from their son. A new job at a prestigious school offers Eve a chance to have the needed insurance for Ray and work to do while she completes her degree.
The family opt to purchase a home with a pool versus renting as the ability to finally have some stability and use the pool for therapy is a welcome combination. This is enhanced by the discovery that the pool is
actually filled by a natural water source which Ray believes is healing him and rapidly putting him on the road to recovery.
Things are not as they seem as the pool holds some dark and deadly secrets that go back for decades and the family soon finds themselves dealing
with forces beyond their control as they desperately try to survive.
The film has an interesting premise though at times I did think about various other films and some of the shock moments failed to get me as they did others in the audience but I am not one who startles easily.
The cast was strong but at times I found myself not caring as much for the outcomes of certain characters as I was more concerned with the overall
explanation behind the supernatural elements of the film.
Despite this, it was an enjoyable watch that provided something a bit different than the usual monster or psycho on the loose horror film and Co-Writer/ Director Bryce McGuire has adapted his short film well into a
film which provides just enough of what the core audience wants to make it an effective horror entry.
3 stars out of 5
BankofMarquis (1832 KP) rated The Woman in the Window (2021) in Movies
May 24, 2021
It is NOT Rear Window
A piece of advice for you when you start to watch the “Alfred Hitchcock-esque” thriller, THE WOMAN IN THE WINDOW. If you are at all a Hitchcock fan, you will be spending the first part of this film comparing it to the 1954 classic REAR WINDOW and this would be a disservice to this film.
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
For…THE WOMAN IN THE WINDOW is no Rear Window, nor is it intended to be. It has many, many elements that are the same as Rear Window (most notably, the setup: a housebound person thinks they have witnessed a murder in a neighboring apartment), and THE WOMAN IN THE WINDOW is just like Rear Window…until it isn’t.
And that’s when I started to like this film, when I stopped comparing it (in my head) to Rear Window.
Based on the Best Seller by A.J. Finn (adapted for the screen by Tracy Letts who also appears in the film), THE WOMAN IN THE WINDOW tells the tale of Anna Fox, an agoraphobic who watches life go on outside her window. When she thinks she has witnessed a murder, she (and the audience) must decide is it real? Did she truly witness a murder? If so, who dunnit? If not, is she just hallucinating things? Is Anna crazy?
The answers to these questions were satisfying enough to me that I ended up enjoying the film experience that I had - but I have to be honest and tell you that, for awhile, my enjoyment of this film was hanging by a thread.
Amy Adams (ENCHANTED) is terrific - if unspectacular - in the title role. Her Anna Fox is murkey (that is meant as a compliment) and struggles through most of the film trying to determine what is real and what is an illusion. Adams does a “journeyman’s” job with this role. She acts her way through it in such a workmanlike fashion that I almost forgot that it is Adams on the screen.
Wyatt Russell (Kurt’s son who is also the new Captain America in THE FALCON AND THE WINTER SOLDIER) fares the best of the Supporting players for he has the most to do. Unfortunately, Director Joe Wright (ATONEMENT) and Screenwriter Letts wastes such strong actors as Gary Oldman (DARKEST HOUR), Julianne Moore (STILL ALICE), Anthony Mackie (The Falcon in the Marvel Movies), Jennifer Jason Leigh (HATEFUL 8), Brian Tyree Henry (GET OUT) and Letts himself in terribly underwritten roles that serve (mostly) as red herrings - and each of their characters are interchangeable and forgettable.
And that, ultimately, is where this film comes apart. While I cared about Anna and the solution to the mystery - I didn’t care very much about the other characters involved.
Which is why, I think, I’ll pull my DVD of Rear Window out and watch that film for the umpteenth time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)