Code of Federal Regulations, Title 36 Parks, Forests, and Public Property 200-299, Revised as of July 1, 2017
Office of the Federal Register (U.S.)
10.0
Rate It
Book
Title 36 contains the regulations governing the administration and programs responsible for national...
Code of Federal Regulations, Title 36 Parks, Forests, and Public Property 300-End, Revised as of July 1, 2017
Office of the Federal Register (U.S.)
Book
Title 36 contains the regulations governing the administration and programs responsible for national...
Hiding Behind the Keyboard: Uncovering Covert Communication Methods with Forensic Analysis
Book
Hiding Behind the Keyboard: Uncovering Covert Communication Methods with Forensic Analysis exposes...
Mobile Forensic Investigations: A Guide to Evidence Collection, Analysis, and Presentation
Book
This in-depth guide reveals the art of mobile forensics investigation with comprehensive coverage of...
Reporting War: How Foreign Correspondents Risked Capture, Torture, and Death to Cover World War II
Book
Luminary journalists Ed Murrow, Martha Gellhorn, Walter Cronkite, and Clare Hollingworth were among...
Awix (3310 KP) rated Sakho & Mangane in TV
Feb 17, 2021
Then, halfway through the season and with virtually no warning, a villain with magic powers turns up, one of the characters likewise reveals he has occult abilities, and from this point on the show is stuffed with demons, zombies, evil magicians, strange cults, and so on: the police captain is told that rather than an elite crime task force, she's now running a secret paranormal investigation squad (not that she bothers to tell anyone on the team).
To say it's wrong-footing is a serious understatement, and I would love to know what was going on behind the scenes on this show (it's like Starsky and Hutch turns into The X Files mid-run), but it's colourful and pacy with interesting characters (I particularly enjoyed the perpetually-wasted police pathologist). The quality control, script-wise, is a bit iffy in places, but it obviously scores very highly on the 'what the hell am I watching...?' front.
