Search
Search results
E338: the Art of Loic Zimmermann
Loic Zimmermann and Publishing 3DTotal
Book
There are plenty of books out there in the world that feature beautiful artwork. There are plenty...
Gareth von Kallenbach (980 KP) rated X-Men: First Class (2011) in Movies
Aug 7, 2019
When the “X-Men:The Last Stand” failed to score big with critics and audiences in 2006, many fans began to wonder if they would ever see their favorite mutant superhero team on screen anytime soon. Despite mixed reviews, 2009’s standalone film “Wolverine“, did sufficient box office numbers to warrant a sequel which is currently in development, indicating that the likely future of the series was with standalone character films.
Then 20th Century Fox decided to tell a team-based origin story that focuses on the early days of the X-Men and how they became the team that they are today. This is a bit of a controversial move as it involves recasting several roles to play younger versions of beloved characters.
The result is X-Men: First Class which stars Scottish actor James McAvoy as Charles Xavier, a brilliant young academic who hides his unique and amazing telepathic gifts from the world. When a chance encounter proves to Charles that there are others in the world who share his gifts he dedicates his studies to unlocking the mysteries of genetic mutations and their possibilities.
At the same time a young man named Eric Lehnsherr (Michael Fassbender), has embarked on a path of destruction and revenge against those who wronged and tormented him and his family during the Nazi occupation of their native Poland. Eric’s main target is man who now calls himself Sebastian Shaw (Kevin Bacon), who has surrounded himself with a team of skilled mutants and is manipulating US and Russia to the brink of nuclear war, for his own evil purposes.
When CIA Agent MacTaggart (Rose Byrne), learns of Shaw’s plans, she recruits Xavier, not knowing that he and his friend Raven (Jennifer Lawrence) are mutants themselves, with the hopes of understanding their new enemy and mounting a proper defense.
When the truth of his true nature is revealed, Charles teems with MacTaggart and scientist Hank McCoy (Nicholas Hoult), to locate and recruit other gifted individuals to their cause. Fate steps in when Erik and Charles meet and eventually become friends over there mutual pursuit of Shaw. Despite a great deal of understanding between the two individuals, Eric is intent upon killing Shaw. He warns his new friend not to trust humans, as his time under Nazi control taught him that it’s only a matter of time until he and his fellow mutants are targeted for extinction by the world. Despite this the Eric and Charles recruit and train a team to prepare to face Shaw and his followers, with the fate of the world hanging in the balance.
The film starts off well and it was very enjoyable to see a deeper side of the characters. From young Charles hitting on women in bars and making jokes about losing his full head of hair to the deadly side of Eric and his abilities as well as the early relationship between the iconic characters. Somewhere along the way the film loses its initial momentum as the plot of the film takes a while to get going. As good as the cast is, they need something to do and after numerous debates and a few training and recruitment segments the film became somewhat boring. There simply was not a lot of action to sustain the plot.
Kevin Bacon was an interesting choice for the villain. He did a good job, although watching him strut around I kept expecting him to break into dance at any moment. Another issue I had was that some of the supporting characters were basically throwaway as I cared little about their stories and outcomes. Only the characters of Raven, Eric, and Charles held any real interest for me and watching their interplay with one another was one of the strong points of the film.
As the film move toward the finale there were several things about it that did not work for me starting with the makeup for The Beast. Complete with spectacles it was almost a laughable look that brought to mind Jason Bateman in “Teen Wolf 2“. The fact that the character was annoying as well did very little to help.
The biggest issue I had with the film was that after all this buildup the finale was actually very ho-hum and while it did contain some visually nice moments, I do not feel the action balanced with the storytelling, certainly not to the extent that audiences expect from nor require of a summer blockbuster.
There are a couple of moments in the film that will certainly be questioned by fans of the series as well as scenes which conflict with information from the earlier films in the series. It seems certain elements of continuity have been omitted for creative license. I will not spoil those here but suffice it to say that if my wife, who is a casual fan of the series, was able to note conflicts and discrepancies between this film and a previous film, then certainly hard-core fans may have some real issues.
The film does a good job with explaining the origin and nature of the characters, but fails to provide an adventure worthy of the effort and instead plays out in a very underwhelming fashion. Director Matthew Vaughn proved himself highly adept with adventure films when he produced “Kick Ass“, and other action-oriented films. He is clearly a fan of comics and action and I would love to have seen what could’ve resulted had he been given carte blanche with the film.
In the end, “X-Men: First Class“, for me was more entertaining than the previous ensemble films, but fails to live up to its potential and severely lacks enough action to sustain the early momentum of the film.
Then 20th Century Fox decided to tell a team-based origin story that focuses on the early days of the X-Men and how they became the team that they are today. This is a bit of a controversial move as it involves recasting several roles to play younger versions of beloved characters.
The result is X-Men: First Class which stars Scottish actor James McAvoy as Charles Xavier, a brilliant young academic who hides his unique and amazing telepathic gifts from the world. When a chance encounter proves to Charles that there are others in the world who share his gifts he dedicates his studies to unlocking the mysteries of genetic mutations and their possibilities.
At the same time a young man named Eric Lehnsherr (Michael Fassbender), has embarked on a path of destruction and revenge against those who wronged and tormented him and his family during the Nazi occupation of their native Poland. Eric’s main target is man who now calls himself Sebastian Shaw (Kevin Bacon), who has surrounded himself with a team of skilled mutants and is manipulating US and Russia to the brink of nuclear war, for his own evil purposes.
When CIA Agent MacTaggart (Rose Byrne), learns of Shaw’s plans, she recruits Xavier, not knowing that he and his friend Raven (Jennifer Lawrence) are mutants themselves, with the hopes of understanding their new enemy and mounting a proper defense.
When the truth of his true nature is revealed, Charles teems with MacTaggart and scientist Hank McCoy (Nicholas Hoult), to locate and recruit other gifted individuals to their cause. Fate steps in when Erik and Charles meet and eventually become friends over there mutual pursuit of Shaw. Despite a great deal of understanding between the two individuals, Eric is intent upon killing Shaw. He warns his new friend not to trust humans, as his time under Nazi control taught him that it’s only a matter of time until he and his fellow mutants are targeted for extinction by the world. Despite this the Eric and Charles recruit and train a team to prepare to face Shaw and his followers, with the fate of the world hanging in the balance.
The film starts off well and it was very enjoyable to see a deeper side of the characters. From young Charles hitting on women in bars and making jokes about losing his full head of hair to the deadly side of Eric and his abilities as well as the early relationship between the iconic characters. Somewhere along the way the film loses its initial momentum as the plot of the film takes a while to get going. As good as the cast is, they need something to do and after numerous debates and a few training and recruitment segments the film became somewhat boring. There simply was not a lot of action to sustain the plot.
Kevin Bacon was an interesting choice for the villain. He did a good job, although watching him strut around I kept expecting him to break into dance at any moment. Another issue I had was that some of the supporting characters were basically throwaway as I cared little about their stories and outcomes. Only the characters of Raven, Eric, and Charles held any real interest for me and watching their interplay with one another was one of the strong points of the film.
As the film move toward the finale there were several things about it that did not work for me starting with the makeup for The Beast. Complete with spectacles it was almost a laughable look that brought to mind Jason Bateman in “Teen Wolf 2“. The fact that the character was annoying as well did very little to help.
The biggest issue I had with the film was that after all this buildup the finale was actually very ho-hum and while it did contain some visually nice moments, I do not feel the action balanced with the storytelling, certainly not to the extent that audiences expect from nor require of a summer blockbuster.
There are a couple of moments in the film that will certainly be questioned by fans of the series as well as scenes which conflict with information from the earlier films in the series. It seems certain elements of continuity have been omitted for creative license. I will not spoil those here but suffice it to say that if my wife, who is a casual fan of the series, was able to note conflicts and discrepancies between this film and a previous film, then certainly hard-core fans may have some real issues.
The film does a good job with explaining the origin and nature of the characters, but fails to provide an adventure worthy of the effort and instead plays out in a very underwhelming fashion. Director Matthew Vaughn proved himself highly adept with adventure films when he produced “Kick Ass“, and other action-oriented films. He is clearly a fan of comics and action and I would love to have seen what could’ve resulted had he been given carte blanche with the film.
In the end, “X-Men: First Class“, for me was more entertaining than the previous ensemble films, but fails to live up to its potential and severely lacks enough action to sustain the early momentum of the film.
Emma @ The Movies (1786 KP) rated Sonic the Hedgehog (2020) in Movies
Mar 1, 2020
Growing up I wasn't a Sonic gamer but even I was majorly sceptical when they released the first trailer, that wasn't a look that worked for me.
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.
When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.
Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.
For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.
Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.
Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.
James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.
And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.
The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.
But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
Leonardo’s Cat
Entertainment and Games
App
A contraption-packed, brain-teasing puzzle game featuring the voice of Patrick Stewart (Star Trek,...
Innovating Women: The Changing Face of Technology
Farai Chideya and Vivek Wadhwa
Book
From one of Time Magazine's "Forty Most Influential Minds in Technology" comes an essential...
Business technology essays gender studies
David McK (3557 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 15, 2022
Marvel's first horror (themed) movie?
So, Benedict Cumberbatch's Doctor Strange?
He's now appeared in six MCU movies, including this one (which is only his second solo outing). In order, they are:
Doctor Strange (2016)
Thor: Ragnorak (2017)
Avengers: Infinity War (2018)
Avengers: Endgame (2019)
Spider-Man: No Way Home (2021)
Doctor Strange in the Multiverse of Madness (2022)
As well as that, he's also appeared in perhaps the best episode of Marvels animated 'What If ...' series, titled 'What if ... Doctor Strange lost his heart instead of his hands?@
The reason I mention the latter?
Because, roughly halfway through this, Dr Strange falls through the Multiverse (first shown on the big screen in No Way Home): one of which looks very much like the animation style used in said series.
The films also relies heavily on the aftermath from TVs WandaVision (although a brief reprise of that is given by Wanda herself, with Vision barely getting a mention), in that Wanda is now desperate to find her missing children and has the Darkhold in her possession.
She also goes on to show why she is one of - if not the - most powerful beings in the MCU, which is where a lot of the horror elements in this story come into play. It is a Sam Raimi film, so if you've seen The Evil Dead (or even the original Spider-man trilogy, in particular Spider-Man 2), you know the type of thing: crazy camera angles, unsettling imagery, zombies, the damned ....
Oh, and it also definitely - finally! - opens up the MCU for the inclusion of the X-Men or The Fantastic Four.
He's now appeared in six MCU movies, including this one (which is only his second solo outing). In order, they are:
Doctor Strange (2016)
Thor: Ragnorak (2017)
Avengers: Infinity War (2018)
Avengers: Endgame (2019)
Spider-Man: No Way Home (2021)
Doctor Strange in the Multiverse of Madness (2022)
As well as that, he's also appeared in perhaps the best episode of Marvels animated 'What If ...' series, titled 'What if ... Doctor Strange lost his heart instead of his hands?@
The reason I mention the latter?
Because, roughly halfway through this, Dr Strange falls through the Multiverse (first shown on the big screen in No Way Home): one of which looks very much like the animation style used in said series.
The films also relies heavily on the aftermath from TVs WandaVision (although a brief reprise of that is given by Wanda herself, with Vision barely getting a mention), in that Wanda is now desperate to find her missing children and has the Darkhold in her possession.
She also goes on to show why she is one of - if not the - most powerful beings in the MCU, which is where a lot of the horror elements in this story come into play. It is a Sam Raimi film, so if you've seen The Evil Dead (or even the original Spider-man trilogy, in particular Spider-Man 2), you know the type of thing: crazy camera angles, unsettling imagery, zombies, the damned ....
Oh, and it also definitely - finally! - opens up the MCU for the inclusion of the X-Men or The Fantastic Four.
Midge (525 KP) rated Sugar: My Life as a Sugar Babe in Books
Dec 11, 2018
A fun, fast and interesting read. (2 more)
Fascinating to read about Monique's travels to different countries.
Intense and emotional
Very Steamy!
Sugar was beckoning at me to be read, initially by the eye-catching and attractive cover and that it looked like it would be a very steamy read, as indeed it was. I was definitely not disappointed! I was smitten from the very first, right until the last page.
Monique is a loving single mother, who is trying to create a happy home for her two daughters and she's also a Sugar Babe, dating wealthy men, a practice known as Sugar Daddy dating. She mostly meets her Sugar Daddies during the day, when the children are at school or when they are with their father. Monique finds a thousand pounds in her purse after one night of passionate and very hot sex, and she realises that Sugar Daddy dating could be her way to survive as a single mother.
A heady life of wealthy men, luxury hotels and glamorous experiences ensue. One of my favourites was Iranian engineer Farshad, who liked to lavish Monique with gifts such as expensive jewellery and leather boots and wine and dine her in exotic restaurants.
Dates with Sugar Daddies see her flying to Paris, Barcelona, Vienna, Milan, Japan, Singapore and Hong Kong and skydiving in Dubai. Thanks to her Sugar Daddies, Monique can provide for her children, she has some independence, and experiences a whole new range of sexual fantasies.
She deactivates her account with her agency, Seeking Arrangement, and her ex-husband stops paying for the children's' upkeep. She is then prepared to do anything for the sake of her children. Money becomes her top priority and she starts living in the dangerous waters of the escort world. Now she realises that she must find a way out before this hollow existence becomes a habit.
I absolutely loved reading Sugar. Maybe it was the novelty of reading a book told as memoirs and based on true events. It was fascinating to read about Monique's travels to different countries and about the different nationalities, cultures and personalities of the gentlemen she dated. However, she ends up working as an escort rather than a Sugar Babe, as it's all about basic survival instincts, money and very spicy sex.
Sugar is steamy and hot, passionate and caring, intense and emotional and there are definitely moments where you will laugh. It is such a fun, fast and interesting read.
Monique X is a brilliant storyteller and really draws you in with her descriptiveness.
Thanks to NetGalley and Thistle Publishing for my ARC.
Monique is a loving single mother, who is trying to create a happy home for her two daughters and she's also a Sugar Babe, dating wealthy men, a practice known as Sugar Daddy dating. She mostly meets her Sugar Daddies during the day, when the children are at school or when they are with their father. Monique finds a thousand pounds in her purse after one night of passionate and very hot sex, and she realises that Sugar Daddy dating could be her way to survive as a single mother.
A heady life of wealthy men, luxury hotels and glamorous experiences ensue. One of my favourites was Iranian engineer Farshad, who liked to lavish Monique with gifts such as expensive jewellery and leather boots and wine and dine her in exotic restaurants.
Dates with Sugar Daddies see her flying to Paris, Barcelona, Vienna, Milan, Japan, Singapore and Hong Kong and skydiving in Dubai. Thanks to her Sugar Daddies, Monique can provide for her children, she has some independence, and experiences a whole new range of sexual fantasies.
She deactivates her account with her agency, Seeking Arrangement, and her ex-husband stops paying for the children's' upkeep. She is then prepared to do anything for the sake of her children. Money becomes her top priority and she starts living in the dangerous waters of the escort world. Now she realises that she must find a way out before this hollow existence becomes a habit.
I absolutely loved reading Sugar. Maybe it was the novelty of reading a book told as memoirs and based on true events. It was fascinating to read about Monique's travels to different countries and about the different nationalities, cultures and personalities of the gentlemen she dated. However, she ends up working as an escort rather than a Sugar Babe, as it's all about basic survival instincts, money and very spicy sex.
Sugar is steamy and hot, passionate and caring, intense and emotional and there are definitely moments where you will laugh. It is such a fun, fast and interesting read.
Monique X is a brilliant storyteller and really draws you in with her descriptiveness.
Thanks to NetGalley and Thistle Publishing for my ARC.
David McK (3557 KP) rated Death of Wolverine in Books
Jan 30, 2019
The DEATH of Wolverine?
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
As if.
The Temporary Absence of Wolverine? (from the Marvel Universe). perhaps.
Admittedly, that doesn't sound *quite* as catchy, but I think that we all know by now that the death of any major comic character rarely stays that way: Superman, Captain America and Spider-Man (for instance) have all previously 'died' and later been resurrected. In the comics, indeed, I can only think of a few characters - all with mainly supporting roles - who have died, and stayed dead. Characters such as Uncle Ben (Spider-Man), Jonathan Kent (Superman) or the Wayne's (Batman), for example.
With all that said, this story starts with Logan stripped of his healing powers by unspecified events and with a huge bounty placed on him, leading several of the worlds bounty hunters to try to collect.
How this all fits into 'Old Man Logan' (which I haven't read, but have heard of), I have no idea - in this, he does, indeed, 'die' by the end of the stories. Like the character, the (linked) stories are also pretty brutal, with the art not shying away form showing the injuries sustained by a healing-powers-less Logan, and with blood spilt on a fairly regular basis.
There's also a throw-away line in one of the X-Men movies (the first?), where Logan is asked - when referring to his claws popping out - if that hurts, and in which he answers "Every damn time". The reason I bring that up? Because that fact is woven into this story as well, with Logan trying to avoid using his claws until absolutely necessary and with close-ups of his hands (when he does) showing just how painful it can be.
Worth a read? Yes, but I very much doubt the character will stay dead for long!
LeftSideCut (3776 KP) rated X-Men: The Last Stand (2006) in Movies
Jul 4, 2019 (Updated Jul 30, 2019)
It's all just a bit...meh
The Last Stand is not completely awful, but there is an absolutely huge setback here - the writers tried to cram the epic Dark Phoenix saga into one film.
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)
Couple this with an interrupted production and you have a messy result.
A fair amount of what is likable about the first two is still intact - the strongest asset here being the strong cast, doing their absolute best with a sub par script and story.
As for newcomers - Kelsey Grammer is a welcome addition as Beast, as is Ellen Page as Shadowcat - unfortunately Angel is pretty wasted here, as are characters like Psylocke, who is relegated to an extended cameo. Whoever decided to cast Vinnie Jones as Juggernaut deserves a good slapping.
The Dark Phoenix storyline in the comics is pretty epic, a lot of it takes place in space, and the tragedy of the X-Men fighting one of their own is fleshed out very well - something that the movie adaption practically ignores. After being hinted at the end of X2, Jean Grey is promptly bought back, and turns to the dark side very quickly, without any real build up.
Some character story arcs are concluded abruptly and in emotionless ways, as the film just sort of limps along to a pretty underwhelming conclusion.
Bryan Singer left production midway through to helm Superman Returns, and it shows.
The slickness and solid narrative of X2 is replaced by a choppy mess, full of quips that don't land ("I'm the Juggernaut bitch" anyone!?), and Brett Ratners involvement was just a misfire.
This particular comic arc deserves so much better (and judging by what I've heard about the 2019 effort, this is still the case!)
Jim Shooter: Conversations
Jason Sacks, Eric Hoffman and Dominick Grace
Book
As an American comic book writer, editor, and businessman, Jim Shooter (b. 1952) remains among the...