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Debbiereadsbook (1202 KP) rated Touch Of A Yellow Sun (Colors of Love #2) in Books
Mar 7, 2019
not quite as good as book one
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Marek has been sent a lower league after one too many outbursts on the ice. He knows this could be his last posting. After yet another outburst, Marek is forced to try to lower his anger levels and who better than the most lovely neighbour of his, Shey, who just happens to be the owenr of a yoga studio? Helps that Shey pushes all of Marek's buttons, but does Marek push Shey's? Can Marek get his temper under control enough to help Shey when his past comes back to haunt him?
I really enjoyed this one second book in the Colors of Love series, not quite as much as book one though! My only gripe (and this WILL make you laugh once you read my review for Lost In Indigo!) was that only Marek has a say!
Told ya!
I'll explain. In my review for Indigo, I said that Ms Locey has a way of negating my dislike of single point of view but strong voiced characters. And while Marek has a strong voice, it's not AS strong as Matt in Indigo, and here, I really missed that! I have NO clue why Marek isn't up to muster cos the man has a LOT to say: about his hockey, his career, his attraction to Shey, his feelings (once they hit him square in the face!) for Shey, and just how he feels about that cat! It's maybe just Marek himself, who didn't push MY buttons, maybe it's just me, I dunno! I hate not being able to say!
I did enjoy the way Shey's home crept up on Marek, very quickly, he was calling Shey's apartment, HIS home. I loved Shey's history, and his grandma! The twist with the past was a surprise, and I loved how Marek handled that, even if it cost him so much. Shey really is his whole world!
Other than the hockey theme, and the colours in the titles, I'm not sure I see a common thread, but is Arn, Marek's agent, the same one that is Matt's agent?? The name rang a bell, is all!
I'm sorry this is far shorter than my usual fayre, I'm not doing so well with my reading at the moment, and my reviews are few and far between.
A very VERY good. . . .
4 star read
**same worded review will appear elsewhere**
Marek has been sent a lower league after one too many outbursts on the ice. He knows this could be his last posting. After yet another outburst, Marek is forced to try to lower his anger levels and who better than the most lovely neighbour of his, Shey, who just happens to be the owenr of a yoga studio? Helps that Shey pushes all of Marek's buttons, but does Marek push Shey's? Can Marek get his temper under control enough to help Shey when his past comes back to haunt him?
I really enjoyed this one second book in the Colors of Love series, not quite as much as book one though! My only gripe (and this WILL make you laugh once you read my review for Lost In Indigo!) was that only Marek has a say!
Told ya!
I'll explain. In my review for Indigo, I said that Ms Locey has a way of negating my dislike of single point of view but strong voiced characters. And while Marek has a strong voice, it's not AS strong as Matt in Indigo, and here, I really missed that! I have NO clue why Marek isn't up to muster cos the man has a LOT to say: about his hockey, his career, his attraction to Shey, his feelings (once they hit him square in the face!) for Shey, and just how he feels about that cat! It's maybe just Marek himself, who didn't push MY buttons, maybe it's just me, I dunno! I hate not being able to say!
I did enjoy the way Shey's home crept up on Marek, very quickly, he was calling Shey's apartment, HIS home. I loved Shey's history, and his grandma! The twist with the past was a surprise, and I loved how Marek handled that, even if it cost him so much. Shey really is his whole world!
Other than the hockey theme, and the colours in the titles, I'm not sure I see a common thread, but is Arn, Marek's agent, the same one that is Matt's agent?? The name rang a bell, is all!
I'm sorry this is far shorter than my usual fayre, I'm not doing so well with my reading at the moment, and my reviews are few and far between.
A very VERY good. . . .
4 star read
**same worded review will appear elsewhere**
Kristy H (1252 KP) rated All the Bright Places in Books
Feb 8, 2018
Theodore is a quirky teen whose life has been troubled by sadness. His parents are divorced and Theo's recent past has been marked by dark patches, what he thinks of as a deep sleep, where he zones out from depression and sadness. He finds himself thinking often of suicide. One day, while on the ledge of their school's Bell Tower, Theo comes across Violet. Violet's life has changed drastically since the death of her older sister in a car accident. She's not so sure about life lately, either. So Theo lets everyone at school think Violet "saved" him on that Tower, when it's really him who talks her down. The two form an unlikely friendship and embark on a school project, documenting the "natural wonders" of their home state of Indiana. But do Violet and Finch realize the sadness each is dealing with?
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Oh how I wanted to like this book. I'd heard so many good things about it, and it was compared to [b:Eleanor & Park|15745753|Eleanor & Park|Rainbow Rowell|https://d.gr-assets.com/books/1341952742s/15745753.jpg|17225055], which I adore. But whereas Eleanor and Park each felt so real, these characters didn't always come across as true, versus caricatures. I did find myself caring, often deeply, for Violet, and I liked Finch, but he changed his personality types so often -- it was hard to relate to his character. I'm glad the book covered the topic of mental illness, but its portrayal was odd sometimes. I almost worry that it glorified mental illness and suicidal thoughts somehow (hard to explain without too many spoilers).
Also, Theo and Violet seem to fall for each other awfully quickly. Why does this happen so often in YA novels? Am I just a jaded adult now (entirely possible)? Also a huge issue - where are the freaking adults in this book, and why don't they help Violet and Finch? Kids and teens shouldn't feel that mental illness is something they need to deal with alone. I also think truly portraying Finch's "deep sleep" and how that affected him could have done wonders for showing the effects and ills of mental illness on teens.
Overall, this book certainly had its lovely moments. Violet and Finch are touching characters in many ways. As I said, I really liked Violet - her character really grows on you. Niven's writing is beautiful at times, and the teens' school project is an interesting touch. This was also hard for me to read, having experienced mental illness and suicide in my family. I think it was worth reading, but it didn't completely live up to my expectations.
Hazel (1853 KP) rated Divergent Thinking: YA Authors on Veronica Roth's Divergent Trilogy in Books
Dec 17, 2018
My rating: 4.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
For fans of Veronica Roth’s <i>Divergent</i> series here is a book that delves deeper into the trilogy. Commonly referred to as “the next <i>Hunger Games</i>” Leah Wilson has compiled together several essays that treat <i>Divergent</i> in its own right. <i>Divergent Thinking: YA Authors on Veronica Roth’s Divergent Trilogy</i> is full of a variety of ideas each expressed by a different well-known author.
Although <i>Divergent</i> is a dystopian novel leaning heavily towards the science fiction genre, the essays in this book compare the storyline and its components with reality. Through the complex heroine, Tris, the reader learns about family values, friendships, secrets and lies – all of these things being something that is experienced within everyone’s lives.
What are really interesting are the various authors’ perceptions on Roth’s use of factions - from this stem essays on personality types, life choices, psychology, bravery and science. <i>Divergent Thinking</i> is full of thought-provoking ideas that many readers would not have considered when first reading the trilogy. These authors make the reader think more about their own lives in relation to Tris and Tobias’. Most importantly Wilson’s compilation draws attention to the amount of research Roth must have done in order to create a dystopian future.
What is particularly good about this book is that the authors treat the characters as people in their own right with their own personalities and opinions. Instead of criticizing the way Roth has portrayed someone they comment instead on how they disagree with a particular characters thought or action. This proves, in a way, the brilliance behind Roth’s writing. Through reading <i>Divergent</i> we are not only staring at a page of writing, we are drawn directly into the storyline.
To be able to appreciate the essays included in this book readers need to already have a good understanding of the original novels, in other words read the trilogy first. There are also many spoilers for those who have not yet reached the final installment, <i>Allegiant</i>. It would also help to be a fan of <i>Divergent</i> as all these authors clearly are. Overall this is such a fascinating read. Some chapters are more interesting than others but that will also depend on the reader. If you prefer science and facts there are essays in here for you, likewise if you prefer a more personal touch there is something for you too.
Emma @ The Movies (1786 KP) rated Everything, Everything (2017) in Movies
Sep 25, 2019
Eighteen-year-old Maddy's world is small. It's the size of a house.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
Maddy has a rare form of SCID, an immuno-deficiency disease that means she can't leave the house because a chance encounter could kill her. The only people she sees are her mother, her nurse Carla, Carla's daughter Rosa and members of an online support group.
When as family move in next door, Maddy is bewitched by the son. He's friendly, he's funny, and he's handsome. Communicating through their bedroom windows, they exchange numbers and start texting. Carla notices the difference in Maddy, and is persuaded to let Olly in the house, but only under her condition that they stay on opposite sides of the room.
Maddy wants to see the ocean more than anything else in the world. She has to see what's out there to truly know she's alive, even if it kills her. But when she buys two plane tickets to Hawaii for herself and Olly, she doesn't realise how much it will change her life.
This one is based on the YA novel Everything, Everything by Nicola Yoon... you guessed it, haven't read this one either. I didn't know anything about it when I went to see it, mainly picked this one up because of the fact it was book related.
This was a beautiful film. (Yes, of course I cried) There's friendship, love, heartache. One of the problems was that there were really only two ways this film was going, and writers/movie makers aren't quite a cynical about things as I am when it comes to endings, so there wasn't really much chance that she was going to die for love.
Amandla Stenberg in the lead also wasn't quite my cup of tea. She played the naive side of the character well, but at the beginning when she was narrating... I just didn't find her a very good orator.
The subject matter was very different, and I really think the diversity in YA books has taken a massive step in that respect. It's touching on topics that very rarely see mainstream attention and that's a great thing. It also does one of my favourite things, which is enticing people to pick up books, so this one is a winner all round for me.
ClareR (5726 KP) rated The Hunting Moon in Books
Dec 12, 2023
When will I learn to check that books are a one off or the second in a series? I mean, it was a couple of chapters in before I realised something was off, but I have to admit that I quickly filled in the gaps, and it didn’t spoil my listening pleasure. I really enjoyed this.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
The world of Hemlock Falls is an interesting one - shut off from the non-magical, they look down on them somewhat, but still feel compelled to keep them (and themselves) safe from the nightmares in the forest separating the two peoples.
We join Winnie Wednesday after she has passed the hunter trials, her family has been welcomed back into the Luminaries after being cast aside by them for some reason (in book 1, I believe!), and Winnie is now a local celebrity. Not that she’s enjoying it very much. She’s worried that everyone is passing her attacker off as a werewolf, and she’s pretty certain that it’s another creature called a Whisperer. And the Whisperer is still killing hunters every night.
There’s a bit of romance as well - Jay Friday, who seems to have his own problems that he doesn’t want anyone to know about, is making advances to Winnie, and she doesn’t mind one bit. He’s a nice boy (I sound like a mum here, I cannot deny I am one).
I listened to this on Bolinda Audio through NetGalley, and the narrator, Caitlin Davies reads the story so well. There’s nothing quite like a good narrator, adding value to a story and bringing a world to life. The feelings of the characters were conveyed so effectively that I felt fully involved.
I think this opens up a whole argument as to whether books should be sectioned off into age groups. I mean, this is YA, so aimed at 12-18, and I can’t for the life of me understand why? Perhaps I’m a simple soul. OK, there’s no sex, but I’ll be honest - I don’t want to read about sex all the time. It can get a bit boring (controversial, perhaps, but there’s my opinion!). And YA seems to do fantasy and science fiction SO WELL!!
So I’m off to read The Luminaries and fill in some gaps, because I loved this second in what I assume will be a trilogy.
graveyardgremlin (7194 KP) rated Slide (Slide, #1) in Books
Feb 15, 2019
<b>2.5 stars
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
Maribeth is an overworked mother of four-year-old twins: busy dividing her time as an editor of a magazine, mothering her twins, and taking care of her household. But Maribeth is so busy she doesn't even realize she's had a heart attack. Once out of the hospital, Maribeth is shocked to realize that her mother and husband seem clueless when it comes to taking care of her (and in many ways, the household). Maribeth feels overwhelmed and frustrated. Angry at her husband, Jason, she packs a bag and flees her husband and the twins, basically starting her life over in another city. Once there, Maribeth makes new friends and starts a search for her own birth mother. But obviously she has left behind unresolved issues in New York, such as her husband and family. (Minor issue, right?)
Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
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Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
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Heather Cranmer (2721 KP) rated Thirteen Reasons Why in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of November).
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.
I came across this book on Amazon when I was adding books to my wishlist, and I thought it sounded interesting. I also had quite a few credits on Audible to use, so I thought I'd use one to purchase this book. I wasn't disappointed.
The title had me intrigued. It made me want to read the blurb.
I'm not really a big fan of the cover if I'm honest although I don't know what I'd like to see on the cover. Maybe I'd put Clay on the cover as well. I'm not really sure.
I enjoyed the world building. I find it hard to believe that no one would follow the instructions left on the tapes that Hannah made, but I suppose it could happen. The world building fits with what high school was like, at least when I was a teenager.
I found the pacing to be done well. I couldn't wait to find out what was going to happen on the next tape. There were only a few times where the pacing slowed a bit, but it didn't stay slow for very long.
The plot is an interesting one. Hannah make a cassette tape for each of the thirteen people that she felt contributed to her committing suicide. Clay is trying to think of all the times he was around Hannah and wondering why he'd be on the tapes. It was interesting to find out the way certain people contributed to Hannah's depression. I also think the plot sends a great message about how we shouldn't judge anyone because we don't know what that person has gone through or is going through.
I think the characters were written fairly well. At first, I felt a bad for Hannah. However, as time went on, I felt that Hannah became too selfish, not because of her suicide, but just by what she said on the tapes. Clay came across as a nice guy (and Hannah even said he was), but I just would've liked to know more about him.
The dialogue worked for a young adult book. The characters actually sounded their age and not like an adult trying to write YA characters. The dialogue flows freely and smoothly as well. Being that this is a book about a girl's suicide, the dialogue does mention that as well as rape and another sexual situation. There is a few swear words, but the swearing is only mild.
Usually, the narrator's of audiobooks tend to annoy me, but Debra Wiseman and Joel Johnstone did an excellent job. Debra Wiseman really brings the character of Hannah alive, and Joel Johnstone does the same for Clay. I think they both portrayed emotions really well. However, I had imagined Clay to sound a bit different. Johnstone's voice sounded just a tad bit too old for Clay's age in my opinion. Other then that, Wiseman and Johnstone were superb!
Overall, Thirteen Reasons Why is a very different but interesting book. I felt that even though it deals with suicide, it does send out a positive message.
Due to the major theme and some sexual scenes, I'd recommend this book to those aged 16+ who want to read something realistic.
Emma @ The Movies (1786 KP) rated The Sun Is Also A Star (2019) in Movies
Jun 20, 2020
At some point I may get bored of YA adaptations that throw two young people together with a bit of adversity. I'm not saying that this wasn't good but there are other typed of YA books out there that could be done.
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
After years living in the US, Natasha and her family are a day away from being deported back to Jamaica. She's determined to find a way to have them stay so instead of packing she's off to make one last attempt to stay in the city she loves.
Daniel is about to have the biggest interview of his life, his whole future is resting on it, but he throws all thoughts of it aside when he sees Natasha looking up in a crowd of people ignoring the world. She's a beautiful anomaly in his life and he needs to find her no matter the consequences.
Circumstances bring the two together and Daniel manages to convince her that even an hour with him could change their lives forever.
When I write it down like that the story doesn't sound quite so... magical? Man sees attractive young woman and attempts to stalk her... yeah, slightly creepy, but thankfully the film doesn't feel like that.
Nicola Yoon is two for two with her novels (the first being Everything, Everything) and we've got another lovely film in The Sun Is Also A Star. Of course it's yet another book I haven't read, if only there were a few more hours of leisure time in our lives.
Thinking back on this I find the timeline for the film a little confusing, which is strange considering you know that the majority happens over the space of two days. Perhaps it's because it's a little far fetched, perhaps it's also because they're constantly going from place to place and it seems like more than just a day's worth of activity.
Natasha is played by Yara Shahidi, the only thing I know her from recently is Black-ish, which I love. I had reservations about this casting, actors going from long-running shows into films doesn't always end well, partly because of the different acting style needed and partly from my side and being very familiar with their character. I shouldn't have worried, she does a great job with this role, and it's nice to see a character that doesn't have a typical backstory.
The same can be said for Daniel, played by Riverdale's Charles Melton. Watching his struggle with the path of his life is really interesting and I liked the small flashback to where everything was decided. If we ignore the creepiness of the couple's meeting then Daniel is a nice down to earth character and Melton strikes a nice balance between his home life and his actual life around people he knows.
Together they make a captivating couple on screen, and I like how they're each other's support even though they don't know that much about each other. They have great chemistry and that definitely boosted the enjoyment of the film.
I hardly made any notes when watching this, those that I did were about the nice use of voiceovers (that sounded very much like nature documentary), some good songs at the beginning, and then the intriguing and nice way they ended it. It's an enjoyable watch but I think it's come at the wrong end of the YA adaptation trend, everything is very similar despite having some individual charm.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/the-sun-is-also-star-movie-review.html
Kristy H (1252 KP) rated The Pants Project in Books
Feb 13, 2018
Liv (Olivia) was born a girl, but knows in his heart that he's a boy. But this realization isn't easy for a kid entering middle school, which can be a heartless place for anyone. What complicates things for Liv is a move to a new school, which brings a stringent dress code: girls must wear skirts. No exceptions. Whatsoever. Liv knows in his heart that he's a boy, but the school system (and kids at school) don't see it that way. Liv is already dealing with enough, but now he feels uncomfortable everyday in his school clothes. It also doesn't help that his best friend is dropping him for a group of mean-spirited bullies who bully Liv on a daily basis. But Liv perseveres and comes up with an idea: Operation Pants Project. Liv is going to get this uniform dress code overturned, no matter what.
This is an excellent YA novel that draws you in immediately. I found the storyline to be interesting from the very beginning, and it never wavered. Liv is a wonderful, amazing, resilient young man, and I loved him from the moment I met him. Liv's story is heartbreaking at times, but also very poignant. I see this tale as a must-read for transgender kids, but also all middle school kids, as it offers a wonderful chance to teach empathy. But, seriously, just having this story, and the way Liv expresses his thoughts on being transgender is so key. Yes, a lot of the story is probably a tad simplified, but still. It's just so refreshing to see this in book form.
Liv also has same-sex parents (two mothers) for which he is teased at school, which breaks my heart (being part of a same-sex marriage and having two young daughters). So much of the story hurts your heart at times and makes you just despair how much young kids have to go through at school. Liv meets a new friend in middle school, Jacob, and in reading this book, I just hope that the world continues to be filled with more Liv and Jacobs: it will make it a better place for sure. (I also enjoyed that Clarke seemed to insert an inside joke about how awful and cliche lesbian films can be!)
Overall, I loved this book, and I wish it was on the shelves of every middle school (and high school) -heck all libraries and bookstores-- everywhere! Huge portions of it make you smile, and you will find yourself just rooting for plucky, wonderful Liv and his spirit. There's a great sappy message in this book that I wish everyone could read in these troubled times. Liv has a wonderful sense of humor, and Clarke's writing is perfect for the targeted age group. I do think a great deal is this book is probably a little simplified (not all parents may be as supportive of Liv, for instance), but the bullying aspects at school are spot-on. Just seeing a transgender "tween" in print is great. I would like to see a list of support resources at the end of the book (and I just read an ARC, so it's not the final version) for those who do not have the same support system as Liv. Yes, this book goes a long way toward showing acceptance, but it's not as easy for everyone. I certainly hope it inspires kids to treat everyone equally: it's an important message. I definitely recommend this wonderful novel for kids and adults alike.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 03/01/2017.
This is an excellent YA novel that draws you in immediately. I found the storyline to be interesting from the very beginning, and it never wavered. Liv is a wonderful, amazing, resilient young man, and I loved him from the moment I met him. Liv's story is heartbreaking at times, but also very poignant. I see this tale as a must-read for transgender kids, but also all middle school kids, as it offers a wonderful chance to teach empathy. But, seriously, just having this story, and the way Liv expresses his thoughts on being transgender is so key. Yes, a lot of the story is probably a tad simplified, but still. It's just so refreshing to see this in book form.
Liv also has same-sex parents (two mothers) for which he is teased at school, which breaks my heart (being part of a same-sex marriage and having two young daughters). So much of the story hurts your heart at times and makes you just despair how much young kids have to go through at school. Liv meets a new friend in middle school, Jacob, and in reading this book, I just hope that the world continues to be filled with more Liv and Jacobs: it will make it a better place for sure. (I also enjoyed that Clarke seemed to insert an inside joke about how awful and cliche lesbian films can be!)
Overall, I loved this book, and I wish it was on the shelves of every middle school (and high school) -heck all libraries and bookstores-- everywhere! Huge portions of it make you smile, and you will find yourself just rooting for plucky, wonderful Liv and his spirit. There's a great sappy message in this book that I wish everyone could read in these troubled times. Liv has a wonderful sense of humor, and Clarke's writing is perfect for the targeted age group. I do think a great deal is this book is probably a little simplified (not all parents may be as supportive of Liv, for instance), but the bullying aspects at school are spot-on. Just seeing a transgender "tween" in print is great. I would like to see a list of support resources at the end of the book (and I just read an ARC, so it's not the final version) for those who do not have the same support system as Liv. Yes, this book goes a long way toward showing acceptance, but it's not as easy for everyone. I certainly hope it inspires kids to treat everyone equally: it's an important message. I definitely recommend this wonderful novel for kids and adults alike.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 03/01/2017.