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Ivana A. | Diary of Difference (1171 KP) rated Love, Heather in Books
Oct 2, 2020
Love, Heather is one of the most disturbing YA novels related to bullying I have read!
Please be aware that this book has bullying and assault triggers.
Stevie and Lottie have been friends since they've known about each other. And when Lottie starts to hang out with the popular kids, Stevie wants to fit in too. One thing leads to another, and Stevie gets bullied by them, which quickly leads to the whole school avoiding her.
Then Stevie becomes friends with Dee, and they start plotting a revenge on the popular kids, which very quickly gets out of hand. The " Love, Heather " pranks are now spreading without anyone being able to stop them.
Stevie's family is a bit of a troubled one. Her mum and dad are divorced, and her dad doesn't have the interest to see her often, being busy with his new missus. Her mum is starting to date other men too, often not spending time with Stevie. Lacking her family love, Stevie sees Lottie's family as hers. Very understandably, given the fact she has spent countless days and nights there. Lottie's family is not perfect either though. They have their own problems, and the most recent one is Lottie's mum transitioning into a man.
Stevie as a character
Stevie is a person that makes you want to feel for you, but you can't. She is supposed to be sympathetic and she is supposed to be a victim. However, most of the time I found her quite annoying and attention seeking. It is also important to mention that she is not alone and could reach for help, but she didn't, despite people often asking her whether she is feeling okay and if there is anything they can do to help.
The world was always revolving about Stevie, and she couldn't understand how other may feel as well. A scene where she tells Lottie how to accept her mum's transition comes to mind. We all know that Stevie cares about Lottie and her mum, but Lottie is way closer and more affected in this situation. There are times where it's not our place to say things, and leave people to cope in their own way, and Stevie was not able to achieve this state of mind.
Powerful!
While I couldn't connect to Stevie on many levels, I absolutely cherish this book because it brings up bullying in a very powerful way. It is very emotional and very intense, every bit of reality hits hard and makes me angry for all the children out there that are getting bullied every day. I was once that kid. I was a Stevie too! And it sucks to see it happen again and again, and realise how cruel life and people can be sometimes, when no one gets punished for what they have done.
I loved how this book showed how small things done in consecutive way can have enormous effect to a person, or a group. How the small things we say today can hurt us badly. And I hope people will read this book with the hope of spreading the knowledge and standing up to bullies, before things go out of hand.
Please be aware that this book has bullying and assault triggers.
Stevie and Lottie have been friends since they've known about each other. And when Lottie starts to hang out with the popular kids, Stevie wants to fit in too. One thing leads to another, and Stevie gets bullied by them, which quickly leads to the whole school avoiding her.
Then Stevie becomes friends with Dee, and they start plotting a revenge on the popular kids, which very quickly gets out of hand. The " Love, Heather " pranks are now spreading without anyone being able to stop them.
Stevie's family is a bit of a troubled one. Her mum and dad are divorced, and her dad doesn't have the interest to see her often, being busy with his new missus. Her mum is starting to date other men too, often not spending time with Stevie. Lacking her family love, Stevie sees Lottie's family as hers. Very understandably, given the fact she has spent countless days and nights there. Lottie's family is not perfect either though. They have their own problems, and the most recent one is Lottie's mum transitioning into a man.
Stevie as a character
Stevie is a person that makes you want to feel for you, but you can't. She is supposed to be sympathetic and she is supposed to be a victim. However, most of the time I found her quite annoying and attention seeking. It is also important to mention that she is not alone and could reach for help, but she didn't, despite people often asking her whether she is feeling okay and if there is anything they can do to help.
The world was always revolving about Stevie, and she couldn't understand how other may feel as well. A scene where she tells Lottie how to accept her mum's transition comes to mind. We all know that Stevie cares about Lottie and her mum, but Lottie is way closer and more affected in this situation. There are times where it's not our place to say things, and leave people to cope in their own way, and Stevie was not able to achieve this state of mind.
Powerful!
While I couldn't connect to Stevie on many levels, I absolutely cherish this book because it brings up bullying in a very powerful way. It is very emotional and very intense, every bit of reality hits hard and makes me angry for all the children out there that are getting bullied every day. I was once that kid. I was a Stevie too! And it sucks to see it happen again and again, and realise how cruel life and people can be sometimes, when no one gets punished for what they have done.
I loved how this book showed how small things done in consecutive way can have enormous effect to a person, or a group. How the small things we say today can hurt us badly. And I hope people will read this book with the hope of spreading the knowledge and standing up to bullies, before things go out of hand.
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Bob Mann (459 KP) rated Searching (2018) in Movies
Sep 28, 2021
A phenomenally intriguing social media-focused movie.
There have been many movies that have featured computing and, more specifically, social media at their heart. Some these have used the device of the view “from the screen”: 2016’s entertaining “Nerve” had elements of this, with the majority of the rest of the film being ‘augmented reality’ over the video. But it was 2014’s teen-horror “Unfriended” that set a new bar being seen entirely through a computer screen. No surprise then that the producer of that one – Timur Bekmambetov – is also behind “Searching”. For – although taking a few liberties with news vidoes, that may or may not be showing on Youtube – the whole film is shot through computer screens.
“Oh no!” you sigh “another gimmicky B-movie”. Far from it. Not only is this a really helpful training film for Windows tips and tricks! It’s also a totally absorbing crime mystery anchored by a superb script that keeps the audience guessing to the end.
John Cho – most famous as Sulu in the Star Trek reboots – plays David Kim who is trying to control his 16 year-old daughter Margot (Michelle Ya, in her movie debut). Kim, working in some form of product development, is no technology luddite, and when Margot disappears he uses his nous about social media to try to piece together the fragments of the puzzle to assist police Detective Vick (Debra Messing, “Grace” in “Will and Grace”).
To say any more would ruin what is a masterly roller-coaster ride of twists and turns. The script by first-time director Aneesh Chaganty and Sev Ohanian doesn’t let its audience relax for a moment, spawning more movie cul-de-sacs and red herrings than a classic Agatha Christie.
In the acting stakes John Cho – who really doesn’t get given much to do in the Star Trek background – is here impressively believable as the parent, struggling with both bringing up a teen – enough to stress any mortal out – and an emotional past. Ms La is also equally engaging, given most of her scenes are via close-up web cam.
Criticisms? The film, at 102 minutes, might have usefully trimmed 10 minutes to be an even tighter 90 minute classic. I also thought it pulled its punches in the finale, where a director of the calibre of Hitchcock might have gone for a much darker angle without a qualm.
But I’m nit-picking. This is an excellent thriller that also effectively drills into grief and bereavement (a warning for anyone struggling with this – especially via the “Big C”… you might want to give this one a miss… #Up). It also ironically highlights that whilst broadcasting by people has never been more prevelant, communication between family members is sometimes totally lacking.
Clearly people agree with me that it is excellent: the preview cinema audience I saw this with was buzzing afterwards, and this won the “Audience Award” at Sundance.
“Searching” will be on general release in the UK and US from August 31st 2018. Highly recommended!
“Oh no!” you sigh “another gimmicky B-movie”. Far from it. Not only is this a really helpful training film for Windows tips and tricks! It’s also a totally absorbing crime mystery anchored by a superb script that keeps the audience guessing to the end.
John Cho – most famous as Sulu in the Star Trek reboots – plays David Kim who is trying to control his 16 year-old daughter Margot (Michelle Ya, in her movie debut). Kim, working in some form of product development, is no technology luddite, and when Margot disappears he uses his nous about social media to try to piece together the fragments of the puzzle to assist police Detective Vick (Debra Messing, “Grace” in “Will and Grace”).
To say any more would ruin what is a masterly roller-coaster ride of twists and turns. The script by first-time director Aneesh Chaganty and Sev Ohanian doesn’t let its audience relax for a moment, spawning more movie cul-de-sacs and red herrings than a classic Agatha Christie.
In the acting stakes John Cho – who really doesn’t get given much to do in the Star Trek background – is here impressively believable as the parent, struggling with both bringing up a teen – enough to stress any mortal out – and an emotional past. Ms La is also equally engaging, given most of her scenes are via close-up web cam.
Criticisms? The film, at 102 minutes, might have usefully trimmed 10 minutes to be an even tighter 90 minute classic. I also thought it pulled its punches in the finale, where a director of the calibre of Hitchcock might have gone for a much darker angle without a qualm.
But I’m nit-picking. This is an excellent thriller that also effectively drills into grief and bereavement (a warning for anyone struggling with this – especially via the “Big C”… you might want to give this one a miss… #Up). It also ironically highlights that whilst broadcasting by people has never been more prevelant, communication between family members is sometimes totally lacking.
Clearly people agree with me that it is excellent: the preview cinema audience I saw this with was buzzing afterwards, and this won the “Audience Award” at Sundance.
“Searching” will be on general release in the UK and US from August 31st 2018. Highly recommended!
postapocalypticplayground (27 KP) rated Six of Crows in Books
Jan 9, 2018
Every so often a book will come along which will make you re-evaluate all the 5 star reviews you have given in the past. Six of Crows for me is that book. Set in Leigh Bardugo's "Grishaverse" it is the tale of an impossible heist where the rewards far outweigh the risk. Our main protagonist Kaz Brekker is fast becoming a legend in the bowels of the Barrel, the criminal underworld of Ketterdam. He is young, but a driven and ruthless trickster, with a team to match. They are tasked with breaching the heavily fortified Ice Court to rescue a scientist held hostage. It's a feat which has never been achieved, but with the promise of a reward that will take Kaz and his team out of the bottom of the Barrel it's risk he's willing to take, after all, just how many things could go wrong?
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Haley Mathiot (9 KP) rated Crescendo (Hush, Hush, #2) in Books
Apr 27, 2018
Crescendo by Becca Fitzpatrick
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
Genre: YA
ISBN: 9781416989431
Publication date: October 19th 2010 by Simon & Schuster Children's Publishing
Rating: 5
(No summary, to keep spoilers out!)
Ok. Crescendo definitely wasn’t what I expected. I definitely liked it—maybe loved it. But I can’t say I enjoyed reading it. I won’t spoil it, but we’ll just say there were times when I wanted to wring the characters necks. It was wonderful, and it was miserable.
And Patch. Oh Patch.
Ok. Can’t say anything else about Patch.
I admire a book that surprises the crap out of me. Crescendo did that. I had absolutely no idea of who was the bad guy until the very last page, and it was nothing but wishful thinking that kept the hero in his position. Although the tension, both romantic and emotional, made it difficult to read at times, I tore through it and couldn't put it down.
So here are the things that made it wonderful:
1. The plot was woven perfectly, intricately, and complexly, and it surprised me. There was so much to it, that it might take a while for me to completely wrap my head around it. It did not have plot overkill, thank goodness, but it would have if it hadn’t been organized and written so well.
2. The emotional turmoil was very real… reading it was almost depressing… if I hadn’t had so much faith in Patch… Wow. Having faith in Patch isn’t a good thing, is it?
3. Not only was the plot complicated, but it was fast paced the entire time. There was no down-time, there was nothing simple.
As far as the writing, I have nothing great to say about it. It was every-day satisfyingly mediocre writing style and vocabulary, but it wasn’t bad.
And of course, the characters… well they don’t have that many redeeming qualities, do they? I mean, really. Name five things about Patch that make him a worth-while guy, besides being sexy and smelling delicious. And yes, sometimes I wanted to yell at Nora to forget about her pride and just “do it!” (no not that! you’ll understand when you read it!)
Now for my favorite part: The end. It was good and bad: Good because I got the end that I wanted in the first place (!!!) and bad because at the very end, the last paragraph, I read it and freaked out… SERIOUSLY? BECCA, THAT’S NOT AN ENDING! It was worse than Catching Fire. But the rest was wonderful! *swoons*
So. I absolutely recommend Crescendo. I recommend reading it when you have all day to devote to it, because you won’t want to stop and leave yourself feeling angry and depressed. Because really, the whole mood of this book is angry, sad, and depressing. But it was ok that way.
Then again… you may want to wait to read it until book 3 comes out. Because there will definitely be a book 3. And I definitely want it right now.
And that’s all I have to say about that.
Content/recommendation: Ages 16+ for some sensuality. And you have to read Hush, Hush first or none of it will make any sense.
By the way, I got my ARC of Hush Hush at ARC swap. So head over there to see if there are any goodies you’d like to swap for. Last I checked, there was an ARC of Fallout, Tyger Tyger, Party, Perchance to Dream, and quite a few more. http://arcswap.webs.com
postapocalypticplayground (27 KP) rated The Wicked Deep in Books
May 1, 2018
Everything a contemporary fantasy should be
I got a copy of The Wicked Deep in a book sub box, I had seen it around but didn't know much about it which is perfect because sometimes knowing can turn me away, as i'm often a creature of habit. I'm not really a fan of fantasy in a contemporary setting but this book changed my mind completely! I think that this is because the small town of Sparrow doesn't feel contemporary. Forgotten for most of the year, it's a crumbling town being slowly reclaimed by the sea. With no chain stores or high street names it's kind of trapped in time, which all ends up adding to the authenticity of Swan Season - A short time each year where it's said that the drowned witch Swan sisters return to the shore to claim the lives of men in the town. Despite there actually being annual deaths, tourists still flock to Sparrow every year. The story is also nicely interposed with chapters about the history of the town and the Swan sisters time there, which also gives it a less contemporary feel.
Before I go any further I want to cut to one thing, this book has been published by Simon and Schuster's Children's Division - so set your sights here. Yes this is a tale of darkness, murder and revenge, but don't expect it to be graphic or horrifying - I mention this as I have seen some people complain that it isn't enough of those things. YA covers a large age range and sometimes it's going to be towards the lower end and to be honest, the story telling is so fantastic that it doesn't need to be graphic or over the top. I think Shea Ernshaw does an amazing job of conveying dread without resorting to shock. That's also evident that despite the subject matter this is a really easy and captivating read, I couldn't put it down and read it in a day!
There isn't a character I disliked. The sisters were portrayed brilliantly, all reacting differently to the 200 years of vengeance and I found it a really interesting take on how they can become either weary or sharpened by this. The children of the town as well were thoughtfully considered with how they have come to accept the fate of the town they were born into, and almost embrace it like a birthright, despite knowing what the fates could have in store. I want to be careful of saying too much about the characters as there is some brilliant misdirection and a twist to this tale, which kept me on my toes.
The story feels very ethereal, from the mists of the sisters song to the decrepit lighthouse island and the run down township. Even the antics of the children at the start of Swan Season seems as if they are already under a spell rather than the elaborate dares they look to be playing - perhaps that is a spell over the whole town, in that they float along knowing what is coming yet seem in no hurry to change or move to do anything about it.
I loved this book for so many reasons and it's beautifully not afraid to be a stand alone which is so refreshing at the moment. The cover is gorgeous too! I have no hesitation in giving this book 5*
Before I go any further I want to cut to one thing, this book has been published by Simon and Schuster's Children's Division - so set your sights here. Yes this is a tale of darkness, murder and revenge, but don't expect it to be graphic or horrifying - I mention this as I have seen some people complain that it isn't enough of those things. YA covers a large age range and sometimes it's going to be towards the lower end and to be honest, the story telling is so fantastic that it doesn't need to be graphic or over the top. I think Shea Ernshaw does an amazing job of conveying dread without resorting to shock. That's also evident that despite the subject matter this is a really easy and captivating read, I couldn't put it down and read it in a day!
There isn't a character I disliked. The sisters were portrayed brilliantly, all reacting differently to the 200 years of vengeance and I found it a really interesting take on how they can become either weary or sharpened by this. The children of the town as well were thoughtfully considered with how they have come to accept the fate of the town they were born into, and almost embrace it like a birthright, despite knowing what the fates could have in store. I want to be careful of saying too much about the characters as there is some brilliant misdirection and a twist to this tale, which kept me on my toes.
The story feels very ethereal, from the mists of the sisters song to the decrepit lighthouse island and the run down township. Even the antics of the children at the start of Swan Season seems as if they are already under a spell rather than the elaborate dares they look to be playing - perhaps that is a spell over the whole town, in that they float along knowing what is coming yet seem in no hurry to change or move to do anything about it.
I loved this book for so many reasons and it's beautifully not afraid to be a stand alone which is so refreshing at the moment. The cover is gorgeous too! I have no hesitation in giving this book 5*
graveyardgremlin (7194 KP) rated Slide (Slide, #1) in Books
Feb 15, 2019
<b>2.5 stars
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
Slide</b> features an intriguing idea though the results left me with mixed feelings. The concept is awesome, but the execution? Yeah, not so much. The writing is serviceable, neither bad nor great and it didn't draw me into the story straightaway. Both the way it is written and the storyline reminds me of some of the books I read as a pre-teen/teen way back during the Pleistocene epoch, otherwise known as the 1990s, with authors like Christopher Pike, R.L. Stine, Diane Hoh, Lois Duncan, Richie Tankersley Cusick, among others. It especially seems to fall right in between Pike and Stine. While the writing is more mature than Stine's, it's not quite as sophisticated as Pike's. The mystery is weak, and by the end, seems pointless as it's totally anti-climactic, over in a flash, like it was written just to finish the book up, and absurdly contrived. The whole ending is totally ludicrous and unbelievable. The clues leading up to it are obvious and not incorporated into the story well at all. These clues were so glaring they all but had a flashing sign pointing to them in cartoon-like fashion whenever they fell into the main character's path. Sylvia a.k.a. Vee wasn't written as a dummy, at first, but boy she was an absolute idiot about those clues and putting two and two together, or really much of anything until it slapped her in the face. While Vee is sympathetic, I can't say I felt much of anything for her, and even less for anyone else in book because of their lack of depth. No one is explained in any detail, either personality or looks, motivations, or whatever. Just a brief shallow summary if lucky. Speaking of.... What has happened in books today where there are no descriptions of how anybody looks, except "I have pink hair," "his blonde hair," or some other toss away adjective? I've seen it over and over again and all I'm left with is the visualization that these people have no faces, much like that episode of Doctor Who (The Idiot's Lantern). Frankly it's all rather creepy.
I feel like this could have been a great book if it was longer (the copy I read is only 250 pages of at least 1.5 spaced lines) and had much more depth. Add in a couple more suspects, motivations, etc., and maybe a little more information on Vee's "sliding" powers. Unfortunately it's only an "okay" read that's easy and moves at a rapid pace. I didn't hate the book by any means, it's just not one that'll stick in my head for more than a few days. On the plus side I love the cover composition and colors, so kudos to the artist(s). This works fine as a standalone, but is now part of a series, for some unfathomable reason. Frankly, I'm getting sick of every book that comes out, most usually in the YA genre, becoming a series. It's ridiculous how few standalone books there are anymore. Still, even with all my grumbling about the numerous series and everything else, I think I will check out [b:Impostor|13423265|Impostor (Slide, #2)|Jill Hathaway|http://d202m5krfqbpi5.cloudfront.net/books/1341084724s/13423265.jpg|18870053], the second book in the <i>Slide</i> series, as it sounds interesting. Who knows, this might have just been the stepping stone to bigger and better things. Although if Vee is as stupid as she was in this one, I'm outta there.
Originally Reviewed: October 16, 2012
Received: Amazon Vine
RəX Regent (349 KP) rated Bad Boys II (2003) in Movies
Feb 25, 2019
What ya gonna do
this time?
Contains spoilers, click to show
Whilst the first outing of the Bad Boys shocked me by how good it actually was, this one left me a little disappointed. I was hardly expecting an Oscar winning deal here, as this was always going to be a Michael Bay adrenalin rush, but for a film with a two and a half hour running time, the adrenalin came in too short a bursts.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Movie Metropolis (309 KP) rated Insurgent (2015) in Movies
Jun 10, 2019
A little soulless
There hasn’t been a better time to be part of the Young Adult revolution. From Stephanie Meyer’s underwhelming Twilight saga to Suzanne Collins’ superb Huger Games trilogy and everything in between, there is something about this genre that audiences love to read and to watch.
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/