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Emma @ The Movies (1786 KP) rated Thoroughbreds (2017) in Movies

Sep 25, 2019  
Thoroughbreds (2017)
Thoroughbreds (2017)
2017 | Drama, Mystery, Thriller
2
6.4 (10 Ratings)
Movie Rating Watch
Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.



The beginning of this one seemed promising and I was looking forward to where the duo were going, but the film swerved off into some fairly boring territory quickly. I was left fidgeting and querying (after my many years of watching crime dramas and reading forensic science books) how any of them managed to convince the police of their guilt/innocence.
  
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Andrew Koltuniuk (767 KP) rated Bandits (2001) in Movies

May 5, 2020  
Bandits (2001)
Bandits (2001)
2001 | Comedy, Drama
4
5.7 (6 Ratings)
Movie Rating Watch
Well. I hadn't seen this film in about ten years, so I decided that I was going to re-watch this. Somehow, in ten years, my brain must have edited out the whole middle section with a woman cheating on her husband with two other men... And all of the weirdness that came with that... So that was fun. I did not remember that part and to be honest was a little weirded out by it. But the bank heists were super well written and I absolutely love the twist ending.
  
    All Blessed by Faithless

    All Blessed by Faithless

    (0 Ratings) Rate It

    Album

    The iconic, award-winning Faithless return with their first album in ten years, ‘All Blessed’,...

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LeftSideCut (3776 KP) rated The Evil Dead (1981) in Movies

Feb 5, 2022  
The Evil Dead (1981)
The Evil Dead (1981)
1981 | Horror
8
8.1 (52 Ratings)
Movie Rating Watch
What is there to say about The Evil Dead that hasn't been said before? It's a bonafide genre classic, and a masterclass in what can be done with a tiny budget. The practical effects are equally impressive as they are gross. Tom Sullivans effects work is quite something, even all these years later. Combine all of this with Sam Raimis erratic, invasive, and sometimes nauseous camera work, and the result is a unique and disturbing horror ride that still has the capacity to scare 40 years on.

Also, Bruce fucking Campbell.