"Roxane Gay is one of the funniest and most insightful authors, and her book of essays is essential reading because I think most women can relate to her varied interests, and I am no exception. Gay, an academic and prolific author, writes about watching certain reality shows but also recognizing how damaging they can be. She writes about feminism in a way that is deeply authentic and realistic. Also, as someone who has had to work her way up this business for years, I really appreciate that she is an overnight success twenty years in the making."

"This book isn’t strictly just a book – it’s a play that became a political movement that became a world-wide phenomenon. Just say the title The Vagina Monologues and, even now, twenty years after Eve Ensler first performed her ground-breaking show, the words feel radical…I’m so interested to see which monologues we all like best, and which ones still shock us. Has the world moved on in twenty years, or are there still aspects of women’s sexuality we can’t talk about, through our own fears or because others try to stop us? Do we think art can change the world?"

"I've been listening to her for years, but I just watched a documentary about her – so much raw emotion! And free of so many complications that music has sometimes. The music is just very direct, simple and strong, free of filigree. She's direct to the heart. Her intimate collaboration with Portugal's poets is admirable. She definitely stuck by her rifles. And it's good to know that she was part of making the fado style. I first came across it, I would guess, 15 years ago. It has the same rawness as flamenco but it's less flamboyant, and more stern and stark somehow."

"I saw both of these for the first time in film school, then I moved to Paris in my twenties and lived there for many years, always kind of romanticizing the Paris of the late 1950s that I saw in these two films but never quite finding it. You can still find a few little streets and alleyways in Ménilmontant where The Red Balloon was filmed, and a few years ago I found myself on the same beach in Normandy where Jean-Pierre Léaud runs in those beautiful long tracking shots that end The 400 Blows. Landscapes are just as important as story."

"I saw both of these for the first time in film school, then I moved to Paris in my twenties and lived there for many years, always kind of romanticizing the Paris of the late 1950s that I saw in these two films but never quite finding it. You can still find a few little streets and alleyways in Ménilmontant where The Red Balloon was filmed, and a few years ago I found myself on the same beach in Normandy where Jean-Pierre Léaud runs in those beautiful long tracking shots that end The 400 Blows. Landscapes are just as important as story."

"I don’t know how controversial it is in Beach Boys fan circles but I really like the Brother years. It’s as if they’ve all spent years with a genius, learning how to do it, soaking up musical know-how like sponges and then just gone for it themselves. There are some great songs – The Trader is one of my favourites, and Sail On Sailor is one of my wife’s all-time favourite songs. I’m drawn to beauty in music. You can put three chords together and it does something weird to me. It feels a little bit like magic."