"Before The Onion or memes or any of the other biting comedic content we take for granted now, This Is Spinal Tap showed me one thing: committing to the joke is everything. The film never breaks into self-consciousness. It’s comedy gold, and it holds up all these years later."

"Sam Peckinpah followed The Wild Bunch with a deeply personal, lyrical western love story which was promptly buried by its distributor. Its failure to find an audience nearly caused the director to abandon westerns altogether, but over the years its reputation has grown and it stands as one of Peckinpah’s finest."

"Whooo! Where to start? I’ve watched it so many times. Until that movie, which I saw before even my teen years, I hadn’t seen a film that showed such raw passion connected with dance. It was sexy and showed that dance had the ability to translate into so many expressions."

"I went to their show supporting this record at Webster Hall in New York, and Yoko Ono was there. Enough said. I couldn’t help but wonder if, had this record come out 10 years earlier, it would have given us a run for our money. It’s a whopper and hella refined."

"Daltry in the beans is kind of disgusting. Reminds me of this ridiculous British fetish magazine my old tour manager found on the road years ago, called Splosh!, which featured pictorials of office secretaries at their desks, dousing themselves with high volumes of food, all mishmashed into a culinary miasma."

"This has been my favorite film since I was twelve years old. I’m pretty sure I could recite it in its entirety. It has a wildly funny all female cast and a female writer. I revisit it almost every year and my appreciation for the performances and the writing grows."

"Controversial at first, and still by the time I got around to reading it 20 years after its initial release. The fact that it was available in France yet banned in the USA made it even more interesting. While shocked and amused, I was very often surprisingly inspired by Miller."