"I heard this through a journalist, Michael Azerrad, he's a good guy. We started direct messaging on Facebook or I met him, I don't know what happened, and he said, ""You should listen to this"" and then I got it. He said that you're either going to love it or it'll feel like you're getting punished by having water dripped on your head! And I said, ""Perfect, I'll do that!"" It's incredible; once again, I watched it on YouTube, him performing in Japan, like, ""Fuck, really?! You can do this live?!"" Also, I just like the atonal thing of it and what they get from composing. It's very neutral. I actually used it, it's a total influence, you can totally hear it, on 'Birthday Video', it's on Weeds. I layered a lot of guitars and to my surprise, a lot of these noises start coming through, these sympathetic notes, and I was like, ""Wow-whee! This is cool!"" Totally taken from him, I hear it plain as day. I also got his box set, it's great. He's always got some kind of concept to it. He wrote one for what it would be like on a train ride to the Holocaust [Different Trains], to reach finality. He's got all these studies, drums, all sorts of percussion, but ...18 Musicians, I love it, I listen to it in my bunk in the bus!"

"In 2000, I went into the shop and I bought some jazz that I knew I wanted to get, and I said to the guy, "what else can I get?", and he pointed out this album with camels on it. I thought, I'll give that a try, and it was this Nubian music, which I got really into and also I bought another one, which was an Algerian CD. I listened to that for a bit and then I just kind of stopped and didn't really listen to world music for 10 years. Ali Hussan Kuban was the doorway to all the rest of them. I heard that in 2011 and I've basically been searching ever since for anything else that feels that way. A few years later, one of the things I found was this track 'Baba Ramdev'. It's just so incredibly joyful and it feels like an epic adventure. There's something absolutely epic about it, to me. It sounds like they're outside. How you seen any of those YouTube videos of the Gypsies of Rajasthan, the colourful dresses they wear and the dances they do? It's pretty incredible. And they're always in some really remote-looking rocky outcrop, somewhere in the desert. And the cover of this album as well, the guy with the amazing moustache. I love that whole spirit, really wild and free - that's what the song feels like to me."