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Hadley (567 KP) rated The Haunted in Books
Jun 23, 2019
A lot of inconsistencies (1 more)
Stereo-typical characters
A murder begins the story of 'The Haunted,' where Vega starts with every parent's nightmare:
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
a little girl named Maribeth is killed in the cellar of the Steele House by an unseen force. We jump to three years later, where our main character, Hendricks, is moving into this house with her parents and baby brother- - - a family that is unaware of the murder that took place in the cellar. Vega does a wonderful job of steering the paranormal aspects away from the usual ones that most readers are used to. But although the story is good, the writing is poorly executed.
Starting with the teenaged girl Hendricks, she tells us that she refuses to be a stereo-type, but her first thoughts on the ride to school are of her ex-boyfriend, Grayson. But this is a young adult book, so a young girl obsessing over her ex is to be expected. Yet, when Hendricks gets to her new high school, she quickly begins to stereo-type everyone she meets by what they are wearing. Unfortunately, every character in this story, including Hendricks parents, are stereo-types. Eddie, who wears nothing but black clothing, is the outcast; Portia, who wears too short of skirts and too tight of shirts, is the makeup obsessed girly-girl; Raven, who tries to be funny, is the sporty best friend, and, Connor, who seems to be the only character that Vega tried to keep away from his stereo-type, is a friendly jock who loves his large family.
Readers learn early on that Hendricks' break-up with her ex, Grayson, was a traumatic event for her- - - as Hendricks releases more and more memories, it's soon easy to see that the relationship was an emotional abusive one; from Grayson telling her how to dress to him influencing the way she acted around other people, including who she was allowed to be around. In the middle of all this, Hendricks begins to learn the history of the Steele House, and we find out that Maribeth may not have been the only one murdered there. When Hendricks isn't trying to drink alcohol in almost every chapter, she begins experiencing strange things in the house, including one very similar to Maribeth's experience, but sadly, the paranormal aspect is the only good part of this book.
'The Haunted' could have been a great story, but there are so many inconsistencies, some even on the very next page. Such as, on page 44, Hendricks sees a singing doll waking up her baby brother inside his room (Vega literally states 'in the middle of his room'), but the very next page, Hendricks is suddenly scooping up the doll outside of her brother's room to put it away. On page 157, Hendricks is being pinned against a wall in the cellar by an unseen force, one of her arms is against her back, but suddenly she is able to use both hands to push off the wall, but it was never stated that her arm became unpinned.
One of Vega's biggest mistakes in 'The Haunted' was using the same handful of descriptions for emotions with every single character throughout the entire book. Such as, if a character was trying to make a decision, they always bit their lip; if a character was confused, they always furrowed their brow; if a character was embarrassed, they always had a reddening face. Vega never took advantage of other body language to convey these emotions, causing the story to come up short.
As I have said, the only good part of this book was the paranormal aspect, and the ghosts happen to be the only interesting characters. If I had to choose my favorite part of this story, I would have to choose when Eddie and Hendricks bring in the occult store owner, Ileana. Following this chapter, the best part of the paranormal aspects happen, but I don't want to spoil that for anyone who may want to read this. Vega is crafty in keeping up the suspense throughout this entire time, this is apparently where her strength in writing occurs. She amazingly describes scenes where readers can easily imagine them happening in reality. Her take on hauntings is one that is rarely seen and I think should be utilized in paranormal fiction more often.
'The Haunting' just didn't add up for me. It seems the story was written too hastily that beginning writer mistakes were made and overlooked, but most young adult readers may be able to look past this. Like Stephen King, Vega has great story-telling power in the horror genre, but in 'The Haunting,' I don't feel she was fully able to display this because the focus on Hendricks' life drama took over most of it. If I were to recommend this to anyone, I would only recommend it to people who like teenaged drama mixed in with a ghost story.
Hazel (1853 KP) rated The Last Dragonslayer (The Last Dragonslayer, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
LilyLovesIndie (123 KP) rated Skylark (Skylark, #1) in Books
Nov 5, 2018
Read the latest version of this review over on Ramble Media here http://www.ramblemedia.com/?p=20184
I have received this book through the Goodreads First Read Giveaway and I am very grateful for being given the opportunity to read and review.
This is a stunning book, following the plight of sixteen year old Lark who is trying to escape from the oppression and danger of 'the City'.
Firstly, I have to admit, that when I first opened this book and began to read I was worried about whether the pace and dynamic start would be sustained throughout. The book starts with a bang, and without spoiling it, the pace doesn't slow one bit as you continue through the story. The story develops naturally, with a good speed that leaves you enough 'time' to absorb the events, but doesn't dilly dally over the delivery of the plot. I honestly could not put this book down, it was gripping from start to finish.
A further great fact about this book is how believable it is. I read a lot of young adult fiction, purely because sometimes you just need an escape from your own world and I'm yet to find a genre that delivers that on tap as easily as this one. The dystopian society, hidden worlds behind a wall, 'shadow men' and all the other delicate additions make this world, whilst truly terrifying at times, entirely believable. In fact, I had nightmares one night about the shadow people!
The romance between Lark and Oren, and Lark and Kris and the way these relationships develop is fantastically written. Lark is a great character, very likeable (to me at least) as I can understand how she feels and relate to her. The fact she is so naive and unaware of the motives of Kris, and to an extent Oren, is a very endearing quality, and her development, helped by these two potential romances, is very well written and again, as with the rest of the book, very believable.
In conclusion, Spooner has creatively and imaginatively breathed new life into this much loved genre, creating a new heroine, dilemma and romances. I could spend hours talking about how wonderful I found this book, and how much I'm already looking forward to reading the rest of the series, but I would be wasting the time you could be spending hitting the 'to read' button and going and buying it from somewhere. Honestly, I cannot recommend this book highly enough. It's a true breath of fresh air in this genre, clearing the way for more new authors like Spooner to share their creative brilliance. And on that note, what are you still doing reading me? Go read the book and see for yourself!
I have received this book through the Goodreads First Read Giveaway and I am very grateful for being given the opportunity to read and review.
This is a stunning book, following the plight of sixteen year old Lark who is trying to escape from the oppression and danger of 'the City'.
Firstly, I have to admit, that when I first opened this book and began to read I was worried about whether the pace and dynamic start would be sustained throughout. The book starts with a bang, and without spoiling it, the pace doesn't slow one bit as you continue through the story. The story develops naturally, with a good speed that leaves you enough 'time' to absorb the events, but doesn't dilly dally over the delivery of the plot. I honestly could not put this book down, it was gripping from start to finish.
A further great fact about this book is how believable it is. I read a lot of young adult fiction, purely because sometimes you just need an escape from your own world and I'm yet to find a genre that delivers that on tap as easily as this one. The dystopian society, hidden worlds behind a wall, 'shadow men' and all the other delicate additions make this world, whilst truly terrifying at times, entirely believable. In fact, I had nightmares one night about the shadow people!
The romance between Lark and Oren, and Lark and Kris and the way these relationships develop is fantastically written. Lark is a great character, very likeable (to me at least) as I can understand how she feels and relate to her. The fact she is so naive and unaware of the motives of Kris, and to an extent Oren, is a very endearing quality, and her development, helped by these two potential romances, is very well written and again, as with the rest of the book, very believable.
In conclusion, Spooner has creatively and imaginatively breathed new life into this much loved genre, creating a new heroine, dilemma and romances. I could spend hours talking about how wonderful I found this book, and how much I'm already looking forward to reading the rest of the series, but I would be wasting the time you could be spending hitting the 'to read' button and going and buying it from somewhere. Honestly, I cannot recommend this book highly enough. It's a true breath of fresh air in this genre, clearing the way for more new authors like Spooner to share their creative brilliance. And on that note, what are you still doing reading me? Go read the book and see for yourself!
Hazel (1853 KP) rated The Flame Never Dies (The Stars Never Rise, #2) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Rachel Vincent’s first novel<i> The Stars Never Rise</i> introduced Young Adult readers to a whole new dystopian concept. The world as we know it has been invaded by demons who can possess the human body. After discovering she has the power of exorcism, seventeen-year-old Nina joins other teenage exorcists, including the disembodied Finn, who aim to rid their town of the parasitic creatures. However the totalitarian Unified Church, the rulers of what was once the USA, have been secretly taken over by demons and will stop at nothing to get rid of Nina and her friends.
<i>The Flame Never Dies</i> continues five months after the Anathema (the name the demons gave to the group of exorcists) escaped from the clutches of the Church. Whilst exorcising all the demons they come across, Nina and company are desperately seeking food and supplies to sustain themselves as well as nourish Nina’s heavily pregnant sister.
The story is fast paced and contains a multitude of climaxes and plot twists. Vincent omits all the mundane details resulting in a tale that appears to take place over a few days rather than weeks and months. With bombshell following bombshell it is impossible to get bored of reading or predict the final conclusion. The ending, however, is the only part of the novel that is a little disappointing. After such a build up, the speed and ease that the final burst of action takes leads to a slightly unsatisfying finale.
The key characters from the first book are all involved in <i>The Flame Never Dies</i> as well as a welcome selection of new and splendid faces. Vincent emphasises the importance of teamwork, the effects of love and the notion of hope through religious belief. Although unique, the beliefs expressed by some of the characters are not much different from the monotheistic faiths of today. As a result there is something in this book that almost everyone will be able to relate to.
<i>The Flame Never Dies</i>, in my opinion, is much more exciting and engaging than its predecessor, so if you loved <i>The Stars Never Rise</i> you can guarantee you will enjoy this too. Sadly the ending does not do the story justice, readers are left with no knowledge of how the characters survive the future, and, as this is a duology, no one will ever know. Yet despite all this, Rachel Vincent has created a fantastic piece of fiction that will no doubt be as popular as other books in its genre.
Hazel (1853 KP) rated The Murder of Adam and Eve in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
The Murder of Adam and Eve</i> by William Dietrich is a young adult, science fiction thriller combining aliens and time travel. What started out as sixteen year old Nick Brynner researching for his History Day project on an out of bounds island, leads to him falling through a wormhole, meeting an alien – a Xu, and eventually finding himself in prehistoric Africa.
Before finding himself in a completely different era, Nick meets a biology-loving teenager, Eleanor Terrell, who tells him she had been abducted by aliens. Initially thinking she is crazy, Nick believes her once one of the said aliens appears to them and claims they have been chosen to try and save mankind. The Xu intend to wipe out humanity by travelling back in time and killing the two people from whom the human race descend from – the people named Adam and Eve in the bible. However they are giving Nick and Ellie a final chance to prevent this from happening.
Once transported to ancient Africa, Nick and Ellie start a desperate search for Adam and Eve in order to protect them from the Xu. But in order to do this they need to be able to take care of themselves in a place where water, food and shelter are not easily come by. Once locating the people they seek for they begin to realize the enormity of the task they have been given; whatever they do will have a massive impact on the future of the world.
<i>The Murder of Adam and Eve</i> is an interesting concept that really gets you thinking about the way in which the world has developed. Despite the usage of the biblical names Adam and Eve this book is not based on religious theory at all. It is a science-based idea maintaining that the human race can eventually be traced back to two people.
Many readers may be able to relate to both Nick and Ellie’s personalities. Nick in particular is a quiet, unnoticeable boy without any great talent, however during the book he grows into a more confident person and becomes the leader needed in order to save mankind.
Overall this fast paced book is fun to read. Although a little too far-fetched to take seriously, it makes the reader think more about the ways humans have behaved over the years but also highlights the positives and our ability to make things and learn. The clash of the two different time periods makes it a thought-provoking novel that many teenagers will love to read.
How to Improve Study Habits
Book
For students 13 through college graduation, Christine Reidhead's guide to building study skills is...
Young Adult Non Fiction
Hazel (1853 KP) rated The Keeper of Portals in Books
Dec 17, 2018
<i>This ARC was provided by the author in exchange for an honest review </i>
Awaiting young adult readers in early 2017 is a fantasy story unlike any other. <i>The Keeper of Portals</i> is the debut novel of V.S. Nelson, the soon-to-be-published author with an imagination worth sharing. Incorporating the familiar concept of time travel into a new way of visualizing the world results in a story that will leave minds reeling.
Nelson’s theory is that every aspect of life has a keeper, a creature in charge of making sure their assigned element functions smoothly. There are the major keepers responsible for time, causality and other things that cannot be seen, yet objects as small as buttons have their own keeper, too. Humans, of course, are unaware of these keepers, therefore fifteen-year-old Martin Lockford initially believes he is going mad when the Keeper of Portals reveals his existence in Martin’s bedroom.
Martin and his mother, with nowhere else to go, have moved into a dilapidated manor once owned by a distant relative. Whilst exploring his new room, Martin is startled by a disembodied voice claiming to be the Keeper of Portals. Having not spoken to anyone for 400 years, Portals is eager to show off his role in the flowing of the unpredictable universe. The keeper’s task is to make sure each door leads to the correct place – something that he demonstrates by sending Martin to the <i>wrong</i> places. However, there is one door in the manor that he has been unable to open.
The very next morning, Martin awakes to discover the sealed door is no longer locked and, being the curious boy that he is, goes through to explore. The mystery door does not only transport Martin to a different place, it sends him back in time to 1623. Here he meets the young Isabel, a maid, who is intrigued with the inventions of the future, especially from a personal hygiene perspective. However, she is not the only one curious about the 21st century.
The irascible master of the manor is not who he initially seems. With the desire to control everything, he places Martin and Isabel in a grave predicament, trapping them in the 17th century. At risk of creating a paradox, Martin needs to return to his own time – a difficult feat in itself – however, with the Keeper of Portals missing, the master has caused many problems that need to be solved, otherwise a whole new future will be born.
Admittedly, it takes a while for the story to warm up – the reader may be introduced to the idea of keepers fairly early on, yet the key storyline does not reveal itself until much later. After perseverance on the reader’s behalf, <i>The Keeper of Portals</i>, becomes an exciting mix of fantasy and science fiction, cleverly thought out to create an unpredictable scenario. Adventure after adventure, until bittersweet conclusion, keeps readers engaged and compelled to read on long after bedtime.
Although Martin is the protagonist of the novel, Isabel’s role is equally important. Despite women in the 1600s being deprived on the rights they have in this day and age, Isabel is an intelligent, independent girl, perfectly able to handle everything that is thrown at her. She is an inspiration to teenage girls.
Written with teenage readers in mind, <i>The Keeper of Portals</i> is suitable for fantasy-loving adults, too. With equipoise of adventure and intellectual theory, as well as a touch of romance, it is definitely a book to look out for. V.S. Nelson writes with clarity, exuding remarkable intelligence; let us hope that there will be more from where this came from.
Awaiting young adult readers in early 2017 is a fantasy story unlike any other. <i>The Keeper of Portals</i> is the debut novel of V.S. Nelson, the soon-to-be-published author with an imagination worth sharing. Incorporating the familiar concept of time travel into a new way of visualizing the world results in a story that will leave minds reeling.
Nelson’s theory is that every aspect of life has a keeper, a creature in charge of making sure their assigned element functions smoothly. There are the major keepers responsible for time, causality and other things that cannot be seen, yet objects as small as buttons have their own keeper, too. Humans, of course, are unaware of these keepers, therefore fifteen-year-old Martin Lockford initially believes he is going mad when the Keeper of Portals reveals his existence in Martin’s bedroom.
Martin and his mother, with nowhere else to go, have moved into a dilapidated manor once owned by a distant relative. Whilst exploring his new room, Martin is startled by a disembodied voice claiming to be the Keeper of Portals. Having not spoken to anyone for 400 years, Portals is eager to show off his role in the flowing of the unpredictable universe. The keeper’s task is to make sure each door leads to the correct place – something that he demonstrates by sending Martin to the <i>wrong</i> places. However, there is one door in the manor that he has been unable to open.
The very next morning, Martin awakes to discover the sealed door is no longer locked and, being the curious boy that he is, goes through to explore. The mystery door does not only transport Martin to a different place, it sends him back in time to 1623. Here he meets the young Isabel, a maid, who is intrigued with the inventions of the future, especially from a personal hygiene perspective. However, she is not the only one curious about the 21st century.
The irascible master of the manor is not who he initially seems. With the desire to control everything, he places Martin and Isabel in a grave predicament, trapping them in the 17th century. At risk of creating a paradox, Martin needs to return to his own time – a difficult feat in itself – however, with the Keeper of Portals missing, the master has caused many problems that need to be solved, otherwise a whole new future will be born.
Admittedly, it takes a while for the story to warm up – the reader may be introduced to the idea of keepers fairly early on, yet the key storyline does not reveal itself until much later. After perseverance on the reader’s behalf, <i>The Keeper of Portals</i>, becomes an exciting mix of fantasy and science fiction, cleverly thought out to create an unpredictable scenario. Adventure after adventure, until bittersweet conclusion, keeps readers engaged and compelled to read on long after bedtime.
Although Martin is the protagonist of the novel, Isabel’s role is equally important. Despite women in the 1600s being deprived on the rights they have in this day and age, Isabel is an intelligent, independent girl, perfectly able to handle everything that is thrown at her. She is an inspiration to teenage girls.
Written with teenage readers in mind, <i>The Keeper of Portals</i> is suitable for fantasy-loving adults, too. With equipoise of adventure and intellectual theory, as well as a touch of romance, it is definitely a book to look out for. V.S. Nelson writes with clarity, exuding remarkable intelligence; let us hope that there will be more from where this came from.
Hazel (1853 KP) rated The Treatment in Books
Sep 28, 2017
One Flew Over the Cuckoo's Nest for Teens
This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Hazel (1853 KP) rated The Treatment in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. </i>When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In <i>The Treatment</i> by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s <i>Flawed</i> and Kazuo Ishiguro’s <i>Never Let Me Go</i>. A thriller that needs a hero in the unlikely form of a teenage girl, <i>The Treatment</i> is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A <i>One Flew Over the Cuckoo’s Nest</i> for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
<i>The Treatment</i> is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
Journey by Moonlight
Antal Szerb, Len Rix and Eoin Ryan
Book
A major classic of 1930s literature, Antal Szerb's Journey by Moonlight (Utas es Holdvilag) is the...