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Hazel (1853 KP) rated One of us is Lying in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
Inspired by <i>The Breakfast Club</i>, Karen M. McManus has set the stakes high with her debut novel <i>One of Us is Lying</i>. Taking typical young adult themes and adding a mix of mystery has resulted in a gripping book that intrigues as well as entertains the reader.
Five high school students find themselves in afterschool detention, but only four of them leave alive. Simon Kelleher suffers a fatal allergic reaction after drinking from a cup laced with peanut oil. It is clear that someone intentionally caused Simon’s death, but who, and why? The remaining four students are the immediate suspects, but they all claim to have nothing to do with it.
The main characters are all walking teen movie stereotypes. Bronwyn is a typical geek, getting high marks in all her exams. Cooper, the jock, is destined to become an exceptional baseball player. “Princess” Addy is perfect and popular, looking down on anyone who does not fit in with her social group. And then there is Nate, the drug dealer who is currently on probation for his reckless and capricious behaviour. Naturally, it is Nate that is the most suspect, but as certain secrets come to light, the others begin to look just as guilty.
Simon was known for his gossip app that revealed shaming secrets of students at Bayview High. As the police investigation begins, it is discovered that the four suspects were due to have their failings exposed in the next app update, thus giving them each a motive. However, the four are adamant that they were not involved and are desperate to clear their name. So, simultaneously with the police inquiry, the Bayview Four dedicate their time to unearthing the real culprit.
As the four unlikely friends become closer, romance blossoms and personalities alter, leaving no one unchanged. Gone are the original stereotypes. Despite upsetting circumstances, Bronwyn, Cooper, Addy and Nate are given the chance to discover who they truly are, and not just what society labels them. Putting aside the potential ruination of their futures, Simon’s death has serendipitous results for the suspects, or rather, the victims.
Nothing is given away during the narrative until the closing paragraphs, leaving readers guessing all the way through. Admittedly, I did entertain the thought of true culprit toward the beginning of the story, but McManus throws in so many red herrings and possible motives that the main suspect is constantly changing.
Dealing with themes of drugs, alcoholism, suicide and homosexuality,<i> One of Us is Lying</i> covers far more than a general murder mystery story. Some authors forget about the characters’ lives, only focusing on the plot at hand, however, McManus was far more detailed in the backgrounds of the four students, making it possible to understand and sympathise with each character.
<i>One of Us is Lying</i> shows how unfair the justice system can be, and although the saying is “innocent until proven guilty”, it is not often easy when every little move is judged and analysed by the police.
With a satisfying ending, Karen M. McManus’ introduction to the literary world is a significant taste of potential works to come. With a deep insight into young adult minds, McManus successfully connects with the reader, drawing them into a world that is hard to shake off. <i>One of Us is Lying</i> is definitely a book to look out for.
Hazel (1853 KP) rated Return to the Little Coffee Shop of Kabul (The Little Coffee Shop of Kabul #2) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Hazel (1853 KP) rated The Last Dragonslayer (The Last Dragonslayer, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
Phil Leader (619 KP) rated The Tournament in Books
Nov 27, 2019
Australian author Matthew Reilly is known for his fast paced, edge of your seat, suspension of belief thrillers. This book is a considerable change from that, being a slower and more thoughtful tale of 16th century murder and intrigue.
Reilly's books, under the usual all-out action sequences, always convey a good plot and storyline and have strong characterisation. Here those are to the fore. The main players are a young Princess Elizabeth; daughter of King Henry VIII and soon to be Elizabeth I and her teacher, Roger Ascham. Sultan Sulieman the Magnificent has invited all the best chess players across Europe to play to decide which nation can claim to have the ultimate chess champions. Elizabeth and Roger accompany England's entrant both to avoid the black death but also because Ascham wants to give Elizabeth a wide education just in case she becomes queen.
After a few adventures on the way the party arrives, along with the representatives of the other nations. Court intrigue and politics abound and everyone has their own agenda. When there is a high profile murder, Sulieman requests the aid of Ascham - known for his insight and ability to resolve problems using logic - to find the culprit before there is an international scandal. As the bodies pile up, Ascham and young Elizabeth face dangerous and unknown enemies and uncover plots and dark secrets.
The medieval detective story is not entirely new for Reilly. Previous he has written a couple of short stories that are available for download from his website - www.mattewreilly.com - with this theme. Dead Prince concerns the death of the Dauphin in France and is investigated by the king's architect. Roger Ascham and the King's Missing Girl is a story that precedes The Tournament by a few months and effectively introduces Ascham and his skills as he tracks down a serial kidnapper and murderer in Cambridge.
Reilly acknowledges at the end of the book that he was influenced by works such as The Name of the Rose and indeed this has much of the same flavour. The plot is complex and has the chess match running through it (and indeed sections of the book are named after chess pieces). Everything is very well handled by Reilly and everything unravels nicely in the finale of the book.
This has also been well researched. With many real historical figures included (not only Elizabeth, Ascham and Sulieman but a supporting cast that includes Ivan the Terrible and Michelangelo) and the feel of all the descriptions is very authentic.
One aspect that has to be mentioned is that, since Reilly wanted to explore something that may have influenced Elizabeth in her future life, there are a fair number of events of a sexual nature that occur. Some of these have a direct bearing on the plot, others are so that Elizabeth can form opinions on sex and marriage. Reilly has printed a warning at the start of the book that this is not for younger readers, and I can fully endorse that.
I can imagine that a number of Reilly fans will not enjoy this book - the pace is slow and methodical rather than headlong and there are very few 'action' sequences to speak of. However I would recommend this book to anybody who likes historical detective style stories.
Reilly's books, under the usual all-out action sequences, always convey a good plot and storyline and have strong characterisation. Here those are to the fore. The main players are a young Princess Elizabeth; daughter of King Henry VIII and soon to be Elizabeth I and her teacher, Roger Ascham. Sultan Sulieman the Magnificent has invited all the best chess players across Europe to play to decide which nation can claim to have the ultimate chess champions. Elizabeth and Roger accompany England's entrant both to avoid the black death but also because Ascham wants to give Elizabeth a wide education just in case she becomes queen.
After a few adventures on the way the party arrives, along with the representatives of the other nations. Court intrigue and politics abound and everyone has their own agenda. When there is a high profile murder, Sulieman requests the aid of Ascham - known for his insight and ability to resolve problems using logic - to find the culprit before there is an international scandal. As the bodies pile up, Ascham and young Elizabeth face dangerous and unknown enemies and uncover plots and dark secrets.
The medieval detective story is not entirely new for Reilly. Previous he has written a couple of short stories that are available for download from his website - www.mattewreilly.com - with this theme. Dead Prince concerns the death of the Dauphin in France and is investigated by the king's architect. Roger Ascham and the King's Missing Girl is a story that precedes The Tournament by a few months and effectively introduces Ascham and his skills as he tracks down a serial kidnapper and murderer in Cambridge.
Reilly acknowledges at the end of the book that he was influenced by works such as The Name of the Rose and indeed this has much of the same flavour. The plot is complex and has the chess match running through it (and indeed sections of the book are named after chess pieces). Everything is very well handled by Reilly and everything unravels nicely in the finale of the book.
This has also been well researched. With many real historical figures included (not only Elizabeth, Ascham and Sulieman but a supporting cast that includes Ivan the Terrible and Michelangelo) and the feel of all the descriptions is very authentic.
One aspect that has to be mentioned is that, since Reilly wanted to explore something that may have influenced Elizabeth in her future life, there are a fair number of events of a sexual nature that occur. Some of these have a direct bearing on the plot, others are so that Elizabeth can form opinions on sex and marriage. Reilly has printed a warning at the start of the book that this is not for younger readers, and I can fully endorse that.
I can imagine that a number of Reilly fans will not enjoy this book - the pace is slow and methodical rather than headlong and there are very few 'action' sequences to speak of. However I would recommend this book to anybody who likes historical detective style stories.
Hadley (567 KP) rated Wastelands: Stories of the Apocalypse in Books
Aug 19, 2020
From the Book of Revelations to the Road Warrior; from A Canticle for Leibowitz to the Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
Overall, there were a few good stories inside this book, but some of them seemed out of place, and there were ones that were just boring or not written well (like ending the story just to make it a short story). I only recommend this book to people who absolutely love dystopian stories, but for those who are just light readers of it, I don't think you'd enjoy it.
Being that this is a review for a handful of short stories, I am only going to mention the ones I really liked.
"Salvage" by Orson Scott Card
A long time after atom bombs have destroyed most of the Earth, a young man named Deaver finds out that there may be gold hidden within a Mormon temple, and he's willing to risk everything to get it.
I loved the story, the characters, and the playful banter between them.
"Bread and Bombs" by M. Rickert
During war time, children become curious about an odd neighbor who moves in. Parents demand that their children stay away from them because the neighbor's people are the reason so many people have died.
I liked that the story is through the childrens' eyes, not the adults.
"Dark, Dark Were the Tunnels" by George R. R. Martin
In the story that follows, you'll meet Greel. He is a scout of the People. He's penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he's very used to being in the dark, but some visitors have come to the tunnels, and they've brought light with them...
I really liked the whole idea of people tunneling underground when nuclear war happens; there are not enough stories written about this!
"Never Despair" by Jack McDevitt
'Never Despair' tells the story of Chaka Milana, a woman who leaves her hometown in search of a storied place that holds the secrets of the Roadmakers, the almost-mythical builders of the concrete strips that cover the land, and the ruined cities with towers so high that a person could not ascend one in a day.
The story was so good that I wish it were a novel.
"Artie's Angels" by Catherine Wells
A post-apocalyptic society involving bicycles and young men.
This was probably my most favorite story out of the entire book!
"Inertia" by Nancy Kress
A story about the victims of a disfiguring epidemic who are interned in the modern equivalent of leper colonies.
Kress was able to make such a big picture out of very few characters, and in just a few pages. Really well-written.
"The End of the World As We Know It" by Dale Bailey
A lone survivor of an apocalypse attempts to grapple with the emotional dimension of his loss.
Just a really good story.
Futuristic Fantasy
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Queen by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The Cinderella-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
Red Queen reminds me slightly of a couple of other young adult novels. It is a mishmash of The Selection by Kiera Cass (the poor become elite) and stories such as The Hunger Games (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as Red Queen combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “Queen” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Red Queen by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The Cinderella-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
Red Queen reminds me slightly of a couple of other young adult novels. It is a mishmash of The Selection by Kiera Cass (the poor become elite) and stories such as The Hunger Games (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as Red Queen combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “Queen” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
The original is better
I received this book for free through Goodreads First Reads.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing Emma into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, Emma is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of Emma has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as Mary Poppins or Nurse Matilda.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Acanthea Grimscythe (300 KP) rated Glass Sword in Books
May 16, 2018
When it comes to book series, there's always a risk of the phenomenon called "second book syndrome." For those who aren't bookwyrms, this term refers most often to books that should have been left alone, rather than followed with a sequel. When I began reading Victoria Aveyard's sequel to Red Queen, Glass Sword, I was wary. A fellow bookwyrm informed me that she had not read the series yet and was largely unsure of whether or not she would because she'd heard quite a bit regarding the second book in the series being a flop. Nonetheless, I charged onward with the audiobook, once again narrated by the lovely voice of Amanda Dolan.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
Acanthea Grimscythe (300 KP) rated Red Queen in Books
May 16, 2018
Earlier today, I finished listening to the audiobook of Red Queen by Victoria Aveyard and I absolutely loved it. Amanda Dolan is also an excellent narrator, with a pleasant voice and a perfect pace.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
Red Queen takes place in the country of Norta, one of many lands where every day people like Mare Barrow (humans, like us) face oppression from the elite. In a story that echoes the fight for equality, readers are carried along for the ride as Mare, whose blood is red, strives to bring equality to her people when a mishap and mutation put her in the lap of good fortune. The Silvers, or the elite, rule the Reds, and though they look much the same as a normal human, their blood is silver and they have special abilities. It is because of these abilities that they hold themselves superior to the far weaker Reds, forcing them into a life of submission and servitude.
With her new responsibilities, Mare finds herself caught up in a revolution – one where you can expect betrayal at any point. Aveyard’s characters are written in such a believable way that it is difficult to pinpoint their true natures. In the same manner that one might say beauty is only skin deep, the characters of Red Queen all wear masks – or do they?
Many books lose me when there is a lull in the plot. Oftentimes if I feel like I have to force-feed myself several pages, I am far less likely to finish the book. I am also more likely to be lost if the major plot is romance oriented, rather than conflict. While Red Queen does have some elements of romance, there’s never any definite answer as to who gets the girl (I suppose that’s something we’ll see in the later books), and that’s because Mare’s focus is solely on herself, her loved ones, and the cause for which she serves. The main function of the book is to tell the story of the Reds rising up against the Silvers, rather than focus on a forbidden romance, like many of the young adult books I’ve read have done.
I can’t wait for it to be my turn with Glass Sword, the second book in the series. Red Queen has also been optioned for a film, so here’s to hoping it’s at least somewhat as good as the book.
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.