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Acanthea Grimscythe (300 KP) rated Glass Sword in Books
May 16, 2018
When it comes to book series, there's always a risk of the phenomenon called "second book syndrome." For those who aren't bookwyrms, this term refers most often to books that should have been left alone, rather than followed with a sequel. When I began reading Victoria Aveyard's sequel to Red Queen, Glass Sword, I was wary. A fellow bookwyrm informed me that she had not read the series yet and was largely unsure of whether or not she would because she'd heard quite a bit regarding the second book in the series being a flop. Nonetheless, I charged onward with the audiobook, once again narrated by the lovely voice of Amanda Dolan.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
Beginning precisely where Red Queen left off, Glass Sword picks up after Mare and Cal have escaped the Bowl of Bones and Maven's betrayal. Together with Farley, Kilorn, and a few other characters come together in secrecy after relocating to rise against the new Silver King. Along the way, they pick up some allies - both expected and unexpected. Packed with action, it is easy to see why this series is a hit among young adults.
Naturally, I've read a few other reviews to see what the general consensus of this book is and I've discovered that most readers either hate it or love it - there's not a whole lot of in between. Personally, I enjoyed it. I found Glass Sword to be a fairly entertaining read and it served its purpose of keeping me awake on the hour long commute home (with no traffic). A few new characters are introduced, none of which are too memorable.
As far as romantic interests go, I can't really decide one way or another in regards to the three eligible males. I adore Maven's cold, cunning persona, Cal's stoic disposition, and Kilorn's particular shade of envy equally. Given that I don't care much for romantic sub-plots, a large part of me hopes that Mare doesn't choose any of them in the end. I enjoy watching as Mare changes and grows, and I am more vested in the kind of woman she turns out to be than her love life. Will she be the queen that her people need? Or will she become like Elara?
My only gripe with the narration of Glass Sword is the fact that Dolan pronounced Titanos in a completely different manner than she did throughout the entirety of Red Queen.
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
Dpaint43 (16 KP) rated Keyforge: Call of the Archons in Tabletop Games
May 31, 2019 (Updated May 31, 2019)
Welcome to their world and become their god
Fantasy Flight and Richard Garfield have fixed the problem with Magic (Richard's other design and maybe the biggest money maker ever) and every copycat collectible card game that came after. Mr. Garfield's original plan for Magic the Gathering was to have a competitive card game that people can enjoy and buy a pack of cards for, say "wow" this is an awesome card and can make a deck more interesting. He did not expect thousands of dollars to be spent to create decks that are full with nothing but "wow" cards, but not fun, that win every time. The talent and fun was replaced by the more money you spend, the better your deck. Keyforge is a two player game that everyone can get into and enjoy. For $10 you can buy a single deck and only play that deck forever against any other deck and have fun. Every deck of 36 cards is made up using an algorithm to make sure no one has the same combination of cards. You get a unique deck name, unique deck sigil and a one of a kind combination of fun you can truly call your own. Of course you won't want to stop at just one deck because they each open up a new world. Your goal as a god (Archon) is to ascend to a higher level of being by opening 3 keys. Each key needs six aember to open. This aember is collected each turn by choosing one of the 3 houses that follow you (there are 7 in the game but only 3 per deck) and using the creatures, spells, items and crazy concoctions of that house of followers to reap and fight your way to victory. The rules are simple but the strategy is deep. There aren't many key words to remember nor rules to memorize. Young kids can play as easily as adults. The flavor text on most cards give a great synergy with each family and cards actions. It won't take long to have a favorite house or creature to play. And play. And play.
Sassy Brit (97 KP) rated The Island (Hidden Iceland #2) in Books
Jun 5, 2019
After reading the previous Detective Inspector Hulda Hermannsdóttir story (The Darkness) of which I really enjoyed, I was pleased to be offered this book to review by Penguin UK (Michael Joseph) via NetGalley. Here’s my review:
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
In The Island Ragnar brings back CID member Hulda of the Reykjavik police with another case to solve. One surrounding four young adults who have decided to take a weekend away in a remote and deserted part of of Elliðaey island off the Icelandic coast. Strange because they’d not seen each other for ten years, and even stranger still, one is married with kids and it’s odd that she’d just go on a mini-break with old school friends she’d not seen for years when they hadn’t really kept in contact all that time. Stranger still, once they meet up again, there’s a fatal accident and when they wake up one morning a girl’s missing. She’s only gone and fallen off a cliff and killed herself.
Or was she pushed? *Strokes chin in a very Sherlock way*
What is the connection between these four people? And why did they decide to meet up after ten years? I don’t know about you, but I was dying to find out! Okay, maybe not dying, I don’t want the author to put me in one of his stories only to kill me off – but I was keen!
My thoughts? Ragnar has written an intriguing and clever plot where two stories (past and present) fold into one. Running along beside Hulda’s crime solving antics, there’s a chance to discover more about her private life, her dark past, and her wish to find her own father of whom she’s never known.
I thoroughly enjoyed solving this crime with Hulda. I found the bittersweet ending (of which more than one character received) was brilliantly crafted. How an author writes a book with so much detail, I’ll never know but Jónasson is very good at it!
Nordic fiction can be as bleak as the setting, but that’s the beauty of these unforgiving scenes! I love how the isolated island, along with the terrain and the weather, helps to weave suspense and atmosphere into the story, just as much as the characters involved. What an entertaining, and cleverly crafted Nordic Noir! Looking forward to reading The Mist the third of Jónasson’s Hidden Iceland series. It can’t come fast enough!
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Red Queen</i> by Victoria Aveyard is a futuristic, fantasy novel where society is divided by rich and poor; powerful and weak; elite and commoners; Silver and Red. Those with silver blood have magical abilities which make them believe they are more important than the talentless Reds who are forced to live in dilapidated towns and be sent to their deaths in wars they cannot survive.
Mare Barrow is a Red and knows that her future is doomed. Desperate to escape she confides in a stranger and lands herself a serving position in the Silver palace. Suddenly, however, her world is turned upside down after an accident reveals that, although she has red blood, she has a magical ability too. Instead of killing her as she expected, the king and queen force her to pretend she is a Silver, threatening her family if she steps out of line.
Naturally Mare hates the Silvers and involves herself with the Scarlet Guard – a terrorist group of Red rebels. However a complicated love triangle, and a shocking plot twist, puts Mare in even more danger than she bargained for.
The <i>Cinderella</i>-like idea of Mare coming from a poor background yet finding herself a member of the elite is nothing new. The difference here is that Mare does not want anything to do with the Silvers. She does not trust them and is angry about the way they are treating her family and her people.
<i>Red Queen </i>reminds me slightly of a couple of other young adult novels. It is a mishmash of <i>The Selection </i>by Kiera Cass (the poor become elite) and stories such as <i>The Hunger Games</i> (violence, rich verses poor etc.) Therefore this did not feel like a completely original piece of work. Nevertheless it was still exciting and Mare is such an admirable character.
I recommend this novel to readers of fantasy, dystopia and romance as<i> Red Queen</i> combines all three ideas. It is suitable for teenagers and adults alike, and do not let the word “<i>Queen</i>” make you believe that it is going to be overly girly. It will be interesting to see what happens in the next installment of this series – the ending suggests that there will be a lot more fighting!
Hazel (1853 KP) rated The Paper Magician (The Paper Magician Trilogy, #1) in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Paper Magician</i> is the first in a trilogy of fantasy books by Charlie N. Holmberg. Set in London in the early 1900s it explores the idea of magic in a unique and original way. The protagonist, Ceony Twill, is only nineteen and has recently graduated from the Tagis Praff School for the Magically Inclined. For the next few years of her life she is to be apprenticed to a magician who will teach her to use the magic of their chosen material. To Ceony’s disgust she is paired with Magician Emery Thane, a Folder. She is going to spend the rest her life bonded to an extremely boring object: paper.
Ceony and the reader soon discover that there is a particular art to folding paper correctly in order to produce something (e.g. a paper bird) that lives and breathes. But there is something peculiar about Mg. Thane and he ends up in a life and death situation that only Ceony can save him from.
The originality of the plot made this book fascinating to read. A large variety of magical abilities have been explored throughout novels over the years but until now I have not read one that focuses on the material paper. The author has taken something that exists in the known world – origami – and given it a whole new purpose.
Both Ceony and Mg. Thane are likable characters that have a variety of character traits that appeal to a range of different personalities. There were times when their behaviour and speech felt too contemporary for the historical setting resulting in the time period being completely irrelevant to the narrative. Despite this the general storyline was still exciting.
Fantasy novels naturally involve ideas a little beyond the average person’s comprehension, however the middle of <i>The Paper Magician</i> became so far fetched that it was a little confusing for a while.
Overall, <i>The Paper Magician</i> is a fast paced, easy to read book suitable for young adults and fans of fantasy and magic. The story continues in <i>The Glass Magician</i> and the third and finally book can be expected in 2015.
<i>The Paper Magician</i> is the first in a trilogy of fantasy books by Charlie N. Holmberg. Set in London in the early 1900s it explores the idea of magic in a unique and original way. The protagonist, Ceony Twill, is only nineteen and has recently graduated from the Tagis Praff School for the Magically Inclined. For the next few years of her life she is to be apprenticed to a magician who will teach her to use the magic of their chosen material. To Ceony’s disgust she is paired with Magician Emery Thane, a Folder. She is going to spend the rest her life bonded to an extremely boring object: paper.
Ceony and the reader soon discover that there is a particular art to folding paper correctly in order to produce something (e.g. a paper bird) that lives and breathes. But there is something peculiar about Mg. Thane and he ends up in a life and death situation that only Ceony can save him from.
The originality of the plot made this book fascinating to read. A large variety of magical abilities have been explored throughout novels over the years but until now I have not read one that focuses on the material paper. The author has taken something that exists in the known world – origami – and given it a whole new purpose.
Both Ceony and Mg. Thane are likable characters that have a variety of character traits that appeal to a range of different personalities. There were times when their behaviour and speech felt too contemporary for the historical setting resulting in the time period being completely irrelevant to the narrative. Despite this the general storyline was still exciting.
Fantasy novels naturally involve ideas a little beyond the average person’s comprehension, however the middle of <i>The Paper Magician</i> became so far fetched that it was a little confusing for a while.
Overall, <i>The Paper Magician</i> is a fast paced, easy to read book suitable for young adults and fans of fantasy and magic. The story continues in <i>The Glass Magician</i> and the third and finally book can be expected in 2015.
<i>I received this book for free through Goodreads First Reads.</i>
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Six bestselling authors have taken on the task of writing modern retellings of the complete works of Jane Austen. Alexander McCall Smith has successfully taken on the challenge of bringing <i>Emma</i> into the 21st century. Although the settings and characters remain the same the contemporary clothing, vehicles and ideas are something that the reader can relate to.
As fans of Jane Austen will already know, <i>Emma</i> is about rich, single Emma Woodhouse who, despite the disapproval of her good friend George Knightley, enjoys interfering in the lives of others, particularly where romance is concerned. Her meddling backfires when her plan to match her friend Harriet Smith with the boring Philip Elton has disastrous consequences.
Alexander McCall Smith’s version of <i>Emma</i> has more focus on the life of Mr. Woodhouse, Emma’s father, than the original did. He gives an account of Henry Woodhouse’s history and over emphasizes his anxieties about health and safety. Mr. Woodhouse’s concerns are constantly cropping up throughout the novel adding a little humour to the story.
One concern about this modern adaptation is that the writing style was overly formal. If it were not for the references to the current clothing fashions, motorcars and women attending university, the book could have been set during Jane Austen’s lifetime. Take, for example, the character Anne Taylor. Mr. Woodhouse hires Miss Taylor as a governess for his motherless daughters. Miss Taylor’s approach to the girls and her prim and proper use of language made her seem antiquated. She would not have looked out of place amongst other well-known governesses or nannies such as <i>Mary Poppins</i> or <i>Nurse Matilda</i>.
Occasionally it felt that Alexander McCall Smith was mocking the modern world, for example the activities of the younger generation or the way people speak. Whilst this may appeal to older readers who may disapprove of the recent developments and changes in the Western world; it alienates the teenagers and young adults who have grown up with modern technology.
There is no doubt that Alexander McCall Smith has done an excellent job at retelling such a famous novel, however to be a complete modern retelling I think everything needs to be brought into the 21st century. This would include all the characters and the style of language it is written in.
Hazel (1853 KP) rated Not If I See You First in Books
Dec 14, 2018
3.5 Stars
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Eric Lindstrom’s ironically named <i>Not If I See You First</i> is a story narrated by a blind teenaged girl, Parker Grant. Parker has had to deal with a lot in her short life - the accident that killed her mother and left her blind; the recent death of her father; however she seems to be coping fine. But there is one incident she will never get over, one person she will never forgive.
Being blind, Parker has memorized voices, the number of steps to get from one place to another and the layout of the areas she frequents. So when her high school merges with another there is a lot of unfamiliarity to get used to. What she is not prepared for is the reappearance of Scott, a boy who broke her heart a couple of years ago.
Parker’s coping mechanisms, both with blindness and grief, result in a hardened personality, unfeeling and caring. She has become unintentionally selfish. Literally and figuratively blind to everyone else’s emotions. Realising this, Parker tries to turn things around, but can her friends forgive her? Can Scott?
It is interesting reading from the point of view of a blind person. For a start there is a lack of physical description. It is difficult to conjure up a complete image of the various settings, almost as if the reader is blind as well. It also challenges stereotypical ideals. Just because someone is blind does not mean they cannot look after themselves.
Despite her hostile demeanor, Parker is an admirable character. She does not let her disability hold her back and sticks with the things she is passionate about, for instance running.
The problem I had with this novel is that Parker seemed to care more about her history with Scott than she did with her father’s death a couple of months previously. I am aware there was a point to this, but even after Parker’s emotions begin to flow she is still more focused on romantic relationships than anything else.
Targeted at young adults, <i>Not If I See You First</i> will appeal to those that enjoy contemporary romance. Nevertheless, be aware that it has an ambivalent ending, rather than the happily-ever-after that you may be yearning for.
Night Reader Reviews (683 KP) rated The Wailing Snail in Books
Jan 9, 2020
The Wailing Snail by Claire Walker is a cute little rhyming book about a chain reaction caused by a little garden snail. It reminded me of a similar book by Dr. Seuss called Because a Little Bug Went KA-CHOO! but with a much darker ending.
In a garden, a little snail wails so loudly that it causes a major chain reaction. This reaction at one point causes a cat to get mad at a bird and chase after it. Once the bird escapes it is so tired and exhausted that it goes in search of something to eat. The story then comes full circle with the bird finding the snail in the garden that started the whole thing in the first place. The snail then once again lets out a wail
I really liked the illustrations by Diane Bonham. They are cute with simple shapes and colors that ultimately do not overwhelm children. The subject matter of the page is always depicted in a way that draws full attention to it. The rhymes give the book a solid rhythm and the rhyming words being bold and all caps puts emphasis on them for learning and teaching points for new readers. What I did not like was that while the story comes full circle it dose so it a dark and almost morbid way with the bird eating the snail. The back of the book does hint at something bad happening so I might just be used to childrens books have a feel-good ending.
The target readers for this book are young children, infants to toddler age range who would enjoy having this book read to them as the rhymes make it fun. Older toddlers and/or children just starting their first few years of school may question the ending. The ending is an interesting twist for adults though. I rate this book a 2 out of 4 because in the vast amount of childrens book available I would not go out of my way to recommend this book. At the same time, I also would not discourage anyone from it either, but I would warn them about the ending. This book sits firmly as a mid-range book, not good and not bad.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/wailing-snail
In a garden, a little snail wails so loudly that it causes a major chain reaction. This reaction at one point causes a cat to get mad at a bird and chase after it. Once the bird escapes it is so tired and exhausted that it goes in search of something to eat. The story then comes full circle with the bird finding the snail in the garden that started the whole thing in the first place. The snail then once again lets out a wail
I really liked the illustrations by Diane Bonham. They are cute with simple shapes and colors that ultimately do not overwhelm children. The subject matter of the page is always depicted in a way that draws full attention to it. The rhymes give the book a solid rhythm and the rhyming words being bold and all caps puts emphasis on them for learning and teaching points for new readers. What I did not like was that while the story comes full circle it dose so it a dark and almost morbid way with the bird eating the snail. The back of the book does hint at something bad happening so I might just be used to childrens books have a feel-good ending.
The target readers for this book are young children, infants to toddler age range who would enjoy having this book read to them as the rhymes make it fun. Older toddlers and/or children just starting their first few years of school may question the ending. The ending is an interesting twist for adults though. I rate this book a 2 out of 4 because in the vast amount of childrens book available I would not go out of my way to recommend this book. At the same time, I also would not discourage anyone from it either, but I would warn them about the ending. This book sits firmly as a mid-range book, not good and not bad.
https://nightreaderreviews.blogspot.com/
https://www.austinmacauley.com/book/wailing-snail
Neon's Nerd Nexus (360 KP) rated Jojo Rabbit (2019) in Movies
Jan 6, 2020 (Updated Jan 6, 2020)
F*ck Off Hittler!
Jo Jo Rabbit while by no means a bad movie its just one that I think would of worked better as a short instead. Think Son Of Rambow meets Wes Anderson and Jo Jo sits somewhere in between, its not bad but its also not greatness either. Containing way more serious drama and a much darker tone than the trailer has you believe what I found most interesting of all were the bleakest parts of the story which hit home way more than the comedy side. I just felt the humour took away from the films more serious messages of manipulation and the mind poluting of the naive. A good job is done of showing how fragile, young and inocent minds are easily lead astray/influenced by propaganda, stories, lies, the spread of hatred and how the excitement of holding a weapon, fighting in a war or wearing a uniform almost takes away from the overall bigger picture for them as children. Most of these kids see probably grew up without a dad as a role model so seeing hittler praised by all, hearing cool fables about him and seeing him on tv/posters to them at that age is almost like how kids are today with superheros, then to think thats actually what probably happened sends chills up your spine in horror. Sadly these scenes are always dampened with comedy killing the impact of them for me and while I do get what type of film its going for I think id rather of just seen a movie on the darker stuff. Acting is great especially by the boy playing Jo Jo however accents do slip constantly all round again breaking the illusion. Couple this with a middle act that I really struggled with losing intrest frequently and looking at my watch. While it does have the heart and certainly the depth in places I cant help but feel really let down by this movie and sadly I left wanting more. Far too serious for teens and not serious enough for adults Jo Jo Rabbit is an alright watch with definitely a few good messages at its muddled heart 'love will always defeat hate' and 'even if you are ugly on skin you still can be lovely from within' so I guess its not all bad.