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Awix (3310 KP) rated Green Lantern (2011) in Movies
May 18, 2018
Boxing Glove ends up as Punch Line
Yet more proof that DC was capable of making slightly shoddy movies even before Zach Snyder was put in charge of their operation, Green Lantern may end up being better remembered as the butt of a whole series of jokes now that Ryan Reynolds has been much more successful playing a character for the opposition. Test pilot is given magic ring by dying alien which initiates him into universal police force (the 'Green Lanterns'); ring allows him to convert his willpower into giant green boxing gloves and anything else he can think of.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Too much blatant CGI, obviously, and also the storytelling is botched - the film is frontloaded with stuff about the Guardians of the Universe, Space Sector 2814, and many other things that could have been introduced more gradually in the course of the movie. Generally tries too hard to do too much and doesn't make enough use of Reynolds and Blake Lively (but, hey, they have kids now, so it wasn't like the movie was a total waste of time for them). Fingers crossed that DC get past this sometime soon and put a proper Green Lantern in one of their JLA-related films.
Awix (3310 KP) rated Justice League (2017) in Movies
Feb 9, 2018 (Updated Feb 9, 2018)
Surprisingly non-awful
CGI aliens invade in search of ancient mystical plot coupons, forcing Batman and Wonder Woman to recruit a bunch of other superheroes (the Flash, Aquaman, Cyborg) in an attempt to fend them off.
Now, you can scratch your head at some of the creative choices made here - Why the all-pervading atmosphere of heavy metal gloom? Why these particular characters? Where's Green Lantern? Why not use a better-known villain? And so on - but on its own terms, this is a competently assembled film, for the most part. (This may be due to the fact that credited director Zach Snyder departed the production prematurely and was replaced by Joss Whedon.)
I stress 'for the most part' as there are still bits of this movie which just plain make no sense whatsoever, and there's a 'plot twist' (in the broadest sense of the term) which feels contrived and tonally wrong on pretty much every level. But at least they seem to be trying to treat these iconic characters with respect, and while this isn't up to the same standard as Wonder Woman it could have been much, much worse.
Now, you can scratch your head at some of the creative choices made here - Why the all-pervading atmosphere of heavy metal gloom? Why these particular characters? Where's Green Lantern? Why not use a better-known villain? And so on - but on its own terms, this is a competently assembled film, for the most part. (This may be due to the fact that credited director Zach Snyder departed the production prematurely and was replaced by Joss Whedon.)
I stress 'for the most part' as there are still bits of this movie which just plain make no sense whatsoever, and there's a 'plot twist' (in the broadest sense of the term) which feels contrived and tonally wrong on pretty much every level. But at least they seem to be trying to treat these iconic characters with respect, and while this isn't up to the same standard as Wonder Woman it could have been much, much worse.
Awix (3310 KP) rated Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020) in Movies
Feb 7, 2020 (Updated Feb 7, 2020)
Garish and frantic comic book movie basically does your head in for nearly two hours. Never mind doing a Batman movie without Batman, now they've done a Joker movie without the Joker: annoying homicidal pole-dancer Harley Quinn breaks up with he of the green hair and gets mixed up in a hunt for a diamond-shaped McGuffin involving various other obscure and mostly female Batman characters. Full of movement and some not bad action choreography, but the plot is a disjointed mess and it's hard to escape the impression that the producers are treating you like an idiot.
Robbie's performance is basically just irritating; not sure whether this is entirely intentional or not. Ewan McGregor is definitely just bad, but the script is to blame anyway: when the writers appear to believe it's cool and funny to break someone's legs on a whim, it's hard to take them seriously when they try to take the high ground on any moral issue, as they also do. Amoral, superficial, and sadistically violent in places; generally quite dim-witted and depressing. Undoes all the good work of recent movies in detoxifying the DC brand: come back Zach Snyder, all is forgiven.
Robbie's performance is basically just irritating; not sure whether this is entirely intentional or not. Ewan McGregor is definitely just bad, but the script is to blame anyway: when the writers appear to believe it's cool and funny to break someone's legs on a whim, it's hard to take them seriously when they try to take the high ground on any moral issue, as they also do. Amoral, superficial, and sadistically violent in places; generally quite dim-witted and depressing. Undoes all the good work of recent movies in detoxifying the DC brand: come back Zach Snyder, all is forgiven.
BankofMarquis (1832 KP) rated King Richard (2021) in Movies
Nov 30, 2021
It's "Fine", but nothing special
The new bio-pic KING RICHARD, depicting the true life story of the unusual rise of the tennis playing Williams sisters, and the man who had the vision to get them there, was being billed as a film that just might have an Oscar nominated performance in it.
And this is true, but, that performance just might be Aunjanue Ellis’ performance as “Brandy” Williams (mother of Venus and Serena) and not Will Smith as the Central Character, Richard Williams.
Don’t get me wrong, Will Smith is very good in the title role of this film, filling “King Richard” Williams with swagger and a “I am not wrong” attitude throughout. The issue is that this character does not learn anything or grow during the film. He is cock-sure right at the start and he is cock-sure right at the end.
The surprise to me was Aunjanue Ellis as the put-upon wife, Brandy. Her character hangs in the background, supporting Richard and the girls until Richard pushes her buttons just one time too many and then she steps in. It is in these moments that this film crackles. Ellis has the “Oscar Speech” in this film and she fires some life into the 2 hour and 25 minute proceedings when it desperately needs it.
And that’s the problem, ultimately, with this film. The Direction by Reinaldo Marcus Green and the script by Zach Baylin is too reverential to the subject matter, shying away from the darkness and the tension that is creeping around the edges (which would have been interesting) to show us a pretty standard “if you stick to your guns, you’ll always be right” story that never really has any emotional resonance.
With the dominating (and domineering) performance of Smith, the performances of young actresses Saniyya Sidney (Venus) and Demi Singleton (Serena) are afterthoughts as are the Supporting Performances of Tony Goldwyn and Jon Bernthal as 2 tennis coaches that clash with Richard.
Ultimately, this is a “fine” film with some “fine” performances that will serve as a “fine” tribute to what the 2 Williams’ sisters have accomplished.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
And this is true, but, that performance just might be Aunjanue Ellis’ performance as “Brandy” Williams (mother of Venus and Serena) and not Will Smith as the Central Character, Richard Williams.
Don’t get me wrong, Will Smith is very good in the title role of this film, filling “King Richard” Williams with swagger and a “I am not wrong” attitude throughout. The issue is that this character does not learn anything or grow during the film. He is cock-sure right at the start and he is cock-sure right at the end.
The surprise to me was Aunjanue Ellis as the put-upon wife, Brandy. Her character hangs in the background, supporting Richard and the girls until Richard pushes her buttons just one time too many and then she steps in. It is in these moments that this film crackles. Ellis has the “Oscar Speech” in this film and she fires some life into the 2 hour and 25 minute proceedings when it desperately needs it.
And that’s the problem, ultimately, with this film. The Direction by Reinaldo Marcus Green and the script by Zach Baylin is too reverential to the subject matter, shying away from the darkness and the tension that is creeping around the edges (which would have been interesting) to show us a pretty standard “if you stick to your guns, you’ll always be right” story that never really has any emotional resonance.
With the dominating (and domineering) performance of Smith, the performances of young actresses Saniyya Sidney (Venus) and Demi Singleton (Serena) are afterthoughts as are the Supporting Performances of Tony Goldwyn and Jon Bernthal as 2 tennis coaches that clash with Richard.
Ultimately, this is a “fine” film with some “fine” performances that will serve as a “fine” tribute to what the 2 Williams’ sisters have accomplished.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)