"Seeing Ashes and Diamonds again after forty years, I realized how beautifully Wajda married his romantic flair and his unerring sense of history. Zbigniew Cybulski looks as timeless as Brando or Louise Brooks, his maimed glance between those sunshades accusing the postwar world of betrayal."

"Andrzej Wajda’s films had an enormous influence on me as I began writing and directing. I had lunch with him at the National Film Theatre in London, after he had just made Everything for Sale, a film I loved. It was Wajda’s tribute to Zbigniew Cybulski, his friend and the star of Ashes and Diamonds, who died young. In Ashes, Cybulski plays a resistance fighter stranded by a sellout peace. His broodiness and manner seemed to mourn James Dean."

"I just really responded to the performance of Zbigniew Cybulski. This is the story of someone who spends their young life in the sewers of Warsaw knowing nothing but war, and then carrying that life without any real reason for living other than continuing on as an urban warrior, falling in love with a bar maid, too late in your life, and essentially discovering lust and passion and maybe the love of his life — in the same day that his life catches up to him and kills him. [Director Andrzej] Wadja is one of my favorite filmmakers. I love Canal and all of the whole trilogy, but Ashes and Diamonds is a film I still think about."

"I saw Ashes and Diamonds for the first time in 1961. And even back then, during that period when we expected to be astonished at the movies, when things were happening all over the world, it shocked me. It had to do with the look, both immediate and haunted, like a nightmare that won’t stop unfolding; the sense of maddening insanity and absurdity, the tragedy of political infighting on the brink of peace and coming of age during wartime; and the beauty of the lead actor, Zbigniew Cybulski. The film has the power of a hallucination: I can close my eyes and certain images will flash back to me with the force they had when I saw them for the first time over fifty years ago. I’ve crossed paths with Andrzej Wajda a few times over the years, and I’ve always been in awe of his energy and his unflinching vision. I saw him again a couple of years ago, a little frailer but still as burning with energy as he’d been back in the ’90s, and he was preparing to make another film, now just completed, about Lech Walesa (the final installment of the trilogy that began with Man of Marble and Man of Iron). He’s a model to all filmmakers."