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Goddess in the Stacks (553 KP) rated Dread Nation in Books
Jul 24, 2018
So, as a general rule, I don't read zombie stories. Zombies are the one monster that will almost invariably give me nightmares. This book, however, had such hype built up around it that I decided to bend my rule.
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
BankofMarquis (1832 KP) rated Zombieland: Double Tap (2019) in Movies
Nov 1, 2019
I ended up enjoying this film
I really enjoyed the 2009 Horror/Comedy ZOMBIELAND - a truly unique and original film that blends the trendy (at the time) Zombie genre with really smart comedy populated by some truly charismatic comedic performers and a GREAT surprise cameo.
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
So...I greeted the news that there would be a sequel - 10 years later - with a shrug. Why would they want to revisit this tired (at this time) genre with performers that have (for the most part) gone on to "bigger and better" things (including a few Oscar nominations and 1 Oscar win). But...I enjoyed the first, so I figured I'd check it out. And...for the first 20 minutes or so of this film, I sat there with my arms folded across my chest thinking "they are just trying too hard to replicate the first film". And then an interesting thing happened...
I chuckled to myself. Then I chuckled some more, and then I started laughing out loud and at about the 1 hour mark, I realized, "I'm really enjoying myself".
Credit, I think, has to go the charm, charisma and chemistry between the 4 returning leads - Emma Stone, Jesse Eisenberg, Abigail Breslin and Woody Harrelson. It was like running into 4 old friends and old, comfortable, patterns re-emerge (kind of liking eating comfort food). These are ably assisted by good, fun turns by the likes of Rosario Dawson, Luke Wilson and Thomas Middleditch. Special mention has to be made of Zoey Deutsch's turn as blonde air-head, Madison. This could have easily been a one-note, annoyance. but she brings something more to role that makes her endearing, not cloying.
The original creative team - Director Ruben Fleischer and Writers Rhett Reese and Paul Wernick - are back as well, so the style and humor are similar to the first film - not really bringing much new to the proceedings, but not just "getting a paycheck" either.
This film is "nothing new", but I enjoyed it anyway - so if you liked the first Zombieland, you'll like this one as well. ONE NOTE - there is a "credits scene" as well as a "button scene" at the end of the credits that are MUST WATCH. So stick around for those, you'll be glad you did.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank(ofMarquis)
Ross (3284 KP) rated Bird Box (2018) in Movies
Jan 14, 2019 (Updated Jan 14, 2019)
Slightly flawed premise for a film
Contains spoilers, click to show
The premise of the film, that there are mysterious beings that, once seen, will drive sane people to suicide and insane people to do their bidding is intriguing. That is, until you realise that this means a film where people are either stuck inside, afraid of those mad "helpers" knocking on their door, or people wandering blindfolded around looking for food, water and shelter. Neither of these for me make for a particularly compelling watch. This film is split between the two.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
LeftSideCut (3778 KP) rated The Walking Dead - Season 6 in TV
Nov 10, 2019
Rinse and Repeat
Contains spoilers, click to show
Season 6 of The Walking Dead is really not too dissimilar from season 5, once again presenting us with a couple of amazing episodes, a handful of good ones, and then a whole lot of filler.
Once again a season of two halves - the first half of season 6 is mostly about a stupidly massive hoarse of zombies moving towards the Alexandria safe zone, and the groups efforts to herd them away.
For the most part, it's pretty good and where the strength of season 6 mainly lies.
An early highlight comes 2 episodes in, where Alexandria is attacked by a group called The Wolves. It's a sucker punch to the face, and the action is tense and the stakes feels high, proving that TWD can still pack a punch when it wants to.
Another highlight is the mid season finale 'No Way Out', another tense episode with some shocking and unexpected moments. The amount of work that's clearly gone into the huge zombie horde is impressive for sure.
However this episode also marks an important negative point for me - the relative ease in which the horde is dispatched is the moment where the walkers no longer felt like a threat, and from here on out, they've seem like more of an inconvenience.
The second half of the season slowly introduces us to The Saviours and teases their leader throughout, the now infamous Negan - a much loved villain straight from the comics.
This second half is once again, fairly boring, as the characters slog from one place to the next.
TWDs insistence on character focused episodes rarely push the right buttons. (There's an episode fairly near the beginning that focuses on Morgan that just switched me right off).
Negan arrives properly in the closing moments of the season, and leaves an immediate impression, although the finale ends on a cliffhanger (a lot of fans were pissed), giving us no time at all to see much of him (but don't worry, the show completely over compensates for this during seasons 7 and 8...)
Season 6 is also where the infamous 'Glenn fake out death' happens, which also rubbed a lot of viewers up the wrong way.
Overall, my thoughts on season 6 are mostly positive, but maybe that's because TWD is about to enter it's most testing seasons...
Once again a season of two halves - the first half of season 6 is mostly about a stupidly massive hoarse of zombies moving towards the Alexandria safe zone, and the groups efforts to herd them away.
For the most part, it's pretty good and where the strength of season 6 mainly lies.
An early highlight comes 2 episodes in, where Alexandria is attacked by a group called The Wolves. It's a sucker punch to the face, and the action is tense and the stakes feels high, proving that TWD can still pack a punch when it wants to.
Another highlight is the mid season finale 'No Way Out', another tense episode with some shocking and unexpected moments. The amount of work that's clearly gone into the huge zombie horde is impressive for sure.
However this episode also marks an important negative point for me - the relative ease in which the horde is dispatched is the moment where the walkers no longer felt like a threat, and from here on out, they've seem like more of an inconvenience.
The second half of the season slowly introduces us to The Saviours and teases their leader throughout, the now infamous Negan - a much loved villain straight from the comics.
This second half is once again, fairly boring, as the characters slog from one place to the next.
TWDs insistence on character focused episodes rarely push the right buttons. (There's an episode fairly near the beginning that focuses on Morgan that just switched me right off).
Negan arrives properly in the closing moments of the season, and leaves an immediate impression, although the finale ends on a cliffhanger (a lot of fans were pissed), giving us no time at all to see much of him (but don't worry, the show completely over compensates for this during seasons 7 and 8...)
Season 6 is also where the infamous 'Glenn fake out death' happens, which also rubbed a lot of viewers up the wrong way.
Overall, my thoughts on season 6 are mostly positive, but maybe that's because TWD is about to enter it's most testing seasons...
The Last Star
Book
The Last Star is the heart-stopping finale to the bestselling 5th Wave series by award-winning...
Damien Echols recommended Halloween (1978) in Movies (curated)
Jesters_folly (230 KP) rated Love and Monsters (2021) in Movies
Apr 18, 2021
Contains spoilers, click to show
Love and monsters is quite a slow paced film about a journey and a character. Joel starts the film as a bit of a looser, he feels out of place and unneeded so he sets out to find the one person he thinks will appreciate him and, as he movers through the world he begins to find himself, a purpose and the meaning of family.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
Doodle God™ HD
Games and Education
App
Over 190 Million Players Worldwide! Available in 13 Languages UNLEASH YOUR INNER GOD AND CREATE A...
Doodle God™
Games and Education
App
Over 190 Million Players Worldwide! Available in 13 Languages UNLEASH YOUR INNER GOD AND CREATE A...