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RəX Regent (349 KP) rated Night of the Living Dead (1968) in Movies
Feb 19, 2019
Iconic, influential and ground-breaking. All words to describe George A. Romero’s inaugural zombie horror, but what sets this apart from its contemporaries and the endless variations in the genre in which this Indie movie helped spawn?
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Well to begin with, this is far from a simple zombie thriller. The real villains here are the collection of damaged human characters who all find themselves trapped together in an old farmhouse, barricaded within its fragile wooden walls, fighting not only the onslaught of zombie without, but the angst and fear from within.
At times they work together but unlike most films like this, the group rarely work at all, with conflicted views on how to survive, blinding them to the fact that if they only worked together they may just do so.
Instead, they all end up dead, with our leading man, a strong, smart black character, which at the time was a bold choice, being murdered by the redneck police posse, who mistake him for a zombie. But the metaphor, though hard to ignore, of a black man being gunned down without the white men bothering to ensure that he was zombie, may just be a coincidence, but the irony that he, Ben (Duane Jones) manages to survive until the end only be to gunned down in the final moments, is a tragedy that sums up this film’s tone.
With a killer child, a nude female zombie, a dysfunctional couple and the first named victim displaying a complacent contempt for God and the church, this group are real, though the acting standards are variable, the writing and direction are constantly very good, with a sense or gritty realism permeating throughout. Maintained by good pacing and gruesome cannibalistic action, this raised the bar of the genre, both now and then.
Even the zombies get a reasonable, yet none definitive explanation, as told through the radio and TV news. Radiation bringing the dead back to life, well, it may be the trope of 1960’s sci fi but it was well explained and the news reports were well composed, feeling more realistic than most movie news broadcasts.
Romero may have gone on to milk this franchise for all it is worth in the decades since but this opening low budget gem is a real piece of work; A complex moral drama set on one chaotic night in which the dead become living again.
Leighann Twist (26 KP) rated Pet Sematary (2019) in Movies
May 15, 2019
Meh....
Contains spoilers, click to show
I am so on the fence about this film. I liked some of the changes they made to this film. The kids in the masks made me uneasy which I like in a horror film but I feel like they could have done more with the orgin of the masks but other than the kids wearing the masks in the beginning of the film, the only other time you see them is when Ellie starts her killing spree. So the scene at her birthday party....I find it ridiculous that there were all those adults there and while Louis is blindfolded no one is watching the kids to make sure they dont run out into the street. Now one could argue who was watching Guage when he dies in the original but there are A LOT more parents around in this one. And who plays hide and seek in the front yard of a house on a busy highway anyway? Dont they have a backyard too? But despite all that I really enjoyed the scene leading up to Ellies death. They did a good job with Louis going after Guage and then Ellie getting hit instead. It was intense and sucked me right in. Let's talk Zelda for a second. Quite possibly the best and most terrifying part of the movie. Wasnt sure how Zelda could be anymore creepy than she was in the original but OMG they so nailed it. My favorite parts of this remake were the Rachel and Zelda storyline and it had me on the edge of my seat for sure. The ending however lost it for me and left me so angry that I paid to see this movie in the theater. The ending is where everything fell apart for me. It seemed very rushed and sloppily done. Such cheese. Realistically would everyone turn 3 seconds after they were buried? Do zombies have superhuman strength? Cuz Ellie taking her dad to the burial ground and making it over that hill with the weight of his body seemed so cheesy. Then the father killing the mother and them going to get Guage
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
...I dunno it fell apart for me and was so cheesy. It felt rushed
But hey Zelda... am I right?
Goddess in the Stacks (553 KP) rated Dread Nation in Books
Jul 24, 2018
So, as a general rule, I don't read zombie stories. Zombies are the one monster that will almost invariably give me nightmares. This book, however, had such hype built up around it that I decided to bend my rule.
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
I should not have.
Before I start in on this, let me say it's a good story. It's well-written, the plot is paced nicely, and it's entertaining. All that said, it's quite problematic in many ways. I knew some of this before I read it; there was a Twitter thread about some of the issues, namely that in the Author's Note she describes the Native American boarding schools (where the government forced Native American children to go, and tried to destroy their heritage and culture in the name of "civilizing" them) as "well-meaning." The Twitter thread does an excellent job of dissecting that passage, and it's worth reading.
There's also the incredibly unrealistic scene where Jane gets flogged eleven times, walks back to where she's staying, has a coherent conversation where she lays out a plan she has formed, and then puts a shirt on. That last part especially got me. Like, what? You're going to be in more pain than that! Being flogged barely seems to slow Jane down. She asks for laudanum - for her plan. Not to take for the pain.
I don't know. There's a lot about the book that set my teeth on edge. There's the absurd amount of racism, but the protagonist is a black woman and it's civil war era, so that's to be expected. And it's coming from characters, not from narration. Jane lies. A lot. So it's hard to trust that she's even a reliable narrator.
I guess it's okay. I didn't care for it. I found it really hard to get past the author's "well-meaning" comment about the Native American boarding schools. And the plot of "as soon as they're old enough, black children get sent to combat schools." Especially with what's going on lately with the jailing of migrant children, it feels tone-deaf, ignorant, and genocidal.
One good point was the oh-so-casual mention of bisexuality (a female friend taught her "everything she knows about kissing") but it was only two sentences and never mentioned again. Not nearly enough to make up for the rest of the book.
You can find all my review at http://goddessinthestacks.wordpress.com
Marylegs (44 KP) rated Station Eleven in Books
Aug 14, 2019
Station Eleven follows a number of characters affected by the disintegration of modern civilisation and society caused by a mutated flu virus which wipes out around 99% of the world wide population. Flitting back over a series of timelines, including the start of the pandemic to focus on the lives these characters had before the virus, what happened to them after this virus became apparent and beginning the destruction of the lives they knew. The story also skips into the future to see how their lives changed and how they had to adapt to their changing world. There are a number of characters to follow and as the book progresses links form between some of them, but this is not the focus of the story.
I won’t go overly into details about the characters it is best to discover them yourselves. I was pleasantly surprised by how good this book was. Receiving it as an advanced review, I didn’t really know much about the story other than it being based in a post-apocalyptic world. Upon receiving the book I was slightly put off by the blurb stating it was following a group of traveling actors and musicians and that it was trying to show how art still had a place in this post civilisation world. But don’t let this put you off, I’m glad I didn’t. Whilst the story uses the actors and musicians in this ‘Traveling Symphony’ as a point to allow cross country movement and show that some people as trying to survive but also to enrich other people’s lives, that wasn’t really what gripped me. It was the relationships this characters had made, the stories about how they used to live and what they had been forced to do in this changing world that kept me turning pages.
I would recommend this book, and I would probably re-read again and possibly try some of the authors other works. The author wrote beautifully and it never felt pretentious or like they were trying to over moralise things. If like me, you like a good end of the world, dystopian story but want something different from the general, zombies, vampires and hunger games type read, give this ago. It may surprise you, like it did me.
I won’t go overly into details about the characters it is best to discover them yourselves. I was pleasantly surprised by how good this book was. Receiving it as an advanced review, I didn’t really know much about the story other than it being based in a post-apocalyptic world. Upon receiving the book I was slightly put off by the blurb stating it was following a group of traveling actors and musicians and that it was trying to show how art still had a place in this post civilisation world. But don’t let this put you off, I’m glad I didn’t. Whilst the story uses the actors and musicians in this ‘Traveling Symphony’ as a point to allow cross country movement and show that some people as trying to survive but also to enrich other people’s lives, that wasn’t really what gripped me. It was the relationships this characters had made, the stories about how they used to live and what they had been forced to do in this changing world that kept me turning pages.
I would recommend this book, and I would probably re-read again and possibly try some of the authors other works. The author wrote beautifully and it never felt pretentious or like they were trying to over moralise things. If like me, you like a good end of the world, dystopian story but want something different from the general, zombies, vampires and hunger games type read, give this ago. It may surprise you, like it did me.
Darren (1599 KP) rated Patient Seven (2016) in Movies
Oct 24, 2019
Characters – Dr Daniel Marcus is the man trying to learn about six disturbed patients at a mental hospital, each story needs to be broken down in a different way, he is doing research for his book, but leaving us wondering what his motives are is the biggest mystery in this film. we do meet the different patients which all have different stories and we follow the events of their stories each different from the rest. We do meet the doctors, but as the film is an anthology we just don’t get enough time to look into their characters.
Performances – Michael Ironside is the star of this film with his calming presence while interviewing the patients that can turn on them in a heartbeat. We have a couple of known names in the supporting cast with Alfie Allen in the second story being the highlight of the rest of the performances, while no one is bad in their roles here, they just don’t get the time they deserve.
Story – The story here is told like an interview process to give us seven short horror stories, the fact each one goes in a different direction helps the audience find one they can enjoy even if the previous one isn’t for them. Vampires, ghost, spirits, serial killers and zombies are the main topics each one feels short enough to be entertaining, even if one did make me want to see a feature film about that character. For a horror anthology this does check the boxes well and is one that can be enjoyed.
Horror – The horror in the story comes from the different stories, while we don’t always get the best build up to the horror moments, we do follow the horror guidelines well.
Settings – Each story does take us to a new setting which helps make the film feel fresh, though I don’t quiet understand how the crimes from England, New Zealand and Iceland ended up in an American mental home.
Special Effects – The effects in the film across the different stories are great and make you feel like you are part of them.
Scene of the Movie – The second story.
That Moment That Annoyed Me – Some of the stories are slightly too short though.
Final Thoughts – This is a good horror anthology even if the ending feel slightly flat, we get plenty going on and can enjoy the different ideals of horror.
Overall: Horror anthology does correctly.
Performances – Michael Ironside is the star of this film with his calming presence while interviewing the patients that can turn on them in a heartbeat. We have a couple of known names in the supporting cast with Alfie Allen in the second story being the highlight of the rest of the performances, while no one is bad in their roles here, they just don’t get the time they deserve.
Story – The story here is told like an interview process to give us seven short horror stories, the fact each one goes in a different direction helps the audience find one they can enjoy even if the previous one isn’t for them. Vampires, ghost, spirits, serial killers and zombies are the main topics each one feels short enough to be entertaining, even if one did make me want to see a feature film about that character. For a horror anthology this does check the boxes well and is one that can be enjoyed.
Horror – The horror in the story comes from the different stories, while we don’t always get the best build up to the horror moments, we do follow the horror guidelines well.
Settings – Each story does take us to a new setting which helps make the film feel fresh, though I don’t quiet understand how the crimes from England, New Zealand and Iceland ended up in an American mental home.
Special Effects – The effects in the film across the different stories are great and make you feel like you are part of them.
Scene of the Movie – The second story.
That Moment That Annoyed Me – Some of the stories are slightly too short though.
Final Thoughts – This is a good horror anthology even if the ending feel slightly flat, we get plenty going on and can enjoy the different ideals of horror.
Overall: Horror anthology does correctly.
LeftSideCut (3778 KP) rated The Walking Dead - Season 6 in TV
Nov 10, 2019
Rinse and Repeat
Contains spoilers, click to show
Season 6 of The Walking Dead is really not too dissimilar from season 5, once again presenting us with a couple of amazing episodes, a handful of good ones, and then a whole lot of filler.
Once again a season of two halves - the first half of season 6 is mostly about a stupidly massive hoarse of zombies moving towards the Alexandria safe zone, and the groups efforts to herd them away.
For the most part, it's pretty good and where the strength of season 6 mainly lies.
An early highlight comes 2 episodes in, where Alexandria is attacked by a group called The Wolves. It's a sucker punch to the face, and the action is tense and the stakes feels high, proving that TWD can still pack a punch when it wants to.
Another highlight is the mid season finale 'No Way Out', another tense episode with some shocking and unexpected moments. The amount of work that's clearly gone into the huge zombie horde is impressive for sure.
However this episode also marks an important negative point for me - the relative ease in which the horde is dispatched is the moment where the walkers no longer felt like a threat, and from here on out, they've seem like more of an inconvenience.
The second half of the season slowly introduces us to The Saviours and teases their leader throughout, the now infamous Negan - a much loved villain straight from the comics.
This second half is once again, fairly boring, as the characters slog from one place to the next.
TWDs insistence on character focused episodes rarely push the right buttons. (There's an episode fairly near the beginning that focuses on Morgan that just switched me right off).
Negan arrives properly in the closing moments of the season, and leaves an immediate impression, although the finale ends on a cliffhanger (a lot of fans were pissed), giving us no time at all to see much of him (but don't worry, the show completely over compensates for this during seasons 7 and 8...)
Season 6 is also where the infamous 'Glenn fake out death' happens, which also rubbed a lot of viewers up the wrong way.
Overall, my thoughts on season 6 are mostly positive, but maybe that's because TWD is about to enter it's most testing seasons...
Once again a season of two halves - the first half of season 6 is mostly about a stupidly massive hoarse of zombies moving towards the Alexandria safe zone, and the groups efforts to herd them away.
For the most part, it's pretty good and where the strength of season 6 mainly lies.
An early highlight comes 2 episodes in, where Alexandria is attacked by a group called The Wolves. It's a sucker punch to the face, and the action is tense and the stakes feels high, proving that TWD can still pack a punch when it wants to.
Another highlight is the mid season finale 'No Way Out', another tense episode with some shocking and unexpected moments. The amount of work that's clearly gone into the huge zombie horde is impressive for sure.
However this episode also marks an important negative point for me - the relative ease in which the horde is dispatched is the moment where the walkers no longer felt like a threat, and from here on out, they've seem like more of an inconvenience.
The second half of the season slowly introduces us to The Saviours and teases their leader throughout, the now infamous Negan - a much loved villain straight from the comics.
This second half is once again, fairly boring, as the characters slog from one place to the next.
TWDs insistence on character focused episodes rarely push the right buttons. (There's an episode fairly near the beginning that focuses on Morgan that just switched me right off).
Negan arrives properly in the closing moments of the season, and leaves an immediate impression, although the finale ends on a cliffhanger (a lot of fans were pissed), giving us no time at all to see much of him (but don't worry, the show completely over compensates for this during seasons 7 and 8...)
Season 6 is also where the infamous 'Glenn fake out death' happens, which also rubbed a lot of viewers up the wrong way.
Overall, my thoughts on season 6 are mostly positive, but maybe that's because TWD is about to enter it's most testing seasons...
LeftSideCut (3778 KP) rated World War Z (2013) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
World War Z - the movie that finally dared to make the zombie genre family friendly.
That premise sounds horrible on paper, but somehow, it's not too bad!
Zombie films as a rule of thumb, tend to have a slow build up, before all hell breaks loose, and were treated to over the top violence and gore.
Not the case here... WWZ takes no time at all to kick off, as Brad Pitt and his family find themselves stuck in traffic when the shit hits that fan. Were less than 5 minutes in at this time.
As mentioned, the gore is kept to a minimum, but that didn't bother me. WWZ is more a disaster film than horror, but instead of a tidal wave or a hurricane, the threat are the undead.
And there a lot of them. The zombies here run fast, and in huge numbers, making for some true spectacles as they climb on top of each other to climb buildings etc.
There are two set pieces that are particularly eye catching. The scene in Jerusalem, and the scene on the plane, are both pretty full on and entertaining.
The last quarter of the film is a bit puzzling.
After the aforementioned set pieces, the film really slows down for the last 25 minutes. It's not necessarily a bad move, but just a bit...odd for a Hollywood blockbuster.
The film ends rather abruptly (after feeling a little overlong) and on a freeze frame no less (shoot me now).
The cast are pretty good for the most part - I'm an absolutely unashamed fan of Brad Pitt. I've never seen him play a bad part, so his involvement was always going to be a winner for me.
I've never read the book of WWZ but from what I've heard, the movie sharply deviates from it, pretty much only sharing the title.
From what I've gathered about the books layout, it seems that the film could have explored so much more - it may even suit a series rather than a movie.
WWZ is not much more than a dumb, Hollywood action film, with a couple of jump scares thrown in, but it's pretty entertaining here and there.
And with David Fincher in the directors chair for a future sequel, I'm up for what comes next.
That premise sounds horrible on paper, but somehow, it's not too bad!
Zombie films as a rule of thumb, tend to have a slow build up, before all hell breaks loose, and were treated to over the top violence and gore.
Not the case here... WWZ takes no time at all to kick off, as Brad Pitt and his family find themselves stuck in traffic when the shit hits that fan. Were less than 5 minutes in at this time.
As mentioned, the gore is kept to a minimum, but that didn't bother me. WWZ is more a disaster film than horror, but instead of a tidal wave or a hurricane, the threat are the undead.
And there a lot of them. The zombies here run fast, and in huge numbers, making for some true spectacles as they climb on top of each other to climb buildings etc.
There are two set pieces that are particularly eye catching. The scene in Jerusalem, and the scene on the plane, are both pretty full on and entertaining.
The last quarter of the film is a bit puzzling.
After the aforementioned set pieces, the film really slows down for the last 25 minutes. It's not necessarily a bad move, but just a bit...odd for a Hollywood blockbuster.
The film ends rather abruptly (after feeling a little overlong) and on a freeze frame no less (shoot me now).
The cast are pretty good for the most part - I'm an absolutely unashamed fan of Brad Pitt. I've never seen him play a bad part, so his involvement was always going to be a winner for me.
I've never read the book of WWZ but from what I've heard, the movie sharply deviates from it, pretty much only sharing the title.
From what I've gathered about the books layout, it seems that the film could have explored so much more - it may even suit a series rather than a movie.
WWZ is not much more than a dumb, Hollywood action film, with a couple of jump scares thrown in, but it's pretty entertaining here and there.
And with David Fincher in the directors chair for a future sequel, I'm up for what comes next.
James Bagshaw recommended track Trouble by The Music Machine in Ultimate Turn On by The Music Machine in Music (curated)
Jesters_folly (230 KP) rated Love and Monsters (2021) in Movies
Apr 18, 2021
Contains spoilers, click to show
Love and monsters is quite a slow paced film about a journey and a character. Joel starts the film as a bit of a looser, he feels out of place and unneeded so he sets out to find the one person he thinks will appreciate him and, as he movers through the world he begins to find himself, a purpose and the meaning of family.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
In some ways, Love and Monsters reminded me of 'Zombie land', we have some one who is just trying to find his place and his way in world that changed, he has to rely on the help of others whilst finding the right rules to help him survive. Of course the biggest difference is that there are monsters instead of Zombies.
Talking of the monsters, the effects are pretty good, the monsters are not all horrific and are pretty realistic. They help set the tone and pace in the film, providing threat, humour and atmosphere and it's nice to see that some of them just want to get on with their own lives.
Another thing that was nice to see was that (most of) the humans were also just trying to live, there weren't any 'Neagan's' or camps of overly aggressive thugs as you get used to seeing in a lot of post apocalyptic movies, which came as a bit as a surprise, I was expecting there to be something odd about the meeting between Joel and Aimee but, even though it doesn't necessarily go according to plan it still works out in a nice way.
And that's the thing, Love and Monsters is quite a nice film. The characters want to survive and even in a world populated by monsters that eat people the survivors find love and purpose, yes there are people who are just out for themselves, who are willing to steal and feed others to the monsters but they are in the minority.
The only really odd thing in this film are the Mav1s', there is not really anything to explain them.
Love and Monsters is no 'Godzilla', there are no monster v monster fights. and it's no 'A Quite Place' the monsters aren't necessarily hunting the survivors for anything other than food and this isn't a horror movie, it's a film about growth, love and family and man eating bugs.
Acanthea Grimscythe (300 KP) rated Fungoid in Books
May 16, 2018
Actual rating: 4.5 Stars
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.
Post-apocalyptic stories are, by far, among my favorites to read, perhaps because it's a hypothetical possibility that could still occur in our future. From zombies to biological warfare, many stories offer a new perspective on the end of the world and William Meikle's Fungoid is no different.
Fungoid takes place in Canada and encompasses a wide range of characters and their interactions with one another and other individuals after the apocalypse falls upon the world in the form of a fungal outbreak, only in this case, the fungal epidemic appears to have a mind of its own as it voraciously consumes humanity. Those who manage to survive are left to fend for themselves as they search for a way to overcome their fates when all odds are against them.
Sometimes, a wide range of characters works. Other times, it doesn't. In this case, it does, when says a lot for Meikle's talent as a writer: his characters are well-developed and each possess their own distinct personalities. None of these characters are perfect: they have their own flaws and faults, and, in the true nature of horror, they aren't all good. The portrayal of a villainous character's decline from normality to the ultimate evil is often skipped over in favor of shining the spotlight on the heroes of a story. Meikle's unfortunate villain is spared no detail, and as a reader I was glad to find myself not only bewildered and frustrated by this character, but also found myself feeling sadness and sympathy for them.
The story is extremely fast paced, leaving little room for breathing as you flip through the pages. Given that the book is actually fairly short, it serves as a perfect read for a rainy afternoon inside. There's no shortage of action which is a necessity in a world where many people simply do not have the time to divulge to reading a thick, slower paced book. Meikle's writing is filled with twists and turns, where his characters are given a plausible route of escape or survival, only to find themselves forced to overcome obstacles that threaten to end their very lives.
Fungoid is a definite, must-read for fans of the horror genre, especially if you're looking for a new way of approaching the end of the world.
I would like to thank DarkFuse, William Meikle, and NetGalley for providing me with an advanced reader's copy in exchange for an honest and unbiased review.