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Personal Identity and Applied Ethics: A Historical and Philosophical Introduction
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'Soul', 'self', 'substance' and 'person' are just four of the terms often used to describe the human...
The Evangelicals: The Struggle to Shape America
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This groundbreaking book from Pulitzer Prize–winning historian Frances FitzGerald is the first...
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PIPKAT (4 KP) rated Irresistible (Buchanans #2) in Books
Mar 4, 2022
<b>POV:</b> Multiple. <spoiler>The biggest issue I have with this book.</spoiler>
<b>Descriptive Sex:</b> Yes.
<b>OW/OM:</b> Yes. <spoiler>Sort of? Walker does kiss an ex-<i>lover</i> while Elissa and Walker are together. Said ex is also married and I just do not see why it had to be included. Also, as mentioned in other reviews, if there's an ex or dead spouse that aren't physically there but still deters the relationship, I would include it OW/OM drama. In this case, Walker's (dead) ex-high school girlfriend is why he doesn't want to commit.</spoiler>
<b>Separation:</b> No.
<b>Content Warnings:</b> domestic abuse, child abuse, drugs, and mention of abortion.
<b>★★½</b>
If this book was purely Elissa and Walker's story, got rid of that ridiculous Naomi scene (re: OW/OM), and didn't rush the ending, then this would've easily been four stars for me. This book suffered from the randomly scattered scenes in the POV of Walker's siblings. I know it was done because this is a continuous story of these siblings that spans over four books, but I really don't want to read about these characters with OW/OM then in their book they end up with someone else <spoiler>(I'm only assuming this is the case in [b:Delicious|73069|Delicious (Buchanans, #1)|Susan Mallery|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1388274581l/73069._SY75_.jpg|70723] since we see Dani with someone in this novel before her book. Also assuming <i>Delicious</i> involves Naomi and Walker which I'm glad I passed over otherwise I wouldn't make it through this. Although if it doesn't then that makes the Naomi scene even more pointlessly thrown into this book)</spoiler>. Which is why I don't plan on continuing or going back. I did really like Elissa and Walker individually as well as together though. It was touch and go since there is a lot of push and pull when I think Elissa deserved definitiveness.
<b>Descriptive Sex:</b> Yes.
<b>OW/OM:</b> Yes. <spoiler>Sort of? Walker does kiss an ex-<i>lover</i> while Elissa and Walker are together. Said ex is also married and I just do not see why it had to be included. Also, as mentioned in other reviews, if there's an ex or dead spouse that aren't physically there but still deters the relationship, I would include it OW/OM drama. In this case, Walker's (dead) ex-high school girlfriend is why he doesn't want to commit.</spoiler>
<b>Separation:</b> No.
<b>Content Warnings:</b> domestic abuse, child abuse, drugs, and mention of abortion.
<b>★★½</b>
If this book was purely Elissa and Walker's story, got rid of that ridiculous Naomi scene (re: OW/OM), and didn't rush the ending, then this would've easily been four stars for me. This book suffered from the randomly scattered scenes in the POV of Walker's siblings. I know it was done because this is a continuous story of these siblings that spans over four books, but I really don't want to read about these characters with OW/OM then in their book they end up with someone else <spoiler>(I'm only assuming this is the case in [b:Delicious|73069|Delicious (Buchanans, #1)|Susan Mallery|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1388274581l/73069._SY75_.jpg|70723] since we see Dani with someone in this novel before her book. Also assuming <i>Delicious</i> involves Naomi and Walker which I'm glad I passed over otherwise I wouldn't make it through this. Although if it doesn't then that makes the Naomi scene even more pointlessly thrown into this book)</spoiler>. Which is why I don't plan on continuing or going back. I did really like Elissa and Walker individually as well as together though. It was touch and go since there is a lot of push and pull when I think Elissa deserved definitiveness.
Billie Wichkan (118 KP) rated A Spark Of Light in Books
Dec 6, 2018
HEARTRENDING/CONTROVERSIAL
The Center for women's reproductive health offers a last chance at hope - but nobody ends up there by choice.
Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder.
Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage.
Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people - the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment - to this point.
And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.
NO MATTER YOUR OWN PERSONAL VIEWS ON THE SUBJECT MATTER.... this is a very well written story that is going to divide us all.
Characters and situations that you can relate to on a personal level either yourself or someone you know brought to light and in a way to reveal the things that brought them to where they are and how they collide.
The timeline is an important structure of how this story flows so you do need to be aware that the timeline actually counts back in hours beginning at the end with each previous hour becoming the feature of the next chapter.
I am a mother myself so I have my own personal feelings around the subject line and was able to put that to the back of my mind and enjoy the thorough research the author has done to represent each side of the abortion debate that exists.
All of this aside it is a very emotional story that gripped me til the end as always.
I was fortunate enough to have been able to read this as an ARC and found it hard to stay away from other reviews already posted before finishing. I do hope you give the book a read and enjoy as I have.
Its very existence is controversial, and to the demonstrators who barricade the building every day, the service it offers is no different from legalised murder.
Now life and death decisions are being made horrifyingly real: a lone protester with a gun has taken the staff, patients and visitors hostage.
Starting at the tensest moment in the negotiations for their release, A Spark of Light unravels backwards, revealing hour by urgent hour what brought each of these people - the gunman, the negotiator, the doctors, nurses and women who have come to them for treatment - to this point.
And certainties unwind as truths and secrets are peeled away, revealing the complexity of balancing the right to life with the right to choose.
NO MATTER YOUR OWN PERSONAL VIEWS ON THE SUBJECT MATTER.... this is a very well written story that is going to divide us all.
Characters and situations that you can relate to on a personal level either yourself or someone you know brought to light and in a way to reveal the things that brought them to where they are and how they collide.
The timeline is an important structure of how this story flows so you do need to be aware that the timeline actually counts back in hours beginning at the end with each previous hour becoming the feature of the next chapter.
I am a mother myself so I have my own personal feelings around the subject line and was able to put that to the back of my mind and enjoy the thorough research the author has done to represent each side of the abortion debate that exists.
All of this aside it is a very emotional story that gripped me til the end as always.
I was fortunate enough to have been able to read this as an ARC and found it hard to stay away from other reviews already posted before finishing. I do hope you give the book a read and enjoy as I have.
ClareR (5577 KP) rated The Rules of Revelation in Books
May 30, 2021
I really enjoyed The Rules of Revelation - although I started reading it fully prepared to be confused. I wasn’t. This is the third and final part of a trilogy - I do own the first two books, but in true Clare style, I haven’t read them. I like that this stands alone, although I’m sure that I will have missed out on some important parts of the plot - never fear! I’ll just go back and read the first two!
I really like stories set around bands or singers - and this does have something extra to that storyline. The side character really made this novel interesting. I loved Maureen, the mother of the local big drug baron. She really doesn’t care what anyone feels or thinks about her, and isn’t frightened by her son one bit - unlike most of Cork.
Georgie is an ex sex-worker who wants what she thinks is fair - and that’s to make sure that Ryan Cusak’s band, Lord Urchin, get what they deserve. Nothing. I can’t help but think that a lot of her problems come from the fact that she is so easily taken advantage of: in her past as well as by the journalist in her present.
And then there’s the love story of Ryan and Karine. How much more complicated could they make it for one another? On top of that, is Ryan’s battle to make his art accessible to others, to sell an album or play to an audience, but his past is constantly putting a spanner in the works. He wants to improve his life from his poor, deprived upbringing, and put his drug-dealing past firmly behind him.
And all of this set in a time of great change in Ireland. Maureen should see some positives in the new Ireland. She talks about Cork being a city for men, but Ireland has just passed laws for marriage equality and abortion rights.
There’s a lot going on in this novel, I’d never get through all of it here, and I wouldn’t want to. You should just read it. I loved it, and wouldn’t hesitate to recommend it.
I really like stories set around bands or singers - and this does have something extra to that storyline. The side character really made this novel interesting. I loved Maureen, the mother of the local big drug baron. She really doesn’t care what anyone feels or thinks about her, and isn’t frightened by her son one bit - unlike most of Cork.
Georgie is an ex sex-worker who wants what she thinks is fair - and that’s to make sure that Ryan Cusak’s band, Lord Urchin, get what they deserve. Nothing. I can’t help but think that a lot of her problems come from the fact that she is so easily taken advantage of: in her past as well as by the journalist in her present.
And then there’s the love story of Ryan and Karine. How much more complicated could they make it for one another? On top of that, is Ryan’s battle to make his art accessible to others, to sell an album or play to an audience, but his past is constantly putting a spanner in the works. He wants to improve his life from his poor, deprived upbringing, and put his drug-dealing past firmly behind him.
And all of this set in a time of great change in Ireland. Maureen should see some positives in the new Ireland. She talks about Cork being a city for men, but Ireland has just passed laws for marriage equality and abortion rights.
There’s a lot going on in this novel, I’d never get through all of it here, and I wouldn’t want to. You should just read it. I loved it, and wouldn’t hesitate to recommend it.
LeftSideCut (3778 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Cards Against Humanity
8.2
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"A party game for horrible people." Play begins with a judge, known as the "Card Czar", choosing...
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Kristy H (1252 KP) rated The Mothers: A Novel in Books
Feb 8, 2018
Seventeen-year-old Nadia Turner is a beautiful high school senior. An intelligent girl, she's college bound. But Nadia is also reeling from the suicide of her mother and trying to make sense of a life that includes just her and her taciturn Marine father. Nadia founds herself drawn to Luke Sheppard, the son of the Pastor of the Upper Room, the church of her African American community. Twenty-one, Luke is a former football star who was derailed by injury in college. Now working at a local restaurant, he and Nadia embark on a secret romance, and Nadia winds up pregnant. Not ready to have a child, she chooses to have an abortion. But Nadia is unaware of the far reaching impact of her decision and how it will affect Luke, herself, and Nadia's best friend, Aubrey.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
I'm a strange person who is often wary of reading hyped books, so I put off reading this novel for a while. And I certainly did enjoy it; I can't say that I didn't. I basically read it in one day, and I was very much drawn into the story. While Bennett focuses her story on Nadia, Luke, and Aubrey, she also employs a "Greek chorus" of sorts, composed of "the mothers"--the female elders from the church--who tell the story of Nadia from their third person point of view. It's a different sort of method to employ, but Bennett pulls it off. Still, for me, I found a lot of this novel predictable, and I never really became completely attached to any of the characters. What I did enjoy is how much of the tale is rooted in the bits of life that can drag us all down. It some ways, it very well details the mundane aspects of life - making them seem interesting and nuanced. We basically see the entire span of Nadia's life, which was compelling. However, while there is a depth and message to some of Bennett's story, I can't see it sticking with me for the long-term.
Overall, this is well-written novel and certainly worth picking up. Did I find it worth all the hype? Probably not. But I'm no doubt a bit more cynical than most. It's still an intriguing story that I enjoyed reading.
Nursing Care Plan NANDA Tables
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Nursing Care Plan Tables features over 100 nursing care care plans in table format with nursing...
Breaking Glass Barefoot
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Hazel O'Connor has loved and been loved, but her generosity and spirit of adventure have often come...