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Ivana A. | Diary of Difference (1171 KP) rated Music From Another World in Books
Aug 3, 2020
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Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-53.png"/>;
Music From Another World is a powerful and emotional read, about fighting for freedom and acceptance and the amazing feeling when you finally find a crowd where you can really fit in!
<b><i>Synopsis:</i></b>
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school. Not at her conservative Orange County church. And certainly not at home, where her ultra religious aunt relentlessly organizes anti gay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk… until she has a real-life pen pal who changes everything.
Sharon Hawkins will bond with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others - like helping her gay brother hide the truth from their mom. But as anti gay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths. What they’ll stand for…and who they’ll rise against.
<b><i>My Thoughts: </i></b>
From the very first moment I read the synopsis, I knew I needed to read this book. It seemed filled with 1970's spirit, the movement to be brave and honest. The discussions in this book are through the form of letters or diary entries, which I really enjoyed. This writing style helped me get through the book extremely quickly.
We get to meet the two girls, Tammy and Sharon, both very different, but both struggling with the same issues of being contained in a world where they cannot be themselves. And even though this particular book is about the LGBTQ+ community, I believe this issue also applies to anything else in life, where people feel like they cannot be who they really are. Sometimes it is religion, other times it is political opinions, it could even be different hobbies where the person feels needs to contain in themselves because of the fear they might be frowned upon or laughed at.
<b><i>It is amazing to see how the world has progressed over the years, where people start feeling like they can finally express who they really are. It is not yet ideal, but I have a good feeling we are getting there. There is also the very powerful force of the internet, the advantage people didn't have before, to find people across the globe that share the same beliefs and interests. </i></b>
Music From Another World really moved me, and it brought up various emotions. It talks about the struggles and the reprimands, but it also talks about real happiness and laughter. The amazing feeling when you finally find a crowd that accepts you and where you truly belong. I believe this is the first book with a plot that made me feel so happy, so sad and so angry at the same time.
Thank you to NetGalley and the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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Bob Mann (459 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Sep 29, 2021
The Arthurian legend: but with Cockneys.
So, bit difficult to describe this one… so I asked my bloke Alfie from Londinium to explain what’s it all about…
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.
“‘Ere, OK bruv. So this is dun by that geezer Guy Ritchie – yer know, the one that dun that Sherlock Holmes with the Iron Man geezer Robert Junior Downey, that one. His new film is a rip-roarin’ acshun movie what retells da Arfurian legend in a novel new way.
That Hulk bloke Eric Bana is Arfur’s farfer an’ ‘e’s ‘avin’ a few problems wiv ‘is bruvver Vortigern (Jude Law, who’s a bi’ ov a cockney ‘imself, but ‘ere speaks like a posh bloke. Know what I mean?) So ‘e (Vortigern dat is) gets some magical ‘elp from some slippery watery bints in a puddle and so ‘is dad puts ‘is God Forbid in a boat an’ sends ‘im down da river ter The Smoke ter live wiv some prozzies.
But ‘e grows up big an’ strong an’ ‘andy wiv a sword. His friends tell ‘im ter get aaaht ov town as da King’s blokes are lookin’ fer da young geezer who would be king. An’ e says like “Scapa Flow sowf ov da river at dis time ov night. Are yew mad?”. So e gets caught like an’ gets tested by some famous football bloke ter pull a big sword aaaht ov just a random bi’ ov stone (nod, nod, wink wink, nice twist – ssshhh!).
The Vortigern bloke is very cross an’ tries to kill ‘im but ‘e gets rescued by some bird who can make birds, lol, an’ other fings do what she wants. So can Arfur beat ‘is uncle? Gawdon Bennet, I’m not gon’a tell yew da whole darn fing! Yer’ll ‘ave ter go an’ watch i’ ter find out.”
Thanks Alfie. Couldn’t have said it better myself!
The quirky style of Guy Ritchie isn’t one that you would think would translate well to the Arthurian setting, and as the film starts you tend to think you were right! But if you give it a chance it wears you down into acceptance and then – ultimately – a lot of enjoyment.
Jude Law is deliciously evil mixed with a heavy dose of mad, and delivers the goods.
Charlie Hunnam who plays Arthur (no, I hadn’t heard of him either but he was in the “Lost City of Z”) does a decent job as the medieval hunk, although he seems at time to have taken voice coaching in ‘Olde-English’ from Russell Crowe, since the lad’s Geordie accent seems to wander from Cockney through central southern England to Liverpudlian at one point (definitely channelling a young John Lennon)! Relative newcomer, the Spanish actress Astrid Bergès-Frisbey is effectively weird as the mage.
Particularly noteworthy (no pun intended) is the superb action soundtrack by Daniel Pemberton (“Steve Jobs“, “The Man from U.N.C.L.E.“) which propels the action really well and contains some standout moments.
Also a standout in the technical categories is the editing by James Herbert, who did both of Downey Junior’s “Sherlock Holmes” films (in a similar style) and also “Edge of Tomorrow“. The style is typified with Arthur’s growth to manhood in the streets of London which is stylishly done.
I saw the film in 3D – not a particularly favourite format – but quite well done, although falls into the “trying too hard” category at times with lots of drifting embers… you know the sort.
It’s not bloody Shakespeare. It’s not even the bloody Arthurian legend as you know it. But it is bloody good fun if you let it in.
Kristy H (1252 KP) rated Never Saw You Coming in Books
Sep 30, 2021
An insightful look at love and religion
Meg Hennessey grew up finding comfort in her faith. But her conservative parents also kept her sheltered based on their interpretation of the rules of the church. But at age eighteen, Meg learns her entire life was a lie. Instead of going to work at a church camp for a year, she heads to Marquette, Michigan to learn more about the family she never knew she had. There, she meets Micah Allen. Micah's dad is a former pastor who is now in prison. Micah adored and believed in his father, who let the church, his congregation, and his family down famously--the press still hounds Micah years later. With his father's probation hearing coming up, his mother wants him to forgive him, but Micah isn't sure he can. Meg and Micah meet and find themselves drawn to each other. But each struggle with what they've been taught about love, along with the pasts they may need to leave behind to move forward.
"Because the uncomfortable truth is, while the church loves sinners in their pews, they don't want them in front of a crowd. It's the difference between acceptance and tolerance, and it might catch on. God forbid."
This is a really lovely and moving story. While it includes a lot of religious themes and discussion, it never felt like too much--religion and forgiveness informs the story, rather than detracts from it. Meg is a side character in Hahn's excellent book, MORE THAN MAYBE, and we see glimpses of Vada and Luke from that tale (which is really fun). It's wonderful to see Meg fully explored here--Hahn writes her sections in a snappy and smart way, capturing Meg perfectly. She's so sweet, yet smart and tough. Her entire life has been upended, and Meg truly must rethink her whole faith and foundation. I think a weaker person would crumple at such a situation. Watching her grow is really fun; you cannot help but root for her.
And Micah is a great character, too. He too, has had his faith tested, as his father destroyed his church and Micah's belief in the church. Micah and Meg's romance is cute, honest, and real. Hahn's book explores how shamed these two feel by falling in love and how the church has conditioned them to feel that love, happiness, and romance can be wrong and even sinful. It tackles the pain of loving a Jesus/God who then censures you for loving. It's so adept at this and skilled at portraying their struggles. How can the love of these two sweet, earnest kids be wrong? And as they explore why bad things happen--especially as they believe so fully--the book makes you think and examine deeply. It deftly exposes the church's focus on female purity only, while often ignoring the males. Honestly, whether you're religious or not, this is a must-read, especially in these times, when so much of the control of a women's body seems not be our own.
Overall, I loved this book. It offers a charming romance, along with a timely look at religion and how it can affect young people as they make their way in the world. The side characters are excellent (I'm looking at you, Duke, and Cash the dog!). Hahn's writing is as excellent as ever. 4.5 stars. Please note the author's own note for a trigger warning for self-harm and suicide.
I received a copy of this book from St. Martin's Press / Wednesday Books and Netgalley in return for an unbiased review.
"Because the uncomfortable truth is, while the church loves sinners in their pews, they don't want them in front of a crowd. It's the difference between acceptance and tolerance, and it might catch on. God forbid."
This is a really lovely and moving story. While it includes a lot of religious themes and discussion, it never felt like too much--religion and forgiveness informs the story, rather than detracts from it. Meg is a side character in Hahn's excellent book, MORE THAN MAYBE, and we see glimpses of Vada and Luke from that tale (which is really fun). It's wonderful to see Meg fully explored here--Hahn writes her sections in a snappy and smart way, capturing Meg perfectly. She's so sweet, yet smart and tough. Her entire life has been upended, and Meg truly must rethink her whole faith and foundation. I think a weaker person would crumple at such a situation. Watching her grow is really fun; you cannot help but root for her.
And Micah is a great character, too. He too, has had his faith tested, as his father destroyed his church and Micah's belief in the church. Micah and Meg's romance is cute, honest, and real. Hahn's book explores how shamed these two feel by falling in love and how the church has conditioned them to feel that love, happiness, and romance can be wrong and even sinful. It tackles the pain of loving a Jesus/God who then censures you for loving. It's so adept at this and skilled at portraying their struggles. How can the love of these two sweet, earnest kids be wrong? And as they explore why bad things happen--especially as they believe so fully--the book makes you think and examine deeply. It deftly exposes the church's focus on female purity only, while often ignoring the males. Honestly, whether you're religious or not, this is a must-read, especially in these times, when so much of the control of a women's body seems not be our own.
Overall, I loved this book. It offers a charming romance, along with a timely look at religion and how it can affect young people as they make their way in the world. The side characters are excellent (I'm looking at you, Duke, and Cash the dog!). Hahn's writing is as excellent as ever. 4.5 stars. Please note the author's own note for a trigger warning for self-harm and suicide.
I received a copy of this book from St. Martin's Press / Wednesday Books and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated Oppenheimer (2023) in Movies
Jul 27, 2023
Gonna Win A Ton of Awards
Clear your shelves, Christopher Nolan and many of those involved in the making of his new movie OPPENHEIMER, you’re going to need the space for the many, many trophies you are going to receive next spring.
Based on the life of the “Father of the Atomic Bomb”, J. Robert Oppenheimer, Nolan’s latest epic is a rarity in today’s Motion Picture landscape - a prestige picture, bankrolled lavishly, filmed gorgeously and populated with a veritable who’s who of “A” list actors that tells a complex story of a complicated man who ends up remorseful of what he has unleashed in this world.
And it works very, very well.
Nolan regular, Cillian Murphy, is equal parts quirky, driven, determined and haunted in his multi-layered performance as the titular character - who is in almost every scene of this 3 hour film. He is fascinating to watch and his “more internal than external” performance draws the audience in throughout the events depicted in this film. It is the Best Performance of the career of one of the most interesting actors of this generation and one should not be surprised if his name is called during awards season next year.
Murphy is capably supported by a long list of strong performers giving strong performances in roles that are much smaller than ones they normally receive. Matt Damon, Florence Pugh, Josh Hartnett(!), Casey Affleck, Rami Malek, Matthew Modine, Kenneth Branagh (of course, it’s a Nolan film), Jason Clarke and Alden Ehrenreich bring their “A” game to roles that could have been thrown away.
Also, good ol’ Tom Conti (one of the most interesting actors from the late ‘70’s and early ‘80’s) shows up in this film as Albert Einstein and reminds us all why he is such a good performer…and…wait until you see who shows up for one scene in this film as President Harry S. Truman!
Oh…and don’t forget Emily Blunt (as Oppenheimer’s wife) and (surprisingly) Robert Downey, Jr. (as a politician using Oppenheimer for his own purposes). Both of them put in Award-winning-level uspporting performances, elevating two “A” list actors to the “A+ list”.
But this film is more than just it’s performers. Nolan demands - and receives - top notch work from the Cinematographer, the Sound Designer, the Editor, the Costume Designer and the Composer (Ludwig Goranssson, NOT Nolan regular Hans Zimmer). They (along with Nolan) craft a beautifully made and put together film that will dazzle the senses. If you get a chance, see this film in a movie theater and, if you can, see it in either iMAX or 70mm, you will be glad you did.
What holds this film back - just a little bit - is the story that is being told. Nolan (as he is want to do) plays with time and pretty frenetically cuts back and forth between about 4 different timelines to tell this story. It’s effective most of the time, but at other times, it becomes distracting and….with a 3 hour run time…does drag a bit at times.
But these are quibbles to a film that is “as good as it gets” by the BEST DIRECTOR plying his trade today. It is another triumph for Nolan and he will be making many, many acceptance speeches in just a few short months.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the life of the “Father of the Atomic Bomb”, J. Robert Oppenheimer, Nolan’s latest epic is a rarity in today’s Motion Picture landscape - a prestige picture, bankrolled lavishly, filmed gorgeously and populated with a veritable who’s who of “A” list actors that tells a complex story of a complicated man who ends up remorseful of what he has unleashed in this world.
And it works very, very well.
Nolan regular, Cillian Murphy, is equal parts quirky, driven, determined and haunted in his multi-layered performance as the titular character - who is in almost every scene of this 3 hour film. He is fascinating to watch and his “more internal than external” performance draws the audience in throughout the events depicted in this film. It is the Best Performance of the career of one of the most interesting actors of this generation and one should not be surprised if his name is called during awards season next year.
Murphy is capably supported by a long list of strong performers giving strong performances in roles that are much smaller than ones they normally receive. Matt Damon, Florence Pugh, Josh Hartnett(!), Casey Affleck, Rami Malek, Matthew Modine, Kenneth Branagh (of course, it’s a Nolan film), Jason Clarke and Alden Ehrenreich bring their “A” game to roles that could have been thrown away.
Also, good ol’ Tom Conti (one of the most interesting actors from the late ‘70’s and early ‘80’s) shows up in this film as Albert Einstein and reminds us all why he is such a good performer…and…wait until you see who shows up for one scene in this film as President Harry S. Truman!
Oh…and don’t forget Emily Blunt (as Oppenheimer’s wife) and (surprisingly) Robert Downey, Jr. (as a politician using Oppenheimer for his own purposes). Both of them put in Award-winning-level uspporting performances, elevating two “A” list actors to the “A+ list”.
But this film is more than just it’s performers. Nolan demands - and receives - top notch work from the Cinematographer, the Sound Designer, the Editor, the Costume Designer and the Composer (Ludwig Goranssson, NOT Nolan regular Hans Zimmer). They (along with Nolan) craft a beautifully made and put together film that will dazzle the senses. If you get a chance, see this film in a movie theater and, if you can, see it in either iMAX or 70mm, you will be glad you did.
What holds this film back - just a little bit - is the story that is being told. Nolan (as he is want to do) plays with time and pretty frenetically cuts back and forth between about 4 different timelines to tell this story. It’s effective most of the time, but at other times, it becomes distracting and….with a 3 hour run time…does drag a bit at times.
But these are quibbles to a film that is “as good as it gets” by the BEST DIRECTOR plying his trade today. It is another triumph for Nolan and he will be making many, many acceptance speeches in just a few short months.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
Jamie (131 KP) rated And I Darken (The Conqueror's Saga #1) in Books
Jul 15, 2017
Well developed characters with complex relationships (1 more)
Engaging story
What if Vlad the Impaler was a girl? An engrossing historical dark fantasy
I was surprised to find that the story had two main characters, Lada and her younger brother Radu. The story is told from their alternating points of view from childhood up to early adulthood. The siblings are sent from their homeland as hostages to the sultan to ensure their father’s loyalty. The story follows the siblings through their journey of self discovery as their fates become entangled with Mehmed II, the virtuous son of the sultan with dreams of conquest.
Lada is fierce even from a young age, a vicious child that is often described as being ugly. She is abrasive and domineering with an intense hunger to claim and rule over what she views as hers. She is frustrated by the limitations placed on her for being a woman, craving power and freedom given to her brother for the simple fact that he is a man. Lada wrestles with her femininity, at some times rejecting it entirely and at other times trying to accept herself and her needs as a woman. She idolizes her father and later the janissaries, wanting desperately to be recognized and accepted. Lada seeks to return home to her mother Wallachia, her birthright.
In stark contrast to Lada, he is sensitive and beautiful. As a child he cried easily and like his sister he also desperately sought affection and acceptance from others. Beginning with their father, their nursemaid, Lada, and eventually Mehmed. While Lada seeks power through brute strength Radu finds a means to his ends through manipulation, using his attractiveness to gain the respect and trust of the people around him. Radu finds his home in Islam and the empire under the watchful eye of the father, the Sultan.
The parallels between Lada and Radu are a subversion of the classical gendered stereotypes placed on men and women. The bonds between Lada, Radu, and Mehmed were incredibly complex and toxic for all involved. The book doesn’t shy away at all from the hideous aspects of love and jealousy and gives an honest and intimate portrayal of the characters as they stumble into adulthood.
This book is loosely based on three very real historical figures: Vlad the Impaler, Radu the Fair, and Mehmed II. Despite this, the book is in no way to be considered to be historically factual, as noted by the author. Lada’s gender change aside there is definitely many pieces of history that are changed deliberately to make room not only for a new romance but also for a more neutral portrayal of the character. This is definitely a medieval fantasy and alternate history book which I’m quite frankly fine with and was able to enjoy just the same. The setting and characters were fairly convincing for the time period and appreciated the research and detail that was put into the book to make it at least believable.
I expected a little more war and battle in this book but there was actually next to none. There was much more focus on the political aspects of the story which I think was alright considering the ages of the main characters. I do expect to see more combat in the next book though, so maybe Lada will actually be the brutal warrior princess she was destined to be.
Despite my mild complaints about the historical aspects of this book I thoroughly enjoyed myself reading it. I was initially intimidated by the page count for this book but found myself flying through the pages. And I Darken is masterfully written and really polished compared to a lot of YA literature. Definitely one of my favorites and I am absolutely ecstatic to continue the series.
Lada is fierce even from a young age, a vicious child that is often described as being ugly. She is abrasive and domineering with an intense hunger to claim and rule over what she views as hers. She is frustrated by the limitations placed on her for being a woman, craving power and freedom given to her brother for the simple fact that he is a man. Lada wrestles with her femininity, at some times rejecting it entirely and at other times trying to accept herself and her needs as a woman. She idolizes her father and later the janissaries, wanting desperately to be recognized and accepted. Lada seeks to return home to her mother Wallachia, her birthright.
In stark contrast to Lada, he is sensitive and beautiful. As a child he cried easily and like his sister he also desperately sought affection and acceptance from others. Beginning with their father, their nursemaid, Lada, and eventually Mehmed. While Lada seeks power through brute strength Radu finds a means to his ends through manipulation, using his attractiveness to gain the respect and trust of the people around him. Radu finds his home in Islam and the empire under the watchful eye of the father, the Sultan.
The parallels between Lada and Radu are a subversion of the classical gendered stereotypes placed on men and women. The bonds between Lada, Radu, and Mehmed were incredibly complex and toxic for all involved. The book doesn’t shy away at all from the hideous aspects of love and jealousy and gives an honest and intimate portrayal of the characters as they stumble into adulthood.
This book is loosely based on three very real historical figures: Vlad the Impaler, Radu the Fair, and Mehmed II. Despite this, the book is in no way to be considered to be historically factual, as noted by the author. Lada’s gender change aside there is definitely many pieces of history that are changed deliberately to make room not only for a new romance but also for a more neutral portrayal of the character. This is definitely a medieval fantasy and alternate history book which I’m quite frankly fine with and was able to enjoy just the same. The setting and characters were fairly convincing for the time period and appreciated the research and detail that was put into the book to make it at least believable.
I expected a little more war and battle in this book but there was actually next to none. There was much more focus on the political aspects of the story which I think was alright considering the ages of the main characters. I do expect to see more combat in the next book though, so maybe Lada will actually be the brutal warrior princess she was destined to be.
Despite my mild complaints about the historical aspects of this book I thoroughly enjoyed myself reading it. I was initially intimidated by the page count for this book but found myself flying through the pages. And I Darken is masterfully written and really polished compared to a lot of YA literature. Definitely one of my favorites and I am absolutely ecstatic to continue the series.