"I just love the songs on this. I’m not into the whole religious aspect of the band but I’ve been a fan since I saw them on Top Of The Pops doing ‘Fire’. The reason that I picked this over Achtung Baby - which is one of my favourite U2 albums from my favourite period of U2 – is that it’s just a massive album for me. When I get time to have a quiet moment on my own, I could sit and play all the songs off this on an acoustic guitar for ages. They’re just great. You don’t like it? I don’t give a fuck! Everyone that I’ve ever known – EVER KNOWN – apart from my wife – hates them. Me and my wife love them. It wasn’t the reason we got married… But everyone else I have ever met from my earliest memory in Manchester to right now talking to you has gone, 'They are fucking shit. They are what’s wrong with music.' For me it’s about the songwriting. If I could write a song like ‘Running To Stand Still’ and ‘Nobody’s Home’ by Pink Floyd then I could die happy with never writing another song again."

"I don't like all of the record, but I forgive the bits of it that are drenched in too much Marty Ballin, because other than that there's 'White Rabbit', 'Somebody to Love'... There's that crazy reverbed out acoustic piece, 'Embryonic Journey', that I've been playing at parties at my house and no one knows what it is. It's otherwordly. And I like that era of radical San Francisco glamour, there's an element of that in Big Brother and the Holding Company too. There's something about the way the guitars and drums were compressed together that I like. I like that era of Grace Slick, she's at the peak of discovering her dynamics and her voice. Even lyrically, she comes out with some cool shit, she's so confident and so free that we get those great, simple songs. When she gets to that very last "feed your head", it's just a perfect moment. They build to that and it's completely perfect. You couldn't write it that way, you couldn't think to do it, you just have to do it and hope you don't fuck it up."

"This is his Los Angeles album, and what's funny about that is it's one of his most European records. On the 'Station To Station' song he even sings "the European cannon is here", and it's ironic that he recorded it in the Hollywood hills while doing tons and tons of cocaine. It's odd when you talk about these really iconic artists, whether it's Led Zeppelin or The Rolling Stones, there's always that debate about which is their best album, and usually there's some degree of consensus. With David Bowie most of my music cognoscenti friends will go with Low, but for me Station To Station is the weirdest, most subtly strong David Bowie album. It doesn't have the ambient beauty of Heroes or Low, but it's almost as if he was trying to make a conventional record, but it ends up sounding even stranger because it's trying to be conventional. And that's why I picked it. In a way it reminded me of some of the Roxy Music albums being made around this time, like Manifesto in that was these very strange artists trying to be a little more normal and ending up making something even more disconcertingly odd. How he could make this amazing record when he was constantly out of his mind on cocaine, and also the courage of having the first song on the record nine and a half minutes long, but the music on 'Station To Station' doesn't even get going for the first few minutes. When I was growing up Bowie really had this otherworldly mystique. There was so many different David Bowies, there was glam Bowie, European Bowie, then later on there was dance album Bowie. There was an assumption that whatever he was doing was phenomenal because he was David Bowie. To be a celebrity name-dropper one thing that amazed me was that I lived across the street from David Bowie for a while in New York and we had BBQs together, we went on tour together, and one of my most treasured memories, if I'm on my death bed this might be the thing that I think of. One morning David Bowie came over to my apartment and we were sitting on my couch at 10 in the morning drinking tea, and I played 'Heroes' on acoustic guitar and he sung along. Even if I end up getting married, having children and a family life, my favourite memory will be playing 'Heroes' on acoustic guitar with David Bowie."